This creative, concise book is a perfect primer for those curious about, or challenged by, the works of Bernard J.F. Londergan, SJ, CC (1904-1984), the Canadian philosopher, theologian and economist best known for his worldview of the universe which brings together, science, self-knowledge and spirituality. Crean not only captures the essence of Lonergan's major works, such as Insight: a Study of Human Understanding (1957) and Method in Theology (1972), he also extends it -- through a unique feedback model of human consciousness -- providing a practical and life changing application of Lonergan's thought." Cover.
An Immigrant Bishop is a revised examination of the Irish intellectual roots of Bishop John England’s American pastoral works in the diocese of Charleston, South Carolina (1820-1842). The text focuses on his political philosophy and his theology of the Church, both of which were influenced by the Enlightenment and a theological, not a political, Gallicanism. As the study demonstrates, we now know more about England’s intellectual life prior to his immigration than we do about any other Catholic immigrant from Ireland. Neither Peter Guilday’s monumental two-volume biography (1927) of England nor any subsequent scholarly study of England has uncovered and analyzed, as this book does, England’s many unpublished and published writings in Ireland—his explicitly authored texts, his published speeches before the Cork Aggregate meetings, and his pseudonymous articles in the Cork Mercantile Chronicle between 1808, when he was ordained, and 1820, when he emigrated to the United States. John England (1786-1842), the first Catholic bishop of Charleston, was the foremost national spokesman for Catholicism in the United States during the years of his episcopacy and the primary apologist for the compatibility of Catholicism and American republicanism. He was also the first Catholic bishop to speak before the United States Congress and the first American to receive a papal appointment as an Apostolic Delegate to a foreign country (in this case to negotiate a concordat with President Jean Pierre Boyer of Haiti). He is considered the father of the Baltimore Provincial Councils and the nineteenth-century American Catholic conciliar tradition. He was also the only bishop in American history to develop a constitutional form of diocesan government and administration. Among other things he was the first cleric to establish a diocesan newspaper that had something of a national distribution. England’s contribution to the early formation of an American Catholicism has been told many times before, but he has the kind of creative mind and episcopal leadership that demands repeated re-considerations.
From the Publisher: In a lively tour around the world and through the millennia, Uncorking the Past tells the compelling story of humanity's ingenious, intoxicating quest for the perfect drink. Following a tantalizing trail of archaeological, chemical, artistic, and textual clues, Patrick E. McGovern, the leading authority on ancient alcoholic beverages, brings us up to date on what we now know about how humans created and enjoyed fermented beverages across cultures. Along the way, he explores a provocative hypothesis about the integral role such libations have played in human evolution. We discover, for example, that the cereal staples of the modern world were probably domesticated for their potential in making quantities of alcoholic beverages. These include the delectable rice wines of China and Japan, the corn beers of the Americas, and the millet and sorghum drinks of Africa. Humans also learned how to make mead from honey and wine from exotic fruits of all kinds-even from the sweet pulp of the cacao (chocolate) fruit in the New World. The perfect drink, it turns out-whether it be mind-altering, medicinal, a religious symbol, a social lubricant, or artistic inspiration-has not only been a profound force in history, but may be fundamental to the human condition itself.
Highly textured objects such as plaited paper baskets, woven lanterns, small hearth rugs, and cork tables are featured in this beginner's guide to nonloom weaving. The easy instructions teach ancient techniques such as braiding, stringing, and knotting--and call for everyday materials such as copper tape, plastic sheeting, paper yarn, and granite tiles--to produce stunning contemporary designs for the home. A short essay about natural materials and the creative process introduces each project, and lovely photographs showcase the final results: sleek window hangings, stick-and-string coasters, pillows covered in canvas tape, and woven paper cards. A list of resources, an assortment of weaving tips, and suggestions for further reading are included.
Migration - people moving in as immigrants, around as migrants, and out as emigrants - is a major theme of Irish history. This is the first book to offer both a survey of the last four centuries and an integrated analysis of migration, reflecting a more inclusive definition of the 'people of Ireland'.
In late September 1720 the South Sea bubble burst. The collapse of the South Sea Company's share price caused the first great British stock market crash, the repercussions of which were felt far beyond the City of London. Patrick Walsh's book traces for the first time the impact of the rise and fall of the South Sea bubble on the peripheries of the British state. Its primary focus is on Ireland, but Irish developments are placed within a comparative context, with special attention paid to Scotland. Drawing on an impressive array of evidence, including bank ledgers, private correspondence, pamphlets, newspapers, and contemporary literary sources, this book examines not only investment in London but also the impact of the bubble on the fate of non-metropolitan projects in the 'South Sea Year', notably the failed project for an Irish national bank. Central to the book is the lived experience of the bubble and the wider financial revolution. The stories of individual investors - their strategies, speculations, aspirations, gains, losses and misunderstandings - are employed to create a new, more personal narrative of the momentous events of 1720, showing how they impacted on the lives of the inhabitants of early eighteenth-century Britain and Ireland. Patrick Walsh is Irish Research Council CARA Postdoctoral Fellow at University College Dublin. He is the author of The Making of the Irish Protestant Ascendancy: The Life of William Conolly, 1662-1729 (Boydell Press, 2010).
A delightfully informative guide to two of the world’s most rewarding pleasures—fine wine and great literature—that make for an irresistible pairing. Nothing in the world is more satisfying to the soul than a glass of excellent cabernet sauvignon, pinot grigio, bordeaux, or any number of fine varietals—unless it’s curling up by the fire with a truly exceptional novel, history, or collection of short fiction. Now Patrick Alexander, wine aficionado and author of The Illustrated Proust, combines these unparalleled pleasures in a unique guidebook to delight connoisseurs of both Gatsby and the grape. In The Booklovers’ Guide to Wine, Alexander shares his passion for the culture and history of wine and his love of great authors and their enduring works. Eschewing the traditional pairings of food and drink, he explores instead the most pleasing combinations of reds, whites, and rosés with their most compatible writers—be it Shakespeare with sherry, Jane Austin with chardonnay, or J.R.R. Tolkien with albariño. In addition, he examines the most interesting and thought-provoking wine references in literature while providing an intriguing history of the beloved beverage from biblical times to the latest trends. Chock-full of intriguing facts, expert opinions, and entertaining anecdotes, The Booklovers’ Guide to Wine is a book to be savored by anyone who appreciates the complexity of a full-bodied shiraz or the unmistakable flavor of a great author.
This book provides a critical interpretation of the construction of Irish national identity in the longer perspective of history. Drawing on recent sociological theory, the authors demonstrate how national identity was invented and codified by a nationalist intelligentsia in the late nineteenth century. The trajectory of this national identity is traced as a process of crisis and contradiction. One of the central arguments is that the negative implications of Irish national identity have never been fully explored by social science.
A memoir about the backdrop against which the author grew up and became aware of the world and his questions about God and religion. It is his story: the story of a Church of Ireland clergyman who no longer believes the basic doctrines of Christianity and has found new insights in the teachings of modern astrophysics.
Jim Sandy was sitting in an armchair in the sitting-room of his fathers house in Cockermouth, and in his hands was a printed paper, headed: ANALYSIS of Boring number 5, Carrock Fell. Date of analysis: 4th March 1969. Sitting in the other armchair in the room, facing him on the other side of the hearth, was his father, Arthur Sandy, the manager of the Leadthwaite Mine, while his wife, Susan, and Jackie Sandy, his fathers wife, were sitting on the sofa between the two armchairs. I see weve got gold included in this list of the elements present in the sample, said Jim as his eye ran down a long list of chemical elements on the left-hand side of the piece of paper in his hands. The paper was sub-titled: Elements present in sample: Average composition of rocks. There was also a second column headed: per centage weight. Yes, said his father. And I think, if I remember rightly, that the figure quoted there in that list indicates that gold is present in the sample in a proportion which is really not too bad, all things considered. Gosh! said Susan. So does that mean that you could at last be thinking of starting to mine gold at Carrock soon? Yes, I would say that it really does mean that! said Mr. Sandy. Were hoping to give it a go soon, arent we, Jackie, darling - if we can get the final permission we need before we can start mining operations?
This beautifully designed and illustrated monograph sets out Patrick Tighe’s innovative, diverse and wide-ranging collection of contemporary work towards the post-digital, showing the reader a hyper- detailed analytical investigation of digital forms and their practices. It sets out how his architecture has brought a return to the real in an attempt to rethink the language and practice of architecture. The book’s many inspiring and intricate drawings render clear the ideas that show the palpable energy and momentum that exists in this practice. In every instance, this firm embraces dichotomy, mining its potential to produce a more vital and consequential architecture. The book’s stunning imagery and nuanced narratives tell the story of Tighe’s architecture across 35 projects spanning across the globe, to help establish how his work draws from and builds upon existing polarities to find resolution, and how tensions yield a more dynamic architecture. The work is multiple and varied: from the small-scale residential to the urban scale, from the United States to Europe to China to North Africa, from high-end villas for royalty to art installations to social housing projects. This compelling collection of work follows the following five key themes: CRAFT (from the manufactured to the technological); MATERIAL (from the natural to the synthetic); EXPERIENCE (from the actual to the perceptual); GEOMETRY (from the simple to the complex); and METHOD (from the analog to the digital). This distinguished monograph also includes an incisive introduction by Patrick Tighe and is augmented by two essays by Thom Mayne and Stephen Phillips, who also provide clarity and insightful discourse on how Tighe’s work is continuously in transition and evolving, and how he’s rethinking and engaging in a discourse to defamiliarize the familiar.
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.
Geometry with Trigonometry Second Edition is a second course in plane Euclidean geometry, second in the sense that many of its basic concepts will have been dealt with at school, less precisely. It gets underway with a large section of pure geometry in Chapters 2 to 5 inclusive, in which many familiar results are efficiently proved, although the logical frame work is not traditional. In Chapter 6 there is a convenient introduction of coordinate geometry in which the only use of angles is to handle the perpendicularity or parallelism of lines. Cartesian equations and parametric equations of a line are developed and there are several applications. In Chapter 7 basic properties of circles are developed, the mid-line of an angle-support, and sensed distances. In the short Chaper 8 there is a treatment of translations, axial symmetries and more generally isometries. In Chapter 9 trigonometry is dealt with in an original way which e.g. allows concepts such as clockwise and anticlockwise to be handled in a way which is not purely visual. By the stage of Chapter 9 we have a context in which calculus can be developed. In Chapter 10 the use of complex numbers as coordinates is introduced and the great conveniences this notation allows are systematically exploited. Many and varied topics are dealt with , including sensed angles, sensed area of a triangle, angles between lines as opposed to angles between co-initial half-lines (duo-angles). In Chapter 11 various convenient methods of proving geometrical results are established, position vectors, areal coordinates, an original concept mobile coordinates. In Chapter 12 trigonometric functions in the context of calculus are treated. New to this edition: - The second edition has been comprehensively revised over three years - Errors have been corrected and some proofs marginally improved - The substantial difference is that Chapter 11 has been significantly extended, particularly the role of mobile coordinates, and a more thorough account of the material is given - Provides a modern and coherent exposition of geometry with trigonometry for many audiences across mathematics - Provides many geometric diagrams for a clear understanding of the text and includes problem exercises for many chapters - Generalizations of this material, such as to solid euclidean geometry and conic sections, when combined with calculus, would lead to applications in science, engineering, and elsewhere
This book provides comprehensive coverage of the scientific aspects of cheese, emphasizing fundamental principles. The book's updated 22 chapters cover the chemistry and microbiology of milk for cheesemaking, starter cultures, coagulation of milk by enzymes or by acidification, the microbiology and biochemistry of cheese ripening, the flavor and rheology of cheese, processed cheese, cheese as a food ingredient, public health and nutritional aspects of cheese, and various methods used for the analysis of cheese. The book contains copious references to other texts and review articles.
For readers who want to design Web pages that load quickly, are easy to update, accessible to all, work on all browsers and can be quickly adapted to different media, this comprehensive guide represents the best way to go about it. By focusing on the ways the two languages--XHTML and CSS--complement each other, Web design pro Patrick Griffiths provides the fastest, most efficient way of accomplishing specific Web design tasks. With Web standards best practices at its heart, it outlines how to do things the right way from the outset, resulting in highly optimized web pages, in a quicker, easier, less painful way than users could hope for! Split into 10 easy-to-follow chapters such as Text, Images, Layout, Lists, and Forms, and coupled with handy quick-reference XHTML tag and CSS property appendixes, HTML Dog is the perfect guide and companion for anyone wanting to master these languages. Readers can also see the lessons in action with more than 70 online examples constructed especially for the book.
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
The story of Uwe Johnson, one of Germany's greatest and most-influential post-war writers, and how he came to live and work in Sheerness, Kent in the 1970s. Towards the end of 1974, a stranger arrived in the small town of Sheerness on the Isle of Sheppey in Kent. He could often be found sitting at the bar in the Napier Tavern, drinking lager and smoking Gauloises while flicking through the pages of the Kent Evening Post. "Charles" was the name he offered to his new acquaintances. But this unexpected immigrant was actually Uwe Johnson, originally from the Baltic province of Mecklenburg in the GDR, and already famous as the leading author of a divided Germany. What caused him to abandon West Berlin and spend the last nine years of his life in Sheerness, where he eventually completed his great New York novel Anniversaries in a house overlooking the outer reaches of the Thames Estuary? And what did he mean by detecting a "moral utopia" in a town that others, including his concerned friends, saw only as a busted slum on an island abandoned to "deindustrialisation" and a stranded Liberty ship full of unexploded bombs? Patrick Wright, who himself abandoned north Kent for Canada a few months before Johnson arrived, returns to the "island that is all the world" to uncover the story of the East German author's English decade, and to understand why his closely observed Kentish writings continue to speak with such clairvoyance in the age of Brexit. Guided in his encounters and researches by clues left by Johnson in his own "island stories", the book is set in the 1970s, when North Sea oil and joining the European Economic Community seemed the last hope for bankrupt Britain. It opens out to provide an alternative version of modern British history: a history for the present, told through the rich and haunted landscapes of an often spurned downriver mudbank, with a brilliant German answer to Robinson Crusoe as its primary witness.
Chasing after a family secret--a curious silence surrounding a long-lost ancestor--led the author on a pilgrimage through the landscape, history and literature of Ireland. His journey of self-discovery, flavored by poems, stories, lore and legend, reflects his idea that literature may be the key that explains the past and reveals the present. Serving as part memoir and part journalistic chronicle, this work offers a unique look at how memory, literature and travel shape one's definition of oneself. Also serving as a love letter to Ireland with chapters on native born authors such as James Joyce, Frank O'Connor, Seamus Heaney and more, this book explores the deeper influences of what makes a man a writer, scholar, adventurer, husband and father.
For the past eleven years, San Francisco Chronicle reporter Graydon Hubbell has been assigned to write obituaries, working in a corner of the newsroom known as Section Eight, long occupied by the paper's most cantankerous and often impolitic reporters. Initially, Hubbell regarded writing obituaries as a morbid and thoroughly distasteful assignment, but he now considers himself a master of the genre, as capable of writing a final salute to the rich and powerful as of composing a simple farewell for the eccentric and notorious. Then Hubbell learns he has cancer. He is determined to defy the disease and work at the paper for as long as he can, but as his career implodes through a series of increasingly absurd mishaps, confrontations and mistakes, the obituary writer must come to terms with the fact that his own life is coming to an end. Written with humor and pathos, Dying Words is a novel about mortality and remembrance, the story of an aging newspaper reporter less afraid of dying than of being forgotten.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The introduction of co-operative societies into the Irish countryside during the late-nineteenth century transformed rural society and created an enduring economic legacy. Civilising rural Ireland challenges predominant narratives of Irish history that explain the emergence of the nation-state through the lens of political conflict and violence. Instead the book takes as its focus the numerous leaders, organisers, and members of the Irish co-operative movement. Together these people captured the spirit of change as they created a modern Ireland through their reorganisation of the countryside, the spread of new economic ideas, and the promotion of mutually-owned businesses. Besides giving a comprehensive account of the co-operative movement’s introduction to Irish society the book offers an analysis of the importance of these radical economic ideas upon political Irish nationalism.
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