Examines the intricate relationships between time and gender in the novels of five fin-de-siecle British writers--Thomas Hardy, Olive Schreiner, H. Rider Haggard, Sarah Grand, and Mona Caird.
Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite.
The world is calling. Time to answer. The world’s wonders, continent by continent: A trek through Morocco’s Atlas Mountains. Sri Lanka’s Hill Country. A sunrise balloon safari over the Masai Mara. Canyon de Chelly. The sacred festivals of Bhutan. The Amalfi Coast. Sailing the Mekong River. In all, 1,000 places guaranteed to give travelers the shivers: sacred ruins, coral reefs, hilltop villages, deserted beaches, wine trails, hidden islands, opera houses, wildlife preserves, castles, museums, and more. Each entry tells why it’s essential to visit and includes hotels, restaurants, and festivals to check out. Then come the completely updated nuts and bolts: websites, phone numbers, prices, best times to visit. 1,000 Places to See Before You Die is the world’s bestselling travel book and a #1 New York Times bestseller. 1,000 Places reinvented the idea of travel book as both wish list and practical guide. As Newsweek wrote, it “tells you what’s beautiful, what’s fun, and what’s just unforgettable—everywhere on earth.” Second edition includes 600 full-color photographs, over 200 entirely new entries. More suggestions for places to stay, restaurants to visit, festivals to check out. And along with starred restaurants and historic hotels, you'll also find moderately priced gems that don’t compromise on atmosphere or charm.
From Fanatics to Folk rejects conventional understandings of Brazilian millenarianism as exceptional and self-defeating. Considering millenarianism over the long sweep of Brazilian history, Patricia R. Pessar shows it to have been both dominant discourse and popular culture—at different times the inspiration for colonial conquest, for backlanders’ resistance to a modernizing church and state, and for the nostalgic appropriation by today’s elites in pursuit of “traditional” folklore and “authentic” expressions of faith. Pessar focuses on Santa Brígida, a Northeast Brazilian millenarian movement begun in the 1930s. She examines the movement from its founding by Pedro Batista—initially disparaged as a charlatan by the backland elite and later celebrated as a modernizer, patriot, and benefactor—through the contemporary struggles of its followers to maintain their transgressive religious beliefs in the face of increased attention from politicians, clergy, journalists, filmmakers, researchers, and museum curators. Pessar combines cultural history spanning the colonial period to the present; comparative case studies of the Canudos, Contestado, Juazeiro, and Santa Brígida movements; and three decades of ethnographic research in the Brazilian Northeast. Highlighting the involvement of a broad range of individuals and institutions, the cross-fertilization between movements, contestation and accommodation vis-à-vis the church and state, and matters of spirituality and faith, From Fanatics to Folk reveals Brazilian millenarianism as long-enduring and constantly in flux.
The mighty dinosaurs were the dominant life form on earth for millions of years. But catastrophe awaited. In what amounts to a geological blink of an eye, the dinosaurs disappeared. This fun-filled fact-book takes you deep into the world of dinosaurs! From Tyrannosaurs to Stegosaurs, The Handy Dinosaur Answer Book profiles numerous species, chronicling their time on Earth and exploring their roles in archaeological expeditions and museums today. It covers the latest, greatest findings along with the accompanying shifts in dinosaur theory. Because of recent discoveries, there are some great debates: Are birds really dinosaurs? Were any dinosaurs warm blooded? What caused their extinction? Unearth answers to over 800 commonly asked (and just plain interesting) dinosaur questions such as . . . What is a dinosaur? Where are extremely large dinosaur bones being found and why? Did dinosaurs get blown away by hurricanes? Did some dinosaurs have self-sharpening teeth? Which dinosaur had the longest neck of any animal known? Did dinosaurs travel in herds? What dinosaurs are thought to have evolved into birds? Do dinosaur bones ever get “rearranged” after they are placed on display? Where and what is the Dinosaur Freeway? From the earth’s beginnings through the Triassic, Jurassic and Cretaceous periods to today’s latest scientific discoveries and discovery-laden sites, The Handy Dinosaur Answer Book provides hundreds of intriguing dinosaur facts. With numerous photos and illustrations, this tome is richly illustrated, and its helpful bibliography and extensive index add to its usefulness. It’s a perfect reference to help make sense of 65-million-year-old mysteries!
This volume brings together the published academic essays of the Renaissance historian Patricia Hochschild Labalme (1927-2002). Appearing between 1955 and 1999, they deal with the intellectual, social and religious life of Venice in the 15th-16th centuries. An important focus is the exploration of the careers, milieu and writings of cultural and literary women of early modern Venice, a field to which the author made a particular contribution.
Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
This book examines the advertising posters, town plans and geographical views that encouraged middle-class emigration to New Zealand in the 1840s. It explores how the New Zealand Company exploited visual literacy to advertise its settlement in Te Whanganui ā Tara Wellington. A tale of two towns, prospective English settlers looked to Wellington to make their homes, while Te Whanganui ā Tara was already home to numerous Māori sub-tribes. The book explores the worlds of each to ask how the images produced by the New Zealand Company were complicit in transferring Māori land into English ownership. Not seeking blame, it works instead to understand, and investigates processes of redress, offering hope for a post post-colonial future in Aotearoa New Zealand. This book will interest scholars and students of migration, visual culture and print history.
Set in the 1950's in Westchester County, New York, High Heels begins as sixth-grader Dolores Morgan escapes from her tormented childhood at home by visiting the town library. Almost every afternoon, behind the stacks and all the way into the dimly backroom, she is not alone. It is in books that she finds friends from all over the world - David Copperfield, The Pathfinder, The Great Gatsby, The Count of Monte Cristo, and her little friend, Huw, as he works in the coal mines with his dad in How Green Was My Valley. She goes with Master David when he receives his beatings and he comes with her when she receives hers, and together, they learn endurance. From The Count of Monte Cristo, she learns the power that comes with being on time, and, from each of her fictional friends she takes solace, feels less alone and less afraid. Are fictional mentors and glorious daydreams enough to nurture her spirit through a family life filled with trauma? They have to be. She must prevail.
A chilling novel of desire and obsession in 1980s New York from the author “who can change reality to nightmare with one well-turned phrase” (Cleveland Plain Dealer). Elsie Tyler turns heads wherever she goes. After leaving her upstate hometown for Greenwich Village, the charming young waitress soon finds herself surrounded by admirers, including Jack and Natalia Sutherland, a married couple who invite Elsie into their bohemian inner circle and help her launch a career as a model. Meanwhile, Ralph Linderman, a middle-aged security guard with a dog named God, is nursing his own obsession with Elsie. He sets out to protect her from the “bad company” she attracts, but his uninvited affections are overbearing, possibly even pathological. When Ralph finds Jack’s wallet on a morning stroll through the Village, and returns it, he is entirely unprepared for the complex maze of sexual obsession and disturbing psychological intrigue he is about to be drawn into. Found in the Street is classic Highsmith—an engrossing, unsettling thriller that explores the bleakest alleyways of human desire, and a kaleidoscopic portrait of 1980s New York City. Patricia Highsmith, author of Strangers on a Train and The Talented Mr. Ripley, has been called “one of the finest crime novelists” by the New York Times—and is now considered one of the most original voices in twentieth-century American fiction.
Food Lovers' Guides Indispensable handbooks to local gastronomic delights The ultimate guides to the food scene in their respective states or regions, these books provide the inside scoop on the best places to find, enjoy, and celebrate local culinary offerings. Engagingly written by local authorities, they are a one-stop for residents and visitors alike to find producers and purveyors of tasty local specialties, as well as a rich array of other, indispensable food-related information including: • Food festivals and culinary events • Farmers markets and farm stands • Specialty food shops • Places to pick your own produce • One-of-a-kind restaurants and landmark eateries • Recipes using local ingredients and traditions • The best wineries and brewpubs
An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.
An “elegant and psychologically sophisticated” novel about two men with a murdered women between them (Cleveland Plain Dealer). Ramón, a devout Catholic, fixes furniture in Mexico City, not far from where he was born into poverty. Theodore, a rich German expatriate and painter, believes in nothing at all. You’d think the two had nothing in common. Except, of course, that both had slept with Lelia. The two form an unlikely friendship, until Lelia is found brutally murdered. Both are suspects—and each suspects the other. Twisting in a limbo of tension and doubt, Ramón and Theodore seize on a third man, a thief seen at Lelia’s apartment, and their hunt takes them from Mexico City to sun-drenched Acapulco, and to a small colonial mountain town. An atmospheric, psychologically complex novel, A Game for the Living is Highsmith at her best.
Assembling a full and comprehensive collection of material which illustrates all aspects of the emergent women’s movement during the years 1850-1900, this fascinating book will prove invaluable to students of nineteenth century social history and women's studies, to those studying the Victorian novel and to sociologists. Women’s pamphlets and speeches, parliamentary debates and popular journalism, letters and memoirs, royal commissions and the leading reviews, are all used to document the conflicting images of women: ‘surplus women’ and the issue of emigration; women’s work and male hostility to it; the opening of education by Emily Davies; the claim to equity at law; the attack on the sexual double standard, led by Josephine Butler; women’s public service from philanthropy – exemplified in a Mary Carpenter or Louisa Twining or Octavia Hill – to local government; and finally women’s entry into politics led by Lydia Becker. The contents range from Caroline Norton on her battle for child custody in the 1830s to Annie Besant’s inspiration of the match-girl’s strike in 1888, and from W. T. Stead on child prostitution to Mrs Humphrey War’s Appeal against female suffrage in 1889. The book was originally published in 1979.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American and Iberian literature, film, and art. Vieira's discussion focuses on three literary works: Graciliano Ramos's Memoirs of Prison, Ariel Dorfman's Death and the Maiden, and José Saramago's Blindness, with supplemental analyses of sculpture and film by Ana Maria Pacheco, Bruno Barreto, and Marco Bechis. These artists use metaphors of blindness to denounce the totalizing gaze of dictatorial regimes. Rather than equating blindness with deprivation, Vieira argues that shadows, blindfolds, and blindness are necessary elements for re-imagining the political world and re-acquiring a political voice. Seeing Politics Otherwise offers a compelling analysis of vision and its forcible deprivation in the context of art and political protest.
Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences.The essays in this volume, written by leading scholars in the field of American-band history, examine a broad spectrum of issues, including biography, performance, repertoire, and marketing. Detailed studies of key turning points in the evolution of bands include P. S. Gilmore's 1864 New Orleans concerts, the Kaiser-Cornet-Quartett's 1872 tour, the 1892 transition from Gilmore's Band to Sousa's Band, C. G. Conn's lavish artist-endorsement posters, and the demise of the Sousa Band in the late 1920s. Additional essays seek to rectify oversights and add insights to the lives of key figures in band history. African American keyed bugler Frank Johnson's earliest works receive close scrutiny, as does the life of neglected cornet superstar Alice Raymond. A complete re-evaluation of Francesco Fanciulli, the U. S. Marine Band leader whose reputation suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust.
Vasari's Lives of the Painters, Sculptors, and Architects are and always have been central texts for the study of the Italian Renaissance. They can and should be read in many ways. Since their publication in the mid-sixteenth century, they have been a source of both information and pleasure. Their immediacy after more than four hundred years is a measure of Vasari's success. He wished the artists of his day, himself included, to be famous. He made the association of artistry and genius, of renaissance and the arts so familiar that they now seem inevitable. In this book Patricia Rubin argues that both the inevitability and the immediacy should be questioned. To read Vasari without historical perspective results in a limited and distorted view of The Lives. Rubin shows that Vasari had distinct ideas about the nature of his task as a biographer, about the importance of interpretation, judgment, and example - about the historian's art. Vasari's principles and practices as a writer are examined here, as are their sources in Vasari's experiences as an artist.
The brilliant third novel from the acclaimed author of THE COLOURS OF DEATH. During a remote meeting, a Portuguese official watches from Lisbon as his colleague, Emanuel Francisco, a diplomat based in London's Portuguese embassy, dies of what looks to be a heart attack. When no one comes into the room to Francisco's aid, he tries frantically to contact the consulate to get immediate help. No one picks up. When local police finally arrive hours later, they walk into a disturbingly silent and horrific scene. Everyone inside the building is dead. Inspector Isabel Reis, a Gifted Inspector with Portugal's PolÍcia Judiciária, has developed a reputation for closing sensitive cases involving powerful people. When the gravity of what has happened in London is revealed, she's called up to assist the Met's CID in the investigation. Two things quickly become very clear: this was a mass killing, and only one person escaped. The person the embassy was secretly protecting within its walls. Now Isabel must quiet her turbulent mind and come face to face with a killer more ruthless than she has ever seen before . . . The answers lie with the sole survivor.
Breathtakingly original, and a captivating sense of place' Val McDermid, bestselling author of Still Life 'Compelling and original, this glints with freshness' Daily Mail 'A brilliantly inventive and twisty tale' Claire McGowan, bestselling author of The Push 'A good detective story . . . intriguing' Guardian 'A distinctive, intriguing, immersive debut' Mari Hannah, multi-award winning author of Without a Trace The Murder In the Gare do Oriente, a body sits, slumped, in a stationary train. A high-profile man appears to have died by throwing himself repeatedly against the glass. But according to witnesses, he may not have done this of his own accord. The City Lisbon 2021. A small percentage of the population are diagnosed as Gifted. Along with the power comes stigma and suspicion. The Detective In a prejudiced city, Gifted Inspector Isabel Reis is hiding her own secrets while putting her life on the line to stop an ingenious killer. A violent and mysterious crime. Suspected Gifted involvement. A city baying for blood. And a killer who has only just begun . . . 'A bold, compelling police drama a step beyond the ordinary with writing to match' Helen Fields, bestselling author of The Shadow Man 'This is crime fiction with a twist . . . This was a gripping and highly invented thrill ride. I can't wait for more' Nadine Matheson, author of The Jigsaw Man 'An amazing genre-bending debut' David Jackson, bestselling author of The Resident
As the sixteenth century opened, members of the patriciate were increasingly withdrawing from trade, desiring to be seen as "gentlemen in fact" as well as "gentlemen in name." The author considers why this was so and explores such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, the interplay between the public and the private, and the emergence of characteristically Venetian decorative practices and styles of art and architecture. Brown focuses new light on the visual culture of Venetian women - how they lived within, furnished, and decorated their homes; what spaces were allotted to them; what their roles and domestic tasks were; how they dressed; how they raised their children; and how they entertained. Bringing together both high arts and low, the book examines all aspects of Renaissance material culture."--BOOK JACKET.
This rich history illuminates the lives and partnerships of five married couples – two British, three American – whose unions defied the conventions of their time and anticipated social changes that were to come in the ensuing century. In all five marriages, both husband and wife enjoyed thriving professional lives: a shocking circumstance at a time when wealthy white married women were not supposed to have careers, and career women were not supposed to marry. Patricia Auspos examines what we can learn from the relationships of the Palmers, the Youngs, the Parsons, the Webbs, and the Mitchells, exploring the implications of their experiences for our understanding of the history of gender equality and of professional work. In expert and lucid fashion, Auspos draws out the interconnections between the institutions of marriage and professional life at a time when both were undergoing critical changes, by looking specifically at how a pioneering generation tried to combine the two. Based on extensive archival research and drawing on mostly unpublished letters, journals, pocket diaries, poetry, and autobiographical writings, Breaking Conventions tells the intimate stories of five path-breaking marriages and the social dynamics they confronted and revealed. This book will appeal to scholars, students, and anyone interested in women’s studies, gender studies, masculinity studies, histories of women in the professions, and the history of marriage.
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Patricia Zakreski's interdisciplinary study draws on fiction, prose, painting, and the periodical press to expand and redefine our understanding of women's relationship to paid work during the Victorian period. While the idea of 'separate spheres' has largely gone uncontested by feminist critics studying female labour during the nineteenth century, Zakreski challenges this distinction by showing that the divisions between public and private were, in fact, surprisingly flexible, with homes described as workplaces and workplaces as homes. By combining art with forms of industrial or mass production in representations of the respectable woman worker, writers projected a form of paid creative work that was not violated or profaned by the public world of the market in which it was traded. Looking specifically at sewing, art, writing, and acting, Zakreski shows how these professions increasingly came to be defined as 'artistic' and thus as suitable professions for middle-class women, and argues that the supposedly degrading activity of paid work could be transformed into a refining experience for women. Rather than consigning working women to the margins of patriarchal culture, then, her study shows how representations of creative women, by authors such as Elizabeth Barrett Browning, Dinah Craik, Charles Dickens, Anthony Trollope, and Charlotte Yonge, participated in and shaped new forms of mainstream culture.
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