Given the current moment—polarized populations, increasing climate fears, and decline of supranational institutions in favor of a rising tide of nationalisms—it is easy to understand the proliferation of apocalyptic and dystopian elements in popular culture. Infected Empires examines one of the most popular figures in contemporary apocalyptic film: the zombie. This harbinger of apocalypse reveals bloody truths about the human condition, the wounds of history, and methods of contending with them. Infected Empires considers parallels in the zombie genre to historical and current events on different political, theological and philosophical levels, and proposes that the zombie can be read as a figure of decolonization and an allegory of resistance to oppressive structures that racialize, marginalize, disable, and dispose of bodies. Studying films from around the world, including Latin America, Asia, Africa, the US, and Europe, Infected Empires presents a vision of a global zombie that points toward a posthuman and feminist future.
Arising from the philosophical conviction that our sense of space plays a direct role in our apprehension and construction of reality (both factual and fictional), this book investigates how conceptions of postmodern space have transformed the history of the impossible in literature. Deeply influenced by the work of Jorge Luis Borges and Julio Cortázar, there has been an unprecedented rise in the number of fantastic texts in which the impossible is bound to space — space not as scene of action but as impossible element performing a fantastic transgression within the storyworld. This book conceptualizes and contextualizes this postmodern, fantastic use of space that disrupts the reader’s comfortable notion of space as objective reality in favor of the concept of space as socially mediated, constructed, and conventional. In an illustration of the transnational nature of this phenomenon, García analyzes a varied corpus of the Fantastic in the past four decades from different cultures and languages, merging literary analysis with classical questions of space related to the fields of philosophy, urban studies, and anthropology. Texts include authors such as Julio Cortázar (Argentina), John Barth (USA), J.G. Ballard (UK), Jacques Sternberg (Belgium), Fernando Iwasaki (Perú), Juan José Millás (Spain,) and Éric Faye (France). This book contributes to Literary Theory and Comparative Literature in the areas of the Fantastic, narratology, and Geocriticism and informs the continuing interdisciplinary debate on how human beings make sense of space.
Off the coast of Perú, gentle giants swim beneath the waves. Thanks to the work of Kerstin Forsberg, giant manta rays have become a symbol of hope for ocean conservation in the region. Mantas are a flagship species, and when they’re protected, the whole ocean ecosystem benefits. Kerstin, who founded the organization Planeta Océano, has taken a new approach to ocean conservation. Previous conservation projects were often led by scientists from other places who didn’t work with the local people. When Kerstin decided to help manta rays, she sought the opinions of local fishers and educated them about the dangers of overfishing, bycatch, and poaching—things that affect both manta rays and fishers. She also involved local schools and teachers. With the help of teachers, students, and fishers, Kerstin launched a project to identify and track manta rays and protect them, making the ocean a better place for all creatures. Dive in with author Patricia Newman and explore how taking care of the ocean can benefit everyone!
This is the first detailed scholarly study of culture and sociability in Colombia during the period c. 1850 and 1930. Patricia Londoño-Vega gives a vivid picture of some of the factors that reduced social distances in the province of Antioquia during this period of relative harmony and prosperity. She examines hundreds of the groups and voluntary associations which flourished at this time and which brought a growing number of Antioqueños of different social backgrounds together around religious practices and societies, the exercising of charity, a concern for education, and the pursuit of cultural progress. The book describes the crucial role played by religion and the Catholic Church, which underwent considerable growth after the turbulent period of mid-nineteenth century liberal reforms until the end of the conservative era in 1930, and traces the progress of parishes, devotional associations, religious communities, private and public religiosity, and numeros pilanthropic societies, all of which brought about the bonds between the classes. The author examines achievements in education and the emergence of a thriving gamut of literary groups, public libraries, social clubs, and other assciations created to promote public instuction, pedagogy, manners, temperance, 'cultivated' music, and moral improvement. These cultural associations strove towards the longed-for civilisation, as percieved in its prevalent Western connotations. The social intermingling brought about by all these forms of sociability did not of course abolish class distinctions, but did generate a complex and closely integrated society, with an optimistic and constructive view of itself. The description of social and cultural dynamism, set against the background of growing religiiosity, challenges the seldom-discussed assumption that religion slowed down social and cultural modernisation. Primary evidence, drawn from extensive researh in proceedings and reports by groups, associations, periodical publications, statistics, diaries and memoirs, travellers' accounts, books of etiquette, genre literature and other contemporary publications, as well as visual images, particulary photographs, document important topics which have in the past attracted little attention from scholars.
With the growth of industrial forestry in the southern hemisphere and the restructuring of forestry in the northern hemisphere, the industry is undergoing tremendous change. Logging the Globe investigates the transformations that are taking place and their ecological, social, and economic impact.
For 125 years, physicians have relied on Manson's Tropical Diseases for a comprehensive clinical overview of this complex and fast-changing field. The fully revised 24th Edition, Dr. Jeremy Farrar, along with an internationally recognized editorial team, global contributors, and expert authors, delivers the latest coverage on parasitic and infectious diseases from around the world. From the difficult to diagnose to the difficult to treat, this highly readable, award-winning reference prepares you to effectively handle whatever your patients may have contracted. - Covers all of tropical medicine in a comprehensive manner, general medicine in the tropics, and non-clinical issues regarding public health and ethics. - Serves as an indispensable resource for physicians who treat patients with tropical diseases and/or will be travelling to the tropics, or who are teaching others in this area. - Contains a new section on 21st Century Drivers of Tropical Medicine, with chapters covering Poverty and Inequality, Public Health in Settings of Conflict and Political Instability, Climate Change, and Medical Product Quality and Public Health. - Includes all-new chapters on Surgery in the Topics, Yellow Fever, Systemic Mycoses, and COVID-19. - Covers key topics such as drug resistance; emerging and reemerging infections such as Zika, Ebola, and Chikungunya; novel diagnostics such as PCR-based methods; point-of care-tests such as ultrasound; public health in settings of conflict and political instability; and much more. - Differentiates approaches for resource-rich and resource-poor areas. - Includes reader-friendly features such as highlighted key information, convenient boxes and tables, extensive cross-referencing, and clinical management diagrams.
Infected Empires examines a central figure in contemporary apocalyptic film: the zombie. This creature reveals bloody truths about the human condition, the wounds of history, and methods of contending with them. Studying films from a transnational perspective, Infected Empires presents a vision of a global zombie that resists oppressive structures that racialize, marginalize, disable, and dispose of bodies.
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