The first major biography of V.S. Naipaul, the controversial and enigmatic Nobel laureate: a stunning writer whose only stated ambition was greatness, in pursuit of which goal nothing else was sacred. Beginning in rich detail in Trinidad, where Naipaul was born into an Indian family, Patrick French skillfully examines Naipaul’ s life within a displaced community and his fierce ambition at school. He describes how, on scholarship at Oxford, homesickness and depression struck with great force; the ways in which Naipaul’s first wife helped him to cope and their otherwise fraught marriage; and Naipaul’s struggles throughout subsequent uncertainties in England, including his twenty-five-year-long affair. Naipaul’s extraordinary gift—producing, uniquely, masterpieces of both fiction and nonfiction—is most of all born of a forceful, visionary impulse, whose roots French traces with a sympathetic brilliance and devastating insight.
A monumental biography of the subcontinent from the award-winning author of The World Is What It Is: The Authorized Biography of V. S. Naipaul. Second only to China in the magnitude of its economic miracle and second to none in its potential to shape the new century, India is fast undergoing one of the most momentous transformations the world has ever seen. In this dazzlingly panoramic book, Patrick French chronicles that epic change, telling human stories to explain a larger national narrative. Melding on-the-ground reports with a deep knowledge of history, French exposes the cultural foundations of India’s political, economic and social complexities. He reveals how a nation identified with some of the most wretched poverty on earth has simultaneously developed an envied culture of entrepreneurship (here are stories like that of C. K. Ranganathan, who trudged the streets of Cuddalore in the 1980s selling sample packets of shampoo and now employs more than one thousand people). And even more remarkably, French shows how, despite the ancient and persistent traditions of caste, as well as a mind-boggling number of ethnicities and languages, India has nevertheless managed to cohere, evolving into the world’s largest democracy, largely fulfilling Jawaharlal Nehru’s dream of a secular liberal order. French’s inquiry goes to the heart of all the puzzlements that modern India presents: Is this country actually rich or poor? Why has its Muslim population, the second largest on earth, resisted radicalization to such a considerable extent? Why do so many children of Indians who have succeeded in the West want to return “home,” despite never having lived in India? Will India become a natural ally of the West, a geostrategic counterweight to the illiberal rising powers China and Russia? To find the answers, French seeks out an astonishing range of characters: from Maoist revolutionaries to Mafia dons, from chained quarry laborers to self-made billionaires. And he delves into the personal lives of the political elite, including the Italian-born Sonia Gandhi, one of the most powerful women in the world. With a familiarity and insight few Westerners could approach, Patrick French provides a vital corrective to the many outdated notions about a uniquely dynamic and consequential nation. His India is a thrilling revelation.
Soldier, explorer, mystic, guru, and spy, Francis Younghusband began his colonial career as a military adventurer and became a radical visionary who preached free love to his followers. Patrick French’s award-winning biography traces the unpredictable life of the maverick with the “damned rum name,” who single-handedly led the 190 British invasion of Tibet, discovered a new route from China to India, organized the first expeditions up Mount Everest and attempted to start a new world religion. Following in Younghusband’s footsteps, from Calcutta to the snows of the Himalayas, French pieces together the story of a man who embodies all the romance and folly of Britain’s lost imperial dream.
At different times in its history Tibet has been renowned for pacifism and martial prowess, enlightenment and cruelty. The Dalai Lama may be the only religious leader who can inspire the devotion of agnostics. Patrick French has been fascinated by Tibet since he was a teenager. He has read its history, agitated for its freedom, and risked arrest to travel through its remote interior. His love and knowledge inform every page of this learned, literate, and impassioned book. Talking with nomads and Buddhist nuns, exiles and collaborators, French portrays a nation demoralized by a half-century of Chinese occupation and forced to depend on the patronage of Western dilettantes. He demolishes many of the myths accruing to Tibet–including those centering around the radiant figure of the Dalai Lama. Combining the best of history, travel writing, and memoir, Tibet, Tibet is a work of extraordinary power and insight.
One of this century's greatest surprises has been the economic and social revolution in India. A country long characterized by such adjectives as 'timeless', 'spiritual' and 'backward' is now viewed through a new set of clichés: 'hi-tech', 'materialistic', 'go-getting'. But what is the real nature of this rapid change, and what are its roots? Patrick French has spent much of his life engaged with India, and his landmark new book is filled with the qualities that have won his writing exceptional praise: his love of narrative, sympathy for the individual's experience, scepticism about official claims, and relish for the mayhem of political life. His account of Indian independence, Liberty or Death, is an acclaimed bestseller. Now he gives us an encompassing social, political and economic history of India from partition to the present day. Examining the cultural foundations that made India's accelerated transformation from socialist economy to capitalist powerhouse possible, French creates a vivid, surprising picture of what it is like to live at a time when millions have pulled themselves free of poverty - with fortunes made almost overnight - but where violence, corruption and caste prejudice have equally been given new outlets. He delves into Indian society and politics, including the personal story of one of the most powerful women in the world, Sonia Gandhi. And he travels the country's regions to show how Nehru's vision of a democratic, secular India has continued to attempt - in the face of conflict and setbacks - to hold this vast, implacably diverse nation together. French has spoken to everyone from the nation's political leadership to Maoist revolutionaries and mafia dons, from chained quarry workers to self-made billionaire entrepreneurs and technological innovators. The result is a richly detailed, wide-ranging and hugely rewarding portrait of India.
Originally published in 1972. The Men of the First French Republic analyzes some of the well-established evidence concerning deputies of the French National Convention of 1792. It was assumed that this evidence supported accepted generalizations about the convention's character and outlook. Patrick's examination of the convention as a whole, rather than its various groups of deputies (Plain, Mountain, and Gironde), suggests that a number of these generalizations may need revising. Patrick looks first at parliamentary behavior, particularly in the tumultuous first eight months, and then analyzes this behavior in terms of the deputies' background.
How to Be French is a magisterial history of French nationality law from 1789 to the present, written by Patrick Weil, one of France’s foremost historians. First published in France in 2002, it is filled with captivating human dramas, with legal professionals, and with statesmen including La Fayette, Napoleon, Clemenceau, de Gaulle, and Chirac. France has long pioneered nationality policies. It was France that first made the parent’s nationality the child’s birthright, regardless of whether the child is born on national soil, and France has changed its nationality laws more often and more significantly than any other modern democratic nation. Focusing on the political and legal confrontations that policies governing French nationality have continually evoked and the laws that have resulted, Weil teases out the rationales of lawmakers and jurists. In so doing, he definitively separates nationality from national identity. He demonstrates that nationality laws are written not to realize lofty conceptions of the nation but to address specific issues such as the autonomy of the individual in relation to the state or a sudden decline in population. Throughout How to Be French, Weil compares French laws to those of other countries, including the United States, Great Britain, and Germany, showing how France both borrowed from and influenced other nations’ legislation. Examining moments when a racist approach to nationality policy held sway, Weil brings to light the Vichy regime’s denaturalization of thousands of citizens, primarily Jews and anti-fascist exiles, and late-twentieth-century efforts to deny North African immigrants and their children access to French nationality. He also reveals stark gender inequities in nationality policy, including the fact that until 1927 French women lost their citizenship by marrying foreign men. More than the first complete, systematic study of the evolution of French nationality policy, How to be French is a major contribution to the broader study of nationality.
Brittany offers an excellent example of a French region that once attracted a certain cultivated elite of travel connoisseurs but in which more popular tourism developed relatively early in the twentieth century. It is therefore a strategic choice as a case study of some of the processes associated with the emergence of mass tourism, and the effects of this kind of tourism development on local populations. Efforts to package Breton cultural difference in the late nineteenth and early twentieth centuries marked a significant advance in heritage tourism, and a departure from what is commonly perceived to be a French intolerance of cultural diversity within its borders. This study explores the means by which key actors - middle class associations, businesses, governmental bodies, cultural intermediaries - pursued tourist development in the region and the effect this had on Breton cultural identification. Chapters are arranged thematically and consider the rise of rural tourism in France and the preservation, display, and enactment of Breton culture in its most visible locations: the natural landscape of Brittany, Breton dress, early heritage festivals and religious Pardons. The final chapter explores the staging of Breton culture at the Paris World's Fair of 1937 and the roots of state-sponsored mass tourism. Beyond those interested in the history of French tourism, this study will also be invaluable to historians and social scientists concerned with understanding the dynamics involved in the emergence of mass tourism, its causes and consequences in particular locales in the present as well as in the past.
Frances Price is in dire straits. Scandais swirl around the recently widowed New York socialite, and her adult-aged, toddler-brained son Malcolm is no help. Cutting their Tosses, they grab their cat, Small Frank, and head for the exit. Paris becomes the backdrop for a giddy drive to self- destruction, helped along by a cast of singularly curious characters. Brimming with pathos, warmth and wit, French Exit is a riotous send-up of high society and a moving story of mothers and sons.
Now a Major Motion Picture Starring Michelle Pfeiffer and Lucas Hedges, directed by Azazael Jacobs A Recommended Read from: Vanity Fair * Entertainment Weekly * Vulture * The Millions * Publishers Weekly * Esquire From bestselling author Patrick deWitt, a brilliant and darkly comic novel about a wealthy widow and her adult son who flee New York for Paris in the wake of scandal and financial disintegration. Frances Price – tart widow, possessive mother, and Upper East Side force of nature – is in dire straits, beset by scandal and impending bankruptcy. Her adult son Malcolm is no help, mired in a permanent state of arrested development. And then there’s the Price’s aging cat, Small Frank, who Frances believes houses the spirit of her late husband, an infamously immoral litigator and world-class cad whose gruesome tabloid death rendered Frances and Malcolm social outcasts. Putting penury and pariahdom behind them, the family decides to cut their losses and head for the exit. One ocean voyage later, the curious trio land in their beloved Paris, the City of Light serving as a backdrop not for love or romance, but self destruction and economical ruin – to riotous effect. A number of singular characters serve to round out the cast: a bashful private investigator, an aimless psychic proposing a seance, and a doctor who makes house calls with his wine merchant in tow, to name a few. Brimming with pathos, French Exit is a one-of-a-kind 'tragedy of manners,' a send-up of high society, as well as a moving mother/son caper which only Patrick deWitt could conceive and execute.
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“Enthralling and intelligent, a masterly exploration of the sinister labyrinth that was wartime France . . . It is a remarkable book, utterly fascinating.” —Allan Massie Not long after 2:00 p.m. on June 21, 1943, eight men met in secret at a doctor’ s house in Lyon. They represented the warring factions of the French Resistance and had been summoned by General de Gaulle’s new envoy, a man most of them knew simply as “Max.” Minutes after the last man entered the house, the Gestapo broke in, led by Klaus Barbie, the infamous “Butcher of Lyon.” The fate awaiting Barbie’s prisoners was torture, deportation, and death. “Max” was tortured sadistically but never broke: he took his many secrets to his grave. In that moment, the legend of Jean Moulin was born. Who betrayed Jean Moulin? And who was this enigmatic hero, a man as skilled in deception as he was in acts of heroism? After the war, his ashes were transferred to the Panthéon—France’s highest honor—where his memory is revered alongside that of Voltaire and Victor Hugo. But Moulin’s story is full of unanswered questions: the truth of his life is far more complicated than the legend conveniently manufactured by de Gaulle. Resistance and Betrayal tells for the first time in English the epic story of France’s greatest war hero, a Schindler-like character of ambiguous motivation. A winner of the Marsh Prize for biography, praised by Graham Greene and Julian Barnes, Patrick Marnham is a brilliant storyteller with a keen appreciation for the complex maze of moral compromises navigated in times of war. Told with the drama and suspense of the best espionage fiction, Resistance and Betrayal brings to life the dark and duplicitous world of the French Resistance and offers a startling conclusion to one of the great unsolved mysteries of the Second World War. NOTE: This edition does not include photographs.
Poetry and Radical Politics in fin de siecle France explores the relations between poetry and politics in France in the last decade of the 19th century. The period covers perhaps the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarme and the Symbolists. In terms of French politics, history and culture, the period was no less dramatic with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of 'Action francaise'. Patrick McGuinness argues that the anarchist politics of many Symbolist poets is a reaction to their own isolation, and to poetry's anxious relations with the public: too 'difficult' be be widely read, Symbolist poets react to the loss of poetry's centrality among the arts by delegating their radicalism to prose: they can call, in prose, for the overthrow of the state and support anarchist bombers, while at the same time writing poems about dribbling fountains and dazzling sunsets for each other. This study demonstrates the connections between the anti-Symbolist reaction of the ecole romane of 1891 (in which Charles Maurras first made his name), and the far-right cultural politics of Action francaise in the early 20th century. It also redefines many of the debates about late 19th-century French poetry by putting an argument forward for the political engagement(s) of the Symbolists while the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the 19th century and the beginning of the 20th in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Peguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarme and ends in Maurras.
In this strange, elegant novel, winner of France's premier literary prize the Prix Goncourt, Patrick Modiano portrays a man in pursuit of the identity he lost in the murky days of the Paris Occupation, the black hole of French memory. For ten years Guy Roland has lived without a past. His current life and name were given to him by his recently retired boss, Hutte, who welcomed him, a onetime client, into his detective agency. Guy makes full use of Hutte's files "€" directories, yearbooks, and papers of all kinds going back half a century "€" but his leads are few. Could he really be the person in that photograph, a young man remembered by some as a South American attach? Or was he someone else, perhaps the disappeared scion of a prominent local family? He interviews strangers and is tantalized by half-clues until, at last, he grasps a thread that leads him through the maze of his own repressed experience. On one level Missing Person is a detective thriller, a 1950s film noir mix of smoky cafs, illegal passports, and insubstantial figures crossing bridges in the fog. On another level, it is also a haunting meditation on the nature of the self. Modiano's sparce, hypnotic prose, superbly translated by Daniel Weissbort, draws his readers into the intoxication of a rare literary experience.
From beloved storyteller and Nobel Prize winner Patrick Modiano, a masterful and gripping crime novel set in picturesque Nice on the French Riviera Stolen jewels, black markets, hired guns, crossed lovers, unregistered addresses, people gone missing, shadowy figures disappearing in crowds, newspaper stories uncomfortably close and getting closer . . . this ominous novel is Patrick Modiano’s most noirish work to date. Set in Nice—a departure from the author’s more familiar Paris—this novel evokes the bright sun and dark shadow of the Riviera. Modiano’s trademark ability to create a haunting atmosphere is here on full display: readers descend precipitously into a world of mystery, uneasiness, inevitability. A young couple in hiding keeps close watch over a notorious diamond necklace known as the Southern Cross. Its provenance is murky, its whereabouts known only to our hero and heroine, who find themselves trapped by its potential value—and its ultimate cost. Deftly Modiano reaches further and further into the past, revealing the secret histories of the two even as the pressurized present threatens to overwhelm them.
Dramatists Play Service is proud to present six new short plays by John Patrick Shanley: In FRENCH WAITRESS, Ricky and his girlfriend Pamela sit down to an unsettling meal, served to them by a beautiful but unnerving French waitress. AN OLD STORY is a tale of the subtle distinctions between pain and pleasure, fear and exhilaration, necessity and desire. JEALOUS pits one couple’s love against otherworldy forces. In POLAND, a beautiful woman and a rich man are each looking for something or someone to rescue them from their lives. Can they find a safer ground together? LAST NIGHT IN THE GARDEN I SAW YOU follows one man’s journey over the fence into the house of a woman he abandoned. Now that he’s returned, will she leave the life she’s built since his absence? And if she won’t, will he truly let her live her life without him in peace? In Mt. Juliet, TENNESSEE, a lonely woman with the power of foresight is approached by a young man wanting to know his future. Knowing one’s future, however, comes with the responsibility of accepting it or changing it.
‘One of our very best writers on France.’ Antony Beevor After publishing an acclaimed biography of Jean Moulin, leader of the French Resistance, Patrick Marnham received an anonymous letter from a person who claimed to have worked for British Intelligence during the war. The ex-spy praised his book but insisted that he had missed the real ‘treasure’. The letter drew Marnham back to the early 1960s when he had been taught French by a mercurial woman – a former Resistance leader, whose SOE network was broken on the same day that Moulin was captured and who endured eighteen months in Ravensbrück concentration camp. Could these two events have been connected? His anonymous correspondent offered a tantalising set of clues that seemed to implicate Churchill and British Intelligence in the catastrophe. Drawing on a deep knowledge of France and original research in British and French archives, War in the Shadows exposes the ruthless double-dealing of the Allied intelligence services and the Gestapo through one of the darkest periods of the Second World War. It is a story worthy of Le Carré, but with this difference – it is not fiction. ‘A melange of Le Grand Meaulnes and The Spy Who Came in from the Cold. It is unforgettable.’ Ferdinand Mount, TLS, Books of the Year ‘A masterly analysis, impeccably presented.’ Allan Mallinson, Spectator ‘Fascinating… Marnham has a vast and scholarly knowledge of this often treacherous world.’ Caroline Moorehead, Literary Review
One of the most significant French poets of the twentieth century--Francis Ponge--is treated in this study. The fundamental role of atomistic philosophy in Ponge's writings, especially as expressed in Lucretius's De Rerum Natura is discussed. Meadows is the first author to examine Ponge's writings in a book-length study.
Nobel laureate Patrick Modiano’s spellbinding tale of adolescent schoolmates and the vicissitudes of fate As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence. A meditation on nostalgia, the pitfalls of privilege, and the vicissitudes of fate, this book fully demonstrates the powerful mix of sadness, mystery, wonder, and ominous danger that characterizes Modiano’s most rewarding fiction. Special feature: J. M. G. Le Clézio’s foreword, here in English for the first time, provides a rare and insightful appreciation of one Nobel laureate by another.
An enthralling reflection on the ways that family history influences identity, from the 2014 Nobel laureate for literature A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents’ courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author’s life as a new parent. Modiano’s riveting vignettes, filled with a coterie of dubious characters—Nazi informants, collaborationist refugees, and black-market hustlers—capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life.
The Price of Literature examines the presence of theory in the nineteenth-century French novel, something Proust likened to leaving a price tag on a gift. Emerging after the French Revolution, what we now call literature was conceived as an art liberated from representational constraints. Patrick M. Bray shows how literature’s freedom to represent anything at all has meant, paradoxically, that it cannot articulate a coherent theory of itself—unless this theory is a necessarily subversive literary representation, or “the novel’s theoretical turn.” Literary thought, or the theory produced by the text, can only function by exploring what escapes dominant representations. The Price of Literature analyzes how certain iconic texts from the nineteenth century (by Mme de Staël, Hugo, Balzac, Flaubert, and Proust) perform a theoretical turn to claim the freedom to represent anything in the world, but also literature’s ability to transform the world it represents. The conclusion advances a new way of thinking about literary scholarship—one based on how literature redistributes ways of writing by lending form to thought.
A classic novel from recent Nobel Prize winner Patrick Modiano, now available to English-language readers in a superb new translation One of the hallmarks of French author Patrick Modiano's writing is a singular ability to revisit particular motifs and episodes, infusing each telling with new detail and emotional nuance. In this evocative novel the internationally acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short. Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age, and the slightly older, enigmatic woman he first glimpses at a police interrogation. The two lovers make their uncertain way into each other's hearts, but the narrator soon finds himself in the unsettling, ominous presence of others. Who are these people? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano's signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.
Chamoiseau is a writer who has the sophistication of the modern novelist, and it is from that position (as an heir of Joyce and Kafka) that he holds out his hand to the oral prehistory of literature." --Milan Kundera Of black Martinican provenance, Patrick Chamoiseau gives us Texaco (winner of the Prix Goncourt, France's most prestigious literary prize), an international literary achievement, tracing one hundred and fifty years of post-slavery Caribbean history: a novel that is as much about self-affirmation engendered by memory as it is about a quest for the adequacy of its own form. In a narrative composed of short sequences, each recounting episodes or developments of moment, and interspersed with extracts from fictive notebooks and from statements by an urban planner, Marie-Sophie Laborieux, the saucy, aging daughter of a slave affranchised by his master, tells the story of the tormented foundation of her people's identity. The shantytown established by Marie-Sophie is menaced from without by hostile landowners and from within by the volatility of its own provisional state. Hers is a brilliant polyphonic rendering of individual stories informed by rhythmic orality and subversive humor that shape a collective experience. A joyous affirmation of literature that brings to mind Boccaccio, La Fontaine, Lewis Carroll, Montaigne, Rabelais, and Joyce, Texaco is a work of rare power and ambition, a masterpiece.
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