What's it like to be married to the superstar lead singer of the Doors? Patricia Kennealy Morrison gives a loving and detailed account of the pagan handfasting ceremony that bound her forever with the legendary rock superstar Jim Morrison. The intimate portrait of Jim that emerges—a tender and vulnerable face that was shown to very few—makes this book essential reading. The reader has the good fortune of meeting Patricia in the process and empathizing with this smart, deeply spiritual professional woman who has fallen hopelessly in love with a young man whose genius has made him famous and whose demons have made him notorious.
This novel for ages nine and up is the story of a resilient young girl who struggles as the daughter of an alcoholic father and an absentee mother. Left alone to fend for herself for days at a time, she is observed by a kind and compassionate saleswoman at the mall she retreats to every day after school to avoid going "home." The saleswoman gains her trust and takes action into her own hands by reporting the girl's situation to social services. She is placed in foster care, where she dreams of being reunited with her dad, despite the deprivations in her life with him. The relationship between the girl and her foster mother is painful, and the girl's spirit disintegrates. Eventually, the saleswoman "adopts" the girl into her caring family, whose love and support enable her, finally, to believe in herself.
Meet Rosie, born in England to a well to do family. Her father has owned and operated the family business going back many generations. Rosie dreams of moving to America and finding true friends. Meet James Meyers his parents went to work at the paper factory; He was left home alone while they worked. James dreamed of going to America. and meeting new people. Read along with us see how Rosie and James meet, become good friends and make their dreams come true. In this a great story Americas Perfect Rose.
Turn on, tune in drop dead - June, 1967. In San Francisco, the summer of love is in full swing. In fact, it's about to hit its highest moment - or its lowest. Reporter Rennie Stride is covering the Monterey Pop Festival, where her two best friends will be appearing along with rock titans: Jefferson Airplane, the Grateful Dead, the Byrds, the Mamas & the Papas. And sharing the spotlight with blazing new comets: Janis Joplin, Jim Hendrix, Otis Redding, the Who - But not far from Monterey, an anti-festival is also happening - Big Magic. As both events unfold, Rennie encounters old friends and new enemies. And when people start turning up dead in the psychedelic crossfire, she goes looking for justice - or vengeance - for them all.
From the author of The Copper Crown, The Throne of Scone, and Strange Days: My Life With and Without Jim Morrison Turn On, Tune In, Drop Dead... Three Days of Peace, Music...and Murder. When Rennie Stride and her friends go off to this summer rock festival in rural upstate New York-a little weekend diversion called Woodstock-the last thing any of them expects to come across is a dead body. Or two. Though at this point, of course, it should be the first thing they expect: renowned journalist Rennie-also known as Murder Chick-seems to have a backstage pass to music-biz murder. And she isn't afraid to use it. But when she encounters rock death on Max Yasgur's dairy farm, in the middle of half a million people and the greatest rock musicians of the age, and when people she loves get caught up in it, including her own betrothed, superstar guitarist Turk Wayland, she finds herself right back on the front lines once again. Or still... Patricia Kennealy Morrison is a retired rock critic-one of the first female rock critics ever, a Founding Mother of the genre-and the former editor of Jazz & Pop magazine. An award-winning, two-time Clio-nominated ad copywriter, she is the author of The Keltiad science-fantasy series and the memoir "Strange Days: My Life With and Without Jim Morrison", whom she married in 1970.She attended St. Bonaventure University as a journalism major and graduated from Harpur College (now Binghamton University) with a B.A. in English literature. She has also studied at NYU, Parsons School of Design and Christ Church, University of Oxford. She lives in New York City. This is her fourteenth book and the fifth in the series The Rock & Roll Murders: The Rennie Stride Mysteries.
Angels Dance and Angels Die tells the story of the turbulent relationship between legendary Doors front man, Jim Morrison, and his common-law wife, Pamela Courson. Follow the lives of Courson and Morrison before their fateful meeting in 1965; their lives together until Morrison's death in 1971; and Courson's life without Morrison, including her fight to gain the rights to his estate until her death from a heroin overdose on April 25, 1974.
St. Teresa of Avila—great saint, reformer and mystic—was also one of the most traveled women of her day. She covered thousands of miles, crisscrossing Spain on the “divine adventure” of starting a new way of Carmelite living in her discalced monasteries. With lively details, Teresa recounts her travels and the events and people connected with them in her classic book, The Foundations. The Divine Adventure, produced to celebrate St. Teresa’s 500th birthday in 2015, is a fascinating armchair pilgrimage to each of these foundations and more, in full color. Filled with hundreds of color photographs, maps, charts and historic artwork, this unique book lets the reader walk with Teresa and see the places touched by her life and holiness. Visit some of Spain’s most breathtaking sites and also get a rare glimpse into the cloistered monasteries she founded, still extant today.
Turn On, Tune In, Drop Dead... Summer, 1970 The Weezles, a fabulously successful (and totally manufactured) pop group, have invited two hundred rock & roll VIPs on a cruise to the Caribbean aboard a posh ocean liner. Star reporter Rennie Stride and her friends, of course, are among the guests, who are obligated to listen to the Weezles play them new music, in hopes of improving the band's teenybopper image. But murder has a different agenda; and before the ship reaches port in the Grand Palm Islands, it strikes, considerably dampening the spirits of those aboard. As usual, Rennie has recourse and resources that the rest do not: she jumps ship to go join her fiancé, superstar English guitarist Turk Wayland, on his family's neighboring private island, where he rules in his other identity as Richard Tarrant, twenty-first Marquess of Raxton, and where she can set herself to clear the Weezles' name. And where the danger not only follows her but is already there...
This book is a compilation, with new commentary, of the articles, interviews, columns, features and reviews [the author] wrote for 'Jazz & pop' magazine, as editorial assistant and Editor in Chief, during the period 1968-1971."--T.p. verso.
Written in accord with the Catechism of the Catholic Church and rooted in the sound catechetical principles of the National Catechetical Directory, these texts present a well-defined curriculum model that stresses clear objectives, careful organization, and creative methods and evaluation procedures to check the attainment of goals. Very flexible, allowing teachers to select materials to highlight and stress, each text can be implemented on various grade levels for a quarter, a semester, or a full year depending on the length and frequency of class meetings. Intended to function as the primary textbook for a semester or year-long course in a Catholic high school at the eleventh and twelfth grade levels the goal of the course is to help students understand the interrelationship of the components of the Catholic Church. This course emphasizes the living Church and what it is in the present moment and is constructed around themes such as the Church as the People of God, the Church as servant, and the Church as sacrament. Each theme traces major periods of Church history and provides insights as to how the Church has come to its contemporary expression. Recognizing that to truly understand what it means to be Catholic, one must look not only at current theology, worship, and belief, but how those things were developed and accepted through history, The Church: Our Story combines a discussion of ecclesiology -- literally the "study of the nature of the Church" -- with a discussion of Church history. The purpose of the historical sections are not to recount all of the significant events over the past two thousand years, but rather to give insight into the beliefs, practices, and tensionsin Catholicism today that resulted from their historical roots.
Liturgical catechesis aims to initiate people into the mystery of Christ ("It is mystagogy.") by proceeding from the visible to the invisible, from the sign to the thing signified, from the "sacraments" to the "mysteries."Drawing on the above instruction, the unifying theme of Our Sacramental Life: Living and Worshiping in Christ is centered in an emphasis on mystery and mystagogy.In exploring sacramental life, as communicating the mystery of God, the inaccessible and incomprehensible are both made accessible and comprehensible for teenage students.Using Our Sacramental Life: Living and Worshiping in Christ, students will gain a greater appreciation that through the sacramental life of the church: -- we are given a "language" which enables us to participate in the life of the Trinity-- making it possible for us to communicate the mystery of God-- and thus to participate in Christ's work of restoring and renewing the world.Chapters 1 & 2 introduce what the sacraments revealabout God and how the sacraments enable our participation in God's divine plan. Chapters 3 to 9 explore the particulars of each of the seven sacraments and what it means to live the sacraments individually and communally. Chapter 10 offers a comprehensive review of this course.
It's March 1966: not quite the Summer of Love. When Rennie's best friend, rock singer Prax McKenna, is busted for being at two savage crime scenes---one of them backstage at the newly opened Fillmore Auditorium---despite her own problems (her failed marriage and getting established in the rock biz), Rennie sets out to clear her friend's name. But nobody expects what happens next. Especially not Rennie.
Turn On, Tune In, Drop Dead Reporter Rennie Stride and her superstar guitar-stud and part-time aristocrat fiance, Turk Wayland, have settled down in a historic brownstone in New York's East Village, following Turk's band Lionheart's epic tour closer--a shockingly spectacular four hour Madison Square Garden concert. Even more shocking: two dead people in a snow-filled cemetary, and they didn't end up there the way you'd think. More socking still: Lionheart's lead singer, Niles Clay, comes pounding on Rennie and Turk's door the day after the Garden concert, confessing that he may have been the one who killed them. Nothing new, for Murder Chick.... So Rennie's task, at Turk's desperate behest, is to prove Niles didn't do it. Though since the two loathe, detest, hate and despise each other, that may be more of a problem than any of them thinks.
How do contemporary African American authors relate trauma, memory, and the recovery of the past with the processes of cultural and identity formation in African American communities?
Raising the Dead is a groundbreaking, interdisciplinary exploration of death’s relation to subjectivity in twentieth-century American literature and culture. Sharon Patricia Holland contends that black subjectivity in particular is connected intimately to death. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide. Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s Almanac of the Dead, Randall Kenan’s A Visitation of Spirits, and the work of the all-white, male, feminist hip-hop band Consolidated. In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory. Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.
In the first major update to this classic book in many years, Collins traces the history and contours of Black women’s ideas and actions to argue that Black feminist thought is the discourse that fosters Black women’s survival, persistence, and success against the odds. Through meticulous research that synthesizes the important intellectual work done by Black women, Collins’s timely update demonstrates that Black women’s ideas and actions are not marginal concerns but rather are central to the future of social justice within democratic societies. The combination of the text’s classic arguments and a preface and epilogue written expressly for this edition speak to people who have long been working on social justice and to a new generation of readers who are encountering the ideas and actions of Black women for the first time. For this 30th year anniversary edition, Patricia Hill Collins examines how the ideas in this classic text speak to contemporary social issues and identifies the directions needed for the future of Black feminist thought.
The author has recorded the inscriptions on all 8000 graves in the HK Cemetery. These by the way will be available in due course as an on-line database through the Hong Kong Memory project. She has selected, from the graves she has recorded, a wide range of people whose lives shed light on the nature of society in Hong Kong. Inevitably as this was the 'Colonial' cemetery, they are predominantly Europeans, although there are numerous Chinese and a surprising number of Japanese too. She has then sought out information on these people from contemporary newspapers, land records, court records etc to provide a rich description of life in Hong Kong during the first 100 years approximately from its colonization and a wonderful series of anecdotes. Patricia Limhas lived in Hong Kong for more than thirty years and is married to a Chinese. She studied at Cambridge University and had a long and happy career teaching English, History and Latin in various schools and bringing up a family of three daughters. On her retirement from teaching she decided to try to bring the often hard to find heritage of Hong Kong Island, Kowloon and the New Territories to the attention of a wider public by publishing two books of walks. This book followed on from the second book. When gathering material for a walk round the cemeteries of Happy Valley, the old, silent, granite monuments and headstones sparked a keen interest in the lives of the forgotten people who lay buried in Hong Kong Cemetery. "Patricia Lim turns a tour of the Cemetery into a tantalizing historical journey, rediscovering the many individuals whose lives - even the most fleeting and obscure - reflect significant developments and provide a nuanced understanding of Hong Kong's past. A solid database and a riveting good read - a winning combination!" -- Elizabeth Sinn, University of Hong Kong
This cutting edge text provides insight into the meaning and interpretation of Machiavelli, and highlights the particular relevance to today‘s manager of his works for management, marketing and political thought. It addresses a number of common themes relating to his influences and arguments, and includes topics such as:* modern management* governa
In summer 2016, the U.S. National Park Service began a study on the history and design of the National Park Service golf courses at East Potomac Park, Rock Creek Park, and Langston. As enthusiasm for the sport began in the early 20th century, the District of Columbia's public golf courses were built by the federal government for those who could not afford to play at the area's private clubs and as part of the expansion of parks and recreation facilities in the nation's capital. Initially built between 1918 and 1939, the three courses hosted numerous tournaments, Presidents of the United States, renowned American golfers, as well as countless local citizens. The golf courses also played a role in the city's Civil Rights movement, the National Park Service's position against segregation, and the integration of the city's recreational facilities between 1941 and 1954. The National Park Service will use these studies as critical planning tools for the on-going management, interpretation, and public use of the golf courses. Discover more resources relating to Civil Rights & Equal Opportunity (EEO) here:https://bookstore.gpo.gov/catalog/civil-rights-equal-opportunity-eeo Other products produced by the U.S. Department of Interior, National Park Service is available here:https://bookstore.gpo.gov/agency/national-park-service-nps
Inhabitants of Phoenix tend to think small but live big. They feel connected to individual neighborhoods and communities but drive farther to get to work, feel the effects of the regional heat island, and depend in part for their water on snow packs in Wyoming. In Metropolitan Phoenix, Patricia Gober explores the efforts to build a sustainable desert city in the face of environmental uncertainty, rapid growth, and increasing social diversity. Metropolitan Phoenix chronicles the burgeoning of this desert community, including the audacious decisions that created a metropolis of 3.6 million people in a harsh and demanding physical setting. From the prehistoric Hohokam, who constructed a thousand miles of irrigation canals, to the Euro-American farmers, who converted the dryland river valley into an agricultural paradise at the end of the nineteenth century, Gober stresses the sense of beginning again and building anew that has been deeply embedded in wave after wave of human migration to the region. In the early twentieth century, the so-called health seekers—asthmatics, arthritis and tuberculosis sufferers—arrived with the hope of leading more vigorous lives in the warm desert climate, while the postwar period drew veterans and their families to the region to work in emerging electronics and defense industries. Most recently, a new generation of elderly, seeking "active retirement," has settled into planned retirement communities on the perimeter of the city. Metropolitan Phoenix also tackles the future of the city. The passage of a recent transportation initiative, efforts to create a biotechnology incubator, and growing publicity about water shortages and school funding have placed Phoenix at a crossroads, forcing its citizens to grapple with the issues of social equity, environmental quality, and economic security. Gober argues that given Phoenix's dramatic population growth and enormous capacity for change, it can become a prototype for twenty-first-century urbanization, reconnecting with its desert setting and building a multifaceted sense of identity that encompasses the entire metropolitan community.
In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject. This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.
Coral lifts her eyes to look out the window. Outside, displayed in its full glory, is Coral's garden. If asked to describe her garden in three words Coral would easily say love, peace, and life.From a young age, Coral shared countless hours with her parents in their home and garden. Her mom and dad had taught her many lessons about giving. Love is giving, Coral could still hear her mother's voice, the garden is always giving. Her garden is love. Though they were gone, their memories and teachings grew only stronger with each passing day. Again, as always, those memories would give her peace. Peace surrounded her because of their love, Coral reassured herself. Her garden would remain a place of peace because of the love her parents planted there so long ago.Mostly, there is life in Coral's garden thanks to its abundant gifts of fruits and vegetables and more. This year the garden surpassed all previous years with richer and more vibrant crops. Everything tastes better, too. Coral believes this is due largely to the remarkable irrigation system built by Professor Charles Austin, who lives on the adjacent property. Professor Austin built a well and a pathway through and around Coral's garden. It is a labor of love from the one man who makes Coral feel as safe as her father once had.Love, peace, and life are in Coral's pathway, but there are obstacles. Life is everchanging, even love.
In recent years numerous scholars in disciplines not traditionally associated with theology have promoted an interesting thesis. They maintain that one particular Christian doctrine, the Incarnation, had an inordinate influence on the shape of Western culture. The doctrine, they say, was so radical that it mandated an epistemological break with pagan society’s perception of the universe and forced Christians to form a new culture. As medieval society worked out the consequences of the doctrine, it gave birth to those attitudes, institutions, and actions that define modern Western culture. The claims are well argued, but it is a historically untested thesis. How the Doctrine of Incarnation Shaped Western Culture is a response to the situation. It investigates whether the presence of the doctrine had the definitive effect on Western culture that so many scholars claim it did. It searches early Christian and medieval sources for evidence and concludes that the doctrine had a dominant effect on the developing culture. No other idea was as omnipresent or pervasive in Western society during its formative stage as the Incarnation doctrine. The doctrine was influential in the establishment of every major facet of Western culture. Its paradox, irrationality, and juxtaposition of opposites created a tension that cried out for resolution, and society responded accordingly. The ideas within the doctrine acted as catalysts for cultural change. As a result, the West developed its most characteristic traits and forged a path that was uniquely its own.
Chronic shame is painful, corrosive, and elusive. It resists self-help and undermines even intensive psychoanalysis. Patricia A. DeYoung’s cutting-edge book gives chronic shame the serious attention it deserves, integrating new brain science with an inclusive tradition of relational psychotherapy. She looks behind the myriad symptoms of shame to its relational essence. As DeYoung describes how chronic shame is wired into the brain and developed in personality, she clarifies complex concepts and makes them available for everyday therapy practice. Grounded in clinical experience and alive with case examples, Understanding and Treating Chronic Shame is highly readable and immediately helpful. Patricia A. DeYoung’s clear, engaging writing helps readers recognize the presence of shame in the therapy room, think through its origins and effects in their clients’ lives, and decide how best to work with those clients. Therapists will find that Understanding and Treating Chronic Shame enhances the scope of their practice and efficacy with this client group, which comprises a large part of most therapy practices. Challenging, enlightening, and nourishing, this book belongs in the library of every shame-aware therapist.
Discover the ins and outs of Constitutional law Are you a student looking for trusted, plain-English guidance on the ins and outs of Constitutional law? Look no further! Constitutional Law For Dummies provides a detailed study guide tracking to this commonly required law course. It breaks down complicated material and gives you a through outline of the parameters and applications of the U.S. Constitution in modern, easy-to-understand language. Critical information on the Constitution's foundations, powers, and limitations A modern analysis of the Constitution's amendments Detailed information on the Supreme Court and federalism Explaining outdated governmental jargon in current, up-to-date terms, Constitutional Law For Dummies is just what you need for quick learning and complete understanding. Students studying government will also find this to be a useful supplement to a variety of courses.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.