From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies
From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies
Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains—Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theory, mental illness, and cognitive neuroscience. Part Two explores neuro-images from a philosophical perspective, paying close attention to their ontological, epistemological, and aesthetic dimensions. Political and ethical aspects of the neuro-image are discussed in Part Three. Topics covered along the way include the omnipresence of surveillance, the blurring of the false and the real and the affective powers of the neo-baroque, and the use of neuro-images in politics, historical memory, and war.
The first general history of death and bereavement in twentieth century Australia. Starts with the culture of death denial from 1920 to 1970 and discusses increased openness about death since the 1980s.
Isaac Newton is now universally celebrated as a genius of science, renowned for his innovatory work on gravity and optics. Yet Newton did not always enjoy such legendary status. His posthumous reputation has constantly changed and is riddled with contradictions. NEWTON investigates the different ways in which Newton's life and works have been interpreted at different times. It charts his transformation into a scientific genius, explaining the changing attitude of the scientific community towards Newton's ideas, from Berkeley to Einstein. It also explores the making of Newton the national hero, through the myths that surround him and the many artistic and literary descriptions of him. NEWTON tells the fascinating story of Newton's reputation, shedding light on the growth of science generally and on our changing attitude towards our intellectual heritage. 'Fara's brilliant book is not so much a biography as the story of a phenomenon . . . fascinating' Scotsman 'Fara does not debunk Newton as recent novelists have but delivers him more whole and greater than ever' Sunday Herald
Illustrated by Aileen Johnston For many years the foremost name in Irish writing for children, Patricia Lynch is known for her charming classics set in an Ireland now vanished but still familiar to many whose children are now re-reading this wonderful writer. This great collection is the ideal book, gathering together all aspects of this writer's extraordinarily wide writing career.
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