After landing in jail for making bombs for the IRA, Davy McCutcheon escapes and seeks out his ex-fiancée, who has tried to move on with her life in Vancouver, Canada.
In Patrick Taylor's thrilling series set during the Troubles in Northern Ireland, a British Army bomb-disposal expert goes undercover to try to identify the source of the bombs being used by the Provisional IRA PRAY FOR US SINNERS is a compelling look into a turbulent time in Irish history: Belfast 1973, when the Troubles are raging. Two Ulstermen. Two sides. On one, British Army bomb-disposal officer Marcus Richardson; on the other, Davy MacCutcheon, Provisional IRA armourer who has been constructing bombs since his teens. Both men are committed to their causes until events shatter their beliefs, leaving each with a crisis of faith and an overpowering need to get out—but with honour. When he is nearly killed by an exploding car bomb, Marcus welcomes the offer of a transfer to the elite SAS—provided that he first accept an undercover mission to infiltrate the Falls Road ghetto, join the Provisional IRA, identify their upper echelon, and expose their bomb-maker. When Davy's devices are used for civilian disruption rather than military targets, the bomb-maker begins to question what he's doing. His work is being used to maim and kill innocent people. His request to be discharged is countered by an order that he go on one last mission. Success will bring Davy redemption and permission to leave Ireland with Fiona Kavanagh, the woman he loves. When the paths of the two men cross, Davy realizes that he can use Marcus's expertise in plastic explosives. A runaway series of events leaves both men in an abandoned farmhouse in the middle of a plot to kill the British prime minster. Can Marcus find a way to thwart the plan and escape with his life? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This text offers a rationale for the popular idea among teachers and researchers that young children should be taught critical thinking and argument in the early years of their education.
NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.
The book examines how the Belfast Agreement came about and its effect on unionism, nationalism, the paramilitaries, electoral support for local parties and the constitutional position of Northern Ireland. It also considers the extent to which the Agreement may be regarded as an exercise in political cynicism or the basis for lasting peace.
In this innovative comparison of Gadamer and Wittgenstein, the author explores their common concern with the relation of language to reality. Patrick Horn's starting point is the widely accepted view that both philosophers rejected a certain metaphysical account of that relation in which reality determines the nature of language. Horn proceeds to argue that Gadamer never completely escaped metaphysical assumptions in his search for the unity of language. In this respect, argues Horn, Gadamer's work is nearer to the earlier rather than to the later Wittgenstein. The final chapter of the book highlights the work of Wittgenstein’s pupil Rush Rhees, who shows that Wittgenstein's own later emphasis on language games, while doing justice to the variety of language, does less than justice to the dialogical relation between speakers of a language, wherein the unity of language resides. Contrasting Rhees's account of the unity of language with those given by Gadamer and the early Wittgenstein brings out the importance of understanding reality in terms of the life that people share rather than in terms of what philosophers say about reality.
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
In Film Crazy, McGilligan shares some of his fascinating interviews with screen luminaries from his salad days as a young journalist working the Hollywood beat. He rides the presidential campaign bus with Ronald Reagan, visits Alfred Hitchcock on the set of the Master of Suspense's last film, "Family Plot," meets George Stevens at the Brown Derby and conducts the last interview with the director of "Shane" and "Giant." Other interview subjects captured for posterity include rough-and-ready pioneer directors William Wellman and Raoul Walsh; likeable actor Joel McCrea; actress - and the only female director of her era - Ida Lupino; French legend Rene Clair; and lowly-contract-writer-turned-studio-mogul Dore Schary. Film Crazy is a must for film students, scholars and professionals.
In one of the most original books of its kind ever written, Patrick Hanlon explains how the most powerful brands create a community of believers around the brand, revealing the seven components that will help every company and marketer capture the public imagination -- and seize a bigger slice of the pie. What is the magic glue that adheres consumers to Google, Mini Cooper, and Oprah, but not to others? Why do many brands with great product innovation, perfect locations, terrific customer experiences, even breakthrough advertising fail to get the same visceral traction in the marketplace that brands like Apple, Starbucks, or Nike have? After years of working with famous brands like Absolut, Ford Motor Company, LEGO, Disney, Montblanc, Sara Lee, and others, Patrick Hanlon, senior advertising executive and founder of Thinktopia, decided to find the answers. His search revealed seven definable assets that together construct the belief system that lies behind every successful brand, whether it's a product, service, city, personality, social cause, or movement. In Primal branding, Hanlon explores those seven components, known as the primal code, and shows how to use and combine them to create a community of believers in which the consumer develops a powerful emotional attachment to the brand. These techniques work for everyone involved in creating and selling an image -- from marketing managers to social advocates to business leaders seeking to increase customer preference for new or existing products. Primal branding presents a world of new possibility for everyone trying to spark public appeal -- and the opportunity to move from being just another product on the shelf to becoming a desired and necessary part of the culture.
The Man Who Made A Football Club Sir Matt Busby, who took Manchester United to unprecedented glory before seeing the club through profound tragedy, created the global entity that spreads from Old Trafford today. A player with Manchester City and Liverpool before the Second World War, Busby remained at the forefront of football through four decades and made an extraordinary contribution to the game in terms of both style and substance. In this definitive biography, Patrick Barclay looks back at Busby’s phenomenal life and career, including the rise of the Busby Babes in the 1950s, the Munich disaster that claimed 23 lives and the Wembley victory ten years on that made United the first English team to win the European Cup. Denis Law, Pat Crerand and such other members of that great side as Alex Stepney, David Sadler and John Aston are among the host of voices testifying to the qualities that set Sir Matt apart. This is the story of one of the greatest figures in football history, and of the making of a legacy that will last for ever.
Ireland's best-known Irishman, his name and signature in every household and village in Ireland, and many abroad, is also the least known. Part of Dublin life for over two centuries, both family and brewery have passed into legend, but their origins have been obscured. Here, in the round, these origins are explored and the story of the man and his background told for the first time. Various sources are examined and myths about Arthur laid to rest, many of which were allowed to continue by his descendants. This narrative traces the family's origins in Ulster, Gaelic and Protestant-Irish tenant-farmers from humble backgrounds on both sides, when Arthur's father Richard appears as a household agent in Celbridge, Co. Kildare, in 1722 to work for Arthur Price, the Protestant Dean of Kildare. In 1755 Arthur takes on a brewery in Leixlip and joins the Kildare Friendly Brothers dining club in 1758, marrying and moving to St James's Gate in 1759/60 where the business developed. By 1781 he is a patriarch and member of liberal 'patriot' political groups, diversifying his assets to preserve his wealth in unsettled times. Of a generation with Edmund Burke and Richard Brinsley Sheridan, this wily businessman built an empire that endured and expanded. Family and social history combine with an account of the brewing process and descriptions of economic and political backgrounds in a rapidly developing Ireland, giving a rich weave to this tapestry. Visual sources include maps, rare original documents, prints, and photographs of associated houses and places, people, and artifacts. The result is a fascinating contextual portrait of an enigmatic figure, the founding father of one of Ireland's most powerful dynasties.
Picking up where The Makers of Modern Rhode Island left off, Dr. Patrick T. Conley, president of the Rhode Island Heritage Hall of Fame, takes us through the golden age of the state's history, from 1861 to 1900. It was during this period that Rhode Island played a leadership role in the Industrial Revolution. From military leaders like General Ambrose Burnside to social reformers such as Sarah Elizabeth Doyle and architects Charles F. McKim and Stanford White, they ensured that the state's contributions to the nation would never be forgotten. This volume includes more than one hundred biographical sketches of influential Rhode Islanders who helped make this brief span of time the greatest in the state's history.
“A stormy tale of obsession…this is a haunting portrayal of a man broken by passion” (Library Journal). Dr. Edward Haggard is a lonely, pain-racked romantic, standing at the window of his house on the edge of a cliff, watching as the clouds of war draw near, and reflecting on the nature of love, death, medicine, war—but most of all on the wife of the senior pathologist, and the few brief months of bliss they shared. Shortly after the outbreak of World War II, a fighter pilot appears in Dr. Haggard’s surgery, reawakening memories of the single grand passion of Haggard’s life. For this young man is the son of the woman Haggard loved, and as the doctor becomes more and more intrigued by the bizarre changes occurring in his new patient’s body, his old passion gives way to a fresh one, a passion altogether odder, and darker, than the first. In true gothic fashion, Patrick McGrath brings to his narration of a doomed love affair and bizarre aftermath an acute erotic intensity, portraying a man whose disease is passion—disease that can exalt a man, but can also destroy him.
Migration - people moving in as immigrants, around as migrants, and out as emigrants - is a major theme of Irish history. This is the first book to offer both a survey of the last four centuries and an integrated analysis of migration, reflecting a more inclusive definition of the 'people of Ireland'.
X Flight was designated the task of giving close air support to the desert army formed and commanded by Lawrence of Arabia. It flew from advanced desert landing grounds on reconnaissance, liaison, bombing and ground attack missions. The existence and deeds of the flight were kept secret, so much so that even the RFC Paymaster was unaware of their existence.George Hynes was an aircraft mechanic and became responsible for keeping the flights somewhat elderly aircraft airworthy whilst working in the most difficult desert conditions on hastily constructed landing strips and living and working under canvas in temperatures that froze at night and rose to 100 degrees plus at noon.His diary gives a clear insight into the conditions endured, the actions that took place and the many almost insurmountable problems that occurred as they followed Lawrences steady advance against the numerically superior Turkish Army and Air Force. George personally encountered Lawrence on many occasions and maintained contact with him after the war.The diary is supported with the Flights weekly operational records, perspectives of the battle scenarios and other background information.
Bowls: Making the Most of Your Game is a comprehensive one-stop-shop detailing the key technical, psychological, tactical and physical aspects of the sport of bowls, including effective teamwork strategies using new and up-to-date approaches. Fundamentally, bowls is brought into the twenty-first century! With tips and suggestions from some of the world's greatest players, the book delves in great depth into how psychology can play an integral role in your performance, as well as the traditionally important aspects – tactics and technique. From grip to positive talk on a rink, and from limb-loosening exercises to ways to beat your nemesis to casting the jack, Bowls will explore every aspect of your game. Packed with pointers to help you get the most out of yourself while still enjoying the convivial nature of the sport of bowls!
Martin McDonagh is one of the world's most popular dramatists. This is a highly readable and illuminating analysis of his career to date that will appeal to the legions of fans of his stage plays and the films Six Shooter and In Bruges. As a resource for students and practitioners it is unrivalled, providing an authoritative and enquiring approach to his work that moves beyond the tired discussions of national identity to offer a comprehensive critical exploration. Patrick Lonergan provides a detailed analysis of each of his plays and films, their original staging, critical reception, and the connections within and between the Leenane Trilogy, the Aran Islands plays and more recent work. It includes an interview with Garry Hynes, artistic director of Druid Theatre Company, and offers four critical essays on key features of McDonagh's work by leading international scholars: Joan Dean, Eamonn Jordan, Jose Lanters and Karen O'Brien. A series of further resources including a chronology, glossary, notes on McDonagh's use of language and a list of further reading makes this the perfect companion to one of the most exciting dramatists writing today.
In this book, the author develops an object-centered framework with specialized support of the part-of relation based on description logics. These logics are a family of object-centered knowledge representation languages tailored for describing knowledge about concepts and is-a hierarchies of these concepts. In addition to the representation and reasoning facilities provided by description logics for is-a, representation and reasoning facilities are introduced for part-of. Finally, the feasibility and the usefulness of the approach is demonstrated by applying the framework to various areas including domain modeling, agent-oriented scenarios, document management and retrieval, and composite concept learning.
“Compulsively readable.”-New York Times Book Review "A significant literary achievement that also happens to be a terrific page-turner."- Jonathan Lee "Elegantly written, darkly entertaining."- John Banville "An extraordinary writer of great compassion . . . Stunning."- Denise Mina In the aftermath of Brexit, the body of a young woman is found by the river Thames, and a neighbor, a retired teacher from Chapleton College, is arrested. An eccentric loner-intellectual, shy, a fastidious dresser with expensive tastes-he is the perfect candidate for a media monstering. In custody he is interviewed by two detectives: the circumspect Ander, and his workaday foil, Gary. Ander is particularly watchful now, because the man across the table is someone he knows-someone he hasn't seen in nearly thirty years. Determined to salvage the truth as ex-pupils and colleagues line up against the accused, he must face a story from decades back, from his own time as a Chapleton student, at the peak of anti-Irish sentiment. With the momentum of classic crime fiction, Throw Me to the Wolves follows two mysteries-one unfolding in the media-saturated present, and the other bubbling up from the abusive past of the 1980s English school system. Beautifully written and psychologically acute, it is a novel about memory and childhood, prescient and piercingly funny, as wise as it is tragic.
BEST BOOK OF 2023 ACCORDING TO THE NEWSTATESMAN AND OBSERVER 'The Swimmer is a wonderful, original achievement; teeming with stories, glittering with images, and experimental in form and tone' Robert Macfarlane Roger Deakin, author of the immortal Waterlog, was a man of many parts: maverick ad-man, cider-maker, teacher, environmentalist, music promoter and filmmaker. But, above all, he was the restorer of ancient Walnut Tree Farm in Suffolk, the heartland where he wrote about all natural life – with rare attention, intimacy, precision and poetry. Roger Deakin was unique, and so too is this joyful work of creative biography, told primarily in the words of the subject himself, with support from a chorus of friends, family, colleagues and lovers. Delving deep into Deakin’s library of words, Patrick Barkham draws from notebooks, diaries, letters and recordings to conjure his voice back to glorious life in these pages. 'A rich, strange and compelling work of creative memoir that beautifully honours and elevates the life and work of its subject' Alex Preston, Observer
THE object of this book is to show the people of Ireland that in their struggle for independence they had the wholehearted sympathy and support of the vast majority of the great American people. This book was written by an Irish Republican for Irish Republicans. The facts set forth are put down solely to inform Irish Republicans of the blunders we made in the past so that their disastrous repetition may be avoided. A new situation has been created, but in any advance, methods similar to those adopted outside Ireland in the past may have to be adopted again. The new conditions in Ireland, however, require plans, methods, and leadership in accordance with Ireland’s actual status today.—Patrick McCartan
So what's your excuse for failing to read the MOST important book ever written, the Bible? Don't think you can understand the Bible? No time for Bible reading? No relevancy of the Bible to your life? Questions about the Bible's authenticity? Although most Americans own a Bible, polls show that few people have read the Bible or even parts of it. Perhaps what most Americans don't know is that the Bible has life-changing information about how to get right with God know why you are alive today receive God's guidance...daily get through tough times have a successful marriage and family life know what you really believe with confidence manage your money and resources communicate with God build good relationships prepare for the future Dan Patrick's book is for those with little or no faith in God...for those who attend church but haven't read the Bible...and for serious Bible students. Read it, and then give a copy to a friend.
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