ZERO PIRANESI Giovanni Battista Piranesi's engravings, Campo Marzio dell'antica Roma of 1762, have a peculiar position within the discipline of ar- chitecture. With their dissemination, the folio collection of six etch- ings have till this day nurtured architects' speculations on the city. Since the Enlightenment, they - and in particular the Campo Marzio plan - have fuelled research, discussions and visions for the future of architecture. These engravings are also some of the most beau- tiful documents in Western architectural history. Zero Piranesi, is guest-edited by Peter Trummer. It celebrates Piranesi's vision of ancient Rome and the disciplinary search of the endless realities within his Campo Marzio plan of Rome. For Trummer, Zero Piranesi suggests an ar- chitectural methodology based on a theory of replacement. With it, Piranesi's plan of Rome is transformed into an "Object Plan" - a plan where multiple authors' various positions are absorbed. Thus, the "Object Plan" contains a kaleidoscope of ideas which form a crust of architectural speculations accumulated within. Zero Piranesi presents the seminal projects of Peter Eisenman and amongst others, Michael Young and Marrikka Trotter. Trummer's own version of Campo Marzio comprises of drawings and a text that together construct Zero Piranesi. Finally, the journal features the award winning projects of Städel-
Chapter 7. The Rise and Demise of the Green Movement -- Part IV: Irreconcilable Conflicts -- Chapter 8. Why the Movement Failed -- Chapter 9. Irreconcilable Conflicts and Endless Repression -- Chapter 10. The Path Forward -- Notes -- Index
This book is about how distinctions are drawn between civilians and combatants in modern warfare and how the legal principle of distinction depends on the technical means through which combatants make themselves visibly distinguishable from civilians. The author demonstrates that technologies of visualisation have always been part of the operation of the principle of distinction, arguing that the military uniform sustained the legal categories of civilian and combatant and actively set the boundaries of permissible and prohibited targeting, and so legal and illegal killing. Drawing upon insights from the theory of legal materiality, visual studies, critical fashion studies, and a dozen of military manuals he shows that far from being passive objects of regulation, these technologies help to draw the boundaries of the legitimate target. With its attention to the co-productive relationship between law, technologies of visualisation and legitimation of violence, this book will be relevant to a large community of researchers in international law, international relations, critical military studies, contemporary counterinsurgency operations and the sociology of law
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