Imagine an eighteen-year-old American girl who has never read a newspaper, watched television, or made a phone call. An eighteen-year-old-girl who has never danced—and this in the 1960s. It is in Cambridge, Massachusetts where Leonard Feeney, a controversial (soon to be excommunicated) Catholic priest, has founded a religious community called the Slaves of the Immaculate Heart of Mary. The Center's members—many of them educated at Harvard and Radcliffe—surrender all earthly possessions and aspects of their life, including their children, to him. Patricia Chadwick was one of those children, and Little Sister is her account of growing up in the Feeney sect. Separated from her parents and forbidden to speak to them, Patricia bristles against the community’s draconian rules, yearning for another life. When, at seventeen, she is banished from the Center, her home, she faces the world alone, without skills, family, or money but empowered with faith and a fierce determination to succeed on her own, which she does, rising eventually to the upper echelons of the world of finance and investing. A tale of resilience and grace, Little Sister chronicles, in riveting prose, a surreal childhood and does so without rancor or self-pity.
Charged with murdering her husband in 1879, Margaret Meierhofer became the last woman executed by the state of New Jersey. Murder on the Mountain considers all sides of this fascinating and mysterious true crime story, investigating how the case's sensational details about domestic violence and female sexuality gripped the nation.
A totally updated and revised second edition of their historically insightful survey of Revolutionary New England. In a totally updated and revised second edition of their historically insightful survey of Revolutionary New England, Patricia and Robert Foulke have scrupulously retraced their tracks to offer even more anecdotes, legends, and quotes on the countless battlefields and reenactments, historic homes and buildings, and living-history museums that help give this region its almost mythic appeal. Also brought up to date are recommendations for places to stay and eat and a calendar of events, from the reenactment of the Battle of the Old North Bridge in Concord, MA, to a Thanksgiving feast at Plimouth Plantation. There’s early American history in New England at virtually every turn, and the Foulkes are your guides to it all.
Placing cinematic representations of the "Jew" within their historical context, Bartov demonstrates the powerful political, social, and cultural impact of these images on popular attitudes. He argues that these representations generally fall into four categories: the "Jew" as perpetrator, as victim, as hero, and as anti-hero. Examples range from film's early days to the present, from Europe, Israel, and the United States.
No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
Four seasons of immersion in New England’s Great Marsh “Like Wendell Berry and Rachel Carson, Hanlon is a true poet-ecologist, sharing in exquisitely resonant prose her patient observations of nature’s most intimate details. As she and her husband, through summer and snow, swim their local creeks and estuaries, we marvel at the timeless yet fragile terrain of both marshlands and marriage. This is the book to awaken all of us, right now, to how our coastline is changing and what it means for our future.” —Julia Glass, author of Three Junes and A House Among the Trees The Great Marsh is the largest continuous stretch of salt marsh in New England, extending from Cape Ann to New Hampshire. Patricia Hanlon and her husband built their home and raised their children alongside it. But it is not until the children are grown that they begin to swim the tidal estuary daily. Immersing herself, she experiences, with all her senses in all seasons, the vigor of a place where the two ecosystems of fresh and salt water mix, merge, and create new life. In Swimming to the Top of the Tide, Hanlon lyrically charts her explorations, at once intimate and scientific. Noting the disruptions caused by human intervention, she bears witness to the vitality of the watersheds, their essential role in the natural world, and the responsibility of those who love them to contribute to their sustainability. Patricia Hanlon is a visual artist who paints the beautiful ecosystem of New England’s Great Marsh and is involved in the watershed organizations of Greater Boston. Swimming to the Top of the Tide is her first book.
Marsden Hartley (1877-1943) was a painter, poet, writer, and pioneer of American modernism. Born in Lewiston, Maine, he lived a peripatetic life, working in Paris, Berlin, New York, Mexico, New Mexico, Bermuda, and elsewhere before returning to Maine in 1934. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output. Some one-hundred and five of his works - landscapes, still lifes, portraits, and abstract paintings - demonstrate the visual power for which Hartley gained acclaim as well as the development of his art over the course of his thirty-five year career." "The book gathers together the most recent scholarship on Hartley's work, discussing such topics as the artist's working methods, his self-portraits, the influence of Cezanne on his work, and Hartley's attitudes toward Native Americans. A chronology of his life is included, and each painting is accompanied by a full catalogue entry." "This book also serves as the catalogue of an exhibition organized by the Wadsworth Atheneum Museum of Art and traveling to the Phillips Collection, Washington, D.C., and the Nelson-Atkins Museum of Art, Kansas City."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
One of the most influential women's colleges in the country, Wellesley has educated many illustrious women, from Katharine Lee Bates--author of America the Beautiful--to Hillary Rodham Clinton. Since its origins in the late nineteenth century, Wellesley has had an impact on American history and women's history. The college was unique in its commitment to an exclusively female faculty and much of its intellectual fervor can be traced back to them. This book is an engrossing narrative history of that first generation of Wellesley professors. Drawing on unpublished diaries, journals, family letters, and autobiographies, on newspapers and magazines, and on official Wellesley College records, Patricia Palmieri re-creates and reinterprets the lives and careers of many of the fifty-three senior women professors of the college. By exploring the family culture, education, and ideology of the "select few," she accounts for the rise of the first generation of academic women in post-Civil War America. Examining Wellesley's social and intellectual milieu, she radically revises standard accounts of the college as a citadel of enlightened domesticity between 1890 and 1920. She shows instead that its separatist women's community encouraged women students to renounce marriage and enter careers of public service, and she links Wellesley's educational climate to the social reform activism of the Progressive Era. In addition, she argues that these academic women formed a collective fellowship, which included many "Wellesley marriages." Ultimately society condemned Wellesley for its "spinster faculty," and by the 1930s the administration began to hire "happily married men." Nevertheless, the contemporary college owes much to the dedication and achievement of its pioneering women scholars.
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Paul Delaroche: Painting and Popular Spectacle explores the connections between painting and an emergent popular visual culture in the early nineteenth century, which included new forms of optical entertainment such as Panoramas and Dioramas and innovation in fields such as illustration, art reproduction, and stage decor. Delaroche’s paintings caused a sensation at the Paris Salon, with critics comparing the emotional response they elicited to that of popular melodrama. Yet his appeal to a certain type of spectator lay behind the increasingly hostile criticism to which his works were subjected, and has in our own time led to his uncertain status in the art historical canon. This book focuses on Delaroche’s popularity with a newly expanded audience. Lacking in specialist knowledge, but nevertheless keen to engage with and deeply affected by art, the behaviour of this new public prompted lively discussions about who has the right to judge art and on what grounds. Working across disciplinary boundaries, this book proposes a new reading both of Delaroche and of the connections between the arts in this period. The artist emerges as a figure at the cutting edge of an emergent trans-medial popular visual culture in which we see the formation of modern spectatorship.
Viruses and Society is geared towards professionals and students in college-level introductory biology courses devoted to understanding viruses, vaccines, and their global impact. The beginning of the book introduces cells, DNA, and viruses themselves. There follows a review of how the immune system works and how scientists and physicians harness the immune system to protect people through vaccines. Specific chapters will focus on the 1918 influenza pandemic, the fight to eradicate polio, the HIV/AIDS pandemic, and our current COVID-19 crisis. Additionally, the book reviews the uses of viruses in genetic engineering and in gene therapy as well. The book will conclude by describing public health initiatives to keep emerging viruses in check and the role of scientific communication in how viruses are perceived and have an impact on our society. Key Features 1) The text employs approachable and simplified language 2) Provides all the essential elements for understanding virus biology 3) Includes details on how viruses affect individuals 4) Describes the ways public health decisions are made in light of how viral pathogens spread 5) Highlights up to date scientific findings on the features of emerging viruses that will always be with us
In the hands of a seasoned, tenacious biographer, the evolution of one of the century's most controversial and successful women becomes nothing less than the enthralling saga of a mythic American life.
In Self-Portrait: Between the Clock and the Bed, the elderly Edvard Munch stands like a sentinel in his bedroom/studio surrounded by the works that constitute his artistic legacy. A powerful meditation on art, mortality, and the ravages of time, this haunting painting conjures up the Norwegian master’s entire career. It also calls into question certain long-held myths surrounding Munch—that his work declined in quality after his nervous breakdown in 1908–9, that he was a commercially naive social outsider, and that he had only a limited role in the development of European modernism. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} The present volume aims to rebut such misconceptions by freshly examining this enigmatic artist. In the preface, the renowned novelist Karl Ove Knausgaard considers Munch as a fellow creative artist and seeks to illuminate the source of his distinctive talent. The four groundbreaking essays that follow present numerous surprising insights on matters ranging from Munch’s radical approach to self-portraiture to his role in promoting his own career. They also reveal that Munch has been an abiding inspiration to fellow painters, both during his lifetime and up to the present; artists as varied as Jasper Johns, Bridget Riley, Asger Jorn, and Georg Baselitz have acknowledged his influence. More than sixty of Munch’s paintings, dating from the beginning of his career in the early 1880s to his death in 1944, are accompanied by a generous selection of comparative illustrations and a chronology of the artist’s life. The result is an intimate, provocative study that casts new light on Munch’s unique oeuvre—an oeuvre that Knausgaard describes as having gone “where only a painting can go, to that which is beyond words, but which is still part of our reality.”
The fourth edition of ACSM's Exercise Management for Persons With Chronic Diseases and Disabilities reveals common ground between medical and exercise professionals, creating a more collaborative approach to patient care. Developed by the American College of Sports Medicine (ACSM) with contributions from a specialized team of experts, this text presents a framework for optimizing patients’ and clients’ functionality by keeping them physically active. Featuring new content on common comorbid conditions, this edition is streamlined and updated to better suit chronic populations. This fourth edition of ACSM's Exercise Management for Persons With Chronic Diseases and Disabilities outlines why exercise is significant in the treatment and prevention of disease, advises medical and exercise professionals in considering proper exercise prescription protocols, and provides evidence-informed guidance on devising individualized exercise programs. Major advancements and features of the fourth edition include the following: • Current evidence on exercise management for persons with multiple conditions, providing guidance on working with these common yet complex populations • A refocused goal of using physical activity to optimize patients’ and clients’ functionality and participation in life activities rather than only to treat and prevent disease • Specific content to help physicians prescribe physical activity and exercise to patients for promotion of health, well-being, and longevity • Reorganization of case studies into one streamlined chapter along with commentary from the senior editor to encourage critical thinking and recognize the unique needs of each patient The case studies in the text are real-life scenarios that help professionals and clinicians combine scientific knowledge with experience to find appropriate solutions for each individual. Commentary on the case studies from the senior editor illustrates when improvisation may be appropriate and where further research is needed. Tables are highlighted throughout the text to help readers quickly reference important clinical information. Evidence-informed guidelines, suggested websites, and additional readings further encourage practical use of information and identify further learning opportunities. For instructors, an ancillary PowerPoint presentation package aids in classroom discussion. The critical element that distinguishes the fourth edition of ACSM's Exercise Management for Persons With Chronic Diseases and Disabilities is its unifying mission to incorporate physical activity and exercise in both disease treatment and prevention. Its emphasis on assisting people with multiple conditions, which is ever present in health care today, moves beyond primary and secondary prevention to focus on how patients and clients can be kept physically active and functionally fit.
When the early colonists came to America, they were braving a new world, with new wonders and difficulties. Family historians beginning the search for their ancestors from this period run into a similar adventure, as research in the colonial period presents a number of exciting challenges that genealogists may not have experienced before. This book is the key to facing those challenges. This new book, Researching Your Colonial New England Ancestors, leads genealogists to a time when their forebears were under the rule of the English crown, blazing their way in that uncharted territory. Patricia Law Hatcher, FASG, provides a rich image of the world in which those ancestors lived and details the records they left behind. With this book in hand, family historians will be ready to embark on a journey of their own, into the unexplored lines of their colonial past.
In the Eye of the Animal: Zoological Imagination in Ancient Christianity complicates the role of animals in early Christian thought by showing how ancient texts and images celebrated a continuum of human and animal life.
From the author of books about women police officers and a retired editor who’s now a volunteer cop in small town America, Food, Drink, and the Female Sleuth gathers together the best food scenes in mainstream detective fiction. Over 140 flavorful contributors, over 250 slurpy excerpts, 23 rich chapters with titles like “Undercover Grub and Stakeout Takeout,” “Junk Food on the Run,” “A Dozen Ways to Feed Your Lover,” “Bribing with Food,” and “The Last Bite.” Like us, PIs, cops, and amateur sleuths ARE what they eat. Also they are known by how they eat, where they eat, why they eat, and by who does the cooking. What better way to flesh out a sleuth’s work partner than “Let’s Have A Drink,” or spell out social class with humor in “Upper and Lower Crusts”? What better way to get a plot underway than breakfast? Or stir in suspense and foreshadow events in “Let’s Do Lunch”? This book is for anyone whose shelves are stacked with really good detective novels and really good food. Face it, if you like to eat, put Food, Drink on your table.
How has our relation to energy changed over time? What differences do particular energy sources make to human values, politics, and imagination? How have transitions from one energy source to another—from wood to coal, or from oil to solar to whatever comes next—transformed culture and society? What are the implications of uneven access to energy in the past, present, and future? Which concepts and theories clarify our relation to energy, and which just get in the way? Fueling Culture offers a compendium of keywords written by scholars and practitioners from around the world and across the humanities and social sciences. These keywords offer new ways of thinking about energy as both the source and the limit of how we inhabit culture, with the aim of opening up new ways of understanding the seemingly irresolvable contradictions of dependence upon unsustainable energy forms. Fueling Culture brings together writing that is risk-taking and interdisciplinary, drawing on insights from literary and cultural studies, environmental history and ecocriticism, political economy and political ecology, postcolonial and globalization studies, and materialisms old and new. Keywords in this volume include: Aboriginal, Accumulation, Addiction, Affect, America, Animal, Anthropocene, Architecture, Arctic, Automobile, Boom, Canada, Catastrophe, Change, Charcoal, China, Coal, Community, Corporation, Crisis, Dams, Demand, Detritus, Disaster, Ecology, Electricity, Embodiment, Ethics, Evolution, Exhaust, Fallout, Fiction, Fracking, Future, Gender, Green, Grids, Guilt, Identity, Image, Infrastructure, Innervation, Kerosene, Lebenskraft, Limits, Media, Metabolism, Middle East, Nature, Necessity, Networks, Nigeria, Nuclear, Petroviolence, Photography, Pipelines, Plastics, Renewable, Resilience, Risk, Roads, Rubber, Rural, Russia, Servers, Shame, Solar, Spill, Spiritual, Statistics, Surveillance, Sustainability, Tallow, Texas, Textiles, Utopia, Venezuela, Whaling, Wood, Work For a full list of keywords in and contributors to this volume, please go to: http://ow.ly/4mZZxV
An advertisement heralded, "Oak Cliff gets its name from the massive oaks that crown the soft green cliffs." Originally called Hord's Ridge for its founder William Henry Hord, the area was purchased by two enterprising developers, Thomas L. Marsalis and John S. Armstrong, and renamed Oak Cliff. Also touted as the "Cambridge of the South," the community flourished until the depression of 1893. The partnership split, and in 1903, the beleaguered Oak Cliff voted itself into the city of Dallas. The area has seen much change over the years, but the physical separation the Trinity River creates from Dallas provides Oak Cliff a permanent and unique identity from the "big city" and helps it maintain remnants of its original small-town atmosphere.
Ten Dollars to Hate tells the story of the massive Ku Klux Klan of the 1920s—by far the most “successful” incarnation since its inception in the ashes of the Civil War—and the first prosecutor in the nation to successfully convict and jail Klan members. Dan Moody, a twenty-nine-year-old Texas district attorney, demonstrated that Klansmen could be punished for taking the law into their own hands—in this case, for the vicious flogging of a young World War I veteran. The 1920s Klan numbered in the millions and infiltrated politics and law enforcement across the United States, not just in the Deep South. Several states elected Klan-sponsored governors and US senators. Klansmen engaged in extreme violence against whites as well as blacks, promoted outrageous bigotry against various ethnic groups, and boycotted non-Klan businesses. A few courageous public officials tried to make Klansmen pay for their crimes, notably after Klan assaults in California and Texas and two torture-murders in Louisiana. All failed until September 1923 when Dan Moody convicted and won significant prison time for five Klansmen in a tense courtroom in Georgetown, Texas. Moody became a national sensation overnight and went on to become the youngest governor of Texas at the age of 33. The Georgetown cases were the beginning of the end for this iteration of the Klan. Two years later, the head of the Klan in Indiana was convicted of murdering a young woman. Membership dwindled almost as quickly as it had grown, but the Klan’s poisonous influence lingered through the decades that followed. Ten Dollars to Hate explores this pivotal—and brutal—chapter in the history of America.
This biography of the legendary actor “offers a fascinating look into his charismatic genius” (Library Journal). In 1948 Marlon Brando stunned audiences and critics alike with his revolutionary, raw, and improvisational approach to acting. He became a symbol of a new, rebellious generation that was sick of conventions and committed to genuine emotion and unvarnished truth. From his breakout role as Stanley Kowalski in A Streetcar Named Desire to his mesmerizing portrayal of Don Corleone in The Godfather, he created some of the most memorable characters in American cinematic history. Brando was a paradox—intensely private but using his fame to promote worthy causes, a womanizer who clung to his childhood friends and animals. He was one of the most fiercely independent stars ever. In this book, acclaimed biographer Patricia Bosworth peels away Brando’s many layers, revealing the struggles, triumphs, and relentless ambition that transformed the irrepressible farm boy from Nebraska into a legend of American cinema.
Jennie McGrady is quickly gaining a reputation as an amateur sleuth, and it isn't going unnoticed by the local media. But the glamour of publicity is getting old, and Jennie would love to disappear into the crowd—especially when a plea from Courtney Evans leaves her out in the cold. Courtney is the typical wild sixteen-year-old: weird hair, strange friends, and an attitude to boot. But underneath the hype Jennie finds a compassionate, hurting friend who is running scared. When Courtney disappears, the police suggest she ran away, but Jennie's instincts tell her this mystery has the sickly smell of drugs and money surrounding it. Gavin Winslow is determined to break into the world of journalism, and he thinks Jennie is his ticket in. A lead story on Portland's very own Nancy Drew would get him the career attention he needs, but is his interest in Jennie more than professional?
Alice and Nanny have never met before, but they have one thing in common: their late friend Roberta. Alice is the prim proprietor of a chic Madison Avenue shop, while Nanny is a sharp-eyed Manhattan real-estate broker. This New York odd couple is thrown together when Roberta trusts them with her last request—that together they open her safe-deposit box. What they find inside compels these women to address a surprising truth about their beloved Roberta. A profound yet hilarious novel, To My Dearest Friends is the story of two women and a journey of friendship neither chose to take.
Although the Spanish Inquisition looms large in many conceptions of the early modern Hispanic world, relatively few studies have been made of the Spanish state and Inquisition’s approach to book censorship in the seventeenth century. Merging archival and rare book research with a case study of the fiction of Baltasar Gracián, this book argues that privileged authors, like the Jesuit Gracián, circumvented publication strictures that were meant to ensure that printed materials conformed to the standards of Catholicism and supported the goals of the absolute monarchy. In contrast to some elite authors who composed readily transparent critiques of authorities and encountered difficulties with the state and Inquisition, others, like Gracián, made their criticisms covertly in complicated texts like El Criticón.
Isaac Newton is now universally celebrated as a genius of science, renowned for his innovatory work on gravity and optics. Yet Newton did not always enjoy such legendary status. His posthumous reputation has constantly changed and is riddled with contradictions. NEWTON investigates the different ways in which Newton's life and works have been interpreted at different times. It charts his transformation into a scientific genius, explaining the changing attitude of the scientific community towards Newton's ideas, from Berkeley to Einstein. It also explores the making of Newton the national hero, through the myths that surround him and the many artistic and literary descriptions of him. NEWTON tells the fascinating story of Newton's reputation, shedding light on the growth of science generally and on our changing attitude towards our intellectual heritage. 'Fara's brilliant book is not so much a biography as the story of a phenomenon . . . fascinating' Scotsman 'Fara does not debunk Newton as recent novelists have but delivers him more whole and greater than ever' Sunday Herald
The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderley again.' Patricia White takes the theme of return as her starting point for an exploration of the film's enduring power. Drawing on archival research, she shows how the production and reception history of Rebecca, the first fruit of the collaboration between Hollywood movie producer David O. Selznick and British director Alfred Hitchcock, is marked by the traces of women's contributions. White provides a rich analysis of the film, addressing the gap between perception and reality that is constantly in play in the gothic romance, and highlighting the queer erotics circulating around 'I' (the heroine), Mrs Danvers, and the dead but ever-present Rebecca. Her discussion of the film's afterlives emphasizes the lasting aesthetic impact of this dark masterpiece of memory and desire, while her attention to its remakes and sequels speaks to the ongoing relevance of its vision of gender and power.
An irresistible instant family The Triplets' Cowboy Daddy by Patricia Johns Rugged cowboy Easton Ross hasn’t forgiven Nora Carpenter for leaving town. Now Nora is sole guardian of her triplet goddaughters, and she needs backup—fast. When Easton lets the new family bunk with him, he can’t help falling head over heels for the lovable triplets. But for Nora, living in Hope, Montana, would mean a lifetime of gossip. And she has to put her new daughters first… Claiming the Cowboy's Heart by Brenda Harlen Opening Haven’s first boutique hotel is Liam Gilmore’s longtime dream come true, especially when he hires alluring Macy Clayton as manager. Good thing the single mother’s already spoken for—by her adorable eight-month-old triplets! Because Liam isn’t looking for forever after. Then why is the playboy rancher fantasizing about a future with Macy and her trio of tiny charmers? 2 Heartfelt Stories The Triplets' Cowboy Daddy and Claiming the Cowboy's Heart
First published in 1971 and long out of print, this classic account of Colonial-era New York chronicles how the state was buffeted by political and sectional rivalries and by conflict arising from a wide diversity of ethnic and religious identities. New York's highly volatile and contentious political life, Patricia U. Bonomi shows, gave rise to a number of interest groups for whose support political leaders had to compete, resulting in new levels of democratic participation.
During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation. In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame. Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.
The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion. NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films
Margaret Chase Smith was the most influential woman in the history of American politics. Her goal was to be a United States senator, not a woman senator, and she succeeded by overcoming gender, not by championing it. Smith began her political career as Maine's daughter and demonstrated nationally the New England virtues of honesty, hard work, frugality, and reticence. She became America's heroine when she courageously confronted Senator Joe McCarthy at the height of his power with her Declaration of Conscience speech. In her statement she championed the American right to criticize, to hold unpopular beliefs, and to practice free speech. Associating herself with the politics of conscience, Smith won three more terms in the Senate and sat on the powerful Armed Services, Appropriations, Space, Government Operations, and Intelligence committees. Altogether, she was in Congress 32 years and by the time her career ended she had established an enduring prototype for female and minority politicians. This biography of Margaret Chase Smith is the first historical treatment of Smith to use her voluminous private papers as well as extensive interviews with Smith and her colleagues in Congress. As Maine's daughter, Smith was frugal, hard-working, reticent, and caustic. At age thirty-two she married, in scandal, state-politician Clyde Smith with whom she had been involved since she was sixteen and who was twenty-one years her senior. Smith came to Washington when Clyde was elected to Congress and, against his wishes, she became his secretary. When Clyde died in office in 1940, Smith played the widow's game and successfully ran for his seat. In the House during World War II, Smith sat on the powerful Naval Affairs Committee and, tutored by committee counsel Bill Lewis, developed a national constituency, the military, which in turn allowed her to better serve Maine's interests. Lewis directed Smith's first Senate campaign in 1948 when she won an upset victory by an astonishing margin. Overnight she became the darling of the Republican party, the heroine of women everywhere, and the only woman in the United States Senate. Immediately, she became embroiled with Joseph McCarthy and courageously confronted him with her Declaration of Conscience speech four years before a Senate majority censored him. Associating herself with politics of conscience, Smith was elected to three more terms and sat on the powerful Armed services, Appropriations, Space, Government Operations, and Intelligence committees. America's heroine was a political icon by the time she was defeated in 1972 at the age of seventy-four.
Pioneering African American journalist Ida B. Wells-Barnett (1862-1931) is widely remembered for her courageous antilynching crusade in the 1890s; the full range of her struggles against injustice is not as well known. With this book, Patricia Schechter r
The definitive resource for teaching kids with Asperger syndrome the life skills that build independence, confidence, and self-esteem. Children with autism spectrum disorders learn differently. Our kids' choices are too often limited and their paths to success restricted, not by a lack of intellectual ability but by deficits in acquiring, applying, and generalizing basic life skills. Success in school, at home, on the playground, and beyond depends on mastering countless basic living skills that most other kids just "pick up" almost by osmosis. This book shows parents how to teach these so-called easy skills to complex learners. This is the first book for parents and caregivers of kids with Asperger syndrome and similar learning profiles that features strategies based on applied behavior analysis--the most widely accepted, evidence-based, and effective teaching method for learners with ASDs--including how to: -Identify critical skills appropriate for your child's age--how to teach them and why -Implement new techniques that can replace, mimic, prompt, override, or impose missing order on your child's learning style -Design a curriculum for your child that reduces reliance on prompts (including parents) and promotes new learning, new behaviors, and independence
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