What Our Dad Told Me . . . Before I Killed Him is both a biography of my dad as well as an autobiography about myself, along with our immediate family, relatives, and many friends. It focuses on how our good, Christian, positive family went downhill from 1979 all the way through current times. It heavily involves a demon named Abaddon, who convinced our dad that he, Abaddon, was an angel who gave our dad a ministry of judging other people for the sins in their lives, including the judgment of death by praying for people's deaths, but then even killing many people himself with guns when God didn't kill them. And that ultimately meant our family, ourselves! But when our dad started to kill our mom, I ended up killing him. But then I was sent to prison for that, and so I also wrote about the legal system, being in prison for several years. I also followed all of that up with seeing our dad again, years later, delving and mulling about whether that was spiritual answers, or just mental problems of my own. So be it.
In this study of arthropod predador-prey systems Michael Hassell shows how many of the components of predation may be simply modeled in order to reveal their effects on the overall dynamics of the interacting populations. Arthropods, particularly insects, make ideal subjects for such a study because their generation times are characteristically short and many have relatively discrete generations, inviting the use of difference equation models to describe population changes. Using analytical models framed in difference equations, Dr. Hassell is able to show how the detailed biological processes of insect predator-prey (including host-parasitoid) interactions may be understood. Emphasizing the development and subsequent stability analysis of general models, the author considers in detail several crucial components of predator-prey models: the prey's rate of increase as a function of density, non-random search, mutual interference, and the predator's rate of increase as a function of predator survival and fecundity. Drawing on the correspondence between the models and field and laboratory data, Dr. Hassell then discusses the practical implications for biological pest control and suggests how such models may help to formulate a theoretical basis for biological control practices.
Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of the teenage moviegoer initiated a progressive "juvenilization" of film content that is today the operative reality of the American motion picture industry.The juvenilization of the American movies is best revealed in the development of the 1950s "teenpic," a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty defines and interprets the various teenpic film types: rock 'n' roll pictures, j.d. films, horror and sci-fi weirdies, and clean teenpics. Individual films are examined both in light of their impact on the motion picture industry and in terms of their important role in validating the emerging teenage subculture. Also included in this edition is an expanded treatment of teenpics since the 1950s, especially the teenpics produced during the age of AIDS.
The West Wing, first broadcast in 1999, is thought by many to have been one of the most significant dramas shown on network television. Despite its overly idealized depiction of American political life, and blatant contradictions in the way we consider America, its values, its aspirations, and its behavior in the world, The West Wing nonetheless succeeds in attaining popular national and international aesthetic appeal. This book aspires to explain the appeal of the show by considering issues such as race, religion, sexuality, disability, and education--from both a practical and theoretical perspective--through the lenses of feminism, gender theory, Marxism, psychoanalytical theories, structuralism, poststructuralism, postcolonialism and more. It seeks to offer informative and revealing readings of one of the most significant television productions of recent times.
The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).
First published in 1992 Counter Culture was conceived as part of a 'War of Position' against capitalism. It represents a vibrant alternative view of popular culture through reviews, debate and commentary. This anthology is an introduction to a radical new way of looking at our world. www.altculture.org
What Our Dad Told Me . . . Before I Killed Him is both a biography of my dad as well as an autobiography about myself, along with our immediate family, relatives, and many friends. It focuses on how our good, Christian, positive family went downhill from 1979 all the way through current times. It heavily involves a demon named Abaddon, who convinced our dad that he, Abaddon, was an angel who gave our dad a ministry of judging other people for the sins in their lives, including the judgment of death by praying for people's deaths, but then even killing many people himself with guns when God didn't kill them. And that ultimately meant our family, ourselves! But when our dad started to kill our mom, I ended up killing him. But then I was sent to prison for that, and so I also wrote about the legal system, being in prison for several years. I also followed all of that up with seeing our dad again, years later, delving and mulling about whether that was spiritual answers, or just mental problems of my own. So be it.
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