This is the story of the secret beginnings of the cold war in Europe. It concerns intelligence operations carried out for the U.S. Army in Austria immediately after World War II -- before the CIA come on the scene -- and the?rat line? that was used to smuggle Soviet deserters to South America. The operation was kept secret from civil officials of the U.S. government, and from most military officers, and remained hidden for nearly forty years"--Preface.
Our incredible coloring pages will empower you to create masterpieces and release your inner-artist. Every page you color will pull you into a relaxing world where your responsibilities will seem to fade away. Each design is unique and is of mild complexity, so anyone can finish a design in only half an hour. 100 unique images offer a easy way to de-stress and unleash your inner artist. Beginner-friendly so there is no need for special skills. Enter a world of creative self-expression with this relaxing coloring book for grown ups. Let's reward yourself, or gift the ones you care about, with "Stress Relief Coloring Book With Celtic Knot Designs", the relaxing coloring book that would have your mind unwind with only a few minutes of your time!
The ancient city-state of Athens is at the height of her power. She rules over a maritime empire encompassing all the islands in the Aegean and the coasts surrounding the sea. She is an absolute dictator who will not allow her enemies at home or abroad to get the upper hand. Her politicians control her as tightly as they control the hundreds of city-states under her sway. The war with Sparta has kept the two powers in a stalemate for decades. One controls the seas, the other the land. A reckless plan is now underway that could bring glory to Athens, or the destruction of what she has built for so many years.
After learning of a threat against his family, Boston cop Mike Brogan returns to his hometown of Chicago to work for a secretive agency promising to keep his wife and children safe. Brogan monitors activities between the mafia, a biker gang, and the corrupt police family he left behind years earlier.
Harry's back! That's right, Harry Monday, that Sam Spade wannabe in the trench coat and gumshoes, is hot and on his latest case. Does he know what he's doing? Who knows? Is he over his head? Of course. Especially when he finds three characters murdered at the Restful Glen Psychiatric Annex. Only after he arrives does he find out that all the inmates have multiple personalities. And the three murder victims are all the same guy! Who killed Jeffrey Stadtlander? Was it the congressman who, in a crisis, becomes Edgar Allan Poe? Or maybe it was the schoolteacher who runs hot and cold? Or what about the mailman who has more personalities than he ever had on his route? "Clues are falling like cigarettes in the boys' bathroom," he says as he soon finds himself committed--and not just to the case. This wise-cracking whodunit will have you guessing until the final red herring--or perhaps Harry's goose--is cooked."--Publisher's website
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
Cast: 5m., 6w., 1 boy, 1 girl. It's finally here! The fifth play in the Harry Monday trilogy! Okay, Harry never could count. Christmas time rolls around and our down-and-out gumshoe is short of cash as usual. He's down to walking dogs for a few bucks when Harrigan's department store has its payroll stolen. And who you gonna' call? Loretta Mondello, the store manager, has complete faith in Harry pulling this one off. After all, she's his mother! Not only is the payroll missing but, crime of all crimes, somebody kidnapped Santa Claus! The store's St. Nick has gone missing along with the money and bonuses. And Harry has only one day, Christmas Eve, to solve the case. Is Scarlet Kloontz, the all-too-friendly clerk, behind it all? Or maybe Carson Page, the newest member of the Harrigan staff, who is also in love with the boss's daughter? And why did Mildred Wolensky, owner of a rival store, suddenly show up? Or Trixie O'Brien, an elf who was the last one to see Santa before he vanished? Maybe that old con-artist buddy of Harry's, Louie Grandville, has pulled another gig? As if clues weren't hard enough to find, Lieutenant Brogan shows up, along with his 9-year-old daughter. And we get a glimpse into Harry's past as he recalls his first case ... in the third grade! What can a flatfoot do to stay free of the fuzz and find the felons? Wise cracks and plot twists fly faster than Santa's sleigh in this yuletide whodunit. One int. set. Approximate running time: 1 hour, 45 minutes."--Publisher's website.
The clock is ticking down to a pandemic outbreak as an ancient cabal unveils an age-reducing miracle drug secretly rooted in a deadly formula created at the Dachau concentration camp. Only one person who can end the coming mass murder: a child of the cabal, a desperate Baby Boomer suffering from the same immortality that the cabal needs to survive. THE APOCALYPSE SERIES, in order The Boomer Protocols Cold Fusion Sylvans The Devil's Caldera THE REMNANTS OF WAR, in series order The Last Operation The Doppelganger Protocol The Devil's Eye Twilight of Demons
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
Bombs, Bullets and the Border examines Irish Government Security Policy and the role played by the Gardaí and Irish Army along the Northern Irish border during some of the worst years of the Troubles. Mulroe knits together an impressive range of sources to delve into the murky world occupied by paramilitaries and those policing the border. The ways in which security forces under Fianna Fáil and Fine Gael governments secretly cooperated with the British Army and the RUC, exacerbating tensions with republican groups in the border counties, are meticulously examined. Mulroe also reveals the devastating consequences of this approach, which left a loyalist threat unheeded and the 26 counties open to attack. The findings of the Smithwick Tribunal and the upheaval of Brexit have kept the issue of Irish border security within the public eye, but without a complete awareness of its consequences. Bombs, Bullets and the Border is vital reading in understanding what a secure border entails, and how it affects the lives of those living within its hinterland.
The creative collaborations of engineers, artists, scientists, and curators over the past fifty years. Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world—Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage—participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized. Coming from diverse personal backgrounds, this roster of engineers and scientists includes Frank J. Malina, the American rocket pioneer-turned-kinetic artist who launched the art-science journal Leonardo, and Swedish-born engineer Billy Klüver, who established the group Experiments in Art and Technology (E.A.T). At schools ranging from MIT to Caltech, engineers engaged with such figures as artist Gyorgy Kepes and celebrity curator Maurice Tuchman. Today, we are in the midst of a new surge of corporate and academic promotion of projects and programs combining art, technology, and science. Making Art Work reveals how artists and technologists have continually constructed new communities in which they exercise imagination, display creative expertise, and pursue commercial innovation.
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