Jean Fautrier, one of France's most important interwar and postwar artists, is perhaps best known for the Otages, his series of abstract paintings featuring partially obliterated or disfigured faces -victims of Nazi atrocities in France during World War II. This work discusses his significance to the history of avant-garde and modern art.
This book integrates history, theology, and art and analyzes the Jesuits’ cross-cultural mission in late imperial China. Readers will find a rich collection of resources from historical sites, museums, manuscripts, and archival materials, including previous unpublished works of art. The production and circulation of art from different historical periods and categories show the artistic, theological, and missional values of Christian art. It highlights European Jesuits, Asian Christians, transnationalism, and gives voice to Chinese Christian women and their patronage of art in the seventeenth century. It offers a rare systematic study of the relation between art and mission history.
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