Soren Kierkegaard (1813-55), one of the most original thinkers of the nineteenth century, wrote widely on religious, psychological, and literary themes. This book shows how Kierkegaard developed his views in emphatic opposition to prevailing opinions. It describes his reaction to the ethical and religious theories of Kant and Hegel, and it also contrasts his position with doctrines advanced by men like Feuerbach and Marx. Kierkegaard's seminal diagnosis of the human condition, which emphasizes the significance of individual choice, has arguably been his most striking philosophical legacy, particularly for the growth of existentialism. Both that and his arresting but paradoxical conception of religious belief are critically discussed, and Patrick Gardiner concludes this lucid introduction by showing how Kierkegaard has influenced contemporary thought. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Soren Kierkegaard (1813-55), one of the most original thinkers of the nineteenth century, wrote widely on religious, psychological, and literary themes. This book shows how Kierkegaard developed his views in emphatic opposition to prevailing opinions. His arresting but paradoxical conception of religious belief is critically discussed, and Patrick Gardiner concludes this lucid introduction by showing how Kiekegaard has influenced contemporary thought.
Gardiner approaches the idea of a philosophy of history by first giving an outline of the regularity interpretation of explanation. How far it is possible to regard all historical explanations, or even some, as approximating this pattern, how far the objections philosophers have marshalled against such an assimilation are justified, how far the alternative interpretations suggested correspond to the historian's actual procedure in certain cases; these represent the kind of questions that will have to be considered. By keeping the actual practice of historians constantly in view, he believes that the reader will be able to see some of the disputes that have raged concerning the philosophy of historyin better perspective.
CASES IN COURT is a personal account of his most memorable trials by a great British barrister whose name was world-famous. In all of the cases described he played a leading part. Here, as he writes in his preface, are “pictures of the litigants themselves: just ordinary human beings seeking redress against their wrongs, real or imaginary; men and women struggling to protect their reputations and perhaps their lives.” There are five notorious murder trials, including “The Case of the Blazing Car”, “The Case of the Hooded Man”, and the extraordinary case of Mrs. Barney; six trials for libel or slander, including the action brought by a Russian Princess against a film corporation, “The Case of the Three Sisters”, “The Case of the Illuminating Dot”, and “The Case of the Talking Mongoose”; and ten other miscellaneous cases that were headlined in their day. At the end of the book the author briefly discusses good and bad advocacy, and answers some interesting questions that are often asked about a barrister’s profession.
A reissue of Patrick Wright's 1995 classic about the military takeover of the village of Tyneham, with a new introduction taking in Brexit and a new wave of British nationalism. Shortly before Christmas in 1943, the British military announced they were taking over a remote valley on the Dorset coast and turning it into a firing range for tanks in preparation for D-Day. The residents of the village of Tyneham loyally packed up their things and filed out of their homes into temporary accommodation, yet Tyneham refused to die. Although it was never returned to its pre-war occupants and owners, Tyneham would persist through a long and extraordinary afterlife in the English imagination. It was said that Churchill himself had promised that the villagers would be able to return once the war was over, and that the post-war Labour government was responsible for the betrayal of that pledge. Both the accusation and the sense of grievance would reverberate through many decades after that. Back in print and with a brand new introduction, this book explores how Tyneham came to be converted into a symbol of posthumous England, a patriotic community betrayed by the alleged humiliations of post-war national history. Both celebrated and reviled at the time of its first publication in 1995, The Village that Died for England is indispensable reading for anyone trying to understand where Brexit came from — and where it might be leading us.
The title of the book reflects the fact that throughout his ministerial career, as home secretary and chancellor of the exchequer under Gladstone, Harcourt was supported by his son Lewis ("Loulou"), who acted as private secretary and confidential advisor, and whose unpublished journals were one of the main sources for the book. The author also made extensive use of other contemporary diaries (particularly those of John Morley, only recently made accessible) and thousands of manuscript letters to and from Harcourt."--Jacket.
How does theatre, one of the most ancient and physical arts, relate to the modern, dynamic technology that is social media? Used daily by many, social media has become one of the main mediums through which we present and perform our lives. In this timely introduction to the revealing relationship between theatre and social media, Patrick Lonergan considers social media as a performance space, analyses how theatre-makers' engagement with social media on and off stage affects elements of theatrical composition and reception, and explores the practical and conceptual implications of audiences interacting with professional productions through social media.
This 1999 book was the first full-length account of the county court, which in contemporary English life has become the main forum for most civil disputes. It began as the 'poor man's court', largely concerned with the pursuit of working-class debtors; but, as this book shows, it has expanded far beyond its origins as an agency `for the more easy recovery of small debts' and now includes in its jurisdiction a diverse range of matters, including housing, accidents and consumer goods. Drawing on a wide range of sources, the author traces the history of the county court from its creation in 1846 through to the reconstruction of the court system in 1971. He describes its organisation and officers, from judges to bailiffs, and discusses the roles of judges, practising lawyers and lay persons. The text is an intriguing engagement with themes including access to justice.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
Images of America: Virginias Presidential Homes takes a visual excursion to the homes of the eight Virginia-born men who served as president of the United States: George Washington, Thomas Jefferson, James Madison, James Monroe, William Henry Harrison, John Tyler, Zachary Taylor, and Woodrow Wilson. Virginia, nicknamed the Mother of Presidents, is the birthplace of these eight men who were key to the success of the American Revolution, the forming of the U.S. government, the War of 1812, the annexation of Texas, the Mexican-American War, and World War I. Coming from diverse backgrounds and classes, their residences ranged from simple wood-frame structures to elegant, brick-pillared mansions and estates. Through images and drawings, this book will bring to life their homes and family life.
Culture in Camouflage aims to remap the history of British war culture by insisting on the centrality and importance of the literature of the Second World War. The book offers the first comprehensive account of the emergence of modern war culture, arguing that its exceptional forms and temporalities force us to reappraise British cultural modernity. The book explores how writers like Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, T.E. Lawrence, Winston Churchill, Elizabeth Bowen, Virginia Woolf, James Hanley, Rex Warner, Alexander Baron, Keith Douglas, Henry Green, and Graham Greene contested the dominant narratives of war projected by an enormously powerful and persuasive mass media and culture industry. Patrick Deer reads war literature as one element in an expanded cultural field, which also includes popular culture and mass communications, the productions of war planners and military historians, projections of new technologies of violence, the fantasies and theories of strategists, and the material culture of total war. Modern war cultures, Deer contends, are defined by their drive to normalize conflict and war-making, by their struggle to colonize the entire wartime cultural field, and by their claim to monopolize representations and interpretation of the conflict. But the mobilization of cultural formations during wartime reveals, at times glaringly, the constitutive contradictions at the heart of modern ideas of culture. The Great War failed to produce a popular war culture on the home front, producing instead an extraordinary literature of protest, yet the strategists struggled to regain their oversight over both the enemy across no man's land, and the minds and bodies of their own mass conscript armies. The interwar years saw a massive effort to make strategic fantasies a reality; if the technology of imperial air power or mobile armoured warfare did not yet exist, culture could be mobilized to shore up the ramshackle war machine. During World War Two a fully fledged British war culture emerged triumphant in time of national crisis, offering the vision of a fully mobilized island fortress, a loyal empire, and a modernized war machine ready to wage a futuristic war of space and movement. This was the struggle that British World War Two writers confronted with extraordinary courage and creativity.
A mood of anger with the political system has been stirring across Canada; yet rather than turning away from the system, many Canadians are actually seeking a greater say in matters that affect them. they want to become more effective participants in the political process. In this timely book, Patrick Boyer examines the important role that direct democracy -- through the occasional use of referendums, plebscites, and inniatives -- can play in concert with our existing institutions of representative democracy. This concept is not alien to our country, says Boyer, pointing to the two national plebiscites (on prohibition of alcohol in 1898 and consciption for overseas military service in 1942), some sixty provincial plebscites (on everything from sovereignty-association to abortion, medicare to women's suffrage, prohibition to ownership of power companies), and several thousand at the municipal level. Direct voting is an important instrument in a truly democratic society, Boyer argues, and it has a more important rold in the current reformation of Canada than some in the comfortable growing governing classes want to admit. In addition to clarifying an issue, it is an educational tool, as the plebiscite campaign becomes a national teach-in. Canadians can become participants, rathe rthan mere spectators, in the major changes and transcending isues that affect the future of our country. The People's Mandate is a helpful guide to understanding the distinctions between plebiscites and referendums in a purely Canadian context. It addresses some of the concerns about this unparliamentary practice, and makes a powerful and logical statement about democracy. In sum, Boyer believes it is essential to govern with the trust of the people.
The age of Elizabeth I exercises a fascination unmatched by other periods of English history. Yet while the leading figures may seem familiar, many Elizabethan personalities, including the queen herself, remain enigmatic; their attitudes to life, politics and religion often difficult to comprehend. Patrick Collinson redraws the main features of the political and religious struggle of the reign. In engaging with the virgin queen herself he tackles the old conundrum: was she a religious woman? He also investigates the no less inscrutable religious position adopted by the by the notorious turncoat, Andrew Perne, the reliability as a historian of the martyrologist John Foxe (whose religion is in no doubt) and the religious environment which shaped William Shakespeare.
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