‘If you’re looking for this century’s Ulysses, look no further ... a stunningly lyrical novel’ Alex Preston, Observer ‘Pitched – deliriously – between high modernism and folk magic, between gorgeous free-verse and hilarious Irish vernacular, Poguemahone is a stunning achievement ... profoundly affecting’ David Keenan ‘A blistering, brilliant ballad of mad tales from rural Ireland to London Town. The characters are electric, the narrative fuelled with a brilliant frenetic energy. McCabe is truly original’ Elaine Feeney Dan Fogarty, an Irishman living in England, is looking after his sister Una, now seventy and suffering from dementia in a care home in Margate. From Dan’s anarchic account, we gradually piece together the story of the Fogarty family. How the parents are exiled from a small Irish village and end up living the hard immigrant life in England. How Dots, the mother, becomes a call girl in 1950s Soho. How a young and overweight Una finds herself living in a hippie squat in Kilburn in the early 1970s. How the squat appears to be haunted by vindictive ghosts who eat away at the sanity of all who live there. And, finally, how all that survives now of those sex-and-drug-soaked times are Una’s unspooling memories as she sits outside in the Margate sunshine, and Dan himself, whose role in the story becomes stranger and more sinister. Poguemahone is a huge, shape-shifting epic from one of modern Ireland's greatest writers. It is a wild, free-verse monologue, steeped in music and folklore, crammed with characters, both real and imagined, on a scale Patrick McCabe has never attempted before.
The Dictionary of Hiberno-English is the leading reference book on Hiberno-English – the form of English commonly spoken in Ireland. It connects the spoken and the written language, and is a unique national dictionary that bears witness to Irish history, struggles and the creative identities found in Ireland. Reflecting the social, political, religious and financial changes of people's ever-evolving lives, it contains words and expressions not usually seen in a dictionary, such as 'kibosh', 'smithereens', 'Peggy's Leg', 'hames', 'yoke', 'blaa', 'banjax' and 'lubán'. It is a celebration of an irrepressible gift for the creative, expressive and reckless manipulation of the English language!
All of the sciences — physical, biological, and social — have a need for quantitative measurement. This influential series, Foundations of Measurement, established the formal basis for measurement, justifying the assignment of numbers to objects in terms of their structural correspondence. Volume I introduces the distinct mathematical results that serve to formulate numerical representations of qualitative structures. Volume II extends the subject in the direction of geometrical, threshold, and probabilistic representations, and Volume III examines representation as expressed in axiomatization and invariance.
This book takes the facts about Dr. John H. Holliday and breathes life back into Doc himself. The author has lived through many of the same most crucial moments as Doc; in fact, it is a name that his patients called him and still do. He is, like Doc, a Catholic. It is singularly amusing that they both have so many, many things in common, except that Pat stinks at poker most of the time. This is a very unique book. There has never been a book that tells the tale of Doc Holliday from Docs side as consistently as this, knowing the disease intimately and living with an almost identical set of symptoms. He has a chronic cough at times so severe that it results to severe pain in his intercostal (chest muscles) that lasts for three days, making it hard to breathe, move, or even bear down. Coughing or sneezing double him over. At times, he coughs up blood. He is often hypoxic and unsteady on his legs. He cannot walk without a cane due to dizziness. All this makes his appetite poor. He may be dizzy enough to fall down, with the room spinning and unable to move for twenty minutes to two hours. The facts were gathered for over forty-seven years of research, off and on. So it truly is a fictional book, perhaps more true to facts than a nonfictional one.
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.
Even though much of Europe eventually succumbed to the Nazis during World War II, many Europeans defiantly resisted occupation in every way possible. This captivating book provides a survey of these resistance movements during the period of Axis occupation and recounts the ways in which unarmed citizens undermined Nazi efforts at domination. A thorough description of the Axis conquest of Europe, the formation of the Special Operations Executive in Britain, and the Office of Strategic Services in the United States provides a backdrop for this turbulent time in history. Chapters cover the resistance organizations, their leaders, and other key individuals behind their operations. The book details the movement's furtive tactics that included spreading information, providing the Allies with key intelligence, conducting industrial sabotage, destroying bridges and factories, and fighting behind the lines. Case studies of resistance operations in France, Norway, Holland, Denmark, Poland, Czechoslovakia, the Soviet Union, the Balkans, Greece, Italy, and within Nazi Germany itself show the scope and breadth of the resistance movement throughout the world.
Martin McDonagh is one of the world's most popular dramatists. This is a highly readable and illuminating analysis of his career to date that will appeal to the legions of fans of his stage plays and the films Six Shooter and In Bruges. As a resource for students and practitioners it is unrivalled, providing an authoritative and enquiring approach to his work that moves beyond the tired discussions of national identity to offer a comprehensive critical exploration. Patrick Lonergan provides a detailed analysis of each of his plays and films, their original staging, critical reception, and the connections within and between the Leenane Trilogy, the Aran Islands plays and more recent work. It includes an interview with Garry Hynes, artistic director of Druid Theatre Company, and offers four critical essays on key features of McDonagh's work by leading international scholars: Joan Dean, Eamonn Jordan, Jose Lanters and Karen O'Brien. A series of further resources including a chronology, glossary, notes on McDonagh's use of language and a list of further reading makes this the perfect companion to one of the most exciting dramatists writing today.
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
Chronicle of the Seven Sorrows traces the rise and fall of Pipi Soleil, ?king of the wheelbarrow? at the vegetable market of Fort-de-France, in a tale as lively and magical as the marketplace itself. In a Martinique where creatures from folklore walk the land and cultural traditions cling tenuously to life, Patrick Chamoiseau?s characters confront the crippling heritage of colonialism and the overwhelming advance of modernization with touching dignity, hilarious resourcefulness, and truly courageous joie de vivre.
Across his relatively short and eccentric authorial career, Soren Kierkegaard develops a unique, and provocative, account of what it is to become, to be, and to lose a self, backed up by a rich phenomenology of self-experience. Yet Kierkegaard has been almost totally absent from the burgeoning analytic philosophical literature on self-constitution and personal identity. How, then, does Kierkegaard's work appear when viewed in light of current debates about self and identity--and what does Kierkegaard have to teach philosophers grappling with these problems today? The Naked Self explores Kierkegaard's understanding of selfhood by situating his work in relation to central problems in contemporary philosophy of personal identity: the role of memory in selfhood, the relationship between the notional and actual subjects of memory and anticipation, the phenomenology of diachronic self-experience, affective alienation from our past and future, psychological continuity, practical and narrative approaches to identity, and the intelligibility of posthumous survival. By bringing his thought into dialogue with major living and recent philosophers of identity (such as Derek Parfit, Galen Strawson, Bernard Williams, J. David Velleman, Marya Schechtman, Mark Johnston, and others), Stokes reveals Kierkegaard as a philosopher with a significant--if challenging--contribution to make to philosophy of self and identity.
Welcome to the weird and wonderful world of Dublin. Though this isn’t the usual side of the city the tourists, travellers and residents see. This is the real Dublin, the strange and twisted nooks and crannies of the city’s bizarre history – past, present and future. Following on from the bestselling Portico Strangest titles now comes a book devoted to one of Ireland’s most beautiful, and popular, cities. Located on the beautiful eastern seaboard, Dublin is a city with more strangeness than you can shake a pint of Guinness at. Home to one million people, the name, strangely, comes from the Irish ‘Dubh Linn’, which means 'Black Pool', but that name was already taken. Dublin’s Strangest Tales is a treasure trove of the hilarious, the odd and the baffling – an alternative travel guide to some of the city’s best-kept secrets. Read on, if you dare! You have been warned.
Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
This volume provides an introduction to medicinal chemistry. It covers basic principles and background, and describes the general tactics and strategies involved in developing an effective drug.
Many of Bob Dylan's most well-known works date from the 1960s, and can be seen as critical indicators of the changes in American society then and since. This book explores the unthreading of ideas about masculinity, femininity, sexuality, and identity through the lens of some of Dylan's most popular love songs. The author revealingly employs specific aspects of cultural theory to explore the appeal of Bob Dylan's music both now and during the time it was written.
The Shaping of the Celtic World traces the rise and decline of the great Celtic peoples. Ranging from prehistoric to modern times, it undertakes an examination of Celtic civilization, revealing a proud and independent society with its unique history, mythology, pantheon of gods, literature, and artistry. The romance of Celtic mythology is unsurpassed. It introduces us to many intriguing legends, of which the battles between the gods and giants are most alluring. Emerging in the 6th century BC, the Celts conquered and settled the greater part of Europe, laying the foundation for western civilization. Their contribution in shaping the modern world cannot be underestimated. As Europe languished in the barbarism of the Dark Ages, the great heritage of Western Europe was endangered of being entirely lost but for the Celtic monks of Ireland and Britain who scribed and illuminated Europes treasury of literature. The book is written for the millions who proudly identify with their Celtic rootsknown today by their ethnic identities as Irish, Scottish, Welsh, Mann, Breton, and Cornish. This concise yet user-friendly guide to ancient European history will be enjoyed by a variety of readers including students, travelers, history enthusiasts, and those interested in their Celtic origins.
Jerrold Casway coined the phrase "The Emerald Age of Baseball" to describe the 1890s, when so many Irish names dominated teams' rosters. But one can easily agree--and expand--that the period from the mid-1830s well into the first decade of the 20th century and assign the term to American sports in general. This book covers the Irish sportsman from the arrival of James "Deaf" Burke in 1836 through to Jack B. Kelly's rejection by Henley regatta and his subsequent gold medal at the 1920 Olympics. It avoids recounting the various victories and defeats of the Irish sportsman, seeking instead to deal with the complex interaction that he had with alcohol, gambling and Sunday leisure: pleasures that were banned in most of America at some time or other between 1836 and 1920. This book also covers the Irish sportsman's close relations with politicians, his role in labor relations, his violent lifestyle--and by contrast--his participation in bringing respectability to sport. It also deals with native Irish sports in America, the part played by the Irish in "Team USA's" initial international sporting ventures, and in the making and breaking of amateurism within sport.
Arizona is a fascinating land of lofty mountains, spectacular canyons, ponderosa forests, living deserts, great rivers, mighty dams, broad mesas, mines, ranches, farms and orchards -- a land of contrasts and contradictions, never fully understood, but always loved by those who know the state. In this inaugural volume, Patrick Lavin explores and illuminates this 'land of contrasts', whose history is varied and fascinating as its landscapes. Complemented by illustrations and photographs, this volume traces Arizona from the prehistoric days of the Paleo-Indians to its admission into the Union in 1912, and beyond into the twenty-first century.
Discover how Dr. O'Reilly began his medical career in the tenements of Dublin in Patrick Taylor's New York Times bestselling series. Fans of Taylor's bestselling Irish Country novels know Dr. Fingal Flahertie O'Reilly as the irascible senior partner of a general practice in the colourful Irish village of Ballybucklebo. Newly married to his long-lost sweetheart, he's ready to settle into domestic bliss, but there's always something requiring his attention, be it a riding accident, a difficult patient with a worrisome heart condition, a spot of grouse-hunting, or even some tricky shenanigans at the local dog races. The everyday complications of village life are very different from the challenges Fingal faced nearly thirty years earlier, when, fresh out of medical school, the young Dr. O'Reilly accepts a post at the Aungier Street Dispensary, tending to the impoverished denizens of Dublin's tenement slums. Yet even as he tries to make a difference, Fingal's tireless devotion to his patients may cost him his own true love. . . . Shifting back and forth between the present and the past, Patrick Taylor's captivating Fingal O'Reilly brings to life both the green young man O'Reilly once was and the canny village doctor readers have come to know and admire. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Irish military chaplain Fr. Willie Doyle, S.J., died in action during the Battle of Passchendaele on August 16, 1917, having been hit by a German shell while rushing to the aid of wounded soldiers trapped in No Man's Land. In To Raise the Fallen, Patrick Kenny introduces readers to this remarkable man, whose faith, heroic courage and generosity in the trenches of World War I continue to inspire Christians and non-Christians alike. To Raise the Fallen includes a selection of Willie Doyle's rich and vivid letters from the front, along with diary entries, prayers, spiritual writings and extracts from the pamphlets that made him a publishing sensation across Europe in the early years of the twentieth century. Fr. Doyle's compassion, cheerfulness and humility, alongside his great valor in wartime, are a testament to his commitment to Christ. His final act of bravery epitomizes Christ's words that there "is no greater love than to lay down one's life for one's friends". Those who knew Fr. Doyle testified to his heroic virtue. They witnessed his fearlessness in the face of enemy fire as he rescued the wounded, anointed the dying and buried the dead. His letters home reveal both his deep faith and his great humor, even in the face of unspeakable horrors. His daily conquest of himself in little things over many years prepared him for his selfless service on the battlefield.
This full length biography is the first comprehensive account of a truly legendary artist. It covers every aspect of the life and career of a man who has never seemed to be in the slightest danger of losing his credibility to mainstream success. With twenty albums to his credit and a legion of passionate fans, the uncompromising Waits continues to conjure up tender, ragged and magical songs that have attracted cover versions by artists as esteemed as Bruce Springsteen, Rod Stewart, The Eagles, Elvis Costello, Meat Loaf, The Ramones and Johnny Cash. Abrasive and single-minded, the gravel voiced singer/songwriter and occasional movie actor has followed one of the most unlikely career paths in popular music. Patrick Humphries' biography finally does this unique character justice with an in-depth critical overview of his life and work supplemented with authoritative discography and filmography.
The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).
Armed with the wealth of understanding and strategies in this guide, students will discover how they can learn best, to make studying and revision more effective (and less stressful). Packed with simple, tried and tested strategies and workarounds, this study guide for supporting kids and teens who learn differently (such as those with ADHD, dyslexia, dyspraxia or ASD) explains what memory and processing issues are, and how to work around them. Written by a tutor and specialist with years of experience of working with students with learning differences, this book enables the student to understand the best ways they learn and the reasons behind this. Unpacking processing speed, sensory processing, metacognition, and executive functioning, including working memory, this uniquely relatable and empowering study guide will provide students with the self-understanding they need to manage exams and academic tasks at school with confidence and peace of mind.
This book shows connections between oral story listening and unique, enduring educational effects in and outside of the classroom. Using scientific studies and interviews, as well as personal observations from more than thirty years in schools and libraries, the authors examine learning outcomes from frequent story listening. Throughout the book, Schatt and Ryan illustrate that experiencing stories told entirely from memory transforms individuals and builds community, affecting areas such as reading comprehension, visualization, focus, flow states, empathy, attachment, and theory of mind.
A historian's personal journey into the complex questions of immigration, home and nation From Ireland to London in the 1950s, Derry in the Troubles to contemporary, de-industrialised Manchester, Joyce finds the ties of place, family and the past are difficult to break. Why do certain places continue to haunt us? What does it mean to be British after the suffering of Empire and of war? How do we make our home in a hypermobile world without remembering our pasts? Patrick Joyce's parents moved from Ireland in the 1930s and made their home in west London. But they never really left the homeland. And so as he grew up among the streets of Paddington and Notting Hill and when he visited his family in Ireland he felt a tension between the notions of home, nation and belonging. Going to My Father's House charts the historian's attempt to make sense of these ties and to see how they manifest in a globalised world. He explores the places - the house, the street, the walls and the graves - that formed his own identity. He ask what place the ideas of history, heritage and nostalgia have in creating a sense of our selves. He concludes with a plea for a history that holds the past to account but also allows for dynamic, inclusive change.
The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart! From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, MAKING IT SO, a revealing portrait of an artist whose astonishing life—from his humble beginnings in Yorkshire, England to the heights of Hollywood and worldwide acclaim—proves a story as exuberant, definitive, and enduring as the author himself.
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