The Discourse of Scholarly Communication examines the place and purpose of modern scholarship and its dialectical relationship with the ethos of Enlightenment. Patrick Gamsby argues that while Enlightenment/enlightenment is often used in the mottos of numerous academic institutions, its historical, social, and philosophical elements are largely obscured. Using a theoretical lens, Gamsby revisits the ideals of the Enlightenment alongside the often-contradictory issues of disciplinary boundaries, access to research, academic labor in the production of scholarship (author, peer reviewer, editor, and translator), the interrelationship of form and content (lectures, textbooks, books, and essays), and the stewardship of scholarship in academic libraries and archives. It is ultimately argued that for the betterment of the scholarly communication ecosystem and the betterment of society, anti-Enlightenment rules of scholarship such as ‘publish or perish’ should be dispensed with in favor of the formulation of a New Enlightenment.
Henri Lefebvre, Boredom, and Everyday Life culls together the scattered fragments of Henri Lefebvre’s (1901–1991) unrealized sociology of boredom. In assembling these fragments, sprinkled through Lefebvre’s vast oeuvre, Patrick Gamsby constructs the core elements of Lefebvre’s latent theory of boredom. Themes of time (modernity, everyday), space (urban, suburban), and mass culture (culture industry, industry culture) are explored throughout the book, unveiling a concealed dialectical movement at work with the experience of boredom. In analyzing the dialectic of boredom, Gamsby argues that Lefebvre’s project of a critique of everyday life is key for making sense of the linkages between boredom and everyday life in the modern world.
Herbert Marcuse (1898–1979) was one of the most recognizable and controversial public intellectuals throughout the 1960s until his death in the late 1970s, but today Marcuse’s work largely stands in the shadows of other Frankfurt School members and critical thinkers. Despite having once held a prominent and influential position amongst scholars, activists, and readers in the twentieth century, it is argued that Marcuse’s work nevertheless remains largely misunderstood. The Dialectic of Herbert Marcuse offers a new interpretation of Marcuse, one that attempts to show how Marcuse’s work has so often been turned into something else—into its opposite. In shining a light on parts of the unknown Marcuse, through the use of archival material and published works, this book reveals Marcuse’s Critical Theory to be one of hope, not one of pessimism, as it is so often portrayed to be. Ultimately, it is argued that Marcuse’s Critical Theory remains a vital and important body of work for present-day society and ought to be revisited.
The Discourse of Scholarly Communication examines the place and purpose of modern scholarship and its dialectical relationship with the ethos of Enlightenment. Patrick Gamsby argues that while Enlightenment/enlightenment is often used in the mottos of numerous academic institutions, its historical, social, and philosophical elements are largely obscured. Using a theoretical lens, Gamsby revisits the ideals of the Enlightenment alongside the often-contradictory issues of disciplinary boundaries, access to research, academic labor in the production of scholarship (author, peer reviewer, editor, and translator), the interrelationship of form and content (lectures, textbooks, books, and essays), and the stewardship of scholarship in academic libraries and archives. It is ultimately argued that for the betterment of the scholarly communication ecosystem and the betterment of society, anti-Enlightenment rules of scholarship such as ‘publish or perish’ should be dispensed with in favor of the formulation of a New Enlightenment.
Henri Lefebvre, Boredom, and Everyday Life culls together the scattered fragments of Henri Lefebvre’s (1901–1991) unrealized sociology of boredom. In assembling these fragments, sprinkled through Lefebvre’s vast oeuvre, Patrick Gamsby constructs the core elements of Lefebvre’s latent theory of boredom. Themes of time (modernity, everyday), space (urban, suburban), and mass culture (culture industry, industry culture) are explored throughout the book, unveiling a concealed dialectical movement at work with the experience of boredom. In analyzing the dialectic of boredom, Gamsby argues that Lefebvre’s project of a critique of everyday life is key for making sense of the linkages between boredom and everyday life in the modern world.
Herbert Marcuse (1898–1979) was one of the most recognizable and controversial public intellectuals throughout the 1960s until his death in the late 1970s, but today Marcuse’s work largely stands in the shadows of other Frankfurt School members and critical thinkers. Despite having once held a prominent and influential position amongst scholars, activists, and readers in the twentieth century, it is argued that Marcuse’s work nevertheless remains largely misunderstood. The Dialectic of Herbert Marcuse offers a new interpretation of Marcuse, one that attempts to show how Marcuse’s work has so often been turned into something else—into its opposite. In shining a light on parts of the unknown Marcuse, through the use of archival material and published works, this book reveals Marcuse’s Critical Theory to be one of hope, not one of pessimism, as it is so often portrayed to be. Ultimately, it is argued that Marcuse’s Critical Theory remains a vital and important body of work for present-day society and ought to be revisited.
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