This book seeks to help readers overseas gain a comprehensive understanding of Korean contemporary art by examining its various features and movements. Featured are the artists who have come to represent Korea since the modern concept of art was accepted, especially those active since the major expansion of Korean art overseas in the 2000s. The book also discusses the works of artists preceding that time, and finally the various spaces for Korean contemporary art, including exhibition halls, biennales, and art markets. Korean Contemporary Art, an Emerging Powerhouse of the Art World The Place of K-Art in the World K-Art, Crossing Boundaries Success of Korean Artists in Foreign Auctions Leading Figures in the K-Art Scene Hanguk-hwa, Korean Paintings Western Paintings Sculpture and Installation Art Photography Star Artists Attracting Global Attention History of K-Art The Characteristics of Traditional Korean Art The Origins of Contemporary Art (1910s?1950s) The Advent of Abstract Art (1960s?1970s) The Search for Koreanness (1980s) The Age of Postmodernism and Pluralism (1990s?present) K-Art in the Public Space Art Museums, Galleries and Alternative Spaces Art Markets: Where the Public and Experts Meet Big Art Shows: Gwangju Biennale, Busan Biennale, and Mediacity Seoul Epilogue The Potential and Direction of Korean Contemporary Art
This book seeks to help readers overseas gain a comprehensive understanding of Korean contemporary art by examining its various features and movements. Featured are the artists who have come to represent Korea since the modern concept of art was accepted, especially those active since the major expansion of Korean art overseas in the 2000s. The book also discusses the works of artists preceding that time, and finally the various spaces for Korean contemporary art, including exhibition halls, biennales, and art markets. Korean Contemporary Art, an Emerging Powerhouse of the Art World The Place of K-Art in the World K-Art, Crossing Boundaries Success of Korean Artists in Foreign Auctions Leading Figures in the K-Art Scene Hanguk-hwa, Korean Paintings Western Paintings Sculpture and Installation Art Photography Star Artists Attracting Global Attention History of K-Art The Characteristics of Traditional Korean Art The Origins of Contemporary Art (1910s?1950s) The Advent of Abstract Art (1960s?1970s) The Search for Koreanness (1980s) The Age of Postmodernism and Pluralism (1990s?present) K-Art in the Public Space Art Museums, Galleries and Alternative Spaces Art Markets: Where the Public and Experts Meet Big Art Shows: Gwangju Biennale, Busan Biennale, and Mediacity Seoul Epilogue The Potential and Direction of Korean Contemporary Art
Tae Kwon Do is more than just a fighting style: it combines self-defense, exercise, meditation, philosophy, and self-awareness to improve oneself physically, mentally, and spiritually. Over 400 million students in more than 188 countries have embraced the way of life that Tae Kwon Do provides. Tae Kwon Do, Third Edition combines a complete explanation of the physical aspects of the martial art with a full description of the philosophical elements of its training. It is perfect for both students trying to master techniques and teachers looking for a reliable reference. The authors believe that the true essence of Tae Kwon Do cannot be seen, touched, smelled, tasted, or heard, but only experienced. This book will guide students as they figure out what Tae Kwon Do means to them.
This volume comprises papers presented at the 2nd International Conference on Advanced Nondestructive Evaluation (ANDE 2007) held in Busan, Korea, on October 17-19, 2007. Many of the excellent papers included in this book show the current state of nondestructive technologies, which are experiencing rapid progress with the integration of emerging technologies in various fields. As such, this volume provides an avenue for both specialists and scholars to share their ideas and the results of their findings in the field of nondestructive evaluation.
The ancient Korean martial art of Tae Kwon Do allows its practitioners to reach physical prowess, moral development, and spiritual growth. Black Belt Tae Kwon Do is designed to meet the needs of students who wish to complete their black belt training with a reliable study source for solitary practice. This complete sourcebook combines a complete explanation of the physical aspects of the martial art with a full description of the philosophical elements of its training. More than seven hundred photographs illustrate practice routines, black belt forms, sparring strategies, and advanced self-defense techniques. Extensive appendixes include competition rules, weight and belt divisions, governing bodies of national and international organizations, and a glossary of Korean and English terms. Every serious student of Tae Kwon Do will want this manual, the only book of its kind endorsed by the World Tae Kwon Do Federation and the United States Tae Kwon Do Union.
When a country is in the midst of a crisis, the people have taken the lead and sacrificed their lives for this country and this people. Those who ate up the country and those who had the country taken away were rulers who wielded power. When Japanese pirates or north barbarians attacked, kings and dignitaries were busy crawling into the mountains to hide or to cross the river and run away their assholes off. It cannot but be a dishonorable act. The people have defended the country. Throughout the country, we will find that the history of local heroes who died bravely while defending their villages is engraved. For example, on the side of National Road 25 passing Hwaryeongjae on Baekdudaegangil, there is a monument to the heroes of the local or the village who died bravely while defending the country. In this way, these grasses, common people have been protecting this country. The Saemaul leaders are the village heroes who fought the enemy of poverty and won. We have known many anecdotes of perfection one good village leader raise the village completely. Record their accomplishments and leave behind to future generations. These are the heroes of our country. This is a famous saying from President Park Jeonghee's handwriting. The records in this book are the stories of the village heroes. At the end of the economic trend briefing session presided over by President Park Jeonghee, the Saemaul leader presented the success stories of his village. Each time the President sobbed as he heard this success. The attendees, including the minister and large corporate presidents, also sobbed, and the conference hall would soon become a sea of tears. These success stories are the story of village heroes who have overcome thorny difficulty, and the local history of the villagers. When I look into this anecdote, it is reminiscent that the English King George II is impressed by the Hallelujah choir when the Friedrich Händel’s Oratorio Messiah is premiered in London and then stood up on the spot. In celebration of the 50th anniversary of the Saemaul Undong, I rediscovered moving success stories from the dusty bookshelves while writing a separate book 'Saemaul so far'. After rediscovering this amazing story of a hero, I thought it was as important as a history textbook to tell the growing generation how our ancestors made our village and our country prosperous, rather than letting it sit as it is.
This study in comparative literature reinterprets and reevaluates literary texts and socio-historical transitions, moving between the Korean, East Asian, and European contexts (and with particular reference to the reception of Dante Alighieri in the East). In the process, it reexamines the universality of literary values and reopens the questions of what literature is and what it can do. By close reading of texts, it aims to give exposure to Korean literature, in such a way as to attract more attention to the field of world literature and to focus on what kind of relationship they can form and what new horizon of literariness they can construct in the future. This work will help to put the geography of world literature on a more open and just basis, by showing the porous nature of literary migration and supplying the missing links in the current discourse on world literature.
Since 1999, South Korean films have dominated roughly 40 to 60 percent of the Korean domestic box-office, matching or even surpassing Hollywood films in popularity. Why is this, and how did it come about? In Unexpected Alliances, Young-a Park seeks to answer these questions by exploring the cultural and institutional roots of the Korean film industry's phenomenal success in the context of Korea's political transition in the late 1990s and early 2000s. The book investigates the unprecedented interplay between independent filmmakers, the state, and the mainstream film industry under the post-authoritarian administrations of Kim Dae Jung (1998–2003) and Roh Moo Hyun (2003–2008), and shows how these alliances were critical in the making of today's Korean film industry. During South Korea's post-authoritarian reform era, independent filmmakers with activist backgrounds were able to mobilize and transform themselves into important players in state cultural institutions and in negotiations with the purveyors of capital. Instead of simply labeling the alliances "selling out" or "co-optation," this book explores the new spaces, institutions, and conversations which emerged and shows how independent filmmakers played a key role in national protests against trade liberalization, actively contributing to the creation of the very idea of a "Korean national cinema" worthy of protection. Independent filmmakers changed not only the film institutions and policies but the ways in which people produce, consume, and think about film in South Korea.
KOREA AND THE IMPERIALISTS Until the Korean War in 1950, except for evangelist Christian missionaries, Americans were not interested in Korea or considered it important in the scheme of things. Many did not know Korea had existed as an independent kingdom for centuries and others thought Korea might be a part of China or Japan. Nationalism, geopolitics, and imperialism were the major determinants of international events in the late nineteenth and early twentieth century. Greed and racism were the prime motivators of imperialism and non-White societies of the world were the victims. Korea was one of many countries that was invaded and made a "sphere of influence." With the support of America and Britain, Japan destroyed Korea's traditional national identity and made Korea a colony in the Japanese Empire. It was the perfect example of how imperialism profoundly affected the social, economic, and political life of countries subjugated by imperialist powers. After World War II, Korea was not granted independence because the Americans did not believe Koreans were capable of self-government. Korea was divided into two military occupation zones, resulting in the creation of a Russian and an American satellite state. In an effort to unite Korea, North Korea invaded South Korea. The U.S., China, and the two Korean states fought a meaningless war and Korea remains divided. Who are the Koreans? Why are there two Koreas? What is Korea's national identity? What role does imperialism and racism play in the destruction of national identities? Hopefully, this brief history of Korea and the Imperialists will provide some answers.
This book, first published in 1988, considers the problems that developing countries face when importing technology from abroad. The major issues - technical, economic, political - are analysed in the case of one particular country: Korea. The book describes the negotiations with the foreign companies that controlled the desired technology, the building of the plants, the training of engineers and managers to replace expatriots, the improvements of processes and products and the maintenance of efficient and profitable production. In their research the authors were given access to information usually kept confidential - government memoranda and minutes, company contacts and records, costs and prices. The book also considers how typical of the developing countries Korea is, and the authors make certain policy recommendations for the future.
This work explains the emergence of the radical student movement and the subsequent political transformation in South Korea in the last two decades. It pays particular attention to the various organising methods, the patterns of changing ideologies and political tactics of the student movement.
This book is about exploring and presenting a model of digital-based curriculum for Christian education suitable for the digital ways of learning, communicating, and thinking. Park discusses the limitations of analog-based curricula, most of current curricula, and necessities for digital-oriented ones. Then, he provides a new model of curriculum--curriculum as software. Curriculum as software is a curricular framework for embracing digital culture like open-flat network, service-centered management, interactive communication, and offline-online hybrid learning space. It consists of four spiral stages: analysis, design, simulation, and service. In the process of designing units, 4R Movement--a new learning theory--is utilized to encourage today's young people to construct their own knowledge after critically analyzing various resources of information. 4R-embeded courses are implemented in the four movements: reflection, reinterpretation, re-formation, and re-creation.
This book, the result of a landmark colloquium held in Korea to reflect on the role of education in Korean society, provides fascinating insights into the interplay of political evolution and pedagogy. Korea has gone from one of the world's poorest societies after the Korean War to one of its richest, and is a home of technological innovation; many attribute this ‘Korean Miracle’ to the emphasis placed on education in this Confucian society. How did the Korean state form, and how were educational institutions created and given legitimacy? During the industrialization period- roughly, 1961-1994- how did education foster national development? Lastly, since 1995's May 31 Education Reform, how has the educational system responded to and created a new information age in a newly democratic Korea? This book will be of interest to East Asian scholars, scholars of education, human resources development, and IT, and historians looking for ways to achieve the ‘Korean Miracle’ in their own countries.
When a country is in the midst of a crisis, the people have taken the lead and sacrificed their lives for this country and this people. Those who ate up the country and those who had the country taken away were rulers who wielded power. When Japanese pirates or north barbarians attacked, kings and dignitaries were busy crawling into the mountains to hide or to cross the river and run away their assholes off. It cannot but be a dishonorable act. The people have defended the country. Throughout the country, we will find that the history of local heroes who died bravely while defending their villages is engraved. For example, on the side of National Road 25 passing Hwaryeongjae on Baekdudaegangil, there is a monument to the heroes of the local or the village who died bravely while defending the country. In this way, these grasses, common people have been protecting this country. The Saemaul leaders are the village heroes who fought the enemy of poverty and won. We have known many anecdotes of perfection one good village leader raise the village completely. Record their accomplishments and leave behind to future generations. These are the heroes of our country. This is a famous saying from President Park Jeonghee's handwriting. The records in this book are the stories of the village heroes. At the end of the economic trend briefing session presided over by President Park Jeonghee, the Saemaul leader presented the success stories of his village. Each time the President sobbed as he heard this success. The attendees, including the minister and large corporate presidents, also sobbed, and the conference hall would soon become a sea of tears. These success stories are the story of village heroes who have overcome thorny difficulty, and the local history of the villagers. When I look into this anecdote, it is reminiscent that the English King George II is impressed by the Hallelujah choir when the Friedrich Händel’s Oratorio Messiah is premiered in London and then stood up on the spot. In celebration of the 50th anniversary of the Saemaul Undong, I rediscovered moving success stories from the dusty bookshelves while writing a separate book 'Saemaul so far'. After rediscovering this amazing story of a hero, I thought it was as important as a history textbook to tell the growing generation how our ancestors made our village and our country prosperous, rather than letting it sit as it is.
Korean Preaching, Han, and Narrative defines a narrative style of preaching as an alternative to the traditional expository and topical preaching that has dominated the Christian pulpit in Korean culture for more than one hundred years. From a psychological and aesthetic perspective, this book shows how humor in sermons can have a cathartic effect on Korean listeners. Furthermore, the narrative devices of Chunhyangjun suggest an endemic model for Korean Christian narrative preaching to bring the minjung healing from their han and transform their lives through the Gospel.
Foremost scholars of 1980s Korea revisit the current perspectives on this pivotal period, expanding the horizons of Korean cultural studies by reassessing old conventions and adding new narratives
Belonging in a House Divided chronicles the everyday lives of resettled North Korean refugees in South Korea and their experiences of violence, postwar citizenship, and ethnic boundary making. Through extensive ethnographic research, Joowon Park documents the emergence of cultural differences and tensions between Koreans from the North and South, as well as new transnational kinship practices that connect family members across the Korean Demilitarized Zone. As a South Korean citizen raised outside the peninsula and later drafted into the military, Park weaves in autoethnographic accounts of his own experience in the army to provide an empathetic and vivid analysis of the multiple overlapping layers of violence that shape the embodied experiences of belonging. He asks readers to consider why North Korean resettlement in South Korea is a difficult process, despite a shared goal of reunification and the absence of a language barrier. The book is essential reading for anyone interested in anthropology, migration, and the politics of humanitarianism.
As the political, economic, and cultural center of Chosŏn Korea, eighteenth-century Seoul epitomized a society in flux: It was a bustling, worldly metropolis into which things and people from all over the country flowed. In this book, Si Nae Park examines how the culture of Chosŏn Seoul gave rise to a new vernacular narrative form that was evocative of the spoken and written Korean language of the time. The vernacular story (yadam) flourished in the nineteenth century as anonymously and unofficially circulating tales by and for Chosŏn people. The Korean Vernacular Story focuses on the formative role that the collection Repeatedly Recited Stories of the East (Tongp’ae naksong) played in shaping yadam, analyzing the collection’s language and composition and tracing its reception and circulation. Park situates its compiler, No Myŏnghŭm, in Seoul’s cultural scene, examining how he developed a sense of belonging in the course of transforming from a poor provincial scholar to an urbane literary figure. No wrote his tales to serve as stories of contemporary Chosŏn society and chose to write not in cosmopolitan Literary Sinitic but instead in a new medium in which Literary Sinitic is hybridized with the vernacular realities of Chosŏn society. Park contends that this linguistic innovation to represent tales of contemporary Chosŏn inspired readers not only to circulate No’s works but also to emulate and cannibalize his stylistic experimentation within Chosŏn’s manuscript-heavy culture of texts. The first book in English on the origins of yadam, The Korean Vernacular Story combines historical insight, textual studies, and the history of the book. By highlighting the role of negotiation with Literary Sinitic and sinographic writing, it challenges the script (han’gŭl)-focused understanding of Korean language and literature.
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