It looks like someone left the door to the nether region open again, and reporter Molly Martindale has got another batch of otherworldly supplicants who need her help. Not long ago, Molly quite literally went to hell to help secure peace for her friend Dennis, who was born Buddy Parker in the 1920s in her beloved, adopted hometown of Oxbow, Florida. Oxbow has always felt charmed to Molly-that is, if she doesn't count the ghostly visitors who turn her world upside down or the recent return of her ex-boyfriend Greg Richards, who brings with him the scourge of illicit drugs and a burning need to get even with her. Molly is working on acquainting her best friend Dana with Dennis's memory. He is the father Dana has never known but always resented. Molly must tread carefully, all too aware that she could easily lose her best friend in the process. What's more, things heat up when Dana meets Glenn Morrison, the wheelchair-bound veteran Molly kind of thinks of as "hers." But soon Molly finds herself threatened from all sides, as residents of hell plead for her help yet again. In this sequel to Bitter Secrets, only time will tell if she can deal with worldly and supernatural problems as she fights her newest unholy foes-the advent of drugs into her world, decades of lies involving the powerful St. Claire family, and the shadows of her past.
Captivated by a 40-year-old mystery, hometown reporter Molly Martindale embarks on a quest for truth that plunges her into an icy nightmare of fear and uncertainty. A wheelchair-bound Viet Nam vet, cold and eerie faces from the past, a savvy old black man and a yellowed diary are her companions on a journey that threatens to wake sleeping ghosts from her own secret past. Bitter Secrets is an intensely human story set in a small Florida town. Intriguing secrets push the reader along as the heroine makes a heart wrenching search for clues to a lost family. Pictures of the lush southern landscape and varied characters all but speak aloud, including Dutch, her devoted Labrador retriever. It's a good read, richly blending plainly beautiful language from start to finish. Barbara Oehlbeck, poet and author of Mama: Root, Hog, or Die, The Sabal Palm and For the Love of Roses. Bitter Secrets by Patty Brant is a story of the old south with twists and turns, melancholy and ghosts from the past. In the vernacular of southern people through easy conversations over coffee, Patty spins a deepening mystery of violence and trauma that crosses generations. This is a mystery-lover's mystery with a touch of the paranormal that keeps the excitement high. D. K. Christi, Consultant, Speaker & Author of Arirang: The Bamboo Connection and The Ghost Orchid, www.dkchristi.com Bitter Secrets was a finalist in the 2013 Indie Excellence Book Awards.
From origin stories to contemporary struggles over treaty rights and sovereignty issues, Indian Nations of Wisconsin explores Wisconsin's rich Native tradition. This unique volume—based on the historical perspectives of the state’s Native peoples—includes compact tribal histories of the Ojibwe, Potawatomi, Oneida, Menominee, Mohican, Ho-Chunk, and Brothertown Indians. Author Patty Loew focuses on oral tradition—stories, songs, the recorded words of Indian treaty negotiators, and interviews—along with other untapped Native sources, such as tribal newspapers, to present a distinctly different view of history. Lavishly illustrated with maps and photographs, Indian Nations of Wisconsin is indispensable to anyone interested in the region's history and its Native peoples. The first edition of Indian Nations of Wisconsin: Histories of Endurance and Renewal, won the Wisconsin Library Association's 2002 Outstanding Book Award.
In Cursed in the Carolinas, Patty A. Wilson recounts tales of genuine maledictions intended to invoke evil and unease across both North and South Carolina. The pages will bring to life these stories, letting you decide whether the resulting tragedies were simply bad luck, coincidences…or something far more sinister.
Cultural Objects and Reparative Justice provides a comprehensive legal and historical analysis surrounding a highly debated current question: Where should cultural objects that were removed without consent be located? This book follows an innovative, interdisciplinary approach based in law, history, art history, anthropology, and archaeology and proposes a paradigm for reparations. Tracing the historical foundations of the current legal framework, the work closely examines three factors that heavily informed the cultural heritage debate since the late eighteenth century: the rise of the encyclopaedic museum, the development of archaeology as a science, and the appropriation of objects in the context of armed conflict and colonialism. Each of these explorations is enriched by examples from around the globe and assessed on the international, national, and local level. Subjecting contested objects -such as the Parthenon Sculptures, those from the Yuanmingyuan Palace, the Benin artifacts, looted archaeological artefacts and human remains, and artwork stolen during the Holocaust - to this holistic approach enables a contextualisation of the unique history of appropriation of these objects. Cultural Objects and Reparative Justice outlines how current cultural heritage laws and ethical guidelines with respect to cultural heritage derive from a background of imperialism and colonialism. The book advocates for a new structure based on reparation, restitution, repatriation, compensation, and market regulation to cease perpetuating past harms and to disincentivize new ones.
While examining colonial culture in its many manifestations, from art, literature, and film to the journals of explorers and missionaries, O'Brien rereads not only the canonical texts of Pacific imperialism, but also lesser-known remnants of this cultural heritage with an eye to what they reveal about gender, sexuality, race, and femininity. Over its long history - from the famous (and much romanticized) settlement of Tahitian women and mutineers from the Bounty on Pitcairn Island in 1789 to the South Seas romantic tradition, Gauguin, and beach culture - notions of female primitivism changed in response to the ideological watersheds of Christianity, Enlightenment science, and race theories, as well as the development of democratic nation-states, modernity, and colonialism.
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