When Patsy Stoneman's Elizabeth Gaskell first appeared in 1987, it was welcomed as 'the first major full-length feminist study of Gaskell' (Victorian Studies). Though long out of print, it is still widely used and cited in university contexts, making it certain that this augmented edition will be equally welcome. This pioneering study, described as 'a model of feminist criticism' (The Year's Work in English Studies), reveals Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, maintaining a steady resistance to aggressive authority and advocating female friendship, rational motherhood and the power of speech as forces for social change. Since 1987, Gaskell's work has risen from minor to major status. Despite a wealth of subsequent gender-oriented criticism, however, Stoneman's 'combination of psychoanalytic and political analysis', which Choice found 'thought-provoking' in 1987, remains challenging in its use of modern motherhood theories. This new edition, therefore, presents the original text unchanged (except for bibliographical updating) together with a new critical Afterword. Patsy Stoneman's extensive new Afterword offers detailed evaluation of all the Gaskell criticism published between 1985 and 2004 which has a bearing on her subject, and thus provides both a wide-ranging debate on the social implications of motherhood, and an invaluable survey of Gaskell criticism over the last twenty years. This edition, with an updated bibliography and index, will bring a well-known classic to a new audience, while also offering a uniquely comprehensive overview of current Gaskell studies. Book jacket.
Charlotte Brontë's Jane Eyre was published in October, 1847, and within three months a version was on stage in London. By 1900, at least eight different stage versions had appeared in England, America and continental Europe. For the first time, all eight plays are available in Patsy Stoneman's critical edition, richly illustrated by facsimile reproductions of manuscripts, unique Victorian playbills, contemporary etchings of theatres, and portraits of playwrights and actors. Stoneman's introduction places the plays' bizarre innovations in the context of theatre history and of contemporary debates on class and gender, while each edited play-text is accompanied by detailed notes, based on original research, on the playwright, theatre(s) and performances, and contemporary reception. Most of these plays existed only in manuscript, and were quickly forgotten, yet they make fascinating reading. Nineteenth-century playwrights had no reverence for a text we regard as canonical, but added to, deleted from and twisted Charlotte Brontë's story to suit their own purposes. One play has a cast of comic servants who follow Jane from Lowood to Thornfield. In another, the madwoman is revealed as the sister-in-law of a blameless Rochester. A third has Blanche Ingram reduced to a fallen woman, seduced and abandoned by John Reed. Jane Eyre on Stage will appeal to readers interested in literary and theatrical history, cultural studies, and the intriguing afterlives of famous books.
This book provides an in-depth analysis of the role of regional integration in the contemporary Caribbean, challenging the value of the neoliberal ideology that permeates regionalism discourse. The book asks what value neoliberal regionalism holds for the Caribbean, when its economic goals of efficiency and competitiveness serve to actively marginalize small states within the global community. Presenting an alternative framework for assessing success, the book investigates how the Caribbean Community (CARICOM) can confront new challenges and perform a more developmental function, centring economic transformation and a more democratic process. The book also explores long-standing challenges with implementing regional decisions at the national level and the absence of avenues for citizens to influence the direction of the integration movement. It explores these themes against the backdrop of the global pandemic and the climate crisis which underscore the fragility of Caribbean economies, their high levels of indebtedness, weak social security systems, and their marginality. Bringing together decades of research from one of the world’s foremost scholars on the subject, this book will be essential reading for researchers of the Caribbean specifically, and for those with an interest in regionalism more generally, across the fields of political economy, international relations, history, geography, economics, and global development.
Born Ruby Rebecca Blevins in a log cabin nestled among the Arkansas Ozarks in 1908, Patsy Montana began her musical career performing in the 1920s with the California-based Montana Cowgirls trio. She went solo and in 1936 became the first female country and western singer to sell one million records with her self-penned "I Want to Be a Cowboy's Sweetheart." Her career spanned eight decades, and in 1996 (also the year of her death) she was inducted into the Country Music Hall of Fame. Here is the story of a tiny, blue-eyed woman who had a pioneering spirit and a big voice. Patsy Montana describes in her own words and in vivid detail her life, career, and success at a time in music history when women did not cut gold records, gold records were not even given, and Billboard did not even have a chart for western music.
The history of the Seminole and Miccosukee tribes dates back to the 1500s, when most of Florida as well as much of the United States was uninhabited. During the early 19th century, the tribes moved into the South Florida interior, living on remote tree islands throughout the Everglades and Big Cypress Swamp. These self-reliant people kept mostly to themselves. Their struggles have included disease, poverty, relocation, and three wars with the U.S. Army. Nevertheless, these resilient tribes survived and have become a vital part of the country's history and a unique and highly popular feature of South Florida tourism. Today, these tribes are busy creating economic opportunity for members, preserving their heritage and culture, and protecting their homeland. The powerful and engaging story of these remarkable people is brought to life in Images of America: Seminole and Miccosukee Tribes of Southern Florida. Captivating images from the Seminole / Miccosukee Photographic Archive highlight and preserve their story for future generations. Readers will appreciate this up-close and personal look at their way of life. The descendants of famed Native Americans such as Osceola, Jumper, Micanopy, and Sam Jones are seen in this distinct photo perspective working, resting, playing, and celebrating their customs.
When Patsy Stoneman's Elizabeth Gaskell first appeared in 1987, it was welcomed as 'the first major full-length feminist study of Gaskell' (Victorian Studies). Though long out of print, it is still widely used and cited in university contexts, making it certain that this augmented edition will be equally welcome. This pioneering study, described as 'a model of feminist criticism' (The Year's Work in English Studies), reveals Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, maintaining a steady resistance to aggressive authority and advocating female friendship, rational motherhood and the power of speech as forces for social change. Since 1987, Gaskell's work has risen from minor to major status. Despite a wealth of subsequent gender-oriented criticism, however, Stoneman's 'combination of psychoanalytic and political analysis', which Choice found 'thought-provoking' in 1987, remains challenging in its use of modern motherhood theories. This new edition, therefore, presents the original text unchanged (except for bibliographical updating) together with a new critical Afterword. Patsy Stoneman's extensive new Afterword offers detailed evaluation of all the Gaskell criticism published between 1985 and 2004 which has a bearing on her subject, and thus provides both a wide-ranging debate on the social implications of motherhood, and an invaluable survey of Gaskell criticism over the last twenty years. This edition, with an updated bibliography and index, will bring a well-known classic to a new audience, while also offering a uniquely comprehensive overview of current Gaskell studies. Book jacket.
Between 1847 and 1900, at least eight different stage versions of Jane Eyre appeared in England, America and continental Europe. For the first time, all eight plays are available in Patsy Stoneman's fully annotated and richly illustrated critical edition.
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