The co-founders of Arts & Dreams, Laura Baran and Patricia Geremia, have written their first book for children. Over a summer in New York City, a young girl named Rose changes the way she thinks about herself through making art. Roses Aunt Olive visits with creative ideas to help boost Roses big dreams. Featuring Lauras hand-painted illustrations that are based on photographs by Patricia, this is a heartwarming story with a powerful message of transformation. Laura Baran and Patricia Geremia co-founded Arts & Dreams, an organization whose mission is to expand hope and self-love through creative expression. The creation of Arts & Dreams was inspired by Lauras brother Jeffs suicide, which he attributed to his feelings of hopelessness. Since 2009, Arts & Dreams has been fulfilling its purpose by leading empowering art workshops for hundreds of children, teens, and adults in New York City. For more information and to get involved, you can visit www.ArtsandDreams.org.
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
In this stimulating rethinking of the basic foundations of ethics, Patricia McAuliffe derives a fundamental ethic from liberation theology. She asserts that the experience of resisting suffering, especially oppressive social suffering, must be brought from the fringe to the very center of ethics. Arguing for the conceptual priority of ethics over religion, McAuliffe defines an innovative ethic based on experience and practice. Ethics precedes religion and theology because experience and practice precede theory and interpretation, which are the human activities of religion and theology--knowledge is based on experience. She proposes that ethics can be independent of religion, but that while her liberationist ethic can be either Christian or universal, finally the poor and oppressed are the paradigm source of the disclosure of God and of final salvation. In rethinking the basic foundations of ethics, she compares a liberationist ethic, including Latin American and women's liberation theology, with various classical ethics, and examines and critiques the works of Edward Schillebeeckx, Juan Luis Segundo, Dorothee Soelle, James Gustafson, and George Lindbeck. McAuliffe offers a flexible ethic that balances the absolute and the relative, the particular and the universal, personal and social, creativity and conditioning, practice and theory, and the ethical and religious. Combining superior scholarship with an original and creative approach to ethics, this book is likely to create debate in the fields of fundamental ethics, theology, and philosophy.
Patricia Leffingwell, a high school reading teacher in Florida, received an ominous message from a prominent psychic medium. This message threw her life off track, and Leffingwell soon found herself propelled into an incredible, self-revealing spiritual and paranormal odyssey. Through difficult trials leading up to and following her spiritual awakening, Leffingwell became aware of her own psychic abilities. We are all born with them, but these abilities are often blamed on overactive childhood imaginations. We thwart our own connection to the other world, but this avoidance can easily become acceptance in adulthoodif we open ourselves up to illumination. A Walk between the Clouds: Messages from the Other Side is an adventurous and enlightening memoir, in which Leffingwell shares her own other-worldly encounters and teaches you how to keep your own psychic journal. Once you realize there are no coincidences, you will be open to seeing the psychic phenomenon in your own lifeand in doing so, you will feel fulfilled, informed, and divinely peaceful.
Italian immigrants became permanent residents of Haverhill in the 1870s. The original Genoese first drew their relatives and friends from their home area to join them. Over the next few decades, they were joined by families from the central province of Abruzzi and from the towns and villages around Naples. Immigrants from parts of southern Italy, such as Calabria and Apulia and Sicily, settled here. All of the Italians, whether northern or southern, brought with them their culture, their vitality, their love of music, and their close family ties. Using over two hundred thirty vintage photographs, Italians in Haverhill takes a photographic walk through the exciting history of these immigrants. The images bring back to life representatives of more than two hundred families, whose descendants still live in the area. Here are the fruit sellers and shoe workers, the mothers and their children, the ball players and the musicians, the lawyers and doctors, and the bankers and civic leaders who make up the rich heritage of this important ethnic group.
Italian immigrants became permanent residents of Haverhill in the 1870s. The original Genoese first drew their relatives and friends from their home area to join them. Over the next few decades, they were joined by families from the central province of Abruzzi and from the towns and villages around Naples. Immigrants from parts of southern Italy, such as Calabria and Apulia and Sicily, settled here. All of the Italians, whether northern or southern, brought with them their culture, their vitality, their love of music, and their close family ties. Using over two hundred thirty vintage photographs, Italians in Haverhill takes a photographic walk through the exciting history of these immigrants. The images bring back to life representatives of more than two hundred families, whose descendants still live in the area. Here are the fruit sellers and shoe workers, the mothers and their children, the ball players and the musicians, the lawyers and doctors, and the bankers and civic leaders who make up the rich heritage of this important ethnic group.
During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
Patricia Crone's Collected Studies in Three Volumes brings together a number of her published, unpublished, and revised writings on Near Eastern and Islamic history, arranged around three distinct but interconnected themes. Volume 3, Islam, the Ancient Near East and Varieties of Godlessness, places the rise of Islam in the context of the ancient Near East and investigates sceptical and subversive ideas in the Islamic world. Volume 1, The Qurʾānic Pagans and Related Matters, pursues the reconstruction of the religious environment in which Islam arose and develops an intertextual approach to studying the Qurʾānic religious milieu. Volume 2, The Iranian Reception of Islam: The Non-Traditionalist Strands, examines the reception of pre-Islamic legacies in Islam, above all that of the Iranians. The Qurʾānic Pagans and Related Matters The Iranian Reception of Islam: The Non-Traditionalist Strands
The aim of this book is to provide an overview of topics related to the extensive geoheritage of hot springs, their natural environments, and their integration into commercial and industrial functions. The eleven chapters explore aspects of historical and cultural traditions, geology and geochemistry, research updates, conservation issues and of course health, wellness, and recreation throughout time. Because natural hot springs and active hydrothermal areas play a significant role in the tourism industry, visitor expectations are examined together with an assessment of common hazards and potential risks in active hydrothermal environments, along with recommendations how to stay safe. For the purpose of showcasing certain unique features, to share noteworthy events and developments or to identify concerns associated with the sustainability of natural water source, examples of particular hot spring areas are included in several chapters. One chapter is also dedicated entirely to the protection of natural hot springs and raises awareness for conservation, while another chapter reviews the history of hot springs in great detail to establish a realistic and justifiable timeline of their original use. Lastly, the significance of natural hot springs for various tourism sectors is analysed and the potential for sustainable future destination development in rural and remote regions is discussed. Many locations were considered and invite the reader to use the information as a reference point in the quest to further explore the remarkable natural and cultural geoheritage of hot springs worldwide.
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