The first novel Patrick O'Brian ever wrote about the sea, a precursor to the acclaimed Aubrey/Maturin series. In the year 1740, Commodore (later Admiral) George Anson embarked on a voyage that would become one of the most famous exploits in British naval history. Sailing through poorly charted waters, Anson and his men encountered disaster, disease, and astonishing success. They circumnavigated the globe and seized a nearly incalcuable sum of Spanish gold and silver, but only one of the five ships survived. This is the background to the first novel Patrick O'Brian ever wrote about the sea, a precursor to the acclaimed Aubrey/Maturin series that shares the excitement and rich humor of those books. The protagonist is Peter Palafox, son of a poor Irish parson, who signs on as a midshipman, never before having seen a ship. Together with his lifelong friend Sean, Peter sets out to seek his fortune, embarking upon a journey of danger, disappointment, foreign lands, and excitement. Here is a tale certain to please not only admirers of O'Brian's work but also any reader with an adventurous soul.
Who owned the first newspapers in New Zealand and how did they get started? What were the logistics of such an enterprise? What sort of readership did they attract? What exactly was the role of the newspaper in colonial society? Patrick Day gives a comprehensive account of the evolving forms and functions of newspapers in this crucial period. He describes those changes which saw newspapers shift from being political discussion forums for higher status politicians to profit oriented businesses concerned with advertising and newsgiving. Offering a revealing picture of how power was organised through a nascent press, this book is a significant contribution to our understanding of the forces that shaped journalism."--Back cover.
Patrick Geoghegan re-examines the facts of Emmet's life and draws on new material from archives in Britain, France, the United States, and Ireland to show how Emmet's plans for rebellion, although undermined by internal disagreements, were much more ingenious than previously believed.
parliamentary maneuvers, a camel slipping on icy Madison streets as union firefighters rushed to assist, massive nonviolent street protests, and a weeks-long occupation that blocked the marble halls of the Capitol and made its rotunda ring. Jason Stein and Patrick Marley, award-winning journalists for the Milwaukee Journal Sentinel, covered the fight firsthand. They center their account on the frantic efforts of state officials meeting openly and in the Capitol's elegant backrooms as protesters demonstrated outside. Conducting new in-depth interviews with elected officials, labor leaders, cops, protestors, and other key figures, and drawing on new documents and their own years of experience as statehouse reporters, Stein and Marley have written a gripping account of the wildest sixteen months in Wisconsin politics since the era of Joe McCarthy.
In Minnesota Made Me, award-winning sportswriter Patrick C. Borzi digs into the background of more than three dozen of Minnesota’s most accomplished athletes, coaches, broadcasters, and executives in search of the answer.
From the early nineteenth to the mid-twentieth century, an impressive group of English speaking intellectuals converted to Catholicism. Outspoken and gifted, they intended to show the fallacies of religious skeptics and place Catholicism, once again, at the center of western intellectual life. The lives of individual converts—such as John Henry Newman, G. K. Chesterton, Thomas Merton, and Dorothy Day—have been well documented, but Patrick Allitt has written the first account of converts' collective impact on Catholic intellectual life. His book is also the first to characterize the distinctive style of Catholicism they helped to create and the first to investigate the extensive contacts among Catholic convert writers in the United States and Britain. Allitt explains how, despite the Church's dogmatic style and hierarchical structure, converts working in the areas of history, science, literature, and philosophy maintained that Catholicism was intellectually liberating. British and American converts followed each other's progress closely, visiting each other and sending work back and forth across the Atlantic. The outcome of their labors was not what the converts had hoped. Although they influenced the Catholic Church for three or four generations, they were unable to restore it to the central place in Western intellectual life that it had enjoyed before the Reformation.
The screenplays of award-winning playwright John Patrick Shanley have earned him a reputation as a gifted writer with a great range and imagination. His movies Moonstruck, Five Corners, and Joe Versus the Volcano have starred such Hollywood luminaries as Cher--who took home an Oscar for her performance in Moonstruck--Nicolas Cage, Jodie Foster, John Turturro, Meg Ryan, and Tom Hanks. This collection showcases Shanley's talent for creating dialogue that is true to his characters and his ability to tell their stories in eccentric and intensely humorous situations.
The period between the First World War and the fall of the Berlin Wall is often characterized as the age of extremes—while this era witnessed unprecedented violence and loss of human life, it also saw a surge in humorous entertainment in both democratic and authoritarian societies. The Politics of Humour examines how works such as satirical magazines and comedy films were used both to reaffirm group identity and to exclude those who did not belong. The essays in this collection analyse the political and social context of comedy in Europe and the United States, exploring topics ranging from the shifting targets of ethnic jokes to the incorporation of humour into wartime broadcasting and the uses of satire as a means of resistance. Comedy continues to define the nature of group membership today, and The Politics of Humour offers an intriguing look at how entertainment helped everyday people make sense of the turmoil of the twentieth century.
Philip Nolan: The Man Without a Country is Chuck Pfarrer's captivating adaptation of Edward Everett Hale's American classic “The Man Without a Country,” first published in The Atlantic Monthly more than a century ago. Masterfully blending history and fiction, Pfarrer tells the story of a young artillery officer, Philip Nolan, who becomes embroiled in Aaron Burr's 1807 conspiracy to invade the territories of the Louisiana Purchase. Insinuating his scheme has official approval, Burr convinces Nolan to carry a coded message into the Orleans Territory. Nolan has no knowledge of the former vice president's intended treason-and Burr has no idea that Thomas Jefferson has discovered his scheme. Soon Philip Nolan is in military custody with Burr, charged an accessory to the plot. The nation holds its breath as Burr is tried for attempting to tear apart the Union. The charges against Burr seem ironclad, but his lawyers are clever, and Burr walks free. An embarrassed prosecution looks for a scapegoat, and expands the charges against Nolan to include desertion and sedition. Learning that his own court martial will proceed, despite Burr's acquittal, Nolan denounces his accusers, damns his country, and tells the court he wishes never again to hear the words “United States” as long as he lives. The judges return with an ominous verdict: the prisoner's wish will be granted. Nolan is sentenced to permanent exile aboard a series of U.S. warships, never again to hear news from or speak of his country. Decades pass. Shuttled from ocean to ocean, Nolan realizes he is a stateless person, estranged from his keepers and forgotten by his country. Eventually passed aboard an American frigate in the Mediterranean, Nolan comes into the custody of a newly commissioned lieutenant, Frank Curran. When Barbary pirates capture an American whaleship, the pair is drawn into a web of international deceit and mortal danger. As a rescue mission is launched, Nolan teaches the young officer a lesson about duty, loyalty, and the meaning of patriotism. Equal parts adventure, naval history, and morality tale, Philip Nolan: The Man Without a Country is more than frigate duels and small boat actions. Intricately plotted and beautifully crafted, the novel is a poignant and closely observed examination of the human condition.
Endothelial dysfunction is now regarded as an early marker of vascular disease and therefore an important target for therapeutic intervention and discovery of novel treatments. Ideal for both basic and clinical scientists, whether in industry or academia, and physicians, Vascular Endothelium in Human Physiology and Pathophysiology provides an up-to-date review of the vascular functions of the endothelium and its role in key areas of cardiovascular disease. It focuses on evidence from studies in humans.
In the summer of 1929 Weimar Germany still has a secret military agreement with the USSR to develop new weapons beyond the Ural Mountains. Ultimately, both want to dismember the newly revived independent Poland, but to distract Britain from helping the Poles, the new Irish Free State is placed at risk by conspirators and arms dealers intent on fomenting an IRA coup d'état. Winston Churchill is about to travel to North America when the new Prime Minister Ramsay MacDonald asks him to handle a secret assignment. The IRA intends to buy large quantities of arms in the United States and an SIS team will investigate. Churchill is to enlist American President Herbert Hoover to prevent the weapons from reaching Ireland. But Churchill has his own unofficial team gather evidence as well. Bourke Cockran Jr., a law professor and former military intelligence agent, is the son of Churchill's old Irish American mentor. Mattie McGary, Churchill's goddaughter, works for William Randolph Hearst. Attracted to each other, their tempers often clash as Cockran and Mattie follow a trail from New York to Los Angeles through Canada to discover who is funding the IRA and where the arms are assembled. But Mattie is also keeping secrets from Cockran, who has an agenda of revenge: to kill the leader of the IRA team who is responsible for the murder of his wife in the Irish Civil War. These plans interfere with foiling the arms shipment and an IRA plot to assassinate Churchill. And time is running out . . . Keywords: Churchill, Hitler, Weimar Germany, Irish Free State, IRA, Poland, Anti-Semitism, Nazi
When the professional era dawned in 1995, Irish rugby was in a rut. Provincial matches attracted crowds of 300, the national team was only capable of one exceptional result a year and there was a general lack of interest from the public. The nation's best players were lured abroad and bitter club rivals were thrown together to battle for provinces that could not attract coaches. No one could have predicted the rapid transformation that would overtake the Irish game. Within a few short years the provinces had become powerhouses on the club circuit, with Ulster, then Munster and Leinster achieving the ultimate goal of European glory. Today, Ireland is one of the strongest professional unions in the world and its senior team are reigning Six Nations champions. 'The New Breed' tells the story of this transformation. Key players of that first generation, including Ronan O'Gara, Brian O'Driscoll and Paul O'Connell, provide candid, enlightening interviews, while current professionals, such as Johnny Sexton, Keith Earls and Rob Kearney, offer insights into the ever-changing science, slog and sacrifice it now requires to make it to the very top.
Barack Obama has called him “one of my favorite philosophers.” John McCain wrote that he is “a paragon of clarity about the costs of a good war.” Andrew Sullivan has said, “We need Niebuhr now more than ever.” For a theologian who died in 1971, Reinhold Niebuhr is maintaining a remarkably high profile in the twenty-first century. In Why Niebuhr Now? acclaimed historian John Patrick Diggins tackles the complicated question of why, at a time of great uncertainty about America’s proper role in the world, leading politicians and thinkers are turning to Niebuhr for answers. Diggins begins by clearly and carefully working through Niebuhr’s theology, which focuses less on God’s presence than his absence—and the ways that absence abets the all-too-human sin of pride. He then shows how that theology informed Niebuhr’s worldview, leading him to be at the same time a strong opponent of fascism and communism and a leading advocate for humility and caution in foreign policy. Turning to the present, Diggins highlights what he argues is a misuse of Niebuhr’s legacy on both the right and the left: while neoconservatives distort Niebuhr’s arguments to support their call for an endless war on terror in the name of stopping evil, many liberal interventionists conveniently ignore Niebuhr’s fundamental doubts about power. Ultimately, Niebuhr’s greatest lesson is that, while it is our duty to struggle for good, we must at the same time be wary of hubris, remembering the limits of our understanding. The final work from a distinguished writer who spent his entire career reflecting on America’s history and promise, Why Niebuhr Now? is a compact and perceptive book that will be the starting point for all future discussions of Niebuhr.
Academic ethics are currently much in the news but there is a great deal of uncertainty, both as to what constitutes specifically academic ethics and about a number of issues that are taken to be issues of academic ethics. This collection of papers focuses on both questions, moving from consideration of the very idea of a University and what that entails, via attempts to locate the major current concerns, to particular issues relating to the University's relations with the corporate world, the professor's role, relations between student and teacher, credentialling, the demands of collegiality and plagiarism. The editors have provided both a full and reasoned introduction and a critical end-piece that attempt to bring some order to the often inchoate nature of this field, raising the further question of whether institutions should, or should not, frame formal codes of conduct. The selected papers are drawn from diverse sources and together provide one of the first comprehensive overviews of academic ethics.
Daniel O'Connell, often referred to as The Liberator, was an Irish political leader in the first half of the 19th century. One of the most remarkable historical figures in Irish history, he campaigned for Catholic Emancipation, including the right for Catholics to sit in the Westminster Parliament, and repeal of the Act of Union which combined Great Britain and Ireland. Famous in his day as the most feared lawyer in Ireland, O'Connell tormented judges, terrorised opposing barristers, and won a reputation for saving the lives of so many men who would otherwise have been hanged. He became 'The Counsellor', the fearless defender of the people. He secured that reputation through his campaign for Catholic emancipation when he founded the first successful mass democratic movement in European history, and became 'The Liberator'.
The book examines how the Belfast Agreement came about and its effect on unionism, nationalism, the paramilitaries, electoral support for local parties and the constitutional position of Northern Ireland. It also considers the extent to which the Agreement may be regarded as an exercise in political cynicism or the basis for lasting peace.
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