Amon G. Carter (1879-1955) is one of the legendary men of Texas history. Born in a log cabin, he was self-made, becoming Fort Worth's leading citizen and champion. He developed an interest in the art of Frederic Remington and Charles M. Russell through his friendship with Will Rogers. Carter's will provided for the establishment of a museum in Fort Worth devoted to the art of the American West. While the museum holds the most significant collection anywhere of works by Remington and Russell and is a pioneer in the field of western studies, it has evolved into one of the great museums of American art as a whole, focusing on artists working on successive frontiers, aesthetic as well as geographic. Its photography collection alone has grown to nearly one-quarter of a million objects." "The museum, designed by noted architect Philip Johnson, opened to the public in 1961. On the occasion of its fortieth anniversary, a substantially expanded building, also designed by Mr. Johnson, was inaugurated. This volume relates the museum's history and presents color and duotone illustrations of 125 of its masterworks dating from 1822 to 1998 (paintings, sculpture, prints, watercolors, pastels, drawings, and photographs), with an essay about each and a biography of each artist. It includes a number of landmark works recently added to the collection and unveiled here for the first time: paintings by John Singer Sargent, Stuart Davis, and Marsden Hartley; sculpture by Alexander Calder and Louise Nevelson; a daguerreotype by Southworth and Hawes; and photographs by Alfred Stieglitz, David Smith, Robert Adams, and Linda Connor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An insightful and essential new survey of Wyeth's entire career, situating the milestones of his art within the trajectory of 20th-century American life This major retrospective catalogue explores the impact of time and place on the work of beloved American painter Andrew Wyeth (1917-2009). While previous publications have mainly analyzed Wyeth's work thematically, this publication places him fully in the context of the long 20th century, tracing his creative development from World War I through the new millennium. Published to coincide with the centenary of Wyeth's birth, the book looks at four major chronological periods in the artist's career: Wyeth as a product of the interwar years, when he started to form his own "war memories" through military props and documentary photography he discovered in his father's art studio; the change from his "theatrical" pictures of the 1940s to his own visceral responses to the landscape around Chadds Ford, Pennsylvania, and his family's home in Mai≠ his sudden turn, in 1968, into the realm of erotic art, including a completely new assessment of Wyeth's "Helga pictures"--a series of secret, nude depictions of his neighbor Helga Testorf--within his career as a who≤ and his late, self-reflective works, which includes the discussion of his previously unknown painting entitled Goodbye, now believed to be Wyeth's last work.
John Steuart Curry: Inventing the Middle West is the first comprehensive study in more than fifty years of this member of the great triumvirate of American Regionalists: Thomas Hart Benton, Curry, and Grant Wood. It revives the reputation of one of the most important and controversial artists of the first half of the twentieth century, whose paintings of farm life in his native Kansas (including baptisms and tornados), of the circus, of American history, and of the American scene in general were dramatically eclipsed by the ascendancy of abstract art and the New York School at midcentury. 68 colour & 114 b/w illustrations
An exploration of the nineteenth-century artist's avid pursuit of fly-fishing describes his efforts in the Adirondacks in northern New York, Florida, and Quebec, offering insight into what fly-fishing meant to Homer personally as well as the sport's role in the development of his color, form, and creative energy. Reprint.
Published on the occasion of a related exhibition entitled "Beauty and bounty: American art in an age of exploration," on view at the Seattle Art Museum, Seattle, Wash., June 30-Sept.11, 2011.
Published to coincide with an exhibition of the nineteenth-century artist's fly-fishing paintings, an examination of the author's inspirations and works notes his use of watercolors and his insight into the sport that enabled him to convey its realities through his creations.
The author chronicles her struggle with traditional Catholicism, her search for the "old world" religion of Europe, and, ultimately, her rediscovery of the joys of prayer. By the author of A Romantic Education.
Religious life is vitally necessary to the Catholic church today. But it will exist in new and varied forms which speak to the spiritual hungers of different societies, ethnic cultures, and generations. God’s Call Is Everywhere is the first comparative analysis of research in six countries investigating women who have entered vowed religious life in Catholicism in the twenty-first century. The data include survey responses from institute leaders, formation directors, and the women themselves, conducted in the United States, Canada, Australia, and France, along with focus groups and interviews in Ireland, the United Kingdom, and France. Through a careful summary of these studies and comparing differences, readers of this book will have a better understanding of the hopes and concerns of those discerning a vocation to religious life and learn how to move forward in the future. God’s Call Is Everywhere includes six major points of comparison: Demographic characteristics of the women entering religious life and their personal and familial backgrounds What attracted them to religious life and to their specific religious institute What they find most satisfying and most challenging about religious life Their hopes and concerns for the future Experiences and programs that were helpful in their vocational discernment Aspects of the larger society, of the Church, and of the religious institutes which make vocational discernment difficult for women today The analysis is followed by six reflective essays, two of which discuss the implications of the findings for future vocational discernment programs and four of which compare the findings to religious life in Asia, Africa, and Latin America.
Religious life is vitally necessary to the Catholic church today. But it will exist in new and varied forms which speak to the spiritual hungers of different societies, ethnic cultures, and generations. God’s Call Is Everywhere is the first comparative analysis of research in six countries investigating women who have entered vowed religious life in Catholicism in the twenty-first century. The data include survey responses from institute leaders, formation directors, and the women themselves, conducted in the United States, Canada, Australia, and France, along with focus groups and interviews in Ireland, the United Kingdom, and France. Through a careful summary of these studies and comparing differences, readers of this book will have a better understanding of the hopes and concerns of those discerning a vocation to religious life and learn how to move forward in the future. God’s Call Is Everywhere includes six major points of comparison: Demographic characteristics of the women entering religious life and their personal and familial backgrounds What attracted them to religious life and to their specific religious institute What they find most satisfying and most challenging about religious life Their hopes and concerns for the future Experiences and programs that were helpful in their vocational discernment Aspects of the larger society, of the Church, and of the religious institutes which make vocational discernment difficult for women today The analysis is followed by six reflective essays, two of which discuss the implications of the findings for future vocational discernment programs and four of which compare the findings to religious life in Asia, Africa, and Latin America.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.