For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
A masterful, epic account of the Spanish Ulcer that drained Napoleon's resources and played a pivotal role in the end of his domination of Europe. The author served with distinction in the actions of the Light Division, such as the epic march to Talavera, the battles of Fuentes d’Oñoro, Salamanca, Nivelle, Orthes and Toulouse. He left the service a General and Knight Commander of the Order of Bath. Napier’s History would rank as the most important history to be written by an actual participant, and was as controversial with his countrymen as amoung his contemporaries on the Continent. In this fifth volume (early 1813 to December 1813), Napier follows the Allied forces in their march to the French frontier and beyond. As Napoleon attempts to recover from the shattering failure of the 1812 Russian campaign and regain the initiative in Germany, the Duke of Wellington’s army, British, Portuguese and Spanish, begins to assert a dominance over their French opponents in the Peninsular. Despite further political manoeuvring the Spanish and with the Regency in Portugal, Wellington sent his army of a brilliant series of outflanking moves, culminating in the crushing of the French armies at Vitoria. Although he was enabled by this victory to push to the French frontier, he was left with two sieges at Pamplona and St Sebastian behind his lines,and a re-organized French army under Soult to his front. Eventually defeating the French offensive designed to relieve Pamplona, despite some less than spectacular performances by some of his subordinates, Wellington was able to invade France proper. A number of battles such as St. Pierre, and the Nivelle, all allied successes, resulted in a proper push toward final victory. Napier also covers the events in other parts of Spain, where the very capable Marshal Suchet was able to fight off a number campaigns in Catalonia or aiming for Catalonia, despite the British command of the seas.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
A scholar explores the ideas within The Lord of the Rings and the world created by J. R. R. Tolkien: “A most valuable and timely book” (Ursula K. Le Guin, Los Angeles Times–bestselling author of Changing Planes). What are millions of readers all over the world getting out of reading the Lord of the Rings trilogy? Defending Middle-earth argues, in part, that the appeal for fans goes far deeper than just quests and magic rings and hobbits. In fact, through this epic, Tolkien found a way to provide something close to spirit in a secular age. This thoughtful book focuses on three main aspects of Tolkien’s fiction: the social and political structure of Middle-earth and how the varying cultures within it find common cause in the face of a shared threat; the nature and ecology of Middle-earth and how what we think of as the natural world joins the battle against mindless, mechanized destruction; and the spirituality and ethics of Middle-earth—for which the author provides a particularly insightful and resonant examination. Includes a new afterword
The day after the Battle of Balaklava, the Russians attempted an armed reconnaissance of the Allied right flank aimed at the exposed Inkermann position, but the remnants of the British 2nd Division bloodily repulsed them. This book describes the battle.
Drawing on dramatic accounts by European colonials, and on detailed studies by folklorists and anthropologists, this work explores intriguing age-old Asian beliefs and claims that man-eating tigers and "little tigers," or leopards alike, were in various ways supernatural. It is a serious work based on extensive research, written in a lively style. Fundamental to the book is the evocation of a long-vanished world. When a man-eater struck in colonial times, people typically said it was a demon sent by a deity, or even the deity itself in animal form, punishing transgressors and being guided by its victims' angry spirits. Colonials typically dismissed this as superstitious nonsense but given traditional ideas about the close links between people, tigers and the spirit world, it is quite understandable. Other man-eaters were said to be shapeshifting black magicians. The result is a rich fund of tales from India and the Malay world in particular, and while some people undoubtedly believed them, others took advantage of man-eaters to persecute minorities as the supposed true culprits. The book explores the prejudices behind these witch-hunts, and also considers Asian weretiger and wereleopard lore in a wider context, finding common features with the more familiar werewolves of medieval Europe in particular.
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