The idea of socioecosystems answers the growing need to understand, in the context of the Anthropocene, how adaptive processes interact, and how that interplay results in the coevolution of living beings. Studying socioecosystems means taking into account the diversity of temporal and physical scales in order to grasp how ecological, social and economic forces are interwoven. Based on these drivers, the complex dynamics that determine the habitability of the Earth emerge. This book analyzes, through concrete cases from regional socioecosystems on several continents, how research action has provided answers to problems related to agriculture, health and the conservation of biodiversity. It demonstrates that these undertakings could not have succeeded without the combined efforts of the communities of living beings and objects, the community of knowledge and the communities of action. These examples are accompanied by a reflection on the conditions that make it possible to bring this research to completion.
The idea of socioecosystems answers the growing need to understand, in the context of the Anthropocene, how adaptive processes interact, and how that interplay results in the coevolution of living beings. Studying socioecosystems means taking into account the diversity of temporal and physical scales in order to grasp how ecological, social and economic forces are interwoven. Based on these drivers, the complex dynamics that determine the habitability of the Earth emerge. This book analyzes, through concrete cases from regional socioecosystems on several continents, how research action has provided answers to problems related to agriculture, health and the conservation of biodiversity. It demonstrates that these undertakings could not have succeeded without the combined efforts of the communities of living beings and objects, the community of knowledge and the communities of action. These examples are accompanied by a reflection on the conditions that make it possible to bring this research to completion.
Part II argues that imagery and plot developments in The Ancient Mariner reflect political events between November 1797 and March 1798, the months when Coleridge was writing and revising his poem and contributing anti-Pittite verses and essays to the widely read opposition newspaper the Morning Post.
Nobel Prize winner Patrick Modiano's first three novels, about Paris under Nazi occupation, now in a single volume; the earliest--La Place de l'Étoile--in English for the first time. Born at the close of World War II, 2014 Nobel Prize winner Patrick Modiano was a young man in his twenties when he burst onto the Parisian literary scene with these three brilliant, angry novels about the wartime Occupation of Paris. The epigraph to his first novel, among the first to seriously question Nazi collaboration in France, reads: "In June 1942 a German officer goes up to a young man and says: 'Excuse me, monsieur, where is La Place de l'Étoile?' The young man points to the star on his chest." The second novel, The Night Watch, tells the story of a young man caught between his work for the French Gestapo, his work for a Resistance cell, and the black marketeers whose milieu he shares. Ring Roads recounts a son's search for his Jewish father who disappeared ten years earlier, whom he finds trying to weather the war in service to unsavory characters. Together these three brilliant, almost hallucinatory evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance. Award-winning translator Frank Wynne has revised the translations of The Night Watch and Ring Roads--long out of print--for our current day, and brings La Place de l'Étoile into English for the first time. The Occupation Trilogy provides the perfect introduction to one of the world's greatest writers.
The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart! From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, MAKING IT SO, a revealing portrait of an artist whose astonishing life—from his humble beginnings in Yorkshire, England to the heights of Hollywood and worldwide acclaim—proves a story as exuberant, definitive, and enduring as the author himself.
Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation. We are immediately plunged into the hallucinatory imagination of Raphaël Schlemilovitch, a young Jewish man, torn between self-aggrandisement and self-loathing, who may be the heir to a Venezuelan fortune, may have lived during the Nazi Occupation, may have rubbed shoulders with the most notorious collaborators and anti-Semites of the time, may even have been the lover of Eva Braun . . . or he may have been none of these things. But at the centre of this vortex is 'La Place de l'Étoile'--the Place of the Star--which is both the geographical and moral centre of Paris, and that place next the heart where French Jews were compelled to wear the yellow star, the symbol of their persecution.
The first major biography of the author of Suite Française The posthumous publication of Suite Française won Irène Némirovsky international acclaim and brought millions of readers to her work. But the story of her own life was no less dramatic and moving than her most powerful fiction. With her family, she escaped Russia in 1919 and settled in Paris, where she met and married fellow Jewish émigré Michel Epstein. In 1929 she published her highly acclaimed and controversial novel David Golder, the first of many successful books that established her stellar reputation. But when France fell to the Nazis, her renown did her little good: without French citizenship, she was forced to seek refuge in a small Burgundy village with her husband and their two young daughters. And in July 1942 Némirovsky was arrested and deported to Auschwitz, where she died the following month. Drawing on Némirovsky’s diaries, previously untapped archival material, and interviews, her biographers give us at once an intimate picture of her life and turbulent times and an illuminating examination of the ways in which she used the details of her remarkable life to create “some of the greatest, most humane, and incisive fiction [World War II] has produced” (The New York Times Book Review).
The presence of these values, Deane contends, is not a curiosity but part of a vital and discernible tradition of modern neo-Augustanism that has been previously overlooked. By tracing these writers' common interest in Horace, John Dryden, and Samuel Johnson, he uncovers important links between seemingly diverse modern poets. Deane challenges the whole interpretation of literary modernism, which has traditionally linked the modern poets to the Romantics and seen both as anti-Augustan. Deane concludes that these modern poets share a ready and pragmatic acceptance of linear time, within which all acts of artistic and social creativity must take place - a crucial factor in both the form and substance of their writings. That art, language, and society are inseparable under such conditions was a bracing thought for the young Auden, but a potentially disturbing one for more recent poets.
This Element argues that the climate emergency requires a new approach to the study of theatre history – a suggestion that is developed through an analysis of the practice of theatrical revival during the Anthropocene era.
Departing for a new life far away; fleeing from the dangers, the restrictions, or just the mundanity of familiar surroundings; enduring unwanted scrutiny in the backrooms of officialdom: some of the most dramatic scenes of a life story involve a passport. By examining the travel documents of artists, intellectuals, ancient messengers, and modern migrants, License to Travel tells how these seemingly humble documents also implicate us--our emotions and imaginings--in some of the most sweeping transformations of human history: the emergence of the nation-state, of international relations, of government surveillance, of refugee crises, and of our global interconnectedness"--
Gardens of Hell examines the human side of one of the great tragedies of modern warfare, the Gallipoli campaign of the First World War. In February 1915, beginning with a naval attack on Turkey in the Dardanelles, a combined force of British, Australian, New Zealand, Indian, and French troops invaded the Gallipoli Peninsula only to face crushing losses and an ignominious retreat from what seemed a hopeless mission. Both sides in the battle suffered huge casualties, with a combined 127,000 servicemen killed during the action. Patrick Gariepy has pieced together the battle from combatantsÆ own words. Drawn from diaries and letters and from stories passed down through generations of families, these firsthand accounts offer an honest, heartfelt, and sometimes painful testimony to a doomed campaign fought by the men who lived through the fury, terror, and grief that was Gallipoli. Gardens of Hell is a sensitive acknowledgment of the enormous human cost of military folly and failure.
Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
Pierre Michon is one of France's most significant contemporary writers. Since the publication in 1984 of his first book, Vies minuscules, Michon's work has never ceased to evade generic classifications. His work ingests books, lives and thought and probes their complex interrelationship and those moments of convergence that transform an ordinary name into that of an 'Author' or of an 'Artist'. The contents of Michon's work are well documented: they are drawn from canonical novels, chronicles, archives and the biographies of artists' lives and are worked into cross-generic forms that revive names and make us rethink the uncertainty of literature. Less has been written of his engagement with avant-garde thought. The legacy of French avant-garde thinkers of the 1960s and 1970s, in particular the work of Roland Barthes, informs Michon's work. Barthes's notions of the referent, of intertextuality and of authorship, for example, are transposed, reconfigured and sometimes contested within Michon's work. In this way, Barthes's name, the afterlife of his thought, remains encrypted within Michon's prose. This book situates and reads Michon's texts through the complex inscription and transformation of names drawn from the Creuse, literature, art and avant-garde thought. And it is within this matrix that Michon puts in play his own name and its uncertain relation to literature.
Patrick Watson, much to his surprise, found himself hosting a CBC television series at the age of 26. Within weeks he had abandoned both his doctoral studies and a promising career in publishing to sail into the uncharted waters of the new medium. Ten years later he was one of the best-known people in Canada, primarily because of a television series called THIS HOUR HAS SEVEN DAYS, which regularly reached more viewers than HOCKEY NIGHT IN CANADA. During its spectacular two-year run, Watson was on the front pages of the nation’s major newspapers week after week.Throughout a broadcasting career that began in radio 61 years ago, he has written, produced, directed, acted in, or hosted literally thousands of television programs and films—from creating children’s radio adventure drama to globe-girdling documentaries, from anchoring a daily news show on New York City’s famous Channel XIII to producing/directing for Jacques Cousteau. As well, Watson hosted the first CBC Current Affairs series to be named for its host and created the Historica Foundation’s famous Heritage Minutes. In THIS HOUR HAS SEVEN DECADES, Watson gives a first-person account of a sunny and adventurous childhood, the early days of broadcasting, the troubled years of his chairmanship of the CBC, and the myriad of projects of the in-between and later years, in a frank, gossipy narrative that reflects the story-telling skills that have made his novels and historical books bestsellers.
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