Blackout; Eclipse; What Are They Like?; Bassett; I'm Spilling My Heart Out Here; Gargantua; Children of Killers; Take Away; It Snows; The Musicians; Citizenship; Bedbug
Blackout; Eclipse; What Are They Like?; Bassett; I'm Spilling My Heart Out Here; Gargantua; Children of Killers; Take Away; It Snows; The Musicians; Citizenship; Bedbug
Drawing together the work of 12 leading playwrights, this National Theatre Connections anthology celebrates highlights from 21 years of the Connections festival with a retrospective selection of plays. Featuring work by some of the most prolific playwrights of the 20th and 21st centuries, and together in one volume, the anthology offers young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department over the years, with the young performer in mind. In 2016, these plays were then performed by approximately 500 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional partner regional theatres at which the works were showcased. The anthology contains all 12 of the play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Snoo Wilson, Gary Kemp and Guy Pratt; Simon Armitage; Jackie Kay; Patrick Marber; Mark Ravenhill; Bryony Lavery & Frantic Assembly; Davey Anderson; James Graham; Katori Hall; Carl Grose; Stacey Gregg; and Lucinda Coxon.
A haunting novel that probes the enigmas of time and memory, by Nobel Prize–winning author Patrick Modiano “Polizzotti’s crisp and evocative translation keeps the reader hooked.”—Publishers Weekly In his acclaimed semi-autobiographical novella Suspended Sentences, Patrick Modiano recounted a dramatic season in his childhood, of the home he shared with sinister surrogate parents, the mysterious events that took place there, and an infamous heist that was never solved. In Scene of the Crime, Modiano conjures the aftermath of those years. A decade has passed, and Jean Bosmans, now in his early twenties, becomes aware of a set of disturbing coincidences involving an elusive woman, his childhood home, and a host of disquieting characters who seem inordinately interested in his past, for reasons he can’t fathom. As he journeys into the echoes of memory, past and present become increasingly intertwined, forming a web spanning half a century. With the taut suspense of a detective novel, this book slowly peels away layers of time and forgetfulness to reveal the haunting, threatening, ultimately tragic legacies of what we think we know about our lives.
Feelings of rootlessness, fragmentation and loneliness are endemic in today’s secular societies. In the late nineteenth century, Emile Durkheim described this kind of social malaise as anomie, a concept which this book locates within a historical narrative of the emergence of Modernism from Modernity. The book focuses on two representative figures, Benedictus de Spinoza and Vincent van Gogh, on whose work it offers some significant new perspectives. Spinoza drew up a blueprint for Modernity, which is to say, the cultural transformations that took place as a result of the Scientific Revolution and the Protestant Reformation. In counterpoint to his overriding confidence in reason, a persistent current in Spinoza’s writing shows how concerned he was about a possible loss of confidence in his governing idea of a single Substance, the philosophical God with which he sought to replace the creator God of the Bible. In promoting art as a means of filling the gap left by the absence of Spinoza’s philosophical God and the failures of traditional Christianity, Van Gogh also discovered the limitations of the vocation to which he had dedicated himself. He concluded that, in the tension between art and anomie, a new kind of religious sensibility and understanding might emerge. This remains the case in the current postmodern cultural phase when fragmentation and incoherence are summoning up new assessments and re-configurations of values promoting new forms of solidarity, dialogue and religious understanding.
The era of liberal interventionism is over, and the prevailing international discourse is once again about defending state borders and putting up walls. This broad re-assertion of sovereignty and non-intervention—-often considered the normative foundation of the BRICS countries, of the Non-Aligned Movement, of Bandung, of the “Westphalian” South—-raises a series of difficult questions, not least about the management of challenges shared by all. How are we to make sense of re-organisations of intervention and non-intervention in global order? Recently the dominant way of approaching these issues has been through the lens of cosmopolitan or liberal-solidarist duties, including the Responsibility to Protect. Yet it seems doubtful that this framework is still capable of posing the right questions or generating the right sorts of answers. This volume offers a new approach that provincializes the conventional debate, de-naturalises what it takes as universal or given, and lays out a series of alternatives at a time when non-intervention, quite suddenly, seems everywhere in the discourse of international society. It does so through a genealogy of the intervention concept since 1945. Intervention before Interventionism is about the ways in which statespeople have re-ordered intervention and non-intervention since the middle of the twentieth century; it is concerned primarily with non-Western contestations of Western-dominated order; it illustrates institutional change in and through decolonization; and it provides a conceptual roadmap for understanding dilemmas of intervention and non-intervention today, particularly in relation to contestation as it has re-emerged in the twenty-first century. While building upon and conversing with existing literature, the book stands out from previous approaches insofar as it is a mapping of international struggles for the re-constitution of intervention in the globalization of the society of states.
To obtain sacred relics, medieval monks plundered tombs, avaricious merchants raided churches, and relic-mongers scoured the Roman catacombs. In a revised edition of Furta Sacra, Patrick Geary considers the social and cultural context for these acts, asking how the relics were perceived and why the thefts met with the approval of medieval Christians.
Atherton was once a magnificent three-tiered world, but few inhabitants know the truth of its dark origin: it is a giant man-made satellite, created as a refuge from a dying Earth. Now this strange place is torn apart--its three lands, formerly separated by treacherous cliffs, have collapsed and collided. But a gifted climber and adventurous orphan boy, Edgar, is determined to discover the secret of Atherton's survival, and embarks on a life-or-death quest to find its mad maker. In bestselling author Patrick Carman's rich and riveting follow-up to The House of Power, an extraordinary world meets its destiny in an epic and unforgettable rebirth.
Some of the saints of old we know little about and others we know much. But, we do know that the high esteem in which these men and women were held by their contemporaries and in which they have been held down to the present day, attests to the heroic quality of their saintliness. We can learn something from their lives.
The study describes the origins of the Southwest Mongolia vicariate beyond the Great Wall and along the Yellow River Bend during the transition period from Lazarist missionary activities in the 1840s to the Scheutists in the early 1870
In the dazzling conclusion to the epic story of Atherton, Patrick Carman takes readers on the most rewarding journey of all, to the perilous realm of The Dark Planet: Earth. When Edgar discovers a way to leave the mysterious satellite world of Atherton, he couldn't have imagined the gloom that awaited him on the dark planet, where the oceans are toxic, the forests are full of mutant monsters, and children toil in darkness, controlled by ruthless maniacs. Max Harding, an orphan of the Silo, the maker of Atherton, and the last hope of a dying world, left this place behind, and now Edgar is determined to complete the mad scientist's spectacular plan, revealing Atherton's true purpose. Edgar's quest to discover Earth's dark secret leads to an out of this world adventure in the final book of the Atherton trilogy.
The season of Lent--the Church's spring--begins the celebration of the dying and rising of Jesus, a time of deep personal renewal only completed in the Easter season. With the revival of the Rite of Christian Initiation of Adults, Lent returns to its original character as a time of formation for catechumens. But the Sunday and daily liturgical readings for the season of Lent do more than prepare catechumens for the reception of Baptism at the Easter Vigil. Even the long baptized can progress through the liturgical readings of this season into a deeper experience of their Baptism, their death and rebirth in the Lord. As in the early Church, all of us can take the season of Lent, and especially its forty weekdays of fasting, as an opportunity to turn back to the Lord, our God. Patrick Ryan's reflections on the liturgical readings of the Lenten season arise not only from study of the scriptural passages involved but also from his extensive familiarity with the history of religion and his long experience of life in the Christian churches both of Africa and the United States. From years of inter-religious encounter he has come to a different sense of the Paschal mystery, one enriched by a broad appreciation for the complexity of human longing, religious and secular, for the transcendent. +
The dictionary lists each character from Pynchon's fiction up through his most recent novel, including the most likely etymology of each name. In addition, the thorough introduction examines Pynchon's character names as a part of his greater literary strategy, establishing a set of categories through which most of the names may be understood.
Presents three short novels which explore the influence of the past, the complexities of human relationships, and the mysterious power of Paris over its residents and visitors.
They are the Forgotten Figures! They came from Africa, the Caribbean, the Americas, and the United Kingdom and showed America how to play soccer. They exhibited highly technical skills of the game, taught the youths in communities across the USA and Canada, and were their role models. They crusaded the game's uniqueness and its beauty. They were the black pioneers of the (original) North American Soccer League (1968–'84). Among them were the first MVPs of the league and the very first NASL Rookie of the Year; they were among the leading scorers and led their teams to NASL titles. In the process, they played a significant role in making the NASL a world–respected league, which led to the 1994 World Cup in the USA and now the successful MLS. Their efforts made soccer an American sport, and among them were Alberto, Archibald, Auguste, Best, Cannon, Charles, Coker, Cole, Cubillas, Cummings, David, De Leon, Eusebio, Evans, Fowles, Gamaldo, Grell, Horne, Horton, Ingram, Kapengwe, Knight, Lamptey, Largie, Lewis, Lichaba, Lindsay, Mathieu, Mfum, Mokgojoa, Motaung, Mwila, Ntsoelengoe, Odoi, Pearce, Phillips, Sanon, Scott, Sono, St. Lot, St. Vil, St. Vil, Steadman, Valentine, Welch, Welch, Whalen, and Pele. It all started with them; now they will be forgotten no more. This book is their tribute!
Drawing on the phenomenological tradition in the philosophy of science and philosophy of nature, Patrick Heelan concludes that perception is a cognitive, world-building act, and is therefore never absolute or finished.
... aspirations to perfection awaken us to our actual imperfection." It is in the space between these aspirations and our inability to achieve them that Grant reflects upon imperfection. Grant argues that an awareness of imperfection, defined as both suffering and the need for justice, drive us to an unrelenting search for perfection, freedom, and self-determination. The twenty-one brief chapters of Imperfection develop this governing idea as it relates to the present situation of the God debate, modern ethnic conflicts, and the pursuit of freedom in relation to the uncertainties of personal identity and the quest for self-determination.
How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore.
Presents information about historic sites that can be visited to relive the War of 1812, including location, hours of operation and admission. Most of the sites have been visited by the authors.
The time is late-21st Century. Tali Rosen is an accomplished net-stretcher for Nacho-Net, headquartered in Havana. Tali's life begins to unravel when her Cuban fiancée cheats on her. At the same time, Tali's Aunt falls into a coma after an automobile accident, and Tali retreats home to Northern California. There she finds she can communicate with her comatose aunt through what Tali will learn is called the tsunami: a potent fusion of organic, electronic and spiritual networks made possible by the creation of DnetA. Operating outside the confines of time and space, the tsunami enables Tali to venture back and forth across the boundary regions between life and death. Swept up by this tidal wave, she learns that the tsunami itself is an artificial recreation of the bardos of Tibetan Buddhism, and is a marketing experiment that has gone horribly wrong. In the end Tali must risk everything to undo the damage the tsunami has wrought to the border region separating life and death.
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It is one hundred years since Westminster Cathedral was opened for publish worship. Built within cheeky proximity to Westminster Abbey, it was a design and architectural specification which was and remains immensely ambitious. This is the story of the Cathedral since its first planning stages through to the present day.
Evidence-Based Practice of Critical Care, edited by Drs. Clifford S. Deutschman and Patrick J. Neligan, provides objective data and expert guidance to help answer the most important questions challenging ICU physicians today. It discusses the clinical options, examines the relevant research, and presents expert recommendations on everything from acute organ failure to prevention issues. An outstanding source for "best practices" in critical care medicine, this book is a valuable framework for translating evidence into practice. Gain valuable evidence-based recommendations on key topics such as acute organ failure, infection, sepsis and inflammation, and prevention issues pointing the way to the most effective approaches. Get an overview of each question, an outline of management options, a review of the relevant evidence, areas of uncertainty, existing management guidelines, and authors’ recommendations. Navigate a full range of challenges from routine care to complicated and special situations. Find the information you need quickly with tables that summarize the available literature and recommended clinical approaches.
Aphasia and Related Neurogenic Communication Disorders, Third Edition reviews the definition, terminology, classification, symptoms, and neurology of aphasia, including the theories of plasticity and recovery.
When he died at the age of thirty-seven, Vincent van Gogh left a legacy of over two thousand artworks, for which he was justly famous. But van Gogh was also a prodigious writer of letters—more than eight hundred of them, addressed to his parents, to friends such as Paul Gauguin and, above all, to his brother Theo. His letters have long been admired for their exceptional literary quality, and art historians have sometimes drawn on some of the letters in their analysis of the paintings. And yet, to date, no one has undertaken a critical assessment of this remarkable body of writing—not as a footnote to the paintings but as a highly sophisticated literary achievement in its own right. Patrick Grant’s long-awaited study provides such an assessment and, as such, redresses a significant omission in the field of van Gogh studies. As Grant demonstrates, quite apart from furnishing a highly revealing self-portrait of their author, the letters are compelling for their imaginative and expressive power, as well as for the perceptive commentary they offer on universal human themes. Through a subtle exploration of van Gogh’s contrastive style of thinking and his fascination with the notion of imperfection, Grant illuminates gradual shifts in van Gogh's ideas on religion, ethics, and art. He also analyzes the metaphorical significance of a number of key images in the letters, which prove to yield unexpected psychological and conceptual connections, and probes the relationships that surface when the letters are viewed as a cohesive literary product. The result is a wealth of new insights into van Gogh’s inner landscape.
Soon after his death, Vincent van Gogh’s reputation grew and developed through the extraordinary symbiosis evident between his paintings and letters. However it is a formidable task to read and analyze Van Gogh's nearly eight hundred letters due to the sheer bulk and complexity of the collection. Reading Vincent van Gogh is at once an interpretive guide to the letters and a distillation of Van Gogh’s key themes and ideas. This indispensable, synoptic, and interpretive view of the letters as a whole will be equally of interest to scholars and teachers making use of Van Gogh’s letters as it will be to those who have long been fascinated by the artist. This is the third book by Patrick Grant on the letters of Vincent van Gogh. It builds on his previous work in The Letters of Vincent van Gogh (2014), a practical-critical study, and “My Own Portrait in Writing” (2015), a literary theoretical analysis that draws on the domain of modern literary studies. In the hands of Patrick Grant, the extraordinary literary achievements of Vincent van Gogh are explained and exemplified and claims that the well-known artist was also a great writer are confirmed.
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