This book looks at the history of work and the meanings that are attached to it over time. Taking as its basis a number of international surveys and interviews conducted in Europe, the authors consider the significance of work for Europeans today. Over the years the meaning of work has changed. It has become more highly diversified, and it is today invested with high expectations that conflict with organisational developments and the changing nature of the labour market. The authors use a generational perspective to explore whether it is possible to reconcile the contemporary “ethos” of work, especially with regards to women and young people, with organisations that are increasingly under pressure to be profitable and productive. Reinventing Work in Europe will be of interest to scholars and students in the areas of sociology of work, employment and organizations, labour studies, digital economy, and political economy.
Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
As the sixteenth century opened, members of the patriciate were increasingly withdrawing from trade, desiring to be seen as "gentlemen in fact" as well as "gentlemen in name." The author considers why this was so and explores such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, the interplay between the public and the private, and the emergence of characteristically Venetian decorative practices and styles of art and architecture. Brown focuses new light on the visual culture of Venetian women - how they lived within, furnished, and decorated their homes; what spaces were allotted to them; what their roles and domestic tasks were; how they dressed; how they raised their children; and how they entertained. Bringing together both high arts and low, the book examines all aspects of Renaissance material culture."--BOOK JACKET.
In her persuasively argued study, Patricia Pulham astutely combines psychoanalytic theory with socio-historical criticism to examine a selection of fantastic tales by the female aesthete and intellectual Vernon Lee (Violet Paget, 1856-1935). Lee's own definition of the supernatural in the preface to Hauntings questions the nature of the 'genuine ghost', and argues that this figure is not found in the Society of Psychical Research but in our own psyches, where it functions as a mediator between past and present. Using D.W. Winnicott's 'transitional object' theory, which maintains that adults transfer their childhood engagement with toys to art and cultural artifacts, Pulham argues that the prevalence of the past in Lee's tales signifies not only an historical but a psychic past. Thus the 'ghosts' that haunt Lee's supernatural fiction, as well as her aesthetic, psychological, and historical writings, held complex meanings for her that were fundamental to her intellectual development and allowed her to explore alternative identities that permit the expression of transgressive sexualities.
During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
This volume brings together the published academic essays of the Renaissance historian Patricia Hochschild Labalme (1927-2002). Appearing between 1955 and 1999, they deal with the intellectual, social and religious life of Venice in the 15th-16th centuries. An important focus is the exploration of the careers, milieu and writings of cultural and literary women of early modern Venice, a field to which the author made a particular contribution.
Describes how evolutionary algorithms (EAs) can be used to identify, model, and minimize day-to-day problems that arise for researchers in optimization and mobile networking Mobile ad hoc networks (MANETs), vehicular networks (VANETs), sensor networks (SNs), and hybrid networks—each of these require a designer’s keen sense and knowledge of evolutionary algorithms in order to help with the common issues that plague professionals involved in optimization and mobile networking. This book introduces readers to both mobile ad hoc networks and evolutionary algorithms, presenting basic concepts as well as detailed descriptions of each. It demonstrates how metaheuristics and evolutionary algorithms (EAs) can be used to help provide low-cost operations in the optimization process—allowing designers to put some “intelligence” or sophistication into the design. It also offers efficient and accurate information on dissemination algorithms, topology management, and mobility models to address challenges in the field. Evolutionary Algorithms for Mobile Ad Hoc Networks: Instructs on how to identify, model, and optimize solutions to problems that arise in daily research Presents complete and up-to-date surveys on topics like network and mobility simulators Provides sample problems along with solutions/descriptions used to solve each, with performance comparisons Covers current, relevant issues in mobile networks, like energy use, broadcasting performance, device mobility, and more Evolutionary Algorithms for Mobile Ad Hoc Networks is an ideal book for researchers and students involved in mobile networks, optimization, advanced search techniques, and multi-objective optimization.
The modern regulations and pervading attitudes that control native rights in the Americas may appear unrelated to the European colonial rule, but traces of the colonizers' cultural, religious, and economic agendas remain. Patricia Seed likens this situation to a pentimento - a painting in which traces of older compositions become visible over time -and shows how the exploitation begun centuries ago continues today. Seed examines how the goals of European colonialist in the Americas. The English appropriated land, while the Spanish and Portuguese attempted to eliminate "barbarous" religious behavior and used indigenous labor to take mineral resources. Ultimately, each approach denied native people distinct aspects of their heritage. Seed argues that their differing effects persist, with natives in former English colonies fighting for land rights, while those in former Spanish and Portuguese colonies fight for human dignity." -- Book jacket.
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
With more than 40 million copies sold worldwide, these guides are both comprehensive and ultra-portable. With convenient maps on the flaps, colour-coded sections for quick reference, carefully chosen photographs and a handy A - Z of practical tips, they are designed for ease of use.
This book looks at the history of work and the meanings that are attached to it over time. Taking as its basis a number of international surveys and interviews conducted in Europe, the authors consider the significance of work for Europeans today. Over the years the meaning of work has changed. It has become more highly diversified, and it is today invested with high expectations that conflict with organisational developments and the changing nature of the labour market. The authors use a generational perspective to explore whether it is possible to reconcile the contemporary “ethos” of work, especially with regards to women and young people, with organisations that are increasingly under pressure to be profitable and productive. Reinventing Work in Europe will be of interest to scholars and students in the areas of sociology of work, employment and organizations, labour studies, digital economy, and political economy.
The author chronicles her struggle with traditional Catholicism, her search for the "old world" religion of Europe, and, ultimately, her rediscovery of the joys of prayer. By the author of A Romantic Education.
Finally in paperback, the candid, revealing autobiography of America's favorite new star! Sweet, sexy, candid and always herself, here is the real Vanna--and the inspiring story of her breathtaking dream come true. Includes 32 dazzling photos, including some surprising picture's from White's past. "Presented with charm and aplomb".--Washington Post Book World.
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