In The Ethics of Discernment, Patrick H. Byrne presents an approach to ethics that builds upon the cognitional theory and the philosophical method of self-appropriation that Bernard Lonergan introduced in his book Insight, as well as upon Lonergan’s later writing on ethics and values. Extending Lonergan’s method into the realm of ethics, Byrne argues that we can use self-appropriation to come to objective judgements of value. The Ethics of Discernment is an introspective analysis of that process, in which sustained ethical inquiry and attentiveness to feelings as “intentions of value” leads to a rich conception of the good. Written both for those with an interest in Lonergan’s philosophy and for those interested in theories of ethics who have only a limited knowledge of Lonergan’s work, Byrne’s book is the first detailed exposition of an ethical theory based on Lonergan’s philosophical method.
Toward Environmental Wholeness proposes a new understanding of environmental wholeness that is needed to address the ethical challenges posed by environmental and climate crises. Relying on the studies of numerous historians, Patrick H. Byrne traces the complex developments in environmental and climate change sciences and how they have posed complex ethical challenges. Drawing upon the thought of Bernard Lonergan, he shows how seemingly contradictory contributions from diverse ethical traditions can be brought together into a framework for responding to what the developing sciences are telling us about our current situation and evaluating our realistic options. Byrne reveals how the limitations of a utilitarian approach to environmental ethics had to be expanded into more holistic approaches and the difficulties those approaches encountered—especially the Romantic notions of a pristine, unchanging nature to be preserved and humans as alien. Environmental and climate change sciences have revealed the complex, dynamic natural and human systems that now call for a more dynamic vision of the whole as the basis for environmental ethics. The book also examines how the initiatives of Pope Francis' Laudato si' and the United Nations' Strategic Development Goals are responding to these challenges.
Pictures On My Pillow: An Oceanographer's Exploration of the Symbols of Self-Transcendence is the entertaining, lucid and thought-provoking autobiography of Dr. Patrick B. Crean, a Canadian ocean scientist and accomplished amateur philosopher/theologian. Written frankly and with great period detail, Crean's accounts are buoyed by an inimitable wit and a poignant recounting of his childhood, between the great wars, in rural England. The family home was a cottage on the expansive grounds of Alexander Pope's famous villa and grotto, in Patrick's day a convent school on the banks of the River Thames. Thus were his protective friends and life-long supporters fondly remembered as the 'kitchen sisters'. The formative years of this bright lad would include an innocent recognition of the influence of dream imagery, hence the book's title, as well as being steeped in the benign qualities of faith lived with sincere practicality and authenticity. The latter in direct opposition to what he later experienced as the surd of religious, personal, professional politics - intransigent authoritarianism. In 1944 he was accepted into a marine engineering apprenticeship in an Admiralty shipyard and in 1946 attended University College Dublin. These years would culminate in grand adventure involving three expeditions to the Antarctic whaling grounds with United Whalers' Anglo-Norwegian fleet as a chemist and a summer season at a South African shore station. Crean's professional life in the fields of chemical engineering and physical oceanography would continue with his immigration to Canada in 1953. In 1958 Crean met the Canadian Catholic theologian/philosopher Bernard Lonergan whose vision of the universe would encourage him to develop a foundation from which his own eventual feedback model and worldview would emerge. Thus Pictures On My Pillow provides a practical application of the feedback model that Crean presents in Science, Self-knowledge and Spirituality: A Feedback Model of Bernard Lonergan's Philosophy of Human Consciousness (ISBN 978-1-897435-60-1). "This autobiography is of a piece with Crean's other work, on Science, Self-knowledge, and Spirituality. It is a travel tale for our times, when our search needs be, not for global regions undiscovered, but for our glad hearts within." - Philip McShane, D.Phil. (Oxford), Professor Emeritus of Philosophy, Mount St. Vincent University, Halifax
This creative, concise book is a perfect primer for those curious about, or challenged by, the works of Bernard J.F. Londergan, SJ, CC (1904-1984), the Canadian philosopher, theologian and economist best known for his worldview of the universe which brings together, science, self-knowledge and spirituality. Crean not only captures the essence of Lonergan's major works, such as Insight: a Study of Human Understanding (1957) and Method in Theology (1972), he also extends it -- through a unique feedback model of human consciousness -- providing a practical and life changing application of Lonergan's thought." Cover.
How does theatre, one of the most ancient and physical arts, relate to the modern, dynamic technology that is social media? How have changes in the use of social media affected the theatre? How does social media itself operate as a performance space? Used daily by many, social media has become one of the main mediums through which we present and perform our lives. In this concise study of the revealing relationship between theatre and social media, Patrick Lonergan considers social media as a performance space, analyses how theatre-makers' engagement with social media on and off stage affects elements of theatrical composition and reception, and explores the practical and conceptual implications of audiences interacting with professional productions through social media. Exploring case studies from Shakespearean performance to Broadway musicals, this revised edition explores new approaches to social media and theatre, asking how new platforms can influence, and even create, theatre productions.
What do we mean when we refer to people as being equal by nature? In the first book devoted to human equality as a fact rather than as a social goal or a legal claim, John Coons and Patrick Brennan argue that even if people possess unequal talents or are born into unequal circumstances, all may still be equal if it is true that human nature provides them the same access to moral self-perfection. Plausibly, in the authors' view, such access stems from the power of individuals to achieve goodness simply by doing the best they can to discover and perform correct actions. If people enjoy the same degree of natural capacity to try, all of us are offered the same opportunities for moral self-fulfillment. To believe this is to believe in equality. This truly interdisciplinary work not only proposes the authors' own rationale but also provides an effective deconstruction of several other contemporary theories of equality, while it engages historical, philosophical, and Christian accounts as well. Furthermore, by divorcing the "best" from the "brightest," it shows how descriptive equality acquires practical significance. Among other accomplishments, By Nature Equal offers communitarians a core principle that has until now eluded them, rescues human dignity from the hierarchy of intellect, identifies racism in a new way, and shows how justice can be freshly grounded in the conviction that every rational person has the same capacity for moral excellence.
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
The purpose of this book is to use neuroscience discoveries concerning religious experiences, the Self and personhood to deepen, enhance and interrogate the theological and philosophical set of ideas known as Personalism. McNamara proposes a new eschatological form of personalism that is consistent with current neuroscience models of relevant brain functions concerning the self and personhood and that can meet the catastrophic challenges of the 21st century. Eschatological Personalism, rooted in the philosophical tradition of "Boston Personalism", takes as its starting point the personalist claim that the significance of a self and personality is not fully revealed until it has reached its endpoint, but theologically that end point can only occur within the eschatological realm. That realm is explored in the book along with implications for personalist theory and ethics. Topics covered include the agent intellect, dreams and the imagination, future-orientation and eschatology, phenomenology of Time, social ethics, Love, the challenge of AI, privacy and solitude and the individual ethic of autarchy. This book is an innovative combination of the neuroscientific and theological insights provided by a Personalist viewpoint. As such, it will be of great interest to scholars of Cognitive Science, Theology, Religious Studies and the philosophy of the mind.
This book contains a grassroots history of schooling as an instrument of Catholic conversion at a Jesuit mission in southern Zambia over a 75 year period. It provides a threefold division of the history dealing with initial cultural contact of the missionaries with the local Tonga. It then outlines the mission's role during Zambia's pre-independence and its possible links to nationalism. The work finally identifies the challenge of being a denominational school in post-independence Zambia.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.