I Love When Daddy Reads to Me" is a fun and engaging children's book that encourages Father/Child Bonding and Literacy! This book is unique in that it encourages Dads to read to their children and shares many of the funny and loving reasons why, from a child's perspective!
T-I-M-E is how kids spell LOVE. This is a fun story of a family that decides to unplug from their devices for a day. This was not easy for the kids nor the parents. WOW is all that can be said to describe what happened to this family on this day! Be sure to read it all the way through for the big laugh at the end!
There’s been a revolution in American popular fiction. The writers who dominated the bestseller lists a generation ago with blockbuster novels about movie stars and exotic foreign lands have been replaced by a new generation writing a new kind of bestseller, one that hooks readers with crime, suspense, and ever-increasing violence. Patrick Anderson, The Washington Post’s man on the thriller beat, calls this revolution “the triumph of the thriller,” and lists among its stars Thomas Harris, Michael Connelly, George Pelecanos, Dennis Lehane, Sue Grafton, and Elmore Leonard. In his provocative, caustic, and often hilarious survey of today’s popular fiction, Anderson shows us who the best thriller writers are–and the worst. He shows how Michael Connelly was inspired by Raymond Chandler, how George Pelecanos toiled in obscurity while he mastered his craft, how Sue Grafton created the first great woman private eye, and how Thomas Harris transformed an insane cannibal into the charming man of the world who made FBI agent Clarice Starling his lover. Anderson shows Scott Turow inventing the modern legal thriller and John Grisham translating it into a stunning series of bestsellers. He casts a cold eye on Tom Clancy’s militaristic techno-thrillers, and praises Alan Furst and Robert Littell as world-class spy novelists. He examines the pioneering role of Lawrence Sanders, the offbeat appeal of Dean Koontz, the unprecedented success of The Da Vinci Code, and the emergence of the literary thriller. Most of all, Anderson demands that the best of these novelists be given their due–not as genre writers, but as some of the most talented men and women at work in American fiction. Don’t trust the literary elites to tell you what to read, he warns–make up you own minds. The Triumph of the Thriller will convince many readers that we’ve entered an important new era in popular fiction. This book can be your guide to it.
This book is the first biography in 42 years of the priest and educator who became one of the most important political forces in America's Cold War against communism.
Justices of the peace, constables, and game wardens from the late 19th century are brought to vivid life interacting with a variety of accused citizens. Rare views of human lives in turmoil are revealed in several hundred trials conducted in 1890s Muskoka by Magistrate James Boyer of Bracebridge. The charges and evidence show how raw life really was in Canada’s frontier towns, with cases ranging from nostalgic and humorous to pitiable and deeply disturbing. While dispensing speedy justice, Boyer, who was also town clerk and editor of the Northern Advocate, the first newspaper in Ontario’s northern districts, kept a careful record in his handwritten "bench book" of all these cases. That bench book, recently found by his great-grandson, lawyer J. Patrick Boyer, provides the raw material for Raw Life. This first-time publication of the these cases demonstrates how, in Canadian society, some things haven’t changed much over the years – from early road rage to the plight of abused women, from environmental contamination to punitive treatment of the poor.
More than 100,000 Ulster Presbyterians of Scottish origin migrated to the American colonies in the six decades prior to the American Revolution, the largest movement of any group from the British Isles to British North America in the eighteenth century. Drawing on a vast store of archival materials, The People with No Name is the first book to tell this fascinating story in its full, transatlantic context. It explores how these people--whom one visitor to their Pennsylvania enclaves referred to as ''a spurious race of mortals known by the appellation Scotch-Irish''--drew upon both Old and New World experiences to adapt to staggering religious, economic, and cultural change. In remarkably crisp, lucid prose, Patrick Griffin uncovers the ways in which migrants from Ulster--and thousands like them--forged new identities and how they conceived the wider transatlantic community. The book moves from a vivid depiction of Ulster and its Presbyterian community in and after the Glorious Revolution to a brilliant account of religion and identity in early modern Ireland. Griffin then deftly weaves together religion and economics in the origins of the transatlantic migration, and examines how this traumatic and enlivening experience shaped patterns of settlement and adaptation in colonial America. In the American side of his story, he breaks new critical ground for our understanding of colonial identity formation and of the place of the frontier in a larger empire. The People with No Name will be indispensable reading for anyone interested in transatlantic history, American Colonial history, and the history of Irish and British migration.
A comprehensive study of black participation in sports since slavery reveals a checkered history of prejudice and cultural bias that have plagued American sports from the beginning.
In the late 1880s, the Pecos River region of Texas and southern New Mexico was known as “the cowboy’s paradise.” And the cowboys who worked in and around the river were known as “the most expert cowboys in the world.” A Cowboy of the Pecos vividly reveals tells the story of the Pecos cowboy from the first Goodnight-Loving cattle drive to the 1920s. These meticulously researched and entertaining stories offer a glimpse into a forgotten and yet mythologized era. Includes archival photographs.
The dark and bloody ground of the frontier during the years of the American Revolution created much that we associate with the idea of America. Between 1763 and 1795, westerners not only participated in a war of independence but also engaged in a revolution that ushered in fundamental changes in the relationship between individuals and society. In the West, the process was stripped down to its essence: uncertainty, competition, disorder, and frenzied and contradictory attempts to reestablish order. The violent nature of the contest to reconstitute sovereignty produced a revolutionary settlement, riddled with what we would regard as paradox, in which new notions of race went hand in hand with new definitions of citizenship. In the almost Hobbesian state of nature that the West had become, westerners created a liberating yet frightening vision of what society was to be. In vivid detail, Patrick Griffin recaptures a chaotic world of settlers, Indians, speculators, British regulars, and American and state officials vying with one another to remake the American West during its most formative period.
Patrick Brode examines the history of the 'heartbalm' torts in nineteenth-century Canada - breaches of duty leading to liability for damages for seduction, breach of promise of marriage, and criminal conversation.
He made his mark on national life as a key architect of Franklin Roosevelt's New Deal, a leading champion of labor rights and civil liberties, and author of legislation that endures to this present day." "Young Bob was one of the best senators in history but also one of the most tragic. In 1946, at the height of his national prominence, La Follette lost his Senate seat to Joseph McCarthy. Seven years later, with McCarthy very much on his mind, La Follette committed suicide."--BOOK JACKET.
Investigates the intellectual and political roots of the National Resources Planning Board (NRPB). This work follows New Deal planning from the first use of social sciences in rational management in the 1890s, to the 1920s reform efforts, the creation of the NRPB in 1933, and its abolition in 1943.
The structure that anchors Chicago Every day Chicagoans rely on the loop of elevated train tracks to get to their jobs, classrooms, or homes in the city’s downtown. But how much do they know about the single most important structure in the history of the Windy City? In engagingly brisk prose, Patrick T. Reardon unfolds the fascinating story about how Chicago’s elevated Loop was built, gave its name to the downtown, helped unify the city, saved the city’s economy, and was itself saved from destruction in the 1970s. This unique volume combines urban history, biography, engineering, architecture, transportation, culture, and politics to explore the elevated Loop’s impact on the city’s development and economy and on the way Chicagoans see themselves. The Loop rooted Chicago’s downtown in a way unknown in other cities, and it protected that area—and the city itself—from the full effects of suburbanization during the second half of the twentieth century. Masses of data underlie new insights into what has made Chicago’s downtown, and the city as a whole, tick. The Loop features a cast of colorful Chicagoans, such as legendary lawyer Clarence Darrow, poet Edgar Lee Masters, mayor Richard J. Daley, and the notorious Gray Wolves of the Chicago City Council. Charles T. Yerkes, an often-demonized figure, is shown as a visionary urban planner, and engineer John Alexander Low Waddell, a world-renowned bridge creator, is introduced to Chicagoans as the designer of their urban railway. This fascinating exploration of how one human-built structure reshaped the social and economic landscape of Chicago is the definitive book on Chicago’s elevated Loop.
Following the 250th anniversary of the birth of Robert Burns (1759-96), Patrick Scott Hogg presents the greatest of Scotland's poets within the true context of his times. Exploding the Burns myth, Robert Burns: The Patriot Bard replaces the ram-stam lad of popular cliché with the real, living Burns - a Scottish patriot of the heart, an idealist who wished for 'Freedom and Liberty' for his beloved country, but also a man who was pragmatically a British patriot and risked his life for democratic reform. Here Burns is painted in his native colours as a highly complex, hyper-intelligent writer in both prose and poetry, not the semi-confused, contradictory simpleton of previous biographies. The fascinating legend of Burns as a ladies' man is placed where it should be - as less important than the message of the bard. The real day-to-day Burns was irascible, stubborn-minded, independent, controversial and opinionated. He detested many of his social superiors within the feudal order and attacked them as hypocrites and oppressors of the common people. The voice of Burns, always in the language of the people, and his idealist vision of a better world endeared him as a poet of humanity 'the world o'er'. Drawing from Burns' existing canon of poetry and letters, plus some newly attributed works suppressed for over two centuries, this life story is a roller-coaster narrative that charts the success and untimely death of the greatest songwriter of all time, the real Robert Burns.
After reaching high levels of public popularity in the 1980s and 1990s, political conservatism has become beset with criticism and disillusionment. As demonstrated by the 2008 election results, political conservatism has been blamed for an unpopular Iraq war, an economy nose diving into recession, and a barrage of high profile instances of corporate misbehavior. This crisis in the ideological identity of and public confidence in conservatism is partly due to conservatism itself. Contrary to the intellectual vibrancy that characterized the 1980s and 1990s, political conservatism in recent years has become complacent and dormant. It has been more focused on simply protecting political power than on reexamining its philosophical principles and policy prescriptions. Because of this failure to continually reexamine, conservatives have allowed their ideology to slip back into various ruts caused by certain historical deviations from the conservative creed. These deviations, beginning in the early twentieth century, mischaracterized conservatism as a special-interest defender of the wealthy and corporate class. The deviations also allowed conservatism to be miscast as a political creed that advocates aggressive U.S. intervention in the affairs of foreign nations. Perhaps because of all its successes, as well as the political influence it has been able to achieve, political conservatism in America has somewhat lost its foundational bearings. Its basic principles and ideological identity have been lost amidst the various political maneuverings and issues associated with partisan politics. Consequently, conservatives need to get their ideology back to a firm foundational setting, so as to allow it to once again provide a strong beacon of guidance to American society. In this book, Patrick Garry attempts to provide a clear definition and ideological identity to conservatism—an identity that not only connects conservatism to the past, but allows it to position itself for the challenges of the future. With a concise simplicity, Garry provides a definition of conservatism that relies on two fundamental propositions. Garry also argues that the focus of conservatism needs to be redirected toward the interests of the poor and disadvantaged. As Garry argues, it is conservatism and not liberalism that offers the best hope for the poor and disadvantaged to prosper in America. This new focus of conservatism will allow conservatism to flourish as a governing ideology.
WINNER OF THE BANCROFT PRIZEA New York Times Book Review and Atlantic Monthly Editors' ChoiceThomas Jefferson denied that whites and freed blacks could live together in harmony. His cousin, Richard Randolph, not only disagreed, but made it possible for ninety African Americans to prove Jefferson wrong. Israel on the Appomattox tells the story of these liberated blacks and the community they formed, called Israel Hill, in Prince Edward County, Virginia. There, ex-slaves established farms, navigated the Appomattox River, and became entrepreneurs. Free blacks and whites did business with one another, sued each other, worked side by side for equal wages, joined forces to found a Baptist congregation, moved west together, and occasionally settled down as man and wife. Slavery cast its grim shadow, even over the lives of the free, yet on Israel Hill we discover a moving story of hardship and hope that defies our expectations of the Old South.
This historical resource details the researching, developing, and engineering of the United States Army weapons and munitions facility programs located in New Jersey that has prepared American troops for over a century to meet their challenges. This fascinating monograph, filled with photographs, explores the history of the Picatinny Arsenal, first built in 1880 to house gunpowder. This gunpowder was sent to American military troops in the Spanish-American War, the Philippine Insurrection, and other major conflicts. In the 1920s and 1930s, the Arsenal influenced the development of artillery, tank rounds and other major weaponry. Picatinny was the main provider of ammunition for the U.S. military during WWII. The Arsenal continued to develop major weapons such as the bazooka rocket, the C-4 explosive, and the "Atomic Annie" artillery shell. Currently, there are more than 5,000 scientists, engineers and other staff at Picatinny Arsenal using advanced technology to create weapons, ammunition, and to design related products and storage components. Click here for more products: Arms & Weapons publications can be found here: https://bookstore.gpo.gov/catalog/arms-weapons History of American Industry & Innovation collection World War II resources collection
Author, intellectual, and social critic, Ralph Ellison (1914-94) was a pivotal figure in American literature and history and arguably the father of African American modernism. Universally acclaimed for his first novel, Invisible Man, a masterpiece of modern fiction, Ellison was recognized with a stunning succession of honors, including the 1953 National Book Award. Despite his literary accomplishments and political activism, however, Ellison has received surprisingly sparse treatment from biographers. Lawrence Jackson’s biography of Ellison, the first when it was published in 2002, focuses on the author’s early life. Powerfully enhanced by rare photographs, this work draws from archives, literary correspondence, and interviews with Ellison’s relatives, friends, and associates. Tracing the writer’s path from poverty in dust bowl Oklahoma to his rise among the literary elite, Jackson explores Ellison’s important relationships with other stars, particularly Langston Hughes and Richard Wright, and examines his previously undocumented involvement in the Socialist Left of the 1930s and 1940s, the black radical rights movement of the same period, and the League of American Writers. The result is a fascinating portrait of a fraternal cadre of important black writers and critics--and the singularly complex and intriguing man at its center.
Is the Bible reliable - or has is it been corrupted? Many popular sources, ranging from Dan Brown's The Da Vinci Code to Bart Ehrman's Misquoting Jesus, claim that the New Testament as we know it has been corrupted, damaged, or tampered with. Are these charges true? Or can we trust the New Testament? In this volume, prominent Internet apologist James Patrick Holding will take a closer look at four aspects of the transmission of the New Testament, and answer these important questions: - Was the New Testament material corrupted when it was passed on by word of mouth, before it was written down? - Was the New Testament material corrupted as it was copied in writing in its early years? - Was the New Testament material really written by the people whose names are on the books? - Was the New Testament canon judiciously selected? Learn the answers to these critical queries, and you'll learn our reasons for Trusting the New Testament! "I am confident that this work by James Patrick Holding will be a valuable asset to anyone who is in need of powerful evidence and information regarding the integrity of the New Testament." - Dr. Richard Howe, Professor of Philosophy and Apologetics, Southern Evangelical Seminary (from the Foreword)
For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history.
First published in 1988, Castle Gap and the Pecos Frontier was acclaimed by reviewers as “superb,” “significant,” and “utterly delightful.” In this revised edition, Patrick Dearen draws upon the latest in scholarship to update his study of the Pecos River country of West Texas. It’s a land wild with tales that blend history, geography, and folklore, and from his search emerge six fascinating accounts: -Castle Gap, a break in a mesa twelve miles east of the Pecos River, used by Comanches, emigrants, stage drivers, and cattle drovers; -Horsehead Crossing, the most infamous ford of the Old West; -Juan Cordona Lake, a salt lake where sandstorms and skull-baking sun defied early efforts to mine salt vital to survival; -The “bulto” or ghost who wanders the Fort Stockton night; -Lost Wagon Train, a forty-wagon caravan buried in the sands; -The lost mine of Will Sublett, who found gold and kept its location secret unto death. Although linked by the search for treasure, the stories are as varied as the land itself. They speak eloquently of the Pecos country, its heritage, and its people.
On January 30, 1892, the University of Georgia played its first football game, beating Mercer College, 50-0. Since this auspicious beginning, Georgia football has captivated the hearts and minds of fans for more than a century. Beginning with the 1896 season, Patrick Garbin recounts the most memorable seasons in the University of Georgia's football history. Spanning 115 years of Bulldog football, About Them Dawgs! provides a game-by-game recap of more than 20 of the school's notable seasons. Each of these seasons is covered with game highlights, facts, statistics, and photographs relating to the Bulldogs.
From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.
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