A significant literary achievement that also happens to be a terrific page-turner."- Jonathan Lee "Elegantly written, darkly entertaining."- John Banville "An extraordinary writer of great compassion . . . Stunning."- Denise Mina In the aftermath of Brexit, the body of a young woman is found by the river Thames, and a neighbor, a retired teacher from Chapleton College, is arrested. An eccentric loner-intellectual, shy, a fastidious dresser with expensive tastes-he is the perfect candidate for a media monstering. In custody he is interviewed by two detectives: the circumspect Ander, and his workaday foil, Gary. Ander is particularly watchful now, because the man across the table is someone he knows-someone he hasn't seen in nearly thirty years. Determined to salvage the truth as ex-pupils and colleagues line up against the accused, he must face a story from decades back, from his own time as a Chapleton student, at the peak of anti-Irish sentiment. With the momentum of classic crime fiction, Throw Me to the Wolves follows two mysteries-one unfolding in the media-saturated present, and the other bubbling up from the abusive past of the 1980s English school system. Beautifully written and psychologically acute, it is a novel about memory and childhood, prescient and piercingly funny, as wise as it is tragic.
Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceau?escu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and loyalty is never absolute. And as the regime's authority falters, he finds himself uncomfortably, then dangerously, close to the eye of the storm. By turns thrilling and satirical, studded with poetry and understated revelation, The Last Hundred Days captures the commonplace terror of Cold War Eastern Europe. Patrick McGuinness's first novel is unforgettable.
Winner of the 2014 Duff Cooper Prize Winner of the 2015 Welsh Book of the Year Award Shortlisted for the 2015 James Tait Black Memorial Prize Shortlisted for the 2015 PEN Ackerley prize Longlisted for the 2014 Thwaites Wainwright Prize Let me take you down the thin cobblestoned streets of the Belgian border town of Bouillon. Let me take you down the alleys that lead into its past. To a town peopled with eccentrics, full of charm, menace and wonder. To the days before television, to Marie Bodard's sweetshop, to the Nazi occupation and unexpected collaborators. To a place where one neighbour murders another over the misfortune of pigs and potatoes. To the hotel where the French poet Verlaine his lover Rimbaud, holed up whilst on the run from family, creditors and the law. This exquisite meditation on place, time and memory is an illicit peek into other people's countries, into the spaces they have populated with their memories, and might just make you revisit your own in a new and surprising way.
Poetry and Radical Politics in fin de siècle France explores the relations between poetry and politics in France in the last decade of the nineteenth century. The period covers the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarmé and the Symbolists. In terms of French politics, history, and culture, the period was no less dramatic, with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of Action française. This study demonstrates the connections between the anti-Symbolist reaction of the école romane of 1891 (in which Charles Maurras first made his name) and the far-right cultural politics of Action française in the early twentieth century. It also redefines many of the debates about late nineteenth-century French poetry by complicating the political engagement of the Symbolists in an era when the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the nineteenth century and the beginning of the twentieth in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Péguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarmé and ends in Maurras.
No matter how many times the depths of love have been plumbed, there is still always more to be said. This humble Little Book presents a survey of some of the most memorable words ever written on love-from ancient times to modern. The sophisticated art of Mary Claire Smith illustrates this fresh new volume.
Angels have always been among us. They bring hope and comfort to those in despair. They watch over us and, with a gentle guiding touch, show us the way. Of Angels collects not only some of the world's best-loved images of angels but also some of the most insightful, beautiful, and luminous writing on this lightest of subjects.
Verhaerens overriding notion of mankind advancing to a promised land where vital creative energies and technology could combine to produce a more progressive human strain was ignominiously swept away by the industrial brutality of the First World War. And yet, to return to the poetry of Verhaeren now is to reappraise a master poet who ......
One of the great rivalries in sport returns this winter, but what is it about a six-inch terra cotta urn that enflames the passions of Poms and Aussies? Why do the English think that all Australians are alcoholic simpletons? Why do Australians think the English all have a stick up their backside? And why do they need (and needle) each other so much? In this humorous look at one of the truly great rivalries, written by Times cricket blogger and a professional Australian bar-room pontificator, the grudges, sledges, heroes, and villains are laid bare.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.