Alfred Adler states that The supreme law of life is this: The sense of worth shall not be allowed to be diminished. His view supports a central theme in Boss Canvasman. The setting involves the ODonnell family and ex-circus workers during the 1930s, a time of the Great Depression and Prohibition in the United States. Devlin ODonnell strives for a sense of well-being only to experience painful shame through the bizarre behavior of his brother, Egan. As Devlin seeks the love of Eileen Coleman, he fears Egans mannerisms will convince Eileen that Devlin is also mentally unbalanced. Throughout the narrative, he struggles to deny this interpretation. Egans closeness to his mother, Maura, adds mystery to the novel. Determined to uncover its meaning, Devlin engages in a search that brings him to a secret Egan shares with Maura. At a pivotal point in the tale, the mystery unfolds, and Devlin explodes in drastic action. The ex-circus people provide further structure to the narrative. Jerry Burke is a former boss canvasman, the person responsible for erection of the main tent. Sean Sweeny who had unloaded flatcars befriends Devlin. Seans ambiguous references to the boss canvasman puzzle Devlin, adding intrigue to the story. Injured in a circus accident, Sean longs for a return to the circus, a life maintaining his self-esteem. Seans use of Irish lore and circus language bind the novel together metaphorically. His desire for recognition creates disturbing consequences for himself and Devlin.
Three new works by Pulitzer Prize-winning author John Patrick Shanley, one of our country's most politically current and theatrically elastic playwrights. In Dirty Story, a couple of sadomasochistic writers fight over rights to their New York City loft. In this sexy satire of the Israeli-Palestinian conflict that is ''astonishing,'' says Tony Kushner, ''the analysis of the Middle East in this play is dead on, exactly perfectly pitched. ''In his dark comedy Where's My Money?, Shanley takes on marriage, infidelity, and divorce lawyers in a play that is ''so harsh, it's funny - terrifying, but funny'' (The New York Times).And in his Sailor's Song, love becomes an act of courage, in a seaside romance about the certainty of death, the brevity of youth, and the importance of now.
“A book that should be read . . . Smith brings an alchemic talent to describing physical labor.” —The New York Times Book Review “Beautiful, funny, and harrowing.” – Sarah Smarsh, The Atlantic “Remarkable . . . this is the book that Hillbilly Elegy should have been.” —Kirkus Reviews A vivid window into the world of working class men set during the Bakken fracking boom in North Dakota Like thousands of restless men left unmoored in the wake of the 2008 economic crash, Michael Patrick Smith arrived in the fracking boomtown of Williston, North Dakota five years later homeless, unemployed, and desperate for a job. Renting a mattress on a dirty flophouse floor, he slept boot to beard with migrant men who came from all across America and as far away as Jamaica, Africa and the Philippines. They ate together, drank together, argued like crows and searched for jobs they couldn't get back home. Smith's goal was to find the hardest work he could do--to find out if he could do it. He hired on in the oil patch where he toiled fourteen hour shifts from summer's 100 degree dog days to deep into winter's bracing whiteouts, all the while wrestling with the demons of a turbulent past, his broken relationships with women, and the haunted memories of a family riven by violence. The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles of America's marginalized boomtown workers—the rough-hewn, castoff, seemingly disposable men who do an indispensable job that few would exalt: oil field hands who, in the age of climate change, put the gas in our tanks and the food in our homes. Smith, who had pursued theater and played guitar in New York, observes this world with a critical eye; yet he comes to love his coworkers, forming close bonds with Huck, a goofy giant of a young man whose lead foot and quick fists get him into trouble with the law, and The Wildebeest, a foul-mouthed, dip-spitting truck driver who torments him but also trains him up, and helps Smith "make a hand." The Good Hand is ultimately a book about transformation--a classic American story of one man's attempt to burn himself clean through hard work, to reconcile himself to himself, to find community, and to become whole.
Through the Picture Tube, is a morality tale about the Vietnam War. Twenty years after the war is over, a middle-aged draft dodger from Toronto who has just lost his wife, finds him-self depressed and still haunted by the ghosts of war that he had seen only through the TV screen. In an effort to face the reality he missed, and to discover what really happened to his American high school buddy, who was killed in Viet Nam, he goes to post-war Viet Nam. There, while digging deeper into the past, he must come to grips with the moral dilemmas raised by the horrifying massacre of all of the inhabitants of a small village named Bien Lai, by his finding romance and his discovery of what this exotic Asian country is really all about.
Dieses e-book stellt alle Lösungen sowie sämtliche Transkripte zum Lehrwerk "Englisch für den Badebetrieb" bereit. Es ermöglicht die Überprüfung der eigenen Lernergebnisse.
When mob money launderer Robert Carlucci's trial gets moved to San Luis Obispo it sets a chain of events in motion that will eventually involve the F.B.I., San Luis Police and bouncer/sometimes Private Eye Lance Payton.
With The Betrayers, James Patrick Hunt decisively marks his territory as a crime novelist to rival the best writers on the shelf today. On a busy suburban street at almost nine o'clock on a misty November evening, two beat cops are machine-gunned down in one of the most brutal crimes St. Louis has ever seen. Did Deputy Chris Hummel and Deputy Wade Childers simply pull over the wrong reckless driver, or did someone target these two for a more sinister reason? Lieutenant George Hastings is the primary investigator on the case, along with his detective Bobby Cain, an inexperienced but connected detective who is ambitious and impolitic. Hastings and Cain dissect the lives the two murdered officers, focusing in on Hummel after they learn that he did a year-long stint with narcotics undercover and helped put away one of the biggest meth dealers in the area. But what they uncover is much bigger than one bitter dealer's revenge, and much more personal.
John and Susan Sterling take a much needed break from world class modeling and photography to sail their custom built 90 foot sailing yacht to Tahiti. After years of hard work and planning for the cruise they arrive in the Marquesas Islands of French Polynesia. After only a few idyllic days in a remote cove on Nuka Hiva Island, they are attacked by a man and woman with a machine pistol from another boat. Wounded and bleeding they hide under their skiff which is riddled with bullet holes, while the pirates make off with the Sterling's 90 foot yacht. Stranded and penniless in a foreign country John and Susan set out on a valiant but naive and dangerous attempt to recover their stolen yacht
Latrell Baker's scientific approach to football—watching football—has finally paid off. Harmon Holt heard about the algorithm he developed for determining best defensive play, and now Latrell's landed himself an internship with the NFL's LA Stars. But he'll soon discover that working in pro football involves more politics and secrets than science.
This study deals with the postmodern philosophy of language as developed mainly by French authors as R. Barthes, J. Derrida and J.-F. Lyotard. The four chapters of the first part are theoretical and relate the literary concepts of postmodernity, poststructuralism and deconstruction to the practice of biblical exegesis. One of the important conclusions is that deconstruction affects both diachronic and synchronic approaches of texts. Each chapter closes with -not suggestions but- implications for a postmodern, deconstructive strategy of reading. The four chapters of the second part apply this postmodern, deconstructive strategy of reading to the Fourth Gospel as a whole (chapter five), to John 6 (chapter six), to John 17 (chapter seven) and to John 21, 24-25 (chapter eight). This deconstructive reading shows the differential and apophatic character of Saint John's Gospel.
In Stick Together and Come Back Home, Patrick Lopez-Aguado examines how what happens inside a prison affects what happens outside of it. Following the experiences of seventy youth and adults as they navigate juvenile justice and penal facilities before finally going back home, he outlines how institutional authorities structure a “carceral social order” that racially and geographically divides criminalized populations into gang-associated affiliations. These affiliations come to shape one’s exposure to both violence and criminal labeling, and as they spill over the institutional walls they establish how these unfold in high-incarceration neighborhoods as well, revealing the insidious set of consequences that mass incarceration holds for poor communities of color.
Gain the advantage from top real estate experts as they share what has made them successful. With contributions from the worlds leading sales professionals, gurus, and authorities, each story reveals strategies to increase readers real estate investment prowess.
Because bricks often give structure to a town as a whole, they also encase the memories of the people, events, and social pressures that shaped a particular place and time. This book is a history of Booneville, Mississippi, from 1907 to 1965. In this unique narrative, personal interviews are intertwined with historical documentation to take you from Main Street (by way of the back alleys) to cotton fields, jails, and train stations. The memories described in "Old Bricks" recount the needs of people (primarily remote country families) who gathered in the old town for trade, entertainment, and socialization. Most of the time, these memories are the sweet reflections of a bygone era. However, occasionally they reflect a time when a "good ole boy" legal system existed and social injustices were perpetrated against black citizens. All the characters in this book are real and all the stories are confirmed-leaving you, the reader, to reflect on how the past still shapes us today.
Hollywood Godfather is Gianni Russo's over-the-top memoir of a real-life mobster-turned-actor who helped make The Godfather a reality, and his story of life on the edge between danger and glamour. Gianni Russo was a handsome 25-year-old mobster with no acting experience when he walked onto the set of The Godfather and entered Hollywood history. He played Carlo Rizzi, the husband of Connie Corleone, who set her brother Sonny—played by James Caan—up for a hit. Russo didn't have to act—he knew the mob inside and out: from his childhood in Little Italy, where Mafia legend Frank Costello took him under his wing, to acting as a messenger for New Orleans mob boss Carlos Marcello during the Kennedy assassination, to having to go on the lam after shooting and killing a member of the Colombian drug cartel in his Vegas club. Along the way, Russo befriended Frank Sinatra, who became his son's godfather, and Marlon Brando, who mentored his career as an actor after trying to get Francis Ford Coppola to fire him from The Godfather. Russo had passionate affairs with Marilyn Monroe, Liza Minelli, and scores of other celebrities. He went on to become a producer and starred in The Godfather: Parts I and II, Seabiscuit, Any Given Sunday and Rush Hour 2, among many other films. Hollywood Godfather is a no-holds-barred account of a life filled with violence, glamour, sex—and fun.
Edwin Stratton grew up in rural Iowa, where he experienced both the love and loss of his family. When he turned eighteen, Edwin left his small hometown to experience the world. His adventures began in Omaha, Nebraska, where he saved the life of a police officer and began work translating the German language for the local police department and the local hospital. Edwin also became a part of the Chinatown community, where he learned the language and met the love of his life, Mu Waun. Edwin had been courting Mu Waun for almost a year when he received word that Mu Waun and her parents had been killed during a trip to China. In an effort to deal with this devastating loss and move on with his life, Edwin left Omaha to live and work in Promontory, Utah. As he began to leave the memory of Mu Waun behind, he received word that Mu Waun and her parents were alive in China and being held captive. The information was old, and Edwin realized he must go to China to find out once and for all if Mu Waun is alive or dead. Beginning in 1852 and spanning more than seventy-five years, this is a story filled with adventure, romance, danger, and unforgettable characters. It explores the human spirit and celebrates the bonds of family and the loyalties of friendship regardless of culture or location.
Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers. In Linthead Stomp, Patrick Huber explores the origins and development of this music in the Piedmont's mill villages. Huber offers vivid portraits of a colorful cast of Piedmont millhand musicians, including Fiddlin' John Carson, Charlie Poole, Dave McCarn, and the Dixon Brothers, and considers the impact that urban living, industrial work, and mass culture had on their lives and music. Drawing on a broad range of sources, including rare 78-rpm recordings and unpublished interviews, Huber reveals how the country music recorded between 1922 and 1942 was just as modern as the jazz music of the same era. Linthead Stomp celebrates the Piedmont millhand fiddlers, guitarists, and banjo pickers who combined the collective memories of the rural countryside with the upheavals of urban-industrial life to create a distinctive American music that spoke to the changing realities of the twentieth-century South.
This comprehensive four-volume set reviews all four parts of the CPA exam. With more than 3,800 multiple-choice questions over all four volumes, these guides provide everything a person needs to master the material.
***SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION*** From the bestselling author of Asylum, Trauma and Spider 'Ghosts of the theatre and the spectre of fascism haunt cold and grimy London in this atmospheric tale from a master of the grotesque.' Guardian JANUARY 1947. London is in ruins, there’s nothing to eat, and it’s the coldest winter in living memory. To make matters worse, Charlie Grice, one of the great stage actors of the day, has suddenly died. His widow Joan, the wardrobe mistress, is beside herself with grief. Then one night she discovers Gricey’s secret. Plunged into a dark new world, Joan realises that though fascism might hide, it never dies. Her war isn’t over after all. 'McGrath is one of the age's most elegantly accomplished divers into the human psyche . . . a master writer.' John Banville ‘McGrath is that rare yet essential thing, a writer who can expose our darkest fears without making us run away from them.' New Statesman 'Wonderfully sinister ... a delight ... you are in for a thrilling ride.' Spectator 'A brilliant evocation of the theatrical world’s seedy glamour, The Wardrobe Mistress is also a moving portrait of a woman struggling to make sense of her past and imagine a future for herself.' Sunday Times '[A] rich and highly spiced feast of a novel, even before it reaches its classically gothic McGrath climax.' Reader's Digest
James Joyce's astonishing final text, Finnegans Wake (1939), is universally acknowledged to be entirely untranslatable. And yet, no fewer than fifteen complete renderings of the 628-page text exist to date, in twelve different languages altogether – and at least ten further complete renderings have been announced as underway for publication in the early 2020s, in nine different languages. Finnegans Wakes delineates, for the first time in any language, the international history of these renderings and discusses the multiple issues faced by translators. The book also comments on partial and fragmentary renderings from some thirty languages altogether, including such perhaps unexpected languages as Galician, Guarani, Chinese, Korean, Turkish, and Irish, not to mention Latin and Ancient Egyptian. Excerpts from individual renderings are analysed in detail, together with brief biographical notes on numerous individual translators. Chronicling renderings spanning multiple decades, Finnegans Wakes illustrates the capacity of Joyce's final text to generate an inexhaustible multiplicity of possible meanings among the ever-increasing number of its impossible translations.
Trilingual Joyce is a detailed comparative study of James Joyce’s personal involvement in both French and Italian translations of the iconic 1928 text Anna Livia Plurabelle, which later became the eighth chapter of Finnegans Wake. Considered to be completely untranslatable at the time of its publication, the translation of Anna Livia Plurabelle represented a fascinating challenge to Joyce, who collaborated in experimental renderings of the text, first into French and later into Italian. Patrick O’Neill’s Trilingual Joyce is the first comparative study of all three of the Anna Livia Plurabelle variations, and fills a long-standing gap in Joyce studies. O’Neill, an Irish-born professor who has written widely on texts in translation, also discusses in detail the avant-guard novelist and playwright Samuel Beckett’s contribution as a young man to the French rendering of Anna Livia Plurabelle.
On the night of November 29, 1988, near the impoverished Marlborough neighborhood in south Kansas City, an explosion at a construction site killed six of the city’s firefighters. It was a clear case of arson, and five people from Marlborough were duly convicted of the crime. But for veteran crime writer and crusading editor J. Patrick O’Connor, the facts—or a lack of them—didn’t add up. Justice on Fire is O’Connor’s detailed account of the terrible explosion that led to the firefighters’ deaths and the terrible injustice that followed. Justice on Fire describes a misguided eight-year investigation propelled by an overzealous Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) agent keen to retire; a mistake-riddled case conducted by a combative assistant US attorney willing to use compromised “snitch” witnesses and unwilling to admit contrary evidence; and a sentence of life without parole pronounced by a prosecution-favoring judge. In short, an abuse of government power and a travesty of justice. O’Connor’s own investigation, which uncovered evidence of witness tampering, intimidation, and prosecutorial misconduct, helped give rise to a front-page series of articles in the Kansas City Star—only to prompt a whitewashing inquiry by the Department of Justice that exonerated the lead ATF agent and named other possible perpetrators who remain unidentified and unindicted. O’Connor extends his scrutiny to this cover-up and arrives at a startling conclusion suggesting that the case of the Marlborough Five is far from closed. Journalists are not supposed to make the news. But faced with a gross injustice, and seeing no other remedy, O’Connor felt he must step in. Justice on Fire is such an intervention.
A heartwrenching YA coming of age story about three siblings on a roadtrip in search of healing. With a strong family, the best friend a guy could ask for, and a budding romance with the girl of his dreams, life shows promise for Teodoro “T” Avila. But he takes some hard hits the summer before senior year when his nearly perfect brother, Manny, returns from a tour in Iraq with a devastating case of PTSD. In a desperate effort to save Manny from himself and pull their family back together, T’s fiery sister, Xochitl, hoodwinks her brothers into a cathartic road trip. Told through T’s honest voice, this is a candid exploration of mental illness, socioeconomic pressures, and the many inescapable highs and lows that come with growing up—including falling in love. Christy Ottaviano Books
Learn the Truth and Spot the Lie on Everything from Tequila-Made Diamonds to Tetris's Soviet Roots - Plus Tons of Other Totally Random Facts from Science, History and Beyond!
Learn the Truth and Spot the Lie on Everything from Tequila-Made Diamonds to Tetris's Soviet Roots - Plus Tons of Other Totally Random Facts from Science, History and Beyond!
Think you can spot the fake? Think again. It's going to be a lot harder than you think to pick out the BS. Each entry hides one well-crafted fib among a pair of unbelievable truths. And it's up to you to figure out what's fascinating and what's fabricated on everything from koala bears to Confucius to high-fructose corn syrup. Was Cleopatra the last Egyptian pharaoh? Can you really make diamonds out of tequila? Is the platypus actually poisonous? A flip of the page reveals whether you're right or wrong as well as more information on the true trivia—and why you might've fallen for the fake fact. You'll really need to know your sh*t if you plan on correctly calling bullsh*t.
The unthinkable is about to erupt in a small sleepy town in New Hampshire. James Wongvideo game extraordinaire and unrelenting prankster, went back to his hometown to attend a high school friends funeral. While there, due to a case of mistaken identity, he was asked to serve as the towns temporary doctor. Unable to reject the idea of such a delicious ruse, not to mention the high daily pay and the girl of his dream right there in town, he gladly accepted the position. There is only one problem: hes not a real doctor. Wong is consumed by all the intricacies of a day-to-day medical practice. He has discovered the fabrics and the laces of the interpersonal emotions which he has so overlooked over the years. Among friends and foes from his youthful years, hes pulling off the scam seamlessly. Just when he settles into that delicate role of a great healer in town, disaster strikes. FBI Special Agent Harry Bernard knows all about Wongs false identity. And to absolve such an offense, Wong is pressured into checking out a potential al-Qaeda terrorist in town. Antar Hannan is coming to the clinic as a first time patient. Wong will need to somehow look for a hidden scar to confirm one of the worlds most wanted terrorists. During the investigation, an extremely sinister plot is uncovered. Aside from a personal vendetta, Antar is planning to assassinate the Democratic Presidential nominee so as to incite civil unrest in the United States. In the end, Wong is being hunted by both the towns overzealous sheriff, and the ruthless terrorist, Antar Hannan. The seemingly benign hoax is now crashing down on Wong. Will he get to live another day?
How could he be a good boy and a bad boy at the same time? The TRUTH is what is. FICTION is not reality—but it can help us to see the TRUTH through stories, e.g., The Boy Who Cried Wolf. LIES deceive, for evil purposes, and for good purposes. But what happens when what we think is the TRUTH turns out to be a LIE? In his ninth decade, the author, who has spent his life creating FICTION to examine TRUTH, decided to write the story of his life, truthfully. But, in the process of examining his life—his prayers, works, joys and sufferings—he discovers it becomes more and more difficult to distinguish the TRUTH from the LIES. And the chief insights into the reality of a life he thought noble, his FICTION—often in the form of dreams—reveals his true nature as a failure in his professed faith—until a good woman shows him the way out of his dark forest.
This work examines Stephen King's position in popular literary circles and then considers the contributions of his family to the landscape of contemporary fiction. Though they have to a degree been eclipsed by Stephen King's popularity, his wife, Tabitha King, and sons, Owen King and Joe Hill, have found varying levels of success in their own right. The three have traveled their own writing paths, from supernatural fiction to contemporary literary fiction. This is the first extended exploration of the works of three authors who have too long been overshadowed by their proximity to "the King of Horror.
THE STORY: When aspiring novelist Wanda seeks the advice of successful writer Brutus, she gets more than she bargained for. Of the manuscript she sent him, he tells her, It was wretched, it was ignominious. It takes seventeen trees to make one ton
Gabe Sanders is a man that has put work ahead of everything. It has gotten him nowhere other than promotions. He accepts his latest job in Chicago in which he will make more money than he ever imagined. His move to Chicago gives him the opportunity to visit his family, but over the years he has avoided seeing his family because of their past troubles. Reluctantly, he makes the decision to stop in his hometown to see his father. While there, his senses are awakened when he meets a little girl, Bridget. She makes him understand that there is more to life than work. Her innocence breaks down his complicated life and he begins to see what is truly important. A short time passes before he realizes they both have something very important in common; to recover a lost love.
The history of the Lone Star state is a narrative dominated by larger-than-life personalities and often-contentious legends, presenting interesting challenges for historians. Perhaps for this reason, Texas has produced a cadre of revered historians who have had a significant impact on the preservation (some would argue creation) of our state’s past. An anthology of biographical essays, Writing the Story of Texas pays tribute to the scholars who shaped our understanding of Texas’s past and, ultimately, the Texan identity. Edited by esteemed historians Patrick Cox and Kenneth Hendrickson, this collection includes insightful, cross-generational examinations of pivotal individuals who interpreted our history. On these pages, the contributors chart the progression from Eugene C. Barker’s groundbreaking research to his public confrontations with Texas political leaders and his fellow historians. They look at Walter Prescott Webb’s fundamental, innovative vision as a promoter of the past and Ruthe Winegarten’s efforts to shine the spotlight on minorities and women who made history across the state. Other essayists explore Llerena Friend delving into an ambitious study of Sam Houston, Charles Ramsdell courageously addressing delicate issues such as racism and launching his controversial examination of Reconstruction in Texas, Robert Cotner—an Ohio-born product of the Ivy League—bringing a fresh perspective to the field, and Robert Maxwell engaged in early work in environmental history.
The author of more than ten books on gambling now examines the psychological, discipline, and money-management aspects of a gaming session and teaches the gambler how to hold on to his winnings while minimizing his losses.
In 1894, the death by gunshot of 18-year-old Frank Westwood baffled Toronto police until their arrest of a strong-willed woman of colour named Clara Ford.
GRIMM TALES is a collection of stories by some of the top names in online crime fiction, all based on classic fairy tales. As novelist Ken Bruen writes in his introduction, "Ever imagined what would have come down the dark pike if The Brothers Grimm were more Brothers Coen and wrote mystery?" The collection is edited by John Kenyon, editor of Grift magazine, and contains 17 stories by Patricia Abbott, Absolutely*Kate, Jack Bates, Eric Beetner, Nigel Bird, Loren Eaton, Kaye George, Blu Gilliand, Seana Graham, Eirik Gumeny, R.L. Kelstrom, John Kenyon, BV Lawson, Evan Lewis, B. Nagel, Sean Patrick Reardon and Sandra Seamans.
The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.