Real News on real paper. Newspapers-- a free press-- were the cornerstone of the Founding Fathers' working model of democracy. And they remain so. Whether read at the kitchen table, in the boardroom, or on a laptop on the subway, newspapers-- as has been said of them for more than a half-century-- are "the first draft of history."Veteran journalist Patt Morrison proves it, and then some, in the pages of Don't Stop the Presses! Truth, Justice, and the American Newspaper.
This is a comprehensive manual containing all the necessary information for making the best of living with a devastating disease and its miserable symptoms and side effects.
Pitch perfect: From Funny Girl to A Star Is Born, the meteoric rise of Barbra StreisandIn 1970 Barbra Streisand published a story in Life magazine titled "Who Am I Anyway?" It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture "the real Barbra." Brimming with photographs—over half of which have never been published before—and stories behind the shots from Schapiro and Schiller, this is a must-have collection for any Streisand fan. All the best movies of Streisand's first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidantes, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford. Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.Limited to a total of 1,200 numbered copies signed by Steve Schapiro and Lawrence Schiller, this book is available as Collector's Edition (No. 201-1,200), and also in two Art Editions of 100 copies each (No. 1-100 with a print signed by Steve Schapiro, and No. 101-200 with a print signed by Lawrence Schiller).
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