In The Trap, prepare yourself for a high-stakes thriller that spans continents and cultures, unravelling over eight tension-filled years. Primarily set in Thailand, the narrative also takes you through Russia, the United States, and North Korea, offering a penetrating look into the dark corridors of statecraft, media manipulation, and international intrigue. Caught in a web of global machinations are an American man, his Russian wife, and their dual-nationality son. Their international background, once a symbol of unity, quickly becomes a liability as they are unwittingly pulled into a geopolitical crisis that threatens to consume them. As the complex drama unfolds, relationships are strained, convictions are tested, and love itself comes under scrutiny. Amidst the grim backdrop of corruption, crime, and power plays, the family’s hope for a return to normalcy becomes both their driving force and their ultimate question: Do they possess the resilience, strength, and faith to escape what increasingly appears to be an inescapable trap?
Michel Foucault’s work on film, although not extensive, compellingly illustrates the power of bringing his unique vision to bear on the subject and offers valuable insights into other aspects of his thought. Foucault at the Movies brings together all of Foucault’s commentary on film, some of it available for the first time in English, along with important contemporary analysis and further extensions of this work. Patrice Maniglier and Dork Zabunyan situate Foucault’s writings on film in the context of the rest of his work as well as within a broad historical and philosophical framework. They detail how Foucault’s work directly or indirectly inspired both film critics and directors in surprising ways and discuss his ideas in relation to significant movements within film theory and practice. The book includes film reviews and discussions by Foucault as well as his interviews with the prestigious film magazine Cahiers du cinéma and other journals. Also included are his dialogues with the noted French feminist writer Hélène Cixous and film directors Werner Schroeter and René Féret. Throughout, Foucault and those he is in conversation with reflect on the relationship of film to history, the body, power and politics, knowledge, sexuality, aesthetics, and institutions of internment. Foucault at the Movies makes all of Foucault’s writings on film available to an English-speaking audience in one volume and offers detailed, up-to-date commentary, inviting us to go to the movies with Foucault.
Overthe last twenty years materialist thinkers in the continental tradition haveincreasingly emphasized the category of immanence. Yet the turn toimmanence has not meant the wholesale rejection of the concept oftranscendence, but rather its reconfiguration in immanent or materialist terms:an immanent transcendence. Through an engagement with the work ofDeleuze, Irigaray and Adorno, Patrice Haynes examines how the notion ofimmanent transcendence can help articulate a non-reductive materialism by whichto rethink politics, ethics and theology in exciting new ways. However,she argues that contrary to what some might expect, immanent accounts of matterand transcendence are ultimately unable to do justice to materialfinitude. Indeed, Haynes concludes by suggesting that a theisticunderstanding of divine transcendence offers ways to affirm fully materialimmanence, thus pointing towards the idea of a theological materialism.
In The Trap, prepare yourself for a high-stakes thriller that spans continents and cultures, unravelling over eight tension-filled years. Primarily set in Thailand, the narrative also takes you through Russia, the United States, and North Korea, offering a penetrating look into the dark corridors of statecraft, media manipulation, and international intrigue. Caught in a web of global machinations are an American man, his Russian wife, and their dual-nationality son. Their international background, once a symbol of unity, quickly becomes a liability as they are unwittingly pulled into a geopolitical crisis that threatens to consume them. As the complex drama unfolds, relationships are strained, convictions are tested, and love itself comes under scrutiny. Amidst the grim backdrop of corruption, crime, and power plays, the family’s hope for a return to normalcy becomes both their driving force and their ultimate question: Do they possess the resilience, strength, and faith to escape what increasingly appears to be an inescapable trap?
The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one of the foremost scholars and critics of theatre in the world, it literally takes us from Activism to Zapping, analysing everything along the way from Body Art and the Flashmob to Multimedia and the Postdramatic. What we think of as 'performance' and 'drama' has undergone a transformation in recent decades. Similarly how these terms are defined, used and critiqued has also changed, thanks to interventions from a panoply of theorists from Derrida to Ranciere. Patrice Pavis's Dictionary provides an indispensible roadmap for this complex and fascinating terrain; a volume no theatre bookshelf can afford to be without.
‘We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.’ – Patrice Pavis, from the foreword Contemporary Mise en Scène is Patrice Pavis’s masterful analysis of the role that staging has played in the creation and practice of theatre throughout history. This stunningly ambitious study considers: the staged reading, at the frontiers of mise en scène; scenography, which sometimes replaces staging; the reinterpretation of classical and contemporary works; the development of intercultural theatre and ritual; new technologies and their usage live on the stage; the postmodern practice of deconstruction. But it also applies sustained critical attention to the challenges of defining mise en scène, of tracking its development, and of exploring its possible futures. Joel Anderson’s powerful new translation lucidly realises Pavis’s investigation of the changing possibilities for stagecraft in the context of performance art, physical theatre and modern theory.
Introduction to Clinical Informatics fills a void in the Computer in Health Care series. With this volume, Patrice Degoulet and Marius Fieschi provide a comprehensive view of medical informatics and carry that concept forward into the realm of clinical informatics. The authors draw upon their experi ences as medical school faculty members in France, where informatics has long been integrated into the curriculum and where the French version of this very book has been used, tested, and revised. In intent and content, this volume stands as the companion volume to Introduction to Nursing Informatics, one of the series' best selling titles. For practitioners and students of medicine, pharmacy, and other health profes sions, Introduction to Clinical Informatics offers an essential understanding how computing can support patient care, clarifying practical uses and critical issues. Today medical schools in the United States are making informatics a part of their curriculum, with required medical informatics blocks at the onset of training serving as the base for problem-based learning throughout the course of study. In an increasingly networked and computerized environ ment, health-care providers are having to alter how they practice. Whether in the office, the clinic, or the hospital, health-care professionals have access to a growing array of capabilities and tools as they deliver care. Learning to use these becomes a top priority, and this volume becomes a valuable resource.
Roger-Patrice Mokoko, à travers ce livre voudrait nous raconter comment s'est passé la rencontre du colonisateur avec le colonisé dans le district de Mossaka, une rencontre à la fois pacifique, tumultueuse et brutale. Car au même moment qu'il distribuait des cadeaux aux populations et signait des traités d'alliance et de paix, et aussi qu'il apportait la paix aux tribus sauvages qui se battaient et s'entredevoraient, le colon usait de son charme et de son bagout pour obliger les Noirs à lui fournir le caoutchouc et l'ivoire. Après l'esclavage et les réquisitions de main-d'oeuvre, les indigènesétaient aussi assujettis à des obligations fiscales. Par ailleurs on ne deverait pas s'étonner des réticences des populations à accepter la colonisation. on parlera plutôt de rsistance à l'impôt indigène que de résistance à la pénétration coloniale. Puis, les conflits entre le M.S.A. et l'I.D.D.I.A. vont permettre la tenue du Référendum du 28/9/1958. Mais la situation se normalisera lors de la proclamation de l'Indépendance du Congo le 15/8/1960. Mossaka va aoir un système administratif mieux structuré qu'avant: la sous-préfecture de Mossaka sera transformée en préfecture autonome. Quelques temps après, ce fut la Nationalisation de l'Enseignement au Congo. Malgré cela, les populations indigènes demeurant très attachées à leurs moeurs et coutumes seront influencés par la civilisation coloniale. Lisons Mokoko pour en savoir davantage sur l'histoire de Mossaka, la Venuse du Congo.
Since its beginnings, Poland has been a moving target, geographically as well as demographically, and the very definition of who is a Pole has been in flux. In the late medieval and early modern periods, the country grew to be the largest in continental Europe, only to be later wiped off the map for more than a century. The Polish phoenix that rose out of the ashes of World War I was obliterated by the joint Nazi-Soviet occupation that began with World War II. The postwar entity known as Poland was shaped and controlled by the Soviet Union. Yet even under these constraints, Poles persisted in their desire to wrest from their oppressors a modicum of national dignity and, ultimately, managed to achieve much more than that. Poland is a sweeping account designed to amplify major figures, moments, milestones, and turning points in Polish history. These include important battles and illustrious individuals, alliances forged by marriages and choices of religious denomination, and meditations on the likes of the Polish battle slogan "for our freedom and yours" that resounded during the Polish fight for independence in the long 19th century and echoed in the Solidarity period of the late 20th century. The experience of oppression helped Poles to endure and surmount various challenges in the 20th century, and Poland's demonstration of strength was a model for other peoples seeking to extract themselves from foreign yoke. Patrice Dabrowski's work situates Poland and the Poles within a broader European framework that locates this multiethnic and multidenominational region squarely between East and West. This illuminating chronicle will appeal to general readers, and will be of special interest to those of Polish descent who will appreciate Poland's longstanding republican experiment.
This book explores the use of Blockchain and smart contract technologies to develop new ways to finance independent films and digital media worldwide. Using case studies of Alibaba and in-depth, on-set observation of a Sino-US coproduction, as well as research collected from urban China, Hong Kong, Europe, and the USA, Online Film Production in China Using Blockchain and Smart Contracts explores new digital platforms and what this means for the international production of creative works. This research assesses the change in media consciousness from young urban audiences, their emergence as a potential participative and creative community within dis-intermediated, decentralised and distributed crowdfunding and crowdsourcing models. This research proposes solutions on how these young emerging local creative talents can be identified and nurtured early on, particularly those who now produce creative and artistic audiovisual content whether these works are related to film, Virtual Reality (VR), video game, graphic novels, or music. Ultimately, a new media content finance and production platform implementing blockchain is proposed to bring transparency in the film sector and open doors to emerging artists in digital media. Appropriate for both professionals and academics in the film industry as well as computer science.
This book offers an exploration of the intersection of Korean theatre practice with Western literary theatre. Gangnam Style, K-Pop, the Korean Wave : who hasn't heard of these recent Korean phenomena? Having spent two years in Korea as a theatrical and cultural ‘tourist’, Patrice Pavis was granted an unparalleled look at contemporary Korean culture. As well as analyzing these pop culture mainstays, however, he also discovered many uniquely Korean jewels of contemporary art and performance. Examining topics including contemporary dance, puppets, installations, modernized pansori, 'Koreanized' productions of European Classics and K-pop and its parody, this book provides a framework for an intercultural and globalized approach to Korean theatre. With the first three chapters of the book outlining methodology, the remaining chapters test – often deconstructing and transforming in the process - this framework, using focused case studies to introduce the reader to the cultural and artistic world of a nation with an increasing international presence in theatre and the arts alike.
Patrice Gueniffey, the leading French historian of the Revolutionary and Napoleonic age, takes up the epic narrative at the heart of this turbulent period: the life of Napoleon himself, from his boyhood in Corsica, to his meteoric rise during the Italian and Egyptian campaigns, to his proclamation as Consul for Life in 1802.
Researchers and students in the management of innovation will find in this book an analytical framework that articulates technological innovation processes and the creation of new markets. The multiplication of examples and cases helps the reader in better grasping the different aspects of the proposed framework. The focus on information and communication technologies is of high relevance: it enables the reader to put present developments in perspective, and this is especially relevant when discussing ascending innovation and the role of users and uses. Philippe Laredo, Universities of Paris-Est and Manchester, Coordinator of the European PRIME Network of Excellence Patrice Flichy takes the reader on a fascinating tour of the literature on technological innovation. Innovation is situated within the frames of functioning and use, offering rich insights into the strategies, tactics, improvisations and learning which occur through time. He emphasises the dreams and musings of inventors, novelists and the popular media to show how they mediate new technological frames of reference. This book offers an excellent synthesis of the literature and an original historical account of innovation with special reference to information and communication technologies. Robin Mansell, London School of Economics and Political Science, UK In Understanding Technological Innovation, Patrice Flichy s interest is in the genesis of technology. He describes the perspectives and interpretive schemes deployed by historians, sociologists and economists in attempts to understand the determinants, including chance, of the particular forms of products and systems that have come to dominate the market and play so important a role some would claim dominant in our lives. It is rare to find in one volume so informed a critique of the essential writings of historians of technology, contemporary sociologists and economic historians. His own special interest lies in the development of information technology and he puts his expertise to good use in revealing and contrasting the different perspectives and claims of these three schools. Louis L. Bucciarelli, Massachusetts Institute of Technology, US Working at the interface between interactionist sociology, history and economics, Flichy provides us with a language for charting the evolution of new technologies, as generic technical capabilities are explored, perhaps inspired by visions of societal change, and become stabilised and attached to particular conceptions of use. He offers us an integrated perspective on technological innovation, addressing the influence of history and social context whilst remaining open to the often unanticipated dynamism and surprises that may surround both these trajectories. This book will provide a thoughtful contribution to current debates. The critical literature review will provide a rich and convenient source for advanced teaching and research training. Robin Williams, The University of Edinburgh, UK How do the social sciences address the question of innovation and the relationship between technology and use? This is the core point of this book which examines critically diverse works, in sociology, history, economics and anthropology, in order to formulate a new approach. This reflection is essentially of a general nature, though the cases used to illustrate the analysis are drawn primarily from the field of ICT. Patrice Flichy studies how the socio-technological actions of the different actors, particularly designers and users, are organized within the same frames of reference. He also introduces a new element into the model by demonstrating how time is involved in technological choices. Understanding Technological Innovation will be essential reading for advanced teaching and research training in the fields of science and technology studies, and media and communication studies.
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. In examining the myths and countermyths of Paris that have been created and re-created over time, Higonnet reveals a magical urban alchemy in which each era absorbs the myths and perceptions of Paris past, adapts them to the cultural imperatives of its own time, and feeds them back into the city, creating a new environment. Paris was central to the modern world in ways internal and external, genuine and imagined, progressive and decadent. Higonnet explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure. Insightful, informative, and gracefully written, "Paris" illuminates the intersection of collective and individual imaginations in a perpetually shifting urban dynamic. In describing his Paris of the real and of the imagination, Higonnet sheds brilliant new light on this endlessly intriguing city.
In the past ten years, Canadians have witnessed a renaissance in the delivery of government services. New service organizations are cropping up across the country and accomplishing extraordinary things. Efforts are being made to consult citizens on how to improve and integrate services. Considerable resources are being invested in measuring and showcasing performance improvement. This book probes the central dimensions of service reform efforts from a variety of perspectives and answers some pressing questions: How can we make better decisions about service delivery? How should we measure service delivery performance? How should we engage users of government services? How can we create a service culture? How can we use the internet more effectively? Approaching service delivery as not merely technical but inherently political and controversial, the authors look beyond the rhetoric to see what has actually been achieved and what obstacles confront further improvements.
Who were the Jacobins and what are Jacobinism's implications for today? In a book based on national and local studies--on Marseilles, Nîmes, Lyons, and Paris--one of the leading scholars of the Revolution reconceptualizes Jacobin politics and philosophy and rescues them from recent postmodernist condescension. Patrice Higonnet documents and analyzes the radical thought and actions of leading Jacobins and their followers. He shows Jacobinism's variety and flexibility, as it emerged in the lived practices of exceptional and ordinary people in varied historical situations. He demonstrates that these proponents of individuality and individual freedom were also members of dense social networks who were driven by an overriding sense of the public good. By considering the most retrograde and the most admirable features of Jacobinism, Higonnet balances revisionist interest in ideology with a social historical emphasis on institutional change. In these pages the Terror becomes a singular tragedy rather than the whole of Jacobinism, which retains value today as an influential variety of modern politics. Higonnet argues that with the recent collapse of socialism and the general political malaise in Western democracies, Jacobinism has regained stature as a model for contemporary democrats, as well as a sober lesson on the limits of radical social legislation.
A richly illustrated guide to the astonishing variety of beetles around the world Beetles make up about a quarter of known animal species and are arguably the most diverse group of organisms on Earth: almost 400,000 species have been formally described so far, and it is likely that this number merely scratches the surface. In Beetles of the World, Maxwell Barclay and Patrice Bouchard—two of the world’s foremost beetle experts—celebrate these remarkable creatures in all their variety, from their size and appearance to their ecological importance. Providing concise accounts of all the major families and subfamilies of Coleoptera, Beetles of the World explores beetle anatomy, life cycle, fossil history, feeding habits, role in the food web, habitats, relationship with humans, and classification—as well as the essential part that beetles play in the global ecosystem, and the ways humans can help protect them. Features 300 stunning color photographs Presents family profiles with a distribution map, table of information, and commentary Includes a comprehensive introduction that provides insight into the astonishing diversity of beetles and their histories
Over the last twenty years materialist thinkers in the continental tradition have increasingly emphasized the category of immanence. Yet the turn to immanence has not meant the wholesale rejection of the concept of transcendence, but rather its reconfiguration in immanent or materialist terms: an immanent transcendence. Through an engagement with the work of Deleuze, Irigaray and Adorno, Patrice Haynes examines how the notion of immanent transcendence can help articulate a non-reductive materialism by which to rethink politics, ethics and theology in exciting new ways. However, she argues that contrary to what some might expect, immanent accounts of matter and transcendence are ultimately unable to do justice to material finitude. Indeed, Haynes concludes by suggesting that a theistic understanding of divine transcendence offers ways to affirm fully material immanence, thus pointing towards the idea of a theological materialism.
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