White Lotus meets Shaun of the Dead in this absurdist take on the wellness retreat. Our narrator and his accidental companion, K. Sohail, find themselves on an island wellness retreat impersonating the Dhaliwals, who have probably been killed in a helicopter crash. After being welcomed by Jerome the robot, the intrepid imposters eagerly partake of the all-you-stomach buffet, the motivational speechifyings of self-help guru Brad Beard, and Professor Sayer's uncomfortably erotic couples counselling. But things quickly take an ominous turn when an excursion to a nearby deserted village reveals a guillotine and a haunted chapel. And then one of the retreaters is murdered and the real Dhaliwals show up. Accusations, counter-accusations, and counter-counter-accusations are made, until the whole retreat is caught up in a bizarre trial. In All You Can Kill, Pasha Malla, with his inimitable absurdist style, collides horror and humour into an utterly unforgettable satire. "Smart, hilarious, original, All You Can Kill is a feverish, one-of-a-kind, unhinged journey into the absurd shams of modern life. No one writes satire, or anything else, like Pasha Malla." – Iain Reid, author of We Spread "Malla is a fabulously gifted writer." – Publishers Weekly "I don’t really know how Malla gets away with what he does … but it is astounding to watch him do it." – The Rumpus
Pasha Malla knows joy in all of its weird, unsettling, and wondrous forms. In their humor, warmth, and rigorous honesty, his stories clearly capture something odd and beautiful: the unmistakable feeling of empathy. From young couples fighting through the emotional trauma of the modern world to children navigating wayward, forbidden paths of a fantasized adulthood, Malla presents characters deeply entrenched in the familiar and hearts that slowly open to reveal the pain and unexpected love that life accumulates. The Withdrawal Method offers worlds where Niagara Falls has run dry, where people’s skin can be shed in a single piece, and where ancient frustrated chess masters invent machines that unexpectedly alter the course of history. Reminiscent of Lorrie Moore, Haruki Murakami, and George Saunders, these stories are haunting, captivating, and constructed with a poise and precision that reach beyond technical skill. Malla’s is an assured new voice; his smooth, mature style is punctuated by bursts of wild humor and enlivened by endlessly inventive storytelling. As individual narratives, these stories speak to each side of the protean human psyche, but when taken together they address with full understanding the fragility of our lives.
Pasha Malla knows joy in all of its weird, unsettling, and wondrous forms. In their humor, warmth, and rigorous honesty, his stories clearly capture something odd and beautiful: the unmistakable feeling of empathy. From young couples fighting through the emotional trauma of the modern world to children navigating wayward, forbidden paths of a fantasized adulthood, Malla presents characters deeply entrenched in the familiar and hearts that slowly open to reveal the pain and unexpected love that life accumulates. The Withdrawal Method offers worlds where Niagara Falls has run dry, where people’s skin can be shed in a single piece, and where ancient frustrated chess masters invent machines that unexpectedly alter the course of history. Reminiscent of Lorrie Moore, Haruki Murakami, and George Saunders, these stories are haunting, captivating, and constructed with a poise and precision that reach beyond technical skill. Malla’s is an assured new voice; his smooth, mature style is punctuated by bursts of wild humor and enlivened by endlessly inventive storytelling. As individual narratives, these stories speak to each side of the protean human psyche, but when taken together they address with full understanding the fragility of our lives.
Erratic Fire, Erratic Passion is a collection of found poems composed of the words of professional athletes. The content of post-game interviews and sports chatter is so often meaningless, if not insufferable, and yet there are athletes like Metta World Peace who transcend lame clichés and rote patter, who use language in surprising ways, who can be funny and shocking and insightful and alarmingly sincere — pure poetry. Muhammad Ali offered dazzling displays of lexical wizardry, and Allen Iverson’s infamous “practice” rant shifted the post-game press conference from the banal to the absurd. This book is a celebration of these rare and exceptional moments. Various poetic forms and line-breaks highlight — or, in the words of Deion Sanders, “deem to set a candor on” — the sophisticated, sublime, and surprising performances of language made by professional athletes.
White Lotus meets Shaun of the Dead in this absurdist take on the wellness retreat. Our narrator and his accidental companion, K. Sohail, find themselves on an island wellness retreat impersonating the Dhaliwals, who have probably been killed in a helicopter crash. After being welcomed by Jerome the robot, the intrepid imposters eagerly partake of the all-you-stomach buffet, the motivational speechifyings of self-help guru Brad Beard, and Professor Sayer's uncomfortably erotic couples counselling. But things quickly take an ominous turn when an excursion to a nearby deserted village reveals a guillotine and a haunted chapel. And then one of the retreaters is murdered and the real Dhaliwals show up. Accusations, counter-accusations, and counter-counter-accusations are made, until the whole retreat is caught up in a bizarre trial. In All You Can Kill, Pasha Malla, with his inimitable absurdist style, collides horror and humour into an utterly unforgettable satire. "Smart, hilarious, original, All You Can Kill is a feverish, one-of-a-kind, unhinged journey into the absurd shams of modern life. No one writes satire, or anything else, like Pasha Malla." – Iain Reid, author of We Spread "Malla is a fabulously gifted writer." – Publishers Weekly "I don’t really know how Malla gets away with what he does … but it is astounding to watch him do it." – The Rumpus
In Electric Literature's Autumn 2009 anthology of short fiction, Colson Whitehead charts the rise to fame of a truth-telling comedian. Stephen O'Connor transports us to a cabin in the woods, where a young woman attempting to finish her dissertation in solitude becomes increasingly convinced she's not alone. Pasha Malla follows a young writer as he explores how tragedy influences art-and how life falls short of it. Marisa Silver tells the tale of three sisters who perceive the truth about their parents through the eyes of some unexpected visitors, and Lydia Davis' solitary narrator acutely details the behavior of three cows who live in a pasture just across the road.
It's the Silver Jubilee of People Park, an urban experiment conceived by a radical mayor and zealously policed by the testosterone-powered New Fraternal League of Men. To celebrate, the insular island city has engaged the illustrator Raven, who promises to deliver the most astonishing spectacle its residents have ever seen. As the entire island comes together for the event, we meet an unforgettable cross-section of its inhabitants, from activists to nihilists, art stars to athletes, families to inveterate loners. Soon, however, what has promised to be a triumph of civic harmony begins to reveal its shadow side. And when Raven's illustration exceeds even the most extreme of expectations, the island is plunged into a series of unnatural disasters that force people to confront what they are really made of. People Park is a tour de force of eerily prescient, grotesque, and hilarious observation and a narrative of gripping, unrelenting suspense. Malla writes as if the twin demons of Stephen King and Flannery O'Connor were resting on his shoulders. You've never read anything quite like People Park.
A new short story by award-winning author Pasha Malla. Set during the summer in a small town on the edge of the Arctic Circle, To Sweep the Light is a love story about solitude and companionship, proximity and distance, and the quest for intimacy between a boy and a girl.
Pasha Malla writes like a reincarnated Kafka." —Ian Williams, winner of the Giller Prize for Reproduction Douglas Adams meets David Lynch in this ingenious, witty fable about one of North America's most surreal inventions—the local mall. After writing a letter in praise of malls, our eccentric narrator is offered a residency at a shabby suburban shopping centre. His mission: to occupy the mall for several weeks, splitting his time between "making work" and "engaging the public," all while chronicling his adventures in weekly progress reports. Before long, a series of strange after-hour events rattles our hero, and he sets forth on a nightly quest to untangle the mysterious forces at play in the mall's unmapped recesses. Things quickly get hairy, and our narrator's optimism about his mall residency descends into doubt, and then into a full-blown phantasmagoria of horror and (possibly) murder. With the aid of a weird and wonderful cast of mall-dwelling misfits--including a pony named Gary--our narrator is forced to conclude that his new residence may not be the temple of consumer bliss he initially imagined, but something far more sinister. And who, or what, is benefitting from its existence? Much like the shopping centres it praises and parodies, Pasha Malla’s wildly adventurous novel follows its own internal logic, channeling its narrator’s unshakeable innocence to explore the darker edges of human (and other) nature.
Erratic Fire, Erratic Passion is a collection of found poems composed of the words of professional athletes. The content of post-game interviews and sports chatter is so often meaningless, if not insufferable, and yet there are athletes like Metta World Peace who transcend lame clichés and rote patter, who use language in surprising ways, who can be funny and shocking and insightful and alarmingly sincere — pure poetry. Muhammad Ali offered dazzling displays of lexical wizardry, and Allen Iverson’s infamous “practice” rant shifted the post-game press conference from the banal to the absurd. This book is a celebration of these rare and exceptional moments. Various poetic forms and line-breaks highlight — or, in the words of Deion Sanders, “deem to set a candor on” — the sophisticated, sublime, and surprising performances of language made by professional athletes.
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