Larry Thompson was one of the most wanted people in the country. The authorities knew that he was doing a lot of illegal things but could never prove it. His career started while he was quite young; as a matter of fact, he was ten when he committed his first armed robbery, and it went from there. He has lived the life of a model citizen, but the people who know him know different, and his legacy outruns him even now that he is incarcerated. The people who control him now are as afraid of him as if he was a rattlesnake, and that is putting it mild. What they don't understand is that if he gives his word that he will die before he would ever break it. He has always told people that he makes the best friend that a person could ever have but, in the same sentence, would tell you that you couldn't even imagine the enemy he would make. He has always told most of them that he was just plain vanilla, and that is how he has tried to present himself to people who don't know him.
This book, first published in 1984, examines France’s independent nuclear weapons programme of the 1980s alongside the French peace movement, which was almost totally absent – in contrast to the peace protests of the US and the rest of Europe. This book analyses this unusual pattern of defence and dissent, and assesses its likely development. It looks at the evolvement of French post-war defence policy, and discusses the French peace movement, attempting to explain why it was so weak.
The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
There is a rapidly growing interest in, and demand for, non-timber forest products (NTFPs). They provide critical resources across the globe fulfilling nutritional, medicinal, financial and cultural needs. However, they have been largely overlooked in mainstream conservation and forestry politics. This volume explains the use and importance of certification and eco-labelling for guaranteeing best management practices of non-timber forest products in the field. Using extensive case studies and global profiles of non-timber forest products, this work not only seeks to further our comprehension of certification processes but also broaden understanding of non-timber forest product management, harvesting and marketing. It should be useful to forest managers, policy-makers and conservation organizations as well as for academics in these areas.
While the story of the apparitions of Our Lady to Bernadette Soubirous at Lourdes in 1858 are well known, relatively few people are familiar with the saint's own spiritual insights and profound holiness. For the first time in English, this book presents a wide selection of St. Bernadette's thoughts, advice, sayings, and prayers through the touching words of her spiritual diary, notes, and letters to friends and family. After receiving the visions of Our Lady at the grotto in Lourdes, Bernadette eventually became a religious sister as a member of the Sisters of Charity. She lived a life of simplicity, charity, suffering and deep holiness, dying at the age of 35. When she was canonized a saint, her body was found to be incorrupt. In these beautiful writings of St. Bernadette, we learn the secrets of her holiness and happiness. Though she suffered greatly throughout her life, the heroic response of this humble, self-effacing nun transformed excruciating suffering into spiritual fruitfulness. Her letters and writings serve as a model for others passing through their own trials. Her writings reveal and intimate and profound love for God and neighbor. Anyone pursuing a deeper spiritual life will appreciate knowing Bernadette as she truly was, and the inspiring spiritual works of wisdom she offers to us all.
A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation’s legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure. Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors—considered by Cammie to be her circle of “congenial souls”—included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose. In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry’s passion for the preservation of words as well as for the South’s material culture, including quilting, spinning, and gardening.
On January 30, 1847, the small harbor village of Yerba Buena was rechristened "San Francisco." As the Gold Rush quickly propelled the population to over 50,000, fortunes made in the silver Comstock lode and the railroad transformed the area into the financial and cultural center of the West. Captured here in over 200 vintage images are the life and times of the city's earliest residents and their livelihoods. Spanning the mid-1800s through the early decades of the 20th century, this book offers a visual account of early life in San Francisco, from family outings at Golden Gate Park, to the images of San Franciscans rebuilding their city after the devastating Earthquake and Fire of 1906. Also pictured are the joyous occasions, including the Panama-Pacific Exposition of 1915, the openings of the Bay and Golden Gate Bridges, and the 1939 World's Fair. Early views of the city's landmarks capture the magic of the Bay area, such as the Ferry Depot, Nob Hill, turn of the century Chinatown, and Fisherman's Wharf.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.