In this innovative comparison of Gadamer and Wittgenstein, the author explores their common concern with the relation of language to reality. Patrick Horn's starting point is the widely accepted view that both philosophers rejected a certain metaphysical account of that relation in which reality determines the nature of language. Horn proceeds to argue that Gadamer never completely escaped metaphysical assumptions in his search for the unity of language. In this respect, argues Horn, Gadamer's work is nearer to the earlier rather than to the later Wittgenstein. The final chapter of the book highlights the work of Wittgenstein’s pupil Rush Rhees, who shows that Wittgenstein's own later emphasis on language games, while doing justice to the variety of language, does less than justice to the dialogical relation between speakers of a language, wherein the unity of language resides. Contrasting Rhees's account of the unity of language with those given by Gadamer and the early Wittgenstein brings out the importance of understanding reality in terms of the life that people share rather than in terms of what philosophers say about reality.
In this innovative comparison of Gadamer and Wittgenstein, the author explores their common concern with the relation of language to reality. Patrick Horn's starting point is the widely accepted view that both philosophers rejected a certain metaphysical account of that relation in which reality determines the nature of language. Horn proceeds to argue that Gadamer never completely escaped metaphysical assumptions in his search for the unity of language. In this respect, argues Horn, Gadamer's work is nearer to the earlier rather than to the later Wittgenstein. The final chapter of the book highlights the work of Wittgenstein’s pupil Rush Rhees, who shows that Wittgenstein's own later emphasis on language games, while doing justice to the variety of language, does less than justice to the dialogical relation between speakers of a language, wherein the unity of language resides. Contrasting Rhees's account of the unity of language with those given by Gadamer and the early Wittgenstein brings out the importance of understanding reality in terms of the life that people share rather than in terms of what philosophers say about reality.
Fascinating study of 17th- and 18th-century piracy finds the lore about Henry Morgan, Captain Kidd, Blackbeard, Anne Bonney, and other marauders largely overblown. "Highly entertaining and well-documented." — The New York Times. 35 black-and-white illustrations.
Sleuthing duo Lillian Frost and Edith Head investigate a behind-the-scenes scandal in this delightful Golden Age of Hollywood mystery. 1939, Los Angeles. Lillian Frost is shocked when her friend, glamorous costume designer Edith Head, hands her the script to a new film that's about to start shooting. Streetlight Story is based on a true crime: the California Republic bank robbery of 1936. Lillian's beau, LAPD detective Gene Morrow, was one of the officers on the case; his partner, Teddy, was tragically shot dead. It seems the scriptwriter has put Gene at the centre of a scandal, twisting fact with fiction - or has he? With Gene reluctant to talk about the case, the movie quickly becoming the hottest ticket in town, a suspicious death on the Paramount studio lot and the police reopening the investigation into Teddy's death, Lillian is determined to find answers. Can Lillian and Edith uncover the truth of what happened that fateful day and clear Gene's name?
At a time when America’s schools face many of the most difficult challenges ever, the authors of Leading for Democracy: A Case-Based Approach to Principal Preparation return the reader to an agenda for democratic leadership for schools. Emphasizing the need for leadership preparation programs to reexamine existing and more traditional approaches to principal preparation, this comprehensive book draws to the foreground the need for a case-based approach that reflects the real-world problems and challenges faced by principals in schools today. In particular, Leading for Democracy emphasizes both a case-based pedagogy for principal preparation and the democratic ideals that provide the foundation for democratic schools, bringing into specific relief the work ahead for professors of educational leaders in preparing principals ground in democratic practice. Equally important, Leading for Democracy provides practical insight to the challenges of today’s principal, offering a set of pedagogical tools for professors to guide students of leadership in learning and understanding the difficult work required of leading democratically, set against the backdrop of a changing America.
Science and technology had a significant influence on American culture and thought in the years immediately following World War II. The new wonders of science and the threat of the Soviet Union as a powerful new enemy made science fiction a popular genre in radio, television, and film. Mutant creatures spawned by radioactive energy and intergalactic dictators unleashing horrific weapons upon Earth were characteristic of science fiction at the time and served as warnings to the very real dangers posed by the atomic age. This work examines science and science fiction in American culture beginning in the year World War II ended and going to 1962, the year of John Glenn's orbital flight and the Cuban Missile Crisis. The radio work of Arch Oboler and the significance of his "Rocket from Manhattan," which aired only one month after the dropping of the first atomic bomb and asked serious questions about the use of atomic energy, are examined. Other topics are the conflict between the free world and the Communist world in the context of science fiction plot lines, the dangers of science as shown in films like Godzilla, Them!, The Day the Earth Stood Still, and radio and television programs, the flying saucer phenomenon and the treatment of such stories in the media (with special attention given to the 1956 documentary UFO), the changing and more positive depictions of scientists, television programs like Flash Gordon and Space Patrol, the shift in the balance of world power due to the successful launching of Sputnik I by the Russians in 1957, the "end of the world" theme in science fiction, and the American journey into space.
This antiwar story takes place in 1967-68 in Vietnam. It is about those who crewed the helicopters in an assault helicopter company. There are two main male characters, one poor and one slightly upper middle class. They arrive in their new company on the same day and therefore become friends. Both are 24 years old. There is also an American female character who is in Vietnam with the Red Cross at the beginning of the book but has to return home when her father becomes ill. Her letters to Robert give a female point of view about the war. She is 23.
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Gossip columnist Lorna Whitcomb knows every dirty secret in Hollywood . . . except who killed her tipster. Sleuthing duo Lillian Frost and Edith Head investigate in this head-turning mystery. 1940, Los Angeles. Hollywood's famous gossip columnist, Lorna Whitcomb, has summoned Lillian Frost and her sleuthing partner, costume designer extraordinaire Edith Head, to her office. Lorna's 'leg man' Sam Simcoe - the man who finds the scandalous material for her column - is in trouble. Tipster Glenn Hoyle has been murdered, and Sam is the LAPD's only suspect. But Sam didn't just find Glenn's body when he paid him a visit. Hiding in a wastebasket was a list of three names - a starlet, a producer and a director - and Sam's sure Glenn had an explosive story on all of them. Was it just idle gossip, or could it explain his murder? Lorna wants Edith and Lillian to find Glenn's killer before her powerful enemies strike. In a town full of secrets, Edith and Lillian must expose the dirtiest one of all: who killed Glenn Hoyle?
Collects the private letters of an American statesman who not only represented New York in the Senate but also served in key positions under four presidents.
Every time a cowhand dug his boot into the stirrup, he knew that the ride could carry him to trail's end. With real stories told by men who were cowboys before the 1930s, this book captures the everyday perils of the flinty hoofs and devil horns of an outlaw steer, the crush of a half-ton of fury in the guise of a saddle horse, the snap of a rope pulled taut enough to sever digits. Whether destined to be remembered or forgotten, a cowhand clung to life with all the zeal with which he approached his trade.
One of the attractive features of the great classical ethologists was their readiness to ask different kinds of questions about behavior - and to do so without muddling the answers. Niko Tinbergen, for instance, was interested in the evolution of behavior. But he also had interests in the present-day sur vival value of a behavior pattern and in the mechanisms that control it from moment to moment. Broad as his interests were, he clearly separated out the problems and recognized that questions about the history, function, control, and development of behavior require distinct approaches - even though the answers to one type of question may aid in finding answers to another. The open-minded (and clear-headed) style of ethologists like Tinbergen was based on a recognition that there are diverse ways of usefully con ducting research on behavior. This consciousness has been partially sub merged in recent years by new waves of narrowly focused enthusiasm. For instance, the study of the behavior of whole animals without recourse to lower levels of analysis, and the treatment of sociobiological theories as ex planation for how individuals develop, has meant that the relatively fragile plants of neuroethology and behavioral ontogeny have almost disappeared under the flood.
Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurity in the United States, offset by his phenomenal success in these three markedly different countries, is the subject of The Phantom Unmasked. By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.
One of the highest-paid studio contract directors of his time, George Cukor was nominated five times for an Academy Award as Best Director. In publicity and mystique he was dubbed the “women’s director” for guiding the most sensitive leading ladies to immortal performances, including Greta Garbo, Ingrid Bergman, Judy Garland, and—in ten films, among them The Philadelphia Story and Adam’s Rib—his lifelong friend and collaborator Katharine Hepburn. But behind the “women’s director” label lurked the open secret that set Cukor apart from a generally macho fraternity of directors: he was a homosexual, a rarity among the top echelon. Patrick McGilligan’s biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood’s consummate filmmakers.
In the 1960s, an era of widespread social turbulence, the shipping industry in the Great Lakes was on the threshold of immense change. Developed during World War II, the U.S. merchant fleet faced threatening competition from the newer Canadian fleet. The demand for iron ore skyrocketed as baby boomers matured into the age of auto and appliance buying. To meet the increasing need, there was talk of expanding the size of the Soo Locks to accommodate larger vessels and even of lengthening the shipping season. It was glaringly obvious that a time of change was upon the aging U.S. ships and even more so on the men who sailed them. Eight Steamboats chronicles Patrick Livingston's adventures on eight shipping vessels-only one of which survives-during the 1960s. Told from the perspective of a writer who sails rather than a sailor who writes, the tales are spiced with connections between shore and sea. While the city of Detroit burned in 1967, Livingston served milkshakes to passengers on the South American of the Georgian Bay Lines. Later, Livingston sailed with the notorious George "Bughouse" Schultz on the ill-starred tanker Mercury. When financial need forced him to forgo a trip to the Democratic National Convention in Chicago, he sailed Lake Michigan instead. In subsequent years, he dropped out of school to catch the mailboat to his ships as they transited the Detroit River. With lively dialogue, Livingston details his experiences up to his signing off the Champlain in 1972 and then setting sail for landlocked Nepal to work with the Peace Corps. Both maritime and Great Lakes enthusiasts will enjoy this voyage back to the early years of the Great Lakes shipping industry.
The illustrations of Keith Conaway and the story-songs of Cecil Williams present the American West as few have known it. Coupled with Michael Patrick's narrative, a neglected part of American history becomes vivid. The role of African-Americans in settling the West comes alive. The explorers, homesteaders, cowboys, outlaws, cavalrymen, rodeo riders, and town founders are all there, filled with life and energy and telling a complete story of the West. Their living on the plains and in mountains in a free, relatively integrated society is a story that completes the history of a country that is diverse and colorful.
Volatile Jack Nicholson has found the perfect biographer in Patrick McGilligan, who gives us a rich, absorbing portrait of one of the greatest movie stars ever." —Patricia Bosworth No male American film star of the post-Brando era has demonstrated the talent, the charisma, the larger-than-life audacity, and the string of screen triumphs of Jack Nicholson. In Jack's Life, Patrick McGilligan, one of our finest film historians, has produced the definitive biography of this most private and public of stars, from his tangled Dickensian upbringing in New Jersey, his formative years as an actor and screenwriter, his near-accidental breakthrough to stardom in Easy Rider, and his string of great roles in Chinatown, Five Easy Pieces, One Flew Over the Cuckoo's Nest, The Last Detail, The Shining, and other films that mark him as a searching, complex artist. Here as well is the often Rabelaisian life behind the smiling mask, the legendary romances and appetites for sex and drugs, the obsessions with money and control, and the perpetual restlessness.
Inspired by the Wager disaster, The Unknown Shore is an immediate precursor to Patrick O'Brian's acclaimed Aubrey/Maturin series that displays all the splendid prose and attention to detail that delight O'Brian's millions of fans. Patrick O'Brian's first novel about the sea, The Golden Ocean, took inspiration from Commodore George Anson's fateful circumnavigation of the globe in 1740. In The Unknown Shore, O'Brian returns to this rich source and mines it brilliantly for another, quite different tale of exploration and adventure. The Wager was parted from Anson's squadron in the fierce storms off Cape Horn and struggled alone up the coast of Chile until she was driven against the rocks and sank. The survivors were soon involved in trouble of every kind. A surplus of rum, a disappearing stock of food, and a hard, detested captain soon drove them into drunkenness, mutiny, and bloodshed. After many months of privation, a handful of men made their way northward under the guidance of a band of Indians, at last finding safety in Valparaiso. This saga of survival is the background to the adventures of two young men aboard the Wager: midshipman Jack Byron and his friend Tobias Barrow, an alarmingly naive surgeon's mate. Patrick O'Brian's many devoted readers will take particular interest in this story, as Jack and Toby form a kind of blueprint for Jack Aubrey and Stephen Maturin, the famed heroes of the great Aubrey/Maturin series to come.
Hailed as "absorbing" by the New York Times and "suspense-filled" by Foreign Affairs, Patrick Tyler's A Great Wall became an instant classic; a must-read for anyone concerned with the complicated and combative relationship between the world's biggest and the world's most powerful nations. And no one could tell this story better than Patrick Tyler, veteran journalist and former Beijing bureau chief of the New York Times. Using brilliant original reporting from his years in China; interviews with presidents, secretaries of state, Chinese officials, and other key leaders; and 15,000 pages of newly declassified documents, Tyler illuminates a relationship usually shrouded in secrecy, miscommunication, rivalry, fascination, and fear. A Great Wall is essential reading for anyone interested in China and anyone concerned with the shifting dynamics of post-Cold War geopolitics.
Winner, 2007 Tankard Award In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century. The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
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