The Belgian surrealist artist René Magritte redefined the way we think about art. Famous for his men in bowler hats, he inspired generations of later artists from Andy Warhol to Jasper Johns with his witty and provocative work. In this illuminating new biography, Patricia Allmer radically repositions Magritte’s work in relation to its historical and cultural circumstances. Allmer explores the significant influence of events and experiences in Magritte’s early childhood and youth that are recorded in his letters and essays, including his memories of visiting fairs and circuses, of magical shows and performances, of the cinema, and, in particular, of his first encounter with his future partner, Georgette, on a carousel. Allmer’s analyses of these events and their influence on both well-known and less familiar images give new insights into Magritte’s art. The book will appeal to those who wish to know more about Magritte’s life and work, as well as to the wide audience for surrealism.
The Belgian surrealist artist René Magritte redefined the way we think about art. Famous for his men in bowler hats, he inspired generations of later artists from Andy Warhol to Jasper Johns with his witty and provocative work. In this illuminating new biography, Patricia Allmer radically repositions Magritte’s work in relation to its historical and cultural circumstances. Allmer explores the significant influence of events and experiences in Magritte’s early childhood and youth that are recorded in his letters and essays, including his memories of visiting fairs and circuses, of magical shows and performances, of the cinema, and, in particular, of his first encounter with his future partner, Georgette, on a carousel. Allmer’s analyses of these events and their influence on both well-known and less familiar images give new insights into Magritte’s art. The book will appeal to those who wish to know more about Magritte’s life and work, as well as to the wide audience for surrealism.
The traumatic surreal is the first major study to examine the ground-breaking role played by Germanophone women artists working in surrealist traditions in responding to the traumatic events and legacies of the Second World War. Analysing works in a variety of media by leading artists and writers, the book redefines the post-war trajectories of surrealism and recalibrates critical understandings of the movement’s relations to historical trauma. Chapters address artworks, writings and compositions by the Swiss Meret Oppenheim, the German Unica Zürn, the Austrian Birgit Jürgenssen, the Luxembourg-Austrian Bady Minck and the Austrian Olga Neuwirth and her collaboration with fellow Austrian Nobel-prize winning novelist Elfriede Jelinek. Locating each artist in their historical context, the book traces the development of the traumatic surreal through the wartime and post-war period.
The traumatic surreal is the first major study to examine the ground-breaking role played by Germanophone women artists working in surrealist traditions in responding to the traumatic events and legacies of the Second World War. Analysing works in a variety of media by leading artists and writers, the book redefines the post-war trajectories of surrealism and recalibrates critical understandings of the movement’s relations to historical trauma. Chapters address artworks, writings and compositions by the Swiss Meret Oppenheim, the German Unica Zürn, the Austrian Birgit Jürgenssen, the Luxembourg-Austrian Bady Minck and the Austrian Olga Neuwirth and her collaboration with fellow Austrian Nobel-prize winning novelist Elfriede Jelinek. Locating each artist in their historical context, the book traces the development of the traumatic surreal through the wartime and post-war period.
Civilization in the West blends social and political history into a fascinating narrative that brings history to life. The authors tell a compelling story of Western Civilization that is enhanced by an image-based approach. Pictorial chapter openers draw students in by illustrating a dominant theme of the chapter and exploring the dramatic impression each image makes in reinforcing that theme. The presentation of geography guides students around the changing contours of the West through both standard maps and Geographic Tours of Europe. The greater number of maps and tours combine to make this text the strongest possible program for teaching historical geography (151 total maps, as compared to Chambers, the second highest, at 106). The addition of Discovering Western Civilization Online (new end-of-chapter website URLs) makes this the first Western Civilization book to date to include these resources.
Lee Miller: Photography, surrealism, and beyond offers a major new critical discussion of the work of one of the most significant twentieth-century photographers. Applying art-theoretical analyses and insights afforded by previously unseen material in archives and collections, Patricia Allmer undertakes revisionary readings of many of Miller's works, including Portrait of Space, Severed Breast from Radical Mastectomy and the famous series of war photographs produced for Vogue. At the same time she sheds new light on Miller's relations with surrealist groups and American avant-gardes, on her experiences in Paris, Egypt and World War II Europe and on her critically neglected post-war activities. Above all, Lee Miller: Photography, surrealism, and beyond focuses critical attention on the works themselves. As a result it will be of great interest to students and scholars of twentieth-century photography, modernism and surrealism.
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