Patrick Delany's reputation as a scholar and tutor at Trinity College, Dublin, and an influential preacher in his time, apologist for Church of Ireland causes, and foremost defender of Jonathan Swift against the criticisms and slanders of Lord Orrery is well documented. The purpose of this edition is to establish an authoritative text to show what sort of poet Delany is, why we should read his poems, and to claim for him a position of importance as an eighteenth-century Irish poet.
This book tells the rich and often heroic story of the press in Liberia. Early newspapers were infused with a broad race consciousness which gave way to a specific nationalism at the turn of the last century. Initially, newspapers featured biting social commentary and enjoyed wide latitude to criticise officials, but restrictions were soon applied. Exploring the uses and abuses of power, the author demonstrates that the experience of Liberia provides a sobering corrective to the current euphoria regarding the effects of globalisation.
This book explores how the creations of great authors result from the same operations as our everyday counterfactual and hypothetical imaginations, which cognitive scientists refer to as 'simulations'. Drawing on detailed literary analyses as well as recent research in neuroscience and related fields, Patrick Colm Hogan develops a rigorous theory of the principles governing simulation that goes beyond any existing framework. He examines the functions and mechanisms of narrative imagination, with particular attention to the role of theory of mind, and relates this analysis to narrative universals. In the course of this theoretical discussion, Hogan explores works by Austen, Faulkner, Shakespeare, Racine, Brecht, Kafka and Calvino. He pays particular attention to the principles and parameters defining an author's narrative idiolect, examining the cognitive and emotional continuities that span an individual author's body of work.
Style has often been understood both too broadly and too narrowly. In consequence, it has not defined a psychologically coherent area of study. In the opening chapter, Hogan first defines style so as to make possible a consistent and systematic theoretical account of the topic in relation to cognitive and affective science. Hogan illustrates the main points of the first, theoretical chapter by reference to several works, prominently Woolf's Mrs. Dalloway. Subsequent chapters in Part I focus on some under-researched aspects of literary style. Specifically, the second chapter explores the level of story construction for the scope of an authorial canon, treating Shakespeare. The third chapter turns to verbal narration in a single work, Faulkner's As I Lay Dying. Part II, on film style, begins with a theoretical chapter on film style. It turns, in chapter 5, to the perceptual interface in the genre of "painterly" films (films that draw on stylistic features of other visual arts), examining works by Rodriguez, Mehta, Rohmer, and Husain. The sixth chapter treats the level of plot in the postwar films of Ozu. The remaining film chapter turns to visual narration in a single work, Lu's Nanjing! Nanjing! The third part comprises a single chapter. It addresses theoretical and interpretive issues bearing on style in graphic fiction, with a focus on Spiegelman's Maus. An Afterword touches briefly on some possible implications of stylistic analysis for political critique"--
Studies the representation of Faulkner, Lowry, and Gaddis, focusing on the paradoxes of an indication of how different authors understand the contradictions of Annotation copyrighted by Book News, Inc., Portland, OR
Pierre Michon is one of France's most significant contemporary writers. Since the publication in 1984 of his first book, Vies minuscules, Michon's work has never ceased to evade generic classifications. His work ingests books, lives and thought and probes their complex interrelationship and those moments of convergence that transform an ordinary name into that of an 'Author' or of an 'Artist'. The contents of Michon's work are well documented: they are drawn from canonical novels, chronicles, archives and the biographies of artists' lives and are worked into cross-generic forms that revive names and make us rethink the uncertainty of literature. Less has been written of his engagement with avant-garde thought. The legacy of French avant-garde thinkers of the 1960s and 1970s, in particular the work of Roland Barthes, informs Michon's work. Barthes's notions of the referent, of intertextuality and of authorship, for example, are transposed, reconfigured and sometimes contested within Michon's work. In this way, Barthes's name, the afterlife of his thought, remains encrypted within Michon's prose. This book situates and reads Michon's texts through the complex inscription and transformation of names drawn from the Creuse, literature, art and avant-garde thought. And it is within this matrix that Michon puts in play his own name and its uncertain relation to literature.
On 18 March 2902, a massacre transpired on the campus of Ocean Park High School, claiming the lives of nine hundred forty-seven individuals--the largest school massacre in the nation's history. And the entire country now begins to ask two daunting questions: How? and Why? After the federal government becomes involved, and after examining the bouquet of black roses that lies in front of the school's sign, it becomes evident that the hysteria is far from over.Eight hundred twenty-five kilometres north of Ocean Park High School, situated in the suburbs of Phantom Park, Pacifica, is Krossephire Technical Academy. Having a student population that exceeds nineteen thousand, it is the nation's largest school. Krossephire is known as a very structured, academically superior institution with very minor problems. At least, that was before the threats began.After Krossephire Tech begins receiving sinister threats foreshadowing the occurrence of a massacre substantially larger than that of Ocean Park, Agent Jessica Leigh Hearn and her federal investigative unit become involved and the severity of the situation only intensifies as they pursue a dangerous and intelligent killer who is as invisible as the government agency they work for.Amid the hysteria that inescapably follows, Keith, Nick, and Mitchel--three twelfth-year students at Krossephire Tech--intervene after Mitchel overhears a confidential conversation. As the administrative effort to conceal the terrorising occurrences rapidly begins to fail, the three begin to conduct their own amateur investigation that ultimately puts them into serious conflict with the federal government, the Krossephire administration, as well as themselves. Simultaneously, Jessica and her team discover that the events of Ocean Park and Krossephire Tech are interrelated. And as they follow the trail of black roses, they learn an interesting yet appalling story--a parallel of the shooter's identity. And as Nick, Keith, and Mitchel struggle to survive their slowly deteriorating school, this teenage executioner makes known that he is not like typical school assassins. He is not a copycat killer. He is not a psychologically unstable maniac. He is intelligent and knows how to kill silently and without detection. His victims are not selected at random. He is after someone--and he will stop at nothing until he is face-to-face with the one person to whom he owes much retribution. However, he will not distinguish between those he hunts and those who get in his way.
Sentenced to death in 1982 for allegedly killing a police officer named Daniel Faulkner, Mumia Abu-Jamal is the most famous death row inmate in the United States, if not the world. This book is the first to convincingly show how the Philadelphia Police Department and District Attorney's Office efficiently and methodically framed him. It takes you step-by-step through what actually transpired on the night Faulkner was shot, including positioning each of the witnesses at the scene and revealing the identity of the killer. It also details the entire trial and fully covers the tortuous appeals process. The author, a seasoned crime reporter, writes in the language of hard facts, without hyperbole or exaggeration, unfounded accusation or finger-pointing, to reveal the truth about one of the most hotly debated cases of the twentieth century.
Having emerged as one the leading contemporary British writers, David Mitchell is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of readers of contemporary literature, A Temporary Future: The Fiction of David Mitchell explores Mitchell's main concerns-including those of identity, history, language, imperialism, childhood, the environment, and ethnicity-across the six novels published so far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, and Rushdie-writers whose works explore narrative in an age of globalization and cosmopolitanism. Patrick O'Donnell traces the through-lines of Mitchell's work from ghostwritten to The Bone Clocks and, with a chapter on each of the six novels, charts the evolution of Mitchell's fictional project.
Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus; Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O’Connor’s life—her relationship with her editors—that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux’s and O’Connor’s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature.
Wherever they settled, immigrants from Ireland and their descendants shaped and reshaped their understanding of being Irish in response to circumstances in both the old and new worlds. In A Land of Dreams, Patrick Mannion analyzes and compares the evolution of Irish identity in three communities on the prow of northeastern North America: St John’s, Newfoundland, Halifax, Nova Scotia, and Portland, Maine, in the late nineteenth and early twentieth centuries. These three port cities, home to diverse Irish populations in different stages of development and in different national contexts, provide a fascinating setting for a study of intergenerational ethnicity. Mannion traces how Irishness could, at certain points, form the basis of a strong, cohesive identity among Catholics of Irish descent, while at other times it faded into the background. Although there was a consistent, often romantic gaze across the Atlantic to the old land, many of the organizations that helped mediate large-scale public engagement with the affairs of Ireland – especially Irish nationalist associations – spread from further west on the North American mainland. Irish ethnicity did not, therefore, develop in isolation, but rather as a result of a complex interplay of local, regional, national, and transnational networks. This volume shows that despite a growing generational distance, Ireland remained “a land of dreams” for many immigrants and their descendants. They were connected to a transnational Irish diaspora well into the twentieth century.
A glance at these 30 essays reveals Professor Slattery's astoundingly vast and varied range of scholarly interests....These disciplines function for Dennis as modes of knowing, modes of imagining." --Peter C. Phan, Ignacio Ellacuria Chair of Catholic Social Thought, Georgetown University. Elizabeth Fergus-Jean, Ph.D., is an artist and professor at Columbus College of Art and Design in Ohio and faculty in the Humanities Program, Pacifica Graduate Institute. Her artwork appears on numerous book and journal covers.
Bombs, Bullets and the Border examines Irish Government Security Policy and the role played by the Gardaí and Irish Army along the Northern Irish border during some of the worst years of the Troubles. Mulroe knits together an impressive range of sources to delve into the murky world occupied by paramilitaries and those policing the border. The ways in which security forces under Fianna Fáil and Fine Gael governments secretly cooperated with the British Army and the RUC, exacerbating tensions with republican groups in the border counties, are meticulously examined. Mulroe also reveals the devastating consequences of this approach, which left a loyalist threat unheeded and the 26 counties open to attack. The findings of the Smithwick Tribunal and the upheaval of Brexit have kept the issue of Irish border security within the public eye, but without a complete awareness of its consequences. Bombs, Bullets and the Border is vital reading in understanding what a secure border entails, and how it affects the lives of those living within its hinterland.
The Everyman's Library edition of this classic account of an epic physical and spiritual journey across the outback—by the only Australian writer to win the Nobel Prize—has a full-cloth, quality hardcover binding with a silk ribbon marker, and includes a chronology and an introduction by Nicholas Shakespeare. The character of Johann Voss is based on an actual nineteenth-century explorer, Ludwig Leichhardt, who attempted to cross the entire continent of Australia from east to west in 1848 but disappeared in the attempt. With visionary intensity, Patrick White imagines Voss's last journey across the desert and the waterlogged plains of central Australia. But this magisterial novel is also a love story, for the explorer is inextricably bound up with an orphaned young woman whose inner life, like his own, is at odds with the world. In language poetic and passionate yet grounded in shrewd, often comic, social observations and naturalistic portrayals of farmers, convicts, employers, servants, and aborigines, White creates both a spellbinding adventure and a myth for our time.
Winner of the 2022 Literary Encyclopedia Book Prize presented by the Literary Encyclopedia Winner of the 2022 Paul Cowan Non-Fiction Award presented by the Peace Corps Worldwide Jewish American Communist writer and cultural figure Michael Gold (1893–1967) was a key progressive author of his generation, yet today his work is too often forgotten. A novelist, essayist, playwright, poet, journalist, and editor, Gold was the leading advocate of leftist, proletarian literature in the United States between the two world wars. His acclaimed autobiographical novel Jews without Money (1930) is a vivid account of early twentieth-century immigrant life in the tenements of Manhattan's Lower East Side. In this authoritative biography, Patrick Chura traces Gold's story from his impoverished youth, through the period of his fame during the "red decade" of the 1930s, and into the McCarthy era, when he was blacklisted and forced to work menial jobs to support his family. In his time as a radical writer-activist, Gold courageously helped strikes, protested against war and fascism, worked for the Unemployed Councils, walked in hunger marches and May Day parades, got arrested in support of Sacco and Vanzetti, raised money for workers' cooperatives and leftist journalism, and demonstrated against nuclear weapons and in support of fair housing, the Rosenbergs, and civil rights. This biography welcomes Gold back into cultural conversations about art, literature, politics, social change, and Jewish American life in the twentieth century.
The book examines how the Belfast Agreement came about and its effect on unionism, nationalism, the paramilitaries, electoral support for local parties and the constitutional position of Northern Ireland. It also considers the extent to which the Agreement may be regarded as an exercise in political cynicism or the basis for lasting peace.
Red beans and rice, trad jazz, and second lines are the Big Easy's calling cards, but beyond where the carriage rides take you is a city brimming with genre-defying music, transnational cuisine, and pockets of wild, artistic locals that challenge preconceived notions of what it means to be New Orleans. With a respectful nod to the traditional and a full embrace of the obscure, New Orleans: The Underground Guide is a resource for discovering the city as it really is -- as much brass bands and boas as it is bounce and bicycle tours. From a speakeasy in the Bywater neighborhood to the d.
Providing easy access to information on nearly 450 short stories, this unique guide surveys a wide spectrum of world literature, canonical works, and contemporary fiction. Librarians and teachers will find multiple purposes for this expertly-compiled resource, which can be employed in much the same way as a standard bibliography. Educators will appreciate the concise annotations, arranged alphabetically by author, that form the core of this work. Insightful critical statements synthesize plot summaries and identify the thematic content of each short story. A theme guide utilizes the nearly 100 theme headings matching those at the start of each entry, allowing the user to quickly locate story titles on related themes and construct reading lists based on individual interests and needs. Another component designed to aid librarians offers one bibliography that lists the anthologies from which the stories are drawn (Works Cited) and one comprised of a number of recent anthologies that can be adapted for the classroom (Further Reading). In addition to the theme index, the general subject and author indexes make this a user-friendly and invaluable resource.
For most of us the words madness and psychosis conjure up fear and images of violence. Using short stories, the authors consider complex philosphical issues from a fresh perspective. The current debates about mental health policy and practice are placed into their historical and cultural contexts.
On Interpretation challenges a number of entrenched assumptions about being and knowing that have long kept theorists debating at cross purposes. Patrick Colm Hogan first sets forth a theory of meaning and interpretation and then develops it in the context of the practices and goals of law, psychoanalysis, and literary criticism. In his preface, Hogan discusses developments in semantics and related fields that have occurred over the decade since the book first appeared.
It was a very different Kevin Rudd who returned to office in 2013. Kevin 07 was a fresh face and a new image: the convivial, Mandarin-speaking nerd who seemed so different from past leaders and who held so much potential. By 2013 Rudd retained some of his popularity but none of his novelty. The Opposition could say nothing derogatory about him that his colleagues had not already said. A series of policy grenades had to be defused. His second term was to be short, brutal and nasty. Yet, despite his defeat, Kevin Rudd was an unusual Labor leader and prime minister. Political scientist and biographer Patrick Weller spent several years observing and talking to Rudd and the people around him to explain how one person came to the job and sought to meet its demands. Weller takes us back to Rudd’s boyhood in Nambour, son of a poor Queensland dairy farmer; to a member without a faction who led a bitterly factionalised party; to the only federal Labor leader to win a majority since Paul Keating in 1993; and to only the second prime minister since 1914 to be sworn in for a second time. This book has the advantage of interviews in 2008 and 2009 with ministers who were then supporters but who became diehard enemies. Weller also had the benefit of unique access to the Prime Minister’s Office. His biography is a revealing account of the man who became prime minister - twice.
Ireland's best-known Irishman, his name and signature in every household and village in Ireland, and many abroad, is also the least known. Part of Dublin life for over two centuries, both family and brewery have passed into legend, but their origins have been obscured. Here, in the round, these origins are explored and the story of the man and his background told for the first time. Various sources are examined and myths about Arthur laid to rest, many of which were allowed to continue by his descendants. This narrative traces the family's origins in Ulster, Gaelic and Protestant-Irish tenant-farmers from humble backgrounds on both sides, when Arthur's father Richard appears as a household agent in Celbridge, Co. Kildare, in 1722 to work for Arthur Price, the Protestant Dean of Kildare. In 1755 Arthur takes on a brewery in Leixlip and joins the Kildare Friendly Brothers dining club in 1758, marrying and moving to St James's Gate in 1759/60 where the business developed. By 1781 he is a patriarch and member of liberal 'patriot' political groups, diversifying his assets to preserve his wealth in unsettled times. Of a generation with Edmund Burke and Richard Brinsley Sheridan, this wily businessman built an empire that endured and expanded. Family and social history combine with an account of the brewing process and descriptions of economic and political backgrounds in a rapidly developing Ireland, giving a rich weave to this tapestry. Visual sources include maps, rare original documents, prints, and photographs of associated houses and places, people, and artifacts. The result is a fascinating contextual portrait of an enigmatic figure, the founding father of one of Ireland's most powerful dynasties.
Mississippi rivers and creeks have shaped every aspect of the state’s geology, ecology, economy, settlement, and politics. Mississippi's paddleways—its rivers, rills, creeks, and streams—are its arteries, its lifeblood, and the connective tissues that tie its stories and histories together and flood them with a sense of place and impel them along the current of time. The rivers provide structure for the telling of stories. In Paddleways of Mississippi: Rivers and People of the Magnolia State, readers will discover flowing details of virtually every waterway in the state—the features, wildlife, vegetation, geology, hydrology, and specific challenges to be expected—alongside many wonderful historical and social accounts specific to each system. Interviews and oral histories enliven these waterways with evocative scenery, engaging anecdotes, interesting historical tales, and personal accounts of the people and communities that arose along the waterways of Mississippi. Part natural history, part narrative nonfiction, Paddleways of Mississippi will appeal to outdoor enthusiasts, anglers, naturalists, campers, and historians, and is suitable for novices as well as experts. Told together, the pieces included are a social and ecological history that exposes and deepens the connection coursing between the people and the rivers.
Author, intellectual, and social critic, Ralph Ellison (1914-94) was a pivotal figure in American literature and history and arguably the father of African American modernism. Universally acclaimed for his first novel, Invisible Man, a masterpiece of modern fiction, Ellison was recognized with a stunning succession of honors, including the 1953 National Book Award. Despite his literary accomplishments and political activism, however, Ellison has received surprisingly sparse treatment from biographers. Lawrence Jackson’s biography of Ellison, the first when it was published in 2002, focuses on the author’s early life. Powerfully enhanced by rare photographs, this work draws from archives, literary correspondence, and interviews with Ellison’s relatives, friends, and associates. Tracing the writer’s path from poverty in dust bowl Oklahoma to his rise among the literary elite, Jackson explores Ellison’s important relationships with other stars, particularly Langston Hughes and Richard Wright, and examines his previously undocumented involvement in the Socialist Left of the 1930s and 1940s, the black radical rights movement of the same period, and the League of American Writers. The result is a fascinating portrait of a fraternal cadre of important black writers and critics--and the singularly complex and intriguing man at its center.
Literature and Emotion not only provides a defining overview of the field but also engages with emerging trends. Answering key questions such as ‘What is emotion?’ and ‘Why emotion and literature today?,’ Patrick Colm Hogan presents a clear and accessible introduction to this exciting topic. Readers should come away from the book with a systematic understanding of recent research on and theorization of emotion, knowledge of the way affective science has impacted literary study, and a sense of how to apply that understanding and knowledge to literary works.
A standout resource on the emerging field of applying neuropsychology and the latest findings in sleep and dream research to religious experience, this book investigates the proven biological links between REM dreams and religious ideas, covering past and current schools of thought in both the science of dreams and the science of religion. Across time and around the world, billions of people with highly dissimilar backgrounds and cultures have felt spiritual or religious inspiration that shaped their lives and supplemented their mental strength—and in many cases, this inspiration came via a dream. The "how" and "why" of this common phenomenon is one that science has largely failed to explain. In this book, nationally recognized behavioral neuroscientist Patrick McNamara taps the latest science in sleep and dreams as well as neuropsychology to investigate one facet of the answer from the "inside out"—the human brain's role. The first study of its kind in an emerging field, Dreams and Visions: How Religious Ideas Emerge in Sleep and Dreams provides a comprehensive summary of past theory and examines the latest science on dreams, REM sleep, cognitive approaches to religion, and neuroscience approaches to religion. Readers will come away with an in-depth understanding of how and why god beliefs and spiritual convictions so often emerge in our dreams. Dedicated sections address special dream types like visitation dreams, nightmares, precognitive dreams, "big" dreams, lucid dreams, paralysis dreams, twin dreams, and more.
In the summer of 1962 young Dan Geary, a history professor from Chicago, embarks on a journey to reconstruct the life and mysterious death of a legendary blues artist, Virgil Thomas. His odyssey takes him from Chicago to Kansas City to St. Louis to Memphis to Helena, Arkansas, and then into the Mississippi Delta. In the South, he runs into the reality of the raging civil rights conflict. Sucked into that violent struggle, he will have to confront his own cowardice and his commitment to his principles. Along the way, Dan will find out what is really behind the disappearance of Virgil, and his many questions will be answered. Eventually he reaches the center of the mystery at Virgil's birthplace in Madden Falls, Mississippi. He will discover a crime beyond his imagination, and see for himself how a racist and twisted system can produce the ultimate evil, and even madness.
Literary modernism and its aftermath saw few more enigmatic practitioners than Henry Green. Green was a remarkably innovative and experimental novelist, while also being a keenly perceptive observer of the turbulent times in which he wrote. With his writing spanning the high-point of modernism in the 1920s, the turn towards greater social and political engagement in the 1930s and the search for new beginnings in the post-war period, Green's texts reflect some of the most important literary developments of the twentieth century. This book takes a fresh approach to Green, one that places his work firmly in its contemporary critical context. By exploring the insights of two of the most formative critics of the period, T.S. Eliot and F.R. Leavis, the book explores how Green was able to bring about creative tension between the competing claims of formal innovation and social engagement. Through new explanations and evaluations of the texts, the author demonstrates the depth and originality of Green's achievement in tangible and specific form. The book also explores the particularly productive relationship between creative and critical endeavours that flourished in this landmark literary period.
A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book. Scheduled for release at the top of the 2020 US Presidential election, Dispatches from the Vanguard channels the global soul’s hunger for freedom from authoritarian control. Partnering with dozens of Pulitzer Prize Winners, New York Times Best Sellers, poet laureates, TED speakers, and influencers within the Global International African Arts Movement, including Ishmael Reed, Tyehimba Jess, Rich Fresh, Nikki Giovanni, Nnedi Okorafor, Chester Higgins, Tori Reid and Jaki Shelton Green, Dispatches offers a poignant, high-frequency rebuke of Donald J. Trump (actual man, strawman and metaphor for white privilege and capitalist despotism) and his ruthless amoral presidency. As we approach a key moment in the recent history of American politics, Dispatches from the Vanguard is a timely intervention, showing us how we can challenge the impact and influence of politics when it is solely a means of authoritarian control.
The research presented here is primarily concerned with human-environment interactions on the tropical coast of northern Australia during the late Holocene. Based on the suggestion that significant change can occur within short time-frames as a direct result of interactive processes, the archaeological evidence from the Point Blane Peninsula, Blue Mud Bay, is used to address the issue of how much change and variability occurred in hunter-gatherer economic and social structures during the late Holocene in coastal northeastern Arnhem Land. The suggestion proposed here is that processes of environmental and climatic change resulted in changes in resource distribution and abundance, which in turn affected patterns of settlement and resource exploitation strategies, levels of mobility and, potentially, the size of foraging groups on the coast. The question of human behavioural variability over the last 3000 years in Blue Mud Bay has been addressed by examining issues of scale and resolution in archaeological interpretation, specifically the differential chronological and spatial patterning of shell midden and mound sites on the peninsula in conjunction with variability in molluscan resource exploitation. To this end, the biological and ecological characteristics of the dominant molluscan species is considered in detail, in combination with assessing the potential for human impact through predation. Investigating pre-contact coastal foraging behaviour via the archaeological record provides an opportunity for change to recognised in a number of ways. For example, a differential focus on resources, variations in group size and levels of mobility can all be identified. It has also been shown that human-environment interactions are non-linear or progressive, and that human behaviour during the late Holocene was both flexible and dynamic.
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