One of the principle painters of the sixteenth century Venetian school, Paolo Veronese produced monumental works, portraying allegorical, biblical and historical subjects in splendid colour, set against the backdrop of Renaissance architecture. A master of colour, Veronese also excelled at illusionary compositions that extend the eye beyond the actual confines of the room. After an early period of Mannerism, he developed a naturalist style of painting, which was influenced by Titian and would go on to inspire the masters of the Baroque and later eras. His works are celebrated for their chromatic brilliance, sensibility of brushwork, aristocratic elegance and the sheer magnificence of spectacle. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Veronese’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Paolo Veronese – over 500 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Veronese’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Features two biographies, including Vasari’s original ‘Life’ Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Conversion of Mary Magdalene (1547) Enthroned Madonna and Child, Saint John the Baptist, Saint Louis of Toulouse and Donors (1548) Portrait of Iseppo da Porto and his son Adriano (1551) The Pala Giustinian (1551) Jupiter Hurling Thunderbolts and the Vices (1556) La Bella Nani (c. 1556) Ceiling of the Sala dell’Olimpo, Villa Barbaro (1560) The Wedding Feast at Cana (1563) The Family of Darius before Alexander (c. 1565) Portrait of Daniele Barbaro (1567) Feast at the House of Simon (1570) The Feast in the House of Levi (1573) Adoration of the Magi (1573) The Dream of Saint Helena (1578) Venus and Adonis (1580) Miracle of Saint Pantaleon (1587) The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Life of Paolino (1568) by Giorgio Vasari Veronese by François Crastre Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Rome's Galleria Borghese, home of the Borghese family, influential in the 17th and 19th centuries, now contains some of the greatest pieces of Western art. The home and museum features work by masters such as Raphael, Coanova, Bernini, and Caravaggio. This guidebook leads the reader room by room, describing each work of art along with its symbolism and cultural references. Also included are hundreds of color reproductions and commentary on each piece.
In this book Paolo Sachet provides a detailed account of the attempts made by the Roman Curia to exploit printing in the mid-sixteenth century, after the Reformation but before the implementation of the ecclesiastical censorship. Conventional wisdom holds that Protestant exploitation of printing was astute, active and forward-looking, whereas the papacy was inept, passive and reactionary in dealing with the relatively new medium of communication. Publishing for the Popes aims to provide an impartial assessment of this assumption. By focusing on the editorial projects undertaken by members of the Roman Curia between 1527 and 1555, Sachet examines the Catholic Church’s attitude towards printing, exploring its biases and tactics. See inside the book.
This new open access edition supported by the Fragility Fracture Network aims at giving the widest possible dissemination on fragility fracture (especially hip fracture) management and notably in countries where this expertise is sorely needed. It has been extensively revised and updated by the experts of this network to provide a unique and reliable content in one single volume. Throughout the book, attention is given to the difficult question of how to provide best practice in countries where the discipline of geriatric medicine is not well established and resources for secondary prevention are scarce. The revised and updated chapters on the epidemiology of hip fractures, osteoporosis, sarcopenia, surgery, anaesthesia, medical management of frailty, peri-operative complications, rehabilitation and nursing are supplemented by six new chapters. These include an overview of the multidisciplinary approach to fragility fractures and new contributions on pre-hospital care, treatment in the emergency room, falls prevention, nutrition and systems for audit. The reader will have an exhaustive overview and will gain essential, practical knowledge on how best to manage fractures in elderly patients and how to develop clinical systems that do so reliably.
La tranquillità di un piccolo centro rurale viene scossa da una efferata e sanguinosa rapina in villa. Stesa a terra non rimane la vittima prescelta, bensì uno dei predoni, sospettato di appartenere a una delle tante bande che scorrazzano nel Bel Paese nella quasi assoluta impunità. Gerry Donati, un investigatore privato, viene incaricato di recuperare il cospicuo bottino che i compari del morto sono riusciti a portar via. Con l’ausilio di un singolare collaboratore, indaga mettendo a nudo vizi e debolezze di una società perbenista e tranquilla solo in apparenza, scoprendo scomode e insospettabili verità. La vicenda si svolge nella cornice della ricca provincia veneta, nella quale i radicati costumi locali si intrecciano con le problematiche ormai globali dei nostri tempi.
During the last millennium B.C., before the coming of the Romans, the Etruscans built a thriving civilization in the western Mediterranean basin, which was rich in natural resources. From the eighth century B.C., Etruria became a destination on the Italian peninsula for refined works by artisans of the Hellenic regions, the Near East, and central Europe, and for masters from these regions, who emigrated and began to work for the local clientele. These artisans would contribute significantly to the development of an art that was recognizably Etruscan. The influence of Etruscan civilization on other cultures has received less attention from archaeologists than has the effect of the Eastern and Greek worlds on Etruscan culture. This lavishly illustrated volume seeks to redress this imbalance by tracing the Etruscans' impact beyond Etruria. It focuses on the panorama of their commerce and the Etruscan ideological and cultural initiatives that radiated from their native territory into other regions. Etruscan civilization spread across a surprisingly vast area, from ancient Italy out into the Mediterranean basin and continental Europe. The book devotes new attention to details that vary from region to region, with a number of chapters devoted to regional specialists. They offer fresh perspectives on the history, art, and political organization of a culture that, in many ways, remains mysterious.
Learn How to Airbrush Reptiles and Amphibians For the Beginners TABLE OF CONTENTS Introduction: Materials: Colors Terms Maintenance and Troubleshooting Tips How to Hold an Airbrush: Basic Airbrush Exercises: Airbrushing a Line Connecting Dots Gradation Effects Airbrush Exercises: Albino Rattlesnake Turtle Red-Eyed Tree Frog Komodo Dragon Toad Author Bio Publisher Introduction: First I want to congratulate you in advance, for picking up this eBook, second here is good news, anyone can learn how to use an Airbrush, if this is your first time to learn the tool, don’t worry, as I explain everything right here. You just need to learn and practice all the hand control exercises in the Basic Airbrush exercises, don’t worry at first if this goes like crazy and messy, in a long run I assure you will have the skill to be a good airbrush artist. Third I have to tell you that you need to invest in a good airbrush and also an air compressor, to start an airbrush artwork, I listed it on the Materials below for the type of Airbrush and other materials needed. I also have to mention you need a lot of patience when dealing with an airbrush especially if this is your first time, so please bear with me, as you read along you will learn the type of airbrush the suits you- best bet Top feed or Side feed type for Illustration that’s a big tip for you for starters and as well professionals. So let’s start learning about airbrush by reading this, and doing the exercises to acquire this airbrush skill- “Hand Control coordination and that Trigger Finger”, and remember have fun with it.
Mancosu offers an original investigation of key notions in mathematics: abstraction and infinity, and their interaction. He gives a historical analysis of the theorizing of definitions by abstraction, and explores a novel approach to measuring the size of infinite sets, showing how this leads to deep mathematical and philosophical problems.
1. Philosophy of Mathematics and Mathematical Practice in the Early Seventeenth Century p. 8 1.1 The Quaestio de Certitudine Mathematicarum p. 10 1.2 The Quaestio in the Seventeenth Century p. 15 1.3 The Quaestio and Mathematical Practice p. 24 2. Cavalieri's Geometry of Indivisibles and Guldin's Centers of Gravity p. 34 2.1 Magnitudes, Ratios, and the Method of Exhaustion p. 35 2.2 Cavalieri's Two Methods of Indivisibles p. 38 2.3 Guldin's Objections to Cavalieri's Geometry of Indivisibles p. 50 2.4 Guldin's Centrobaryca and Cavalieri's Objections p. 56 3. Descartes' Geometrie p. 65 3.1 Descartes' Geometrie p. 65 3.2 The Algebraization of Mathematics p. 84 4. The Problem of Continuity p. 92 4.1 Motion and Genetic Definitions p. 94 4.2 The "Causal" Theories in Arnauld and Bolzano p. 100 4.3 Proofs by Contradiction from Kant to the Present p. 105 5. Paradoxes of the Infinite p. 118 5.1 Indivisibles and Infinitely Small Quantities p. 119 5.2 The Infinitely Large p. 129 6. Leibniz's Differential Calculus and Its Opponents p. 150 6.1 Leibniz's Nova Methodus and L'Hopital's Analyse des Infiniment Petits p. 151 6.2 Early Debates with Cluver and Nieuwentijt p. 156 6.3 The Foundational Debate in the Paris Academy of Sciences p. 165 Appendix Giuseppe Biancani's De Mathematicarum Natura p. 178 Notes p. 213 References p. 249 Index p. 267.
This book explores a philosophy of learning inspired by humanistic ideals. It reflects on the transformative possibilities opened up by active engagement with experiential domains. It draws attention to epoch-making transformations in the history of Western civilization that have exposed the dynamic relation between conscience, emotions, and learning. An ecological model of learning is proposed that emphasizes emotional, ethical, and cognitive learning as holistic processes. The model focuses on the pragmatics of learning, the creativity of improvisation, rhetorically mediated experience, emotional settings, and the education of the senses. The book is based on an inclusive worldview. Its fundamental tenet is that rational inquiry, emotions, and morality form a continuum in human nature. Hence the book envisions novel scenarios, where learners are valued for their genuine struggle to realize their humane masterpieces.
At the end of the Second World War, America’s newly acquired status of hegemonic power- together with the launch of ambitious international programs such as the Marshall Plan- significantly altered existing transatlantic relations. In this context, Italian and American architectural cultures developed a fragile dialogue characterized by successful exchanges and forms of collaboration but also by reciprocal wariness. The dissemination of models and ideas concerning architecture generated complex effects and frequently led to surprising misinterpretations, obstinate forms of resistance and long negotiations between the involved parties. Issues of continuity and discontinuity dominated Italian culture and society at the time since at stake was the possible balance between allegedly long-established traditions and the prospect of a radical rupture with recent history. Architectural culture often contributed to reach a compromise between very diverging attitudes. Situated in the larger realm of studies on Americanization, this book questions current interpretations of transatlantic relations in architecture. By reconsidering the means and effects of the dialogue that unfolded between the two sides of the Atlantic during the postwar years, the volume analyzes how cultural and formal models were developed in one context and then modified when transferred to a new one as well as the fortune of this cultural exchange in terms of circulation, amplification, and simplification.
Is mathematics a discovery or an invention? Do numbers truly exist? What sort of reality do formulas describe? The complexity of mathematics - its abstract rules and obscure symbols - can seem very distant from the everyday. There are those things that are real and present, it is supposed, and then there are mathematical concepts: creations of our mind, mysterious tools for those unengaged with the world. Yet, from its most remote history and deepest purpose, mathematics has served not just as a way to understand and order, but also as a foundation for the reality it describes. In this elegant book, mathematician and philosopher Paolo Zellini offers a brief cultural and intellectual history of mathematics, ranging widely from the paradoxes of ancient Greece to the sacred altars of India, from Mesopotamian calculus to our own contemporary obsession with algorithms. Masterful and illuminating, The Mathematics of the Gods and the Algorithms of Men transforms our understanding of mathematical thinking, showing that it is inextricably linked with the philosophical and the religious as well as the mundane - and, indeed, with our own very human experience of the universe.
From Rabelais's celebration of wine to Proust's madeleine and Virginia Woolf's boeuf en daube in To the Lighthouse, food has figured prominently in world literature. But perhaps nowhere has it played such a vital role as in the Italian novel. In a book flowing with descriptions of recipes, ingredients, fragrances, country gardens, kitchens, dinner etiquette, and even hunger, Gian-Paolo Biasin examines food images in the modern Italian novel so as to unravel their function and meaning. As a sign for cultural values and social and economic relationships, food becomes a key to appreciating the textual richness of works such as Lampedusa's The Leopard, Manzoni's The Betrothed, Primo Levi's Survival in Auschwitz, and Calvino's Under the Jaguar Sun. The importance of the culinary sign in fiction, argues Biasin, is that it embodies the oral relationship between food and language while creating a sense of materiality. Food contributes powerfully to the reality of a text by making a fictional setting seem credible and coherent: a Lombard peasant eats polenta in The Betrothed, whereas a Sicilian prince offers a monumental macaroni timbale at a dinner in The Leopard. Similarly, Biasin shows how food is used by writers to connote the psychological traits of a character, to construct a story by making the protagonists meet during a meal, and even to call attention to the fictionality of the story with a metanarrative description. Drawing from anthropology, psychoanalysis, sociology, science, and philosophy, the author gives special attention to the metaphoric and symbolic meanings of food. Throughout he blends material culture with observations on thematics and narrativity to enlighten the reader who enjoys the pleasures of the text as much as those of the palate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Mark Antony was embroiled in the tumultuous events of the mid-1st century BC, which saw the violent transformation from the Roman Republic to the Roman Empire. After being defeated by Augustus he has often been characterized by hostile historians as a loyal henchman of his uncle Julius Caesar but without the guile and vision to attain greatness in his own right (hence Shakespeare casts him as a 'plain, blunt man' whom Caesar's assassins don't think it worthwhile to kill). In his infamous alliance and love affair with Cleopatra of Egypt he is also often seen as duped and manipulated by a sharper mind. Despite this there is no doubt Antony was a capable soldier. He first saw action leading a cavalry unit in Judaea, before giving valuable service to Julius Caesar in Gaul. He again served with distinction and led Caesar's right wing at the climactic battle of Pharsalus, and he was decisive in the defeat of the conspirators at Philippi which ended 100 years of Civil wars. But Paolo de Ruggiero re-assesses this pivotal figure, analyses the arguments of his many detractors, and concludes that he was much more than a simple soldier, revealing a more complex and significant man, and a decisive agent of change with a precise political vision for the Roman world.
The papers in this volume cover a wide spectrum of algebraic geometry, from motives theory to numerical algebraic geometry and are mainly focused on higher dimensional varieties and Minimal Model Program and surfaces of general type.
The object of this book is to illustrate the villas along the Brenta River as they appeared in the 18th century, and as they may be admired today from the river barge (Burchiello) going from Padova to Venice and vice-versa during the months (April-October) in which Mother Nature completes the suggestive architectural beauty of so many buildings in this tract of Venetian earth.
How to persuade citizens to enlist? How to convince them to fight in a war which was, for many, distant in terms of kilometres as well as interest? Modern persuasion techniques, both political and commercial, were used to motivate enlistment and financial support to build a "factory of consensus". The propagandists manipulated the public, guiding their thoughts and actions according to the wishes of those in power and were therefore the forerunners of spin doctors and marketing and advertising professionals. Their posters caught the attention of members of the public with images of children and beautiful women, involving them, nourishing their inner needs for well-being and social prestige, motivating them by showing them testimonials in amusing and adventurous situations, and inspiring their way of perceiving the enemy and the war itself, whose objective was to "make the world safe for democracy". In the discourse of this strategy we find storytelling, humour, satire and fear, but also the language of gestures, recognized as important for the completeness of messages. Were the propagandists "hidden persuaders" who knew the characteristics of the human mind? We do not know for certain. However, their posters have a personal and consistent motivation which this book intends to demonstrate.
This book covers the history of plastic surgery from the remarkable achievements of such ancient civilizations as India and Egypt up to the revolutionary techniques developed at the end of the Middle Age, the Renaissance and beyond. Coverage details how the knowledge of wound healing has changed and influenced plastic surgery, describes the development of various surgical reconstructive procedures and details the birth of Cosmetic Surgery.
The main objective of this book is to present a thorough update on stem cell research and the potential therapeutic applications of stem cells. The text is structured following a path that starts from the molecular basics and the biological properties of pluripotent, embryonic or reprogrammed stem cells, and it compares the different degrees of stemness, while describing the adult stem populations residing in the various tissues and organs of the human body. Starting from basic research, the book discusses examples of regenerative medicine that translate the experimental findings into clinical applications of cell therapy. Finally, the book reviews how stem cells represent a model to understand not only the physiological mechanisms that control their fate, but also the pathological mechanisms involved in the aberrant biology of cancer stem cells. Each chapter has been conceived by distinguished researchers in the field who provide detailed and updated contributions that distill knowledge in a very readable text.
The Lynx and the Telescope challenges the traditional interpretation of a programmatic convergence between the visions of Galileo and Cesi’s Academy, while offering a new interpretation of the dynamics that led to the condemnation of Galileo in 1633.
This exhaustive text covers all aspects of diagnosis and endovascular treatment of neurological and neurosurgical diseases of the pediatric central nervous system starting from their in utero expression. It also includes the vascular malformations of each district and their endovascular treatment. Besides the "normal" imaging techniques the advanced techniques (spectroscopy, diffusion, perfusion, and functional imaging) are covered in detail. Several topics that are often only superficially dealt with in other books are herewith covered in outstanding detail. The volume is richly illustrated with high-quality neuroradiological images, with pathological correlation where applicable. The rich analytic index makes it an easily usable tool in the everyday clinical practice. The book serves both as a reference for specialists (neuroradiologists, radiologists, neurosurgeons, neurologists, pediatricians) and as a teaching text for residents and fellows-in-training.
This book is the outcome of a field research carried out in a multilingual context, South Tyrol, with two perspectives, a sociological perspective and a musicology perspective on traditional music approaches of the three groups living in the area.
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