At times we get caught up in the minutiae of life, confused about what is important. The meditations collected here remind us of the magic taking place all around us. -- Third in the popular series of collected meditations that began with Day of Promise and continued with What We Share. -- Over seventy meditations suitable for public and private use. From lightly humorous commentary on daily events to reflections on family life, childhood memories, holiday celebrations and solitary contemplations with nature, these meditations offer readers insight, perspective and a rich appreciation of the human experience.
A pivotal figure in critical theory and the modern/postmodern debates, G. W. F. Hegel is the subject of differing feminist critiques. Going beyond and behind Simone de Beauvoir's creative appropriation of Hegel in The Second Sex, the essays gathered together here think both with and against the grain of Hegel's dialectical theory through the lens of gender issues found in his philosophy. Some of the authors focus on prominent passages on woman and the feminine in Hegel's work, while others argue that it is interpretations of the margins of his text that are most telling. Hegel articulates one of the central questions with which political feminists are concerned: how to conceptualize identity and difference. A point of contention among the authors is whether or not Hegel's speculative system, with its &"reconciliation&" of identity and difference, &"answers&" this question. Contributors include the French philosopher Luce Irigaray, the Italian feminist Carla Lonzi, and the Canadian theoretician Mary O'Brien, along with Seyla Benhabib, Patricia Jagentowicz Mills, David Farrell Krell, Frances Olsen, Naomi Schor, Eric O. Clarke, Carole Pateman, Heidi M. Ravven, Alison L. Brown, and Shari Neller Starrett. Read together, the articles stress the transgressive nature of feminist theory as it challenges disciplinary boundaries; they are the articulation of the many different strategies and positions of the &"vigorous debate&" that defines feminist theory today.
In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it shapes the bonds of fraternal, familial, and eventually national identity. Simpson defines the erotics of war as discursive attempts to assert the priority of ethical identity and citizenship over individualized desire. The seemingly ancillary problem of female desire emerges not as a marginal issue, but as the focal point of a debate about identity.
As the twentieth century dawned and France entered an era of extraordinary labor activism and industrial competition, an insistently romantic vision of the Parisian garment worker was deployed by politicians, reformers, and artists to manage anxieties about economic and social change. Nostalgia about a certain kind of France was written onto the bodies of the capital's couture workers throughout French pop culture from the 1880s to the 1930s. And the midinettes-as these women were called- were written onto the geography of Paris itself, by way of festivals, monuments, historic preservation, and guide books. The idealized working Parisienne stood in for, at once, the superiority of French taste and craft, and the political (and sexual) subordination of French women and labour. But she was also the public face of more than 80,000 real working women whose demands for better labour conditions were inflected, distorted, and, in some cases, amplified by this ubiquitous Romantic type in the decades straddling World War I. Working Girls bridges cultural histories of the Parisian imaginary and histories of French labour, and puts them in raucous dialogue with one another: a letter by a nineteen-year-old seamstress, a speech by a government minister; a frothy Parisian guide by a bon vivant, the minutes of a union meeting; a bawdy café-concert song, a policy brief on garment working conditions.
In the 1890s, German feminists fighting for female higher education envied American women their small colleges. Yet by 1910, German women could study at any German university, a level of educational access not reached by American women until the 1960s. This book investigates this development as well as the cultural significance of the tremendous debate generated by aspiring female students. Central to Mazón's analysis is the concept of academic citizenship, a complex discourse permeating German student life. Shaped by this ideal, the student years were a crucial stage in the formation of masculine identity in the educated middle class, and a female student was unthinkable. Only by emphasizing the need for female gynecologists and teachers did the women's movement carve out a niche for academic women. Because the nineteenth-century German university was the model for the modern research university, the controversy resonates with contemporary American debates surrounding multiculturalism and higher education.
Jamie was born with spina bifida, a condition that has left her numb and partly paralyzed in both legs. Despite her special experiences, Jamie's life has the ups and downs we all live with.
At times we get caught up in the minutiae of life, confused about what is important. The meditations collected here remind us of the magic taking place all around us. -- Third in the popular series of collected meditations that began with Day of Promise and continued with What We Share. -- Over seventy meditations suitable for public and private use. From lightly humorous commentary on daily events to reflections on family life, childhood memories, holiday celebrations and solitary contemplations with nature, these meditations offer readers insight, perspective and a rich appreciation of the human experience.
Surveys the life of Samuel Clemens, who grew up in Missouri, was a river pilot on the Mississippi, became a journalist, and achieved fame as a writer under the pen name Mark Twain.
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