Canberra born Patricia A Degens, née Thompson, decided to write something of her upbringing after visiting the capital for its centenary in 2013. The Thompson family was one of the first public service families to arrive in 1929.
George Thompson was born in February, 1782 in the parish of Christ Church, County of Surrey. He was a blacksmith by trade and died in 1835. His son Thomas Thompson was born, in February 1782 in County of Middlesex, England. He migrated to Australia on board the "Asia" with his family. There he died in 1854. Descendants live in Victoria and elsewhere.
Early Buddhist Narrative Art is a pictorial journey through the transmission of the narrative cycle based on the life of the historical Buddha. Karetzky, while demonstrating the various evolutions that the image of the Buddha underwent, maintains that there is an underlying homogeneity of the tradition in the cultures of India, Central Asia, China and Japan. The author, while focusing on the visual representation of the Buddhist narrative, goes into some detail regarding the importance of scriptures in each society, and how the written tradition informed the pictorial. Over seventy photos fill this book, which will be of interest to scholars of art history, Eastern religion and Buddhism in particular.
The twenty-eight contributors to this book show how experimental and ethnographic approaches are being used to shed new light on the process of domestication, and harvesting techniques, tools and technology in the period just before and just after the appearance of agriculture. The book takes an explicitly comparative approach, with chapters on SW Asia, Europe, Australia and Africa.
Legal, theological and philosophical analysis of the ideology of colonialism. Focuses on sovereignty and right of self-government of Amerindians, leading to present "aboriginal problems" such as those posed by the Canadian constitutional affirmation of "existing aboriginal and treaty rights of the aboriginal people of Canada.
May Stevens' paintings weave themes of familial love and loss, societal ills, and the healing power of nature and the human community. This book surveys the full range of her remarkable lifework, from her early social protest paintings to her recent series of luminous, large-format images of lakes, rivers, and other bodies of water. Patricia Hills offers an insightful, in-depth look at Stevens' career, drawing on her own recollections and rounded out by informed commentary. Images and text bring to light Stevens' personal history, her humanitarian concerns, and the social context within which her art evolved.
Explores the nature, morality, and aesthetics of gossip; examines gossip in history and the psychology of gossip; and analyzes gossip--as subject and literary technique--in plays, letters, biographies, and novels.
Sister to the king of France, queen of Navarre, gifted writer, religious reformer, and patron of the arts--in her many roles, Marguerite de Navarre (1492-1549) was one of the most important figures of the French Renaissance. In this, the first major biography in English, Patricia F. Cholakian and Rouben C. Cholakian draw on her writings to provide a vivid portrait of Marguerite's public and private life. Freeing her from the shadow of her brother François I, they recognize her immense influence on French politics and culture, and they challenge conventional views of her family relationships. The authors highlight Marguerite's considerable role in advancing the cause of religious reform in France-her support of vernacular translations of sacred works, her denunciation of ecclesiastical corruption, her founding of orphanages and hospitals, and her defense and protection of persecuted reformists. Had this plucky and spirited woman not been sister to the king, she would most likely have ended up at the stake. Though she remained a devout catholic, her theological poem Miroir de l'âme pécheresse, a mystical summa of evangelical doctrine that was viciously attacked by conservatives, remains to this day an important part of the Protestant corpus. Marguerite, along with her brother the king, was a key architect and animator of the refined entertainments that became the hallmark of the French court. Always eager to encourage new ideas, she supported many of the illustrious writers and thinkers of her time. Moreover, uniquely for a queen, she was herself a prolific poet, dramatist, and prose writer and published a two-volume anthology of her works. In reassessing Marguerite's enormous oeuvre, the authors reveal the range and quality of her work beyond her famous collection of tales, posthumously called the Heptaméron. The Cholakians' groundbreaking reading of the rich body of her work, which uncovers autobiographical elements previously unrecognized by most scholars, and their study of her surviving correspondence portray a life that fully justifies Marguerite's sobriquet, "Mother of the Renaissance.
Marguerite Bourgeoys (1620-1700) was canonized in 1982. Patricia Simpson goes beyond myth and hagiography to explore Bourgeoys's dream of establishing a radically new religious community of women, recounting her thirty-year struggle to obtain official recognition for the Congrégation of Notre-Dame. Simpson shows that the order faced great resistance from the male Church hierarchy despite the fact that the pioneer society depended on the work of the Congrégation. The order was particularly important in assuming the guardianship of many filles du roi - young women sent to New France under royal auspices to be married to the men of the colony. Simpson also examines the many difficulties the Congrégation faced, which included natural disasters and the dangers involved in trying to reach women and children in settlements throughout New France, as far away as Acadia.
Proudly standing apart from its European neighbors, the music of seventeenth- and eighteenth-century France represented a conscious synthesis of French speech rhythms, French rhetorical practices and French theatrical recitation. As such, it demands its own performance style.".
This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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