Limits to expansion of protected area systems underline the importance of seeking new ways to conserve biodiversity. The twelve case studies ranging from the High Andes to Viet Nam support the view that certain traditional agricultural and pastoral systems can succeed in attaining a sustainable level of production while at the same time maintaining both a high level of biodiversity and most functional aspects of the ecosystems.
Limits to expansion of protected area systems underline the importance of seeking new ways to conserve biodiversity. The twelve case studies ranging from the High Andes to Viet Nam support the view that certain traditional agricultural and pastoral systems can succeed in attaining a sustainable level of production while at the same time maintaining both a high level of biodiversity and most functional aspects of the ecosystems.
2021 Choice Outstanding Academic Title Native Providence reveals stories of Native urban life in Providence, Rhode Island, shaped by the dynamics of colonialism, race, and class and not least by the survivance of people who today live among the ruins of modernity.
This lively, engaging book investigates the relationship between some of our more beloved popular expressions of national identity and the extent to which the interests of the state appeal to the pleasures of citizens, thus shaping our understanding of what it means to be Canadian.
Nearly one thousand years ago, Native peoples built a satellite suburb of America's great metropolis on the site that later became St. Louis. At its height, as many as 30,000 people lived in and around present-day Cahokia, Illinois. While the mounds around Cahokia survive today (as part of a state historic site and UNESCO world heritage site), the monumental earthworks that stood on the western shore of the Mississippi were razed in the 1800s. But before and after they fell, the mounds held an important place in St. Louis history, earning it the nickname “Mound City.” For decades, the city had an Indigenous reputation. Tourists came to marvel at the mounds and to see tribal delegations in town for trade and diplomacy. As the city grew, St. Louisans repurposed the mounds—for a reservoir, a restaurant, and railroad landfill—in the process destroying cultural artifacts and sacred burial sites. Despite evidence to the contrary, some white Americans declared the mounds natural features, not built ones, and cheered their leveling. Others espoused far-fetched theories about a lost race of Mound Builders killed by the ancestors of contemporary tribes. Ignoring Indigenous people's connections to the mounds, white Americans positioned themselves as the legitimate inheritors of the land and asserted that modern Native peoples were destined to vanish. Such views underpinned coerced treaties and forced removals, and—when Indigenous peoples resisted—military action. The idea of the “Vanishing Indian” also fueled the erasure of Indigenous peoples’ histories, a practice that continued in the 1900s in civic celebrations that featured white St. Louisans “playing Indian” and heritage groups claiming the mounds as part of their own history. Yet Native peoples endured and in recent years, have successfully begun to reclaim the sole monumental mound remaining within city limits. Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
This book is published in conjunction with the exhibition, On the edge of your seat : Popular theater and film in early-twentieth century American art, organized by the Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis.
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