A complete, insider's guide to the magazine industry, for anyone interested in the business.This book provides a timely, all-inclusive look at this alluring business. It explores advertising, marketing, circulation principles, production, and editorial techniques in detail. It examines the current state of the industry -- social, technological and economic. Part of the Allyn & Bacon Series in Mass Communication.Media professionals, students, and anyone interested in the magazine industry.
Almost as if it were a dream, day number 360 came and I was transported into another world. The flights were long, but within just a couple of days, I found myself back at my original starting point-Salt Lake City, Utah. Before arriving in Salt Lake City though, I was greeted by my parents and my in-laws at Baltimore-Washington International (BWI) airport. As I scrambled through the baggage claim area and customs, I made my way towards my release from the regimented deployment world. Both sets of parents were poised and ready to greet me and my friends returning from overseas. Upon catching a glimpse of me, they popped out of their seats and began waving small American flags in my general direction. It was very nice to see them and it was a nice patriotic sight. I arrived at the airport at approximately midnight and I was hungry, so we all went out to eat at an all night diner in Arlington, Virginia. It was about 0300 in the morning when we finished up our meal and headed back to my in-laws house to sleep. I caught an 1800 flight the next day which brought me to Salt Lake City at approximately 2300 that night. The second leg of my flight from Phoenix, Arizona was very comfortable and relaxing. Wearing my DCUs, one of the flight attendant's decided to move me to First Class. Not only did this provide me with more comfort, but it also provided me an opportunity to sit next to her husband who had joined her on the flight. I had a really nice conversation with the flight attendant's husband throughout the flight. Then, as we landed in Salt Lake City, the flight attendant announced to all of the people on the flight that I had just returned home from the war in Afghanistan. Everyone began to clap and I received the honor of being the first person off of the airplane. I then began my mad dash towards my family. People noticed that I was in uniform, holding two little bears (one for each of my girls), and I was practically running, so everyone pretty much got out of my way. Within minutes, I saw Melanie holding a "Welcome Home" poster and my girls waving small American flags. It was a very impressive and precious sight. I scooped up both of my daughters in my hands and I embraced the whole family. The nice thing was that Suzanna didn't cry...everyone seemed to at least have some idea who I was this time. In fact, Annabelle wouldn't hardly let me go out of her sight for the next few days. I learned several days later that Annabelle had a lot of trouble sleeping while I was gone...which was attributed to me not being there and her not knowing when I would come home. This latter fact is what changed my mindset from wanting to go back to the combat zone any time soon. While I was gone, I made the most of my deployment and I even learned to enjoy many aspects of the adventure. However, when you see the effects of being gone on the homefront, nothing else seems to matter but family. Would I go again? Absolutely. But, I would certainly wait for my number to come up or for someone to come asking for my assistance a little more passionately. When I arrived at my actual home in the Ogden, Utah area, I quickly noticed several decorations on the property. I hadn't expected such extravagance, but I was certainly impressed by what I saw. As I walked around the house and the yard in my civilians clothes the next day, surrounded by my family, I finally felt like I was home.
The film and television star known for his roles in Dirty Dancing, Ghost, and North and South and his wife offer a timely and heartfelt memoir about his life, marriage, career, and brave battle against pancreatic cancer, an account that aims to serve as an inspiration to families everywhere.
Practical Security Training is designed to help security departments develop effective security forces from the personnel screening and selection process to ensuring that proper ,cost-efficient training is conducted. Using the building block and progressive method approach allows security staff to become increasingly more effective and more confident. Flexible and practicle, these tools allow security practitioners to adapt them as needed in different environments. Considering hypothetical situations and case studies, performing drills and continually evaluating performance, the security staff can be better prepared to deal with both routine and emergency situations. Advocates performance related training similar to that in a military environment Describes performance-oriented drills Considers and analyzes hypothetical situations
AMC/Jeep expert Patrick Foster provides 1001 facts covering all makes, models, shapes, and sizes that made the Jeep brand so popular over the last 75+ years! Included are the military Jeeps; Willys Jeep wagons, pickups, and forward control models; CJ-5, 6, 7, 8 and 10 variants; full-size Jeep Wagoneer, Gladiator, and Cherokee models; the Jeepsters and Commandos; the XJ Cherokee, Wagoneer, and Commanche models; the Wrangler YJ, TJ, and JK models; and finally, the overseas models. Jeeps have an enduring popularity that has spanned decades and generations, from the very first purpose-built military vehicles to the modern mall lot warriors of today. Originally owned by Willys, then AMC, then Chrysler, then Fiat, the Jeep brand has outlived some of the manufacturers that produced them. Jeeps are icons; the brands and the style of the original Jeeps are globally recognized. While having evolved more radically in recent times, they have a universal appeal that persists to this day. Each of the eight chapters covering the models listed will provide interesting facts related to legend and lore, body and interior, engine and driveline, suspension and brakes, and finally number crunching and press commentary. It is the first Jeep book of its kind. Join Jeep expert and historian Foster as he relives everything cool and fun about the Jeep. No Jeeper’s library should be without it.
This book provides a varied, thorough and informative analysis of how newspapers covered the 2014 Scottish independence referendum in its critical final months. Providing a wealth of new empirical findings, the book engages with the key themes and issues presented by a variety of newspaper outlets. These main observations include: a major focus on the economic aspects of the debate; persistent concerns regarding an independent Scotland’s prospects on the world stage, both militarily and strategically; the re-emergence of Gordon Brown as a political heavyweight; and a myopic focus on Alex Salmond, who would come to be framed as personally synonymous with the abstract concept of Scottish independence. The book will be the first point of contact for readers interested in the subject, providing an overview which is meticulously researched, authoritative and engaging, and offering broader insights in the areas of journalism, political communication and media studies.
If I could have or do any three things in the world what would they be? This is the simple question that Patrick Hamilton Walsh asked himself at the age of 16. The answer to this question would lead him to living the life of his dreams. 'The Backpacker who sold his Supercar' details, in an open and honest manner, the goals that Patrick set for himself as a 16-year-old and the mindset that he had to develop in order to achieve these goals. Upon the fulfillment of those early goals, Patrick set his sights on ever-greater goals, such as: - Travelling overland from London to Sydney - Breaking a Guinness World Record for a good cause - Owning a Porsche before age 30 - Swimming off the coast of every continent - Attending dinner with the President In this book, Patrick reveals how he achieved his goals, gives an insight into each experience and details what he plans to do in the future. The final section of the book contains a surprising twist that everyone in this rat-race world will relate to. This is a book for anyone that carries unfulfilled potential or has a dream yet to be fulfilled. Ultimately, this is a book for anyone that has the desire to do more. "The book tends to be the most informative as far as giving insight into bettering one's life ... it is Walsh's positivity and enthusiasm for life that make this format work." -The US Review of Books
If I could have or do any three things in the world what would they be? This is the simple question that Patrick Hamilton Walsh asked himself at the age of 16. The answer to this question would lead him to living the life of his dreams. 'Life is' details, in an open and honest manner, the goals that Patrick set for himself as a 16-year-old and the mindset that he had to develop in order to achieve these goals. Upon the fulfilment of those early goals, Patrick set his sights on ever-greater goals, such as: - Travelling overland from London to Sydney - Breaking a Guinness World Record for a good cause - Owning a Porsche before age 30 - Swimming off the coast of every continent - Attending dinner with the President In ‘Life is’, Patrick details how he achieved his goals, gives an insight into each experience and details what he plans to do in the future. The final section of the book contains a surprising twist that everyone in this rat-race world will relate to. This is a book for anyone that carries unfulfilled potential or has a dream yet to be fulfilled. Ultimately, this is a book for anyone that has the desire to do more.
This volume offers a compact introduction to one of the most daunting texts in the New Testament. The Letter to the Hebrews has inspired many readers with its encomium to faith, troubled others with its hard sayings on the impossibility of a second repentance, and perplexed still others with its exegetical assumptions and operations drawn from a cultural matrix that is largely alien to modern sensibilities. Long thought to be Paul, the anonymous author of Hebrews exhibits points of continuity with the apostle and other New Testament writers in the letter's (or sermon's) vision of life in the light of the crucified Messiah, but one also finds distinctive perspectives in such areas as Christology, eschatology, and atonement. Gray and Peeler survey the salient historical, social, and rhetorical factors to be considered in the interpretation of this document, as well as its theological, liturgical, and cultural legacy. They invite readers to enter the world of one of the boldest Christian thinkers of the first century.
In his latest book, Patrick Brantlinger probes the state of contemporary America. Brantlinger takes aim at neoliberal economists, the Tea Party movement, gun culture, immigration, waste value, surplus people, the war on terror, technological determinism, and globalization. An invigorating return to classic cultural studies with its concern for social justice and challenges to economic orthodoxy, States of Emergency is a delightful mix of journalism, satire, and theory that addresses many of the most pressing issues of our time.
Electrostimulation is defined as the action of electrical energy on nerve and muscle OCo the two classes of excitable tissue. This cutting-edge resource offers you broad coverage of the subject, expanding the scope of electrostimulation discussions to include accidental, aversive, and possibly harmful biological effects of electrical energy. The book enables you to develop standards for human exposure to electric currents having various waveforms, determine classes of nerve fibers brought to excitation within specified regions of the body due to certain types of exposure, and quantify how harmonic distortions influence the excitability of sinusoidal extrostimulation. This practical reference also offers guidance in using the SENN (Spatially Extended Nonlinear Node) computer model that simulates the interaction of applied electric energy with myelinated neurons.Moreover, you learn how to compare efficacy and hazard potential of various stun weapons, assess unintended nerve stimulation from MRI exposure of patients with metallic implants, and compare the safety margins between electrostimulation thresholds of sensory and motor neurons relative to unintended cardiac excitation or painful sensory responses.
The Dictionary of Hiberno-English is the leading reference book on Hiberno-English – the form of English commonly spoken in Ireland. It connects the spoken and the written language, and is a unique national dictionary that bears witness to Irish history, struggles and the creative identities found in Ireland. Reflecting the social, political, religious and financial changes of people's ever-evolving lives, it contains words and expressions not usually seen in a dictionary, such as 'kibosh', 'smithereens', 'Peggy's Leg', 'hames', 'yoke', 'blaa', 'banjax' and 'lubán'. It is a celebration of an irrepressible gift for the creative, expressive and reckless manipulation of the English language!
For years, the trail of his life led through dense marshes, high mountain forests and steamy jungles. Then it stopped with just one word. Cancer. For the next seven years, Pat Herzog was pursued by chronic leukemia until undergoing life-threatening experimental treatment. Thereafter, he was relentlessly bushwhacked by fatigue and brain fog, skirting the edges of depression. Only by regaining his passion for nature was he finally able to overcome his fear of living. More than an authentic tale of illness, From the Mist - A Life Restored By Nature is a story of hardiness, faith and renewal. And it is tangible proof of the undeniable healing powers of nature....
Introduction to abstract interpretation, with examples of applications to the semantics, specification, verification, and static analysis of computer programs. Formal methods are mathematically rigorous techniques for the specification, development, manipulation, and verification of safe, robust, and secure software and hardware systems. Abstract interpretation is a unifying theory of formal methods that proposes a general methodology for proving the correctness of computing systems, based on their semantics. The concepts of abstract interpretation underlie such software tools as compilers, type systems, and security protocol analyzers. This book provides an introduction to the theory and practice of abstract interpretation, offering examples of applications to semantics, specification, verification, and static analysis of programming languages with emphasis on calculational design. The book covers all necessary computer science and mathematical concepts--including most of the logic, order, linear, fixpoint, and discrete mathematics frequently used in computer science--in separate chapters before they are used in the text. Each chapter offers exercises and selected solutions. Chapter topics include syntax, parsing, trace semantics, properties and their abstraction, fixpoints and their abstractions, reachability semantics, abstract domain and abstract interpreter, specification and verification, effective fixpoint approximation, relational static analysis, and symbolic static analysis. The main applications covered include program semantics, program specification and verification, program dynamic and static analysis of numerical properties and of such symbolic properties as dataflow analysis, software model checking, pointer analysis, dependency, and typing (both for forward and backward analysis), and their combinations. Principles of Abstract Interpretation is suitable for classroom use at the graduate level and as a reference for researchers and practitioners.
Directed at future sports executives and sports managers, the book contains numerous case studies that allow students to apply the ethical decision-making process to a sports-related ethical dispute. Unlike other texts that spend too much time discussing ethical theories, Sports Ethics for Sports Management Professionals addresses the important issues sports professionals may actually encounter during their career --Book Jacket.
The Oxford Guide to the United States Government is the ultimate resource for authoritative information on the U.S. Presidency, Congress, and Supreme Court. Compiled by three top scholars, its pages brim with the key figures, events, and structures that have animated U.S. government for more than 200 years. In addition to coverage of the 2000 Presidential race and election, this Guide features biographies of all the Presidents, Vice Presidents, and Supreme Court Justices, as well as notable members of Congress, including current leadership; historical commentary on past elections, major Presidential decisions, international and domestic programs, and the key advisors and agencies of the executive branch; in-depth analysis of Congressional leadership and committees, agencies and staff, and historic legislation; and detailed discussions of 100 landmark Supreme Court cases and the major issues facing the Court today. In addition to entries that define legal terms and phrases and others that elaborate on the wide array of government traditions, this invaluable book includes extensive back matter, including tables of Presidential election results; lists of Presidents, Vice Presidents, Congresses, and Supreme Court Justices with dates of service; lists of Presidential museums, libraries, and historic sites; relevant websites; and information on visiting the White House, the Capitol, and Supreme Court buildings. A one-stop, comprehensive guide that will assist students, educators, and anyone curious about the inner workings of government, The Oxford Guide to the United States Government will be a valued addition to any home library.
The creative collaborations of engineers, artists, scientists, and curators over the past fifty years. Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world--Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage--participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.
For half a century Earl and Floyd Willits built some of the world's finest canoes, first near Artondale, Washington, then on Day Island, right off of Puget Sound in Tacoma. Turning out approximately twenty canoes a year, carefully logging and numbering each one, the brothers emphasized quality and design rather than volume. Willits Brothers Canoe Company earned a reputation that enabled the tiny company to compete successfully with businesses much larger, leaving a name and legacy which is still admired by canoe aficionados today. Carefully researched and documented, this combination biography and company history tells the story of Earl and Floyd Willits and their unique canoe company. Beginning with their family's westward migration from Illinois, it follows the brothers as they set about starting the business that would become their lifelong work. Close attention is given to the Willitses' business management and construction techniques as well as their personal lives. Interviews with surviving contemporaries and family members add a personal dimension to the Willitses' story. Appendices include a detailed company logbook, instructions from the Willits brothers on various areas of canoe use and maintenance, a price list of canoes from 1928 to 1964 and a list of serial numbers and dates of manufacture. In addition, a price comparison with the Old Town Canoe Company, a listing of museums exhibiting a Willits Brothers canoe, two Willits Brothers Canoe company catalogs and various plans of Willits canoes are provided. Contemporary photographs from the Willits family collection are also included.
As the centenary of the Great War approaches, citizens worldwide are reflecting on the history, trauma, and losses of a war-torn twentieth century. It is in remembering past wars that we are at once confronted with the profound horror and suffering of armed conflict and the increasing elusiveness of peace. The contributors to Bearing Witness do not presume to resolve these troubling questions, but provoke new kinds of reflection. They explore literature, the arts, history, language, and popular culture to move beyond the language of rhetoric and commemoration provided by politicians and the military. Adding nuance to discussions of war and peace, this collection probes the understanding and insight created in the works of musicians, dramatists, poets, painters, photographers, and novelists, to provide a complex view of the ways in which war is waged, witnessed, and remembered. A compelling and informative collection, Bearing Witness sheds new light on the impact of war and the power of suffering, heroism and memory, to expose the human roots of violence and compassion. Contributors include Heribert Adam (Simon Fraser University), Laura Brandon (Carleton University), Mireille Calle-Gruber (Université La Sorbonne Nouvelle), Janet Danielson (Simon Fraser University), Sandra Djwa (emeritus, Simon Fraser University), Alan Filewod (University of Guelph), Sherrill Grace (University of British Columbia), Patrick Imbert (University of Ottawa), Tiffany Johnstone (PhD Candidate, University of British Columbia), Martin Löschnigg (Graz University), Lauren Lydic (PhD, University of Toronto), Conny Steenman Marcusse (Netherlands), Jonathan Vance (University of Western Ontario), Aritha van Herk (University of Calgary), Peter C. van Wyck (Concordia University), Christl Verduyn (Mount Allison University), and Anne Wheeler (filmmaker).
More than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the darkness. Each effect is rich in symbolism, evoking a world of danger and doppelgangers. But what happens if we set aside the symbolism? This book offers a new account of film noir lighting, grounded in a larger theory of Hollywood cinematography as emotionally engaging storytelling. Above all, noir lighting is dynamic, switching from darkness to brightness and back again as characters change, locations shift, and fates unfold. Richly illustrated, Film Noir and the Arts of Lighting features in-depth analyses of eleven classic movies: The Asphalt Jungle, Sorry, Wrong Number, Odds against Tomorrow, The Letter, I Wake Up Screaming, Phantom Lady, Strangers on a Train, Sweet Smell of Success, Gaslight, Secret beyond the Door, and Touch of Evil.
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.
Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.
When it was first published in 1993, Secrets of Screen Acting broke new ground in explaining how acting for the camera is different from acting on stage. Reaction time is altered, physical timing and placement are reconceived, and the proportions of the digital frame itself become the measure of all things, so the director must conceptualize each image in terms of this new rectangle and actors must 'fit' into the frame. Based on a revolutionary non-Method approach to acting, this book shows what actually works: how an actor, an announcer--anyone working in front of the cameras--gives excellent performances on screen. Instead of starting with what is real and trying to wrestle that onto the screen, Patrick Tucker explains how to work with the realities of a shoot and work from there towards the real. His step-by-step guide to the elements of effective screen acting is an extension and explanation of a lifetime of work in the field, containing over 50 acting exercises and the tried-and-tested Screen Acting Checklist. As well as being completely updated to cover new techniques, film references and insights, this third edition now includes a set of Film Clip Time Codes for each film. These not only itemise the films discussed in each chapter, but also pinpoint the precise moments where each example can be found so that students, teachers, and professional actors can refer to them quickly and easily.
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
In ancient Athens, “idiots” were those selfish citizens who dishonorably declined to participate in the life of the polis, and whose disavowal of the public interest was seen as poor taste and an indication of judgment. Over time, however, the term idiot has shifted from that philosophically uncomplicated definition to an ever-changing sociological signifier, encompassing a wide range of meanings and beliefs for those concerned with intellectual and cognitive disability. Idiocy: A Cultural History offers for the first time a analysis of the concept, drawing on cultural, sociological, scientific, and popular representations ranging from Wordsworth’s “Idiot Boy” and Dickens’ Barnaby Rudge to Down’s “Ethnic classification of idiots.” It tracks how our changing definition of idiocy intersects with demography, political movements, philosophical traditions, economic concerns, and the growth of the medical profession.
The dictionary lists each character from Pynchon's fiction up through his most recent novel, including the most likely etymology of each name. In addition, the thorough introduction examines Pynchon's character names as a part of his greater literary strategy, establishing a set of categories through which most of the names may be understood.
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
Love – such a deceptively simple and popular little word. It is almost universally agreed that we need love in order to live and flourish as human beings; and yet within our contemporary culture there are numerous confusing, competing and evolving ideas about what ‘love’ is. There are few greater subjects in Christian theology than love; yet it is a surprisingly complex and challenging concept to understand, let alone live by. Patrick Mitchel’s conviction is that Christians need to be thinking about, and practising, love in compelling and winsome ways. Our task is not only to articulate what love is, but also to show to the world what authentic Christian love looks like in practice. ‘The only thing that counts is faith expressing itself through love’ (Gal. 5:6 NIV). Mitchel’s exposition explores love in the Old Testament; how the love of God is supremely revealed in the mission and death of Jesus Christ; love in the life and teaching of Jesus; and the church’s calling to be a community of love. He helps us to grasp afresh the breadth, depth, scope, and radically counter-cultural nature of the Bible’s teaching on love.
Punishing Corporate Crime: Legal Penalties for Criminal and Regulatory Violations provides a practical discussion of criminal punishment trends directed at the corporate entity. Corporate punishment, for the most part, has traditionally occurred either in the form of a fine or, in the extreme, a heavy sanction that terminates the business. This timely book analyzes the historical and statutory bases of corporate punishment and reviews the latest remedies now employed by the government, including receivership and monitoring, disgorgement of profits, restitution, integrity agreements, and disbarment from regulated fields. Punishing Corporate Crime explores the new and evolving area of corporate criminal punishment that has emerged in the post- Enron era. This book offers key advice in addressing the new and evolving punishments that face corporations, as well as a consideration of preventative programs.
The Discourse of Scholarly Communication examines the place and purpose of modern scholarship and its dialectical relationship with the ethos of Enlightenment. Patrick Gamsby argues that while Enlightenment/enlightenment is often used in the mottos of numerous academic institutions, its historical, social, and philosophical elements are largely obscured. Using a theoretical lens, Gamsby revisits the ideals of the Enlightenment alongside the often-contradictory issues of disciplinary boundaries, access to research, academic labor in the production of scholarship (author, peer reviewer, editor, and translator), the interrelationship of form and content (lectures, textbooks, books, and essays), and the stewardship of scholarship in academic libraries and archives. It is ultimately argued that for the betterment of the scholarly communication ecosystem and the betterment of society, anti-Enlightenment rules of scholarship such as ‘publish or perish’ should be dispensed with in favor of the formulation of a New Enlightenment.
Written in both English and French, The 9.5mm Vintage Film Encyclopaedia provides a single-volume, comprehensive catalogue of all known 9.5mm film releases, including: Films: Comprising 12,460 individual entries, this A-Z reference index provides the main listing for each film and its origin where known, along with additional information including cast and crew, and cross references to other relevant material. People: This index of all known actors and film crew, comprising over 12,000 names, provides a listing which is cross referenced to the main entry for each original film they worked on. Numbers: Pathé-Baby/Pathéscope and other distributors’ catalogue numbers, film length, release dates (where known) and the series in which the films were organised, are set out in detail. With a foreword from eminent film historian and filmmaker, Keith Brownlow, this extensively researched text explains the importance of the 9.5mm film, from its beginnings in the early 1920s to becoming synonymous with Home Cinema throughout Europe. Readers will also find a brief technical explanation on how 9.5mm films were produced, along with relevant images.
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