Conceived in a moment of mad passion by a randy Irish priest and his temporary housekeeper -- and abandoned on a doorstep in a Rinso box as an infant -- her ladyship "Pussy" (né Patrick) Braden grew up fabulous and escaped tiny Tyreelin, Ireland, to start life anew in London. In blousy tops and satin miniskirts she plies her trade as a transvestite rent boy on Picadilly's Meat Rack, risking life and limb among the city's flotsam and jetsam. But it is the 1970s, and fear haunts the streets of London and Belfast -- and as radioactive history approaches critical mass, the coming explosion of violence and tragedy may well blow Pussy's fragile soul asunder.
In this strange, hypnotic novel, Chris McCool, the dandyish, debonair playboy of a small and insulated community called The Happy Club, reflects his two lives: the one he lives, and the darker one he's tried hard to forget. The illegitimate son of a rich Protestant landowner's wife and a poor Catholic farmer, Chris wanted to be a sixties swinger--driving a Ford Cortina, owning a pair of purple velvet flares--but, despite his good intentions, could not overcome the mysteries and regrets of his own upbringing. With a series of Freudian flourishes, McCabe gives us a narrator whose own insecurities, and most importantly his obsession with a young Catholic Nigerian boy named Marcus Otoyo, prevent him from seeing the truth of what he is capable of. Are Chris' inner struggles with his parentage and religion merely personal quests--or do they mask an angrier, more dangerous person beneath? Tense, artful, and eerily compelling, The Holy City is a novel of faith, anxiety, and dark secrets, with a stunning and brilliant conclusion.
With T. S. Eliot's words as his guide, Joey Tallon embarks on a journey toward enlightenment in the troubling psychedelic-gone-wrong atmosphere of the late 1970s. A man deranged by desire, and longing for belonging, Tallon searches for his"place of peace" -- a spiritual landscape located somewhere between his small town in Northern Ireland and Iowa ... and maybe between heaven and hell.
Seven men wait in Mervyn's Mountain Bar, awaiting the arrival of Tony Begley and his six-inch boning knife, Sweety. Ray 'Ringo' Wade hides above them in the rafters, silent and consumed by shame as Jody, the only friend he's ever known, lies beaten and bound in the outhouse, waiting to meet his maker at the hands of the bar's raucous inhabitants. The reason for this bloody retribution? Ray and Jody went and jacked over the one and only William Walter Monroe - the man who took them in, for better or worse, and single-handedly moulded Glasson County into a place people could be proud of. To a man, they bear the mark of Cain, and the acts of the past are never far from the present. Insulated from the world by his shaky delusion, Ray Wade recounts the tale he has no choice but to live with. A backwoods sinfonia of rough poetry and black comedy about the love we give and the horror we visit upon one other - and ourselves.
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
He made his mark on national life as a key architect of Franklin Roosevelt's New Deal, a leading champion of labor rights and civil liberties, and author of legislation that endures to this present day." "Young Bob was one of the best senators in history but also one of the most tragic. In 1946, at the height of his national prominence, La Follette lost his Senate seat to Joseph McCarthy. Seven years later, with McCarthy very much on his mind, La Follette committed suicide."--BOOK JACKET.
A man either chases his dreams, or he dies. Present-day ranch hand Charlie Lyles longs for an era before mechanization, when a cowboy's greatest ally was his horse. He remembers stories of cattle drives and stampedes and shallow graves in lonesome country. Society has pushed Charlie toward a conformity that he hates, but he is about to change the rules. At a remote line shack in West Texas, he steals a horse, leaving a perfectly good pickup behind. His theft leads to a manhunt with a helicopter and assault weapons, but his trackers are headed into territory that hasn't changed in a century . . . and they are trailing a man born a hundred years too late. When Cowboys Die has been acclaimed as “spellbinding” and “an instant classic.” This new volume, the first print edition in twenty-five years, includes a preface and “Requiem for a Cowboy,” a documented account of the 1976 Texas manhunt that inspired the novel.
THEY JUST CAPTURED IRAQ'S MOST WANTED TERRORIST. NOW THEY HAD TO DEFEND THEIR HONOR. On a daring nighttime raid in September 2009, a team of Navy SEALs grabbed the notorious terrorist Ahmad Hashim Abd al-Isawi, the villainous “Butcher of Fallujah,” mastermind behind the 2004 murder and mutilation of four American contractors. Within hours of his capture, al-Isawi, with his lip bleeding, claimed he had been beaten in his holding cell. Three Navy SEALs—members of the same team that had just captured the notorious terrorist—were charged with prisoner abuse, dereliction of duty, and lying. On the word of a terrorist! The three Navy SEALs were placed under house arrest and forbidden contact with their comrades. Despite enormous pressure from their commanders to sign confessions to “lesser charges,” the three resolute and fearless SEALs each demanded a court-martial. They were determined to prove their innocence. When Fox News broke the story about the accusations, Americans were outraged. Over 300,000 people signed petitions demanding the SEALs be exonerated. Their SEAL teammates were furious; but nothing could stop the cold determination of the military's top brass to hang these guys out to dry—not even U.S. congressmen who petitioned the Pentagon to drop the charges. Honor and Betrayal is a no-holds-barred account by bestselling author Patrick Robinson. It reveals for the first time the entire story, from the night the SEALs stormed the al-Qaeda desert stronghold, the accusations and legal twists and turns that followed, to the cut-and-thrust drama in the courtroom where the fate of three American heroes hung in the balance.
On the night of November 29, 1988, near the impoverished Marlborough neighborhood in south Kansas City, an explosion at a construction site killed six of the city’s firefighters. It was a clear case of arson, and five people from Marlborough were duly convicted of the crime. But for veteran crime writer and crusading editor J. Patrick O’Connor, the facts—or a lack of them—didn’t add up. Justice on Fire is O’Connor’s detailed account of the terrible explosion that led to the firefighters’ deaths and the terrible injustice that followed. Justice on Fire describes a misguided eight-year investigation propelled by an overzealous Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) agent keen to retire; a mistake-riddled case conducted by a combative assistant US attorney willing to use compromised “snitch” witnesses and unwilling to admit contrary evidence; and a sentence of life without parole pronounced by a prosecution-favoring judge. In short, an abuse of government power and a travesty of justice. O’Connor’s own investigation, which uncovered evidence of witness tampering, intimidation, and prosecutorial misconduct, helped give rise to a front-page series of articles in the Kansas City Star—only to prompt a whitewashing inquiry by the Department of Justice that exonerated the lead ATF agent and named other possible perpetrators who remain unidentified and unindicted. O’Connor extends his scrutiny to this cover-up and arrives at a startling conclusion suggesting that the case of the Marlborough Five is far from closed. Journalists are not supposed to make the news. But faced with a gross injustice, and seeing no other remedy, O’Connor felt he must step in. Justice on Fire is such an intervention.
In Orchard Bend, there is a gruesome discovery. It threatens to reveal a secret lost in the history of the small town. There is one person, however, who would prefer such questions remain unanswered and buried in the past. Who was Emery Dale? Where did she come from? What happened to her?
Organizational Change and Temporality: Bending the Arrow of Time looks to address the important area of time and temporality, especially as it relates to frameworks and studies for explaining change processes in organizations. It commences with a selective history on the science and philosophy of time before examining the place of time in work and employment, and the presence and absence of theorized time in explanations of organizational change. The intention is to bring to the fore concepts and debates that have largely remained hidden, furthering our knowledge and understanding of time and temporality in changing organizations. The authors provide a more informed theoretical explanation of the temporal dimensions of organizational change. They examine the concepts and debates behind change theories, philosophical positions and scientific concerns on time and material existence, drawing connections that have previously remained unexplored. This book is key reading for researchers within the organizational change world and will further the academic debate of time and temporality in organizations studies.
A year has passed since a series of gruesome murders took place at the West Baden Springs Hotel, but the past refuses to rest. Firefighter Paul Clouse continues to work on the hotel as a designer, though things have changed, and he struggles daily to forget the friends he's lost. The beautiful landmark is now completely renovated, and ready for a grand opening, which is doomed before it even begins. Clouse himself becomes the first target of a new, more vicious killer, who brings a greater mystery with him. It soon becomes apparent the hotel harbors deep secrets that trace back to the mysterious Father Ernest and the Jesuits who once resided there. With a new, dark group known only as the Coven threatening their lives, the remaining survivors from the previous year piece together a mystery that may very well have begun during the hotel's original construction. One by one they fall, but with each drop of blood spilled on the hotel's grounds, it reveals another clue necessary to solve the killer's scheme.
In the third book of the Orchard Bend series, a hard winter brings death and tragedy to a small town. And for a woman struggling to know her past, losing everything may be the only way to discover who she was.
At sixty-six, Chris McCool has an attractive Croatian girlfriend and looks like Roger Moore. Looking back on the glory days of the swinging sixties in rural Ireland, he recalls wearing velvet trousers and shirts with frills, a time when he had it all: the moves, the car, and Dolly, a Protestant femme fatale, who called him 'Mr Wonderful'. Except there was another Mr Wonderful in town, a certain Marcus Otoyo, a young Nigerian with a dazzling devoutness. Chris, of course, was interested in Marcus only because of their shared religious fervour and appreciation of the finer things. Besides, Mr McCool was always a hopeless romantic - but is there anything wrong with that.
It seemed as if the town of Carn, a huddled clump of windswept grey buildings split in two by a muddied main street, had somehow been spirited away and supplanted by a thriving, bustling place which bore no resemblance whatever to it. For a split second, she saw her own death, a gunmetal face fixed on the sky, all around the faces and voices of Carn as she had known it. Josie Keenan had come home to the town of Carn, the only home she knew' 'A unique record by somebody who understands that the reality of small-town life is as important in literature as any aspect of Ireland . . . a savage, raw and bitter honesty . . . I know no Irish writer with such an obvious, extraordinary talent' Dermot Bolger, Sunday Independent 'Powerful, precise writing - Patrick McCabe's Carn introduces one of the most promising writers in a long, long time' Bill Buford, Granta 'Resolute . . . the writing is raw and didactic. His story bears the hideous ring of authenticity' Guardian 'Stylishly narrated, but with the chronological forthrightness that comes as a benison after some modern novels' London Review of Books
For tens of thousands of Union veterans, Patrick Kelly argues, the Civil War never ended. Many Federal soldiers returned to civilian life battling the lifelong effects of combat wounds or wartime disease. Looking to the federal government for shelter and medical assistance, war-disabled Union veterans found help at the National Home for Disabled Volunteer Soldiers. Established by Congress only weeks prior to the Confederate surrender, this network of federal institutions had assisted nearly 100,000 Union veterans by 1900. The National Home is the direct forebear of the Veterans Administration hospital system, today the largest provider of health care in the United States. Kelly places the origins of the National Home within the political culture of U.S. state formation. Creating a National Home examines Congress's decision to build a federal network of soldiers' homes. Kelly explores the efforts of the Home's managers to glean support for this institution by drawing upon the reassuring language of domesticity and "home." He also describes the manner in which the creators of the National Homes used building design, landscaping, and tourism to integrate each branch into the cultural and economic life of surrounding communities, and to promote a positive image of the U.S. state. Drawing upon several fields of American history--political, cultural, welfare, gender--Creating a National Home illustrates the lasting impact of war on U.S. state and society. The building of the National Home marks the permanent expansion of social benefits offered to citizen-veterans. The creation of the National Home at once defined an entitled group and prepared the way for the later expansion of both the welfare and the warfare states.
An intimate biography of the gay icon whose Tales of the City changed America’s understanding of LGBT culture during the 1970s and ’80s. Step into Armistead Maupin’s house, and you will be greeted by a strapping young gardener, a wave of marijuana smoke, and the most gracious host in the world. When he isn’t flitting from protests to orgies, Maupin is a natural storyteller, and San Francisco is his favorite subject. Pull up a chair and prepare to be swept away on a wave of wit, gossip, and the most outrageous sexual anecdotes you’ve ever heard. His house seems like a scene out of his legendary Tales of the City, and that’s no accident: Every moment of his groundbreaking series was drawn, one way or another, from Maupin’s remarkable life, from a middle-class upbringing in North Carolina to a stint in the navy during Vietnam. Maupin landed in San Francisco just in time to chronicle the gay rights revolution that was sweeping the city and the country as a whole, and from the moment his Tales were first serialized, that city was never the same. This is an intimate biography, written by Maupin’s longtime friend, Patrick Gale. From his fling with Rock Hudson to the darkest days of the AIDS crisis, Maupin saw it all—and lived to tell the tale.
In this sequel to The Prisoner of Orchard Bend, a killer lurks in the shadows of a small town. Two women, lost and separated by decades, must fight to survive as darkness closes in around each of them. The past never really goes away. Death is sometimes just the beginning.
While Irish historical writing has long been in thrall to the perceived sectarian character of the legal system, this collection is the first to concentrate attention on the actual relationship that existed between the Irish population and the state under which they lived from the War of the Two Kings (1689-1691) to the Great Famine (1845-1849). Particular attention is paid to an understanding of the legal character of the state and the reach of the rule of law, with contributors addressing such themes as: how law was made and put into effect; how ordinary people experienced the law and social regulations; how Catholics related to the legal institutions of the Protestant confessional state; and how popular notions of legitimacy were developed. These themes contribute to a wider understanding of the nature of the state in the long eighteenth century and will therefore help to situate the study of Irish society into the mainstream of English and European social history.
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.
An essential work of twenty-first-century cinema, Alfonso Cuarón’s 2004 film Harry Potter and the Prisoner of Azkaban is an elegant exemplar of contemporary cinematic trends, including serial storytelling, the rise of the fantasy genre, digital filmmaking, and collaborative authorship. With craft, wonder, and wit, the film captures the most engaging elements of the novel while artfully translating its literary point of view into cinematic terms that expand on the world established in the book series and previous films. In this book, Patrick Keating examines how Cuarón and his collaborators employ cinematography, production design, music, performance, costume, dialogue, and more to create the richly textured world of Harry Potter—a world filtered principally through Harry’s perspective, characterized by gaps, uncertainties, and surprises. Rather than upholding the vision of a single auteur, Keating celebrates Cuarón’s direction as a collaborative achievement that resulted in a family blockbuster layered with thematic insights.
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
Academic ethics are currently much in the news but there is a great deal of uncertainty, both as to what constitutes specifically academic ethics and about a number of issues that are taken to be issues of academic ethics. This collection of papers focuses on both questions, moving from consideration of the very idea of a University and what that entails, via attempts to locate the major current concerns, to particular issues relating to the University's relations with the corporate world, the professor's role, relations between student and teacher, credentialling, the demands of collegiality and plagiarism. The editors have provided both a full and reasoned introduction and a critical end-piece that attempt to bring some order to the often inchoate nature of this field, raising the further question of whether institutions should, or should not, frame formal codes of conduct. The selected papers are drawn from diverse sources and together provide one of the first comprehensive overviews of academic ethics.
If you could wave a magic wand and make one or two policy or institutional changes to brighten the U.S. economy’s long-term growth prospects, what would you change and why? That was the question asked to the 51 contributors to this volume. These essays originally appeared in conjunction with a conference on the future of U.S. economic growth held at the Cato Institute in December 20014. Brink Lindsey, Vice President for Research at the Cato Institute and editor of this volume, is pleased to share this insightful and provocative collection with a new audience. The motivation for asking that question should be clear enough to anyone who has been following the dreary economic news of the past few years. Since the Great Recession of 2008–2009, the U.S. economy has experienced the most stubbornly disappointing expansion since World War II. Reviving Economic Growth offers a wide-ranging exploration of policy options from an eclectic group of contributors. Think of this collection as a brainstorming session, not a blueprint for political action. By bringing together thinkers one doesn’t often see in the same publication, the editor’s hope is to encourage fresh thinking about the daunting challenges facing the U.S. economy—and, with luck, to uncover surprising areas of agreement that can pave the way to constructive change.
The funeral of Paddy Dignam in James Joyce’s Ulysses serves as the pivotal event of the ‘Hades’ episode. This volume explores how Dignam’s interment in Glasnevin Cemetery allowed Joyce the freedom to consider the conventions, rituals and superstitions associated with death and burial in Dublin. Integrating the words and characters of Ulysses with its figurative locale, the book looks at the presence of Dublin in Ulysses, and Ulysses in Dublin. It emphasises the highly visible public role assigned to death in Joyce’s world, while also appreciating how it is woven into the universe of Ulysses. The study examines the role of Glasnevin Cemetery – where the Joyce family plot was opened in 1880 and remained in use for eight decades – as well as the social and medical problems associated with life in Dublin, a city divided by class, status, wealth and health. Nineteen burials took place in Glasnevin on 16 June 1904, and the analysis of this group illuminates the role of undertakers and insurers, along with the importance of memorialisation. This book is an important contribution to Joyce and Irish studies, as well as to international studies related to the treatment of the dead body and the development of garden cemeteries.
Cheating in School is the first book to present the research on cheating in a clear and accessible way and provide practical advice and insights for educators, school administrators, and the average lay person. Defines the problems surrounding cheating in schools and proposes solutions that can be applied in all educational settings, from elementary schools to post-secondary institutions Addresses pressing questions such as “Why shouldn’t students cheat if it gets them good grades?” and “What are parents, teachers, businesses, and the government doing to unintentionally persuade today’s student to cheat their way through school?” Describes short and long term deterrents that educators can use to foster academic integrity and make honesty more profitable than cheating Outlines tactics and strategies for educators, administrators, school boards, and parents to advance a new movement of academic integrity instead of dishonesty
There is something special about the relationship we all have with our mothers . . . " Meet Pat McNab, forty-five years old, and about to embark on a homicidal rampage sparked by matricide. Or is he? Pat spent endless hours chain-smoking and propping up the counter of Sullivan's Select Bar (not that Mrs. McNab knew anything about it—she and Timmy the barman didn't get along at all) or sitting on his mother's knee singing away together like some ridiculous two-headed human jukebox. But that was all before the story really began—Emerald Germs of Ireland is in essence Pat McNab's post-matricide year. Pat, who now spends many of his waking hours sitting by the window in his old dark house, watching videos and nibbling abstractedly on pieces of toast, reflects on those long-gone days with Mommy, while fending off the persistent interferences of his small-town neighbors: the puritanical Mrs. Tubridy; that irascible seller of turf, the Turf Man; Sgt. "Kojak" Foley, and other unwanted snoops who could soon come to regret their inquisitive, nose-poking ways. This is Patrick McCabe at his fiendish best. Dark, emotionally powerful, and surreal, Emerald Germs of Ireland is also his funniest work to date, masterfully displaying the anarchic twists and turns that are the hallmarks of his comic genius.
The San Francisco Chronicle declared him "one of the most brilliant writers to ever come out of Ireland," and Neil Jordan called Winterwood "the most terrifying book I've ever read." In this chilling and unforgettable novel, Patrick McCabe shows us that nothing-and no one-is ever quite what they seem. Shortlisted for the Irish Book Award for Novel of the Year, Winterwood is a disturbing tale of love, death, and identity from a masterful novelist whose "books are skillful exercises in the macabre and the horrific. It is as though Stephen King had learned how to write" (New York Review of Books).
What regularities lie behind the development and organization of behaviour in animals and humans? One theme emerging from this book is that ideas have to flow in both directions between the different levels of analysis - between the neural and behavioural levels and between the individual and the social group. Another theme is that it is not enough to identify the many factors operating in the development and integration of behaviour. The processes must also be studied directly. Bringing together work at different levels and studying behavioural dynamics require more knowledge and expertise than any one person can usually command. Links have to be made between different disciplines and specialists have to learn to work with others who speak with what at first seem to be mutually incomprehensible scientific languages. The book illustrates how this may be achieved. The themes of this book are strongly related to the approach of Robert Hinde, in whose honour the chapters were written.
This bestselling text continues to provide a fresh approach to organisational change by linking it to the key drivers of creativity and innovation, but now contains improved coverage of approaches to change. It explores change as a human and social process, looking at the vital role leadership, entrepreneurship and creativity play in change management, rather than viewing it as a series of systems and mechanisms. In doing so, it provides all the theoretical and practical understanding you will need as both a student of change and a future manager. The second edition comes with access to a range of learning and revision aids online and is packed with cases and examples from around the globe. Visit the companion website today at www.uk.sagepub.com/dawson. Lecturers/instructors - request a free digital inspection copy here
The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).
From the bestselling author of The Indispensables, the unknown and dramatic story of irregular guerrilla warfare that altered the course of the Civil War and inspired the origins of America’s modern special operations forces The Civil War is most remembered for the grand battles that have come to define it: Gettysburg, Antietam, Shiloh, among others. However, as bestselling author Patrick K. O’Donnell reveals in The Unvanquished, a vital shadow war raged amid and away from the major battlefields that was in many ways equally consequential to the conflict’s outcome. At the heart of this groundbreaking narrative is the epic story of Lincoln’s special forces, the Jessie Scouts, told in its entirety for the first time. In a contest fought between irregular units, the Scouts hunted John Singleton Mosby’s Confederate Rangers from the middle of 1863 up to war’s end at Appomattox. With both sides employing pioneering tradecraft, they engaged in dozens of raids and spy missions, often perilously wearing the other’s uniform, risking penalty of death if captured. Clashing violently on horseback, the unconventional units attacked critical supply lines, often capturing or killing high-value targets. North and South deployed special operations that could have changed the war’s direction in 1864, and crucially during the Appomattox Campaign, Jessie Scouts led the Union Army to a final victory. They later engaged in a history-altering proxy war against France in Mexico, earning seven Medals of Honor; many Scouts mysteriously disappeared during that conflict, taking their stories to their graves. An expert on special operations, O’Donnell transports readers into the action, immersing them in vivid battle scenes from previously unpublished firsthand accounts. He introduces indelible characters such as Scout Archibald Rowand; Scout leader Richard Blazer; Mosby, the master of guerrilla warfare; and enslaved spy Thomas Laws. O’Donnell also brings to light the Confederate Secret Service’s covert efforts to deliver the 1864 election to Peace Democrats through ballot fraud, election interference, and attempts to destabilize a population fatigued by a seemingly forever war. Most audaciously, the Secret Service and Mosby’s Rangers planned to kidnap Abraham Lincoln in order to maintain the South’s independence. A little-known chronicle of the shadow war between North and South, rich in action and offering original perspective on history, The Unvanquished is a dynamic and essential addition to the literature of the Civil War.
Does it seem like your Python projects are getting bigger and bigger? Are you feeling the pain as your codebase expands and gets tougher to debug and maintain? Python is an easy language to learn and use, but that also means systems can quickly grow beyond comprehension. Thankfully, Python has features to help developers overcome maintainability woes. In this practical book, author Patrick Viafore shows you how to use Python's type system to the max. You'll look at user-defined types, such as classes and enums, and Python's type hinting system. You'll also learn how to make Python extensible and how to use a comprehensive testing strategy as a safety net. With these tips and techniques, you'll write clearer and more maintainable code. Learn why types are essential in modern development ecosystems Understand how type choices such as classes, dictionaries, and enums reflect specific intents Make Python extensible for the future without adding bloat Use popular Python tools to increase the safety and robustness of your codebase Evaluate current code to detect common maintainability gotchas Build a safety net around your codebase with linters and tests
The historical and spiritual legacy of New York City's largest denomination comes alive in these biographies of 76 women and men whose character and qualities are utterly New York and uniquely Catholic. (back cover).
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