For the Galvani Bicentenary Celebrations, the University of Bologna and its Academy of Sciences singled out subnuclear physics as the field of scientific research to be associated with this important event, as it would best illustrate, for the new generation of students, the challenge inherent in fundamental sciences. Subnuclear physics was born 50 years ago and has represented, ever since, the new frontiers of Galilean science. In his opening lecture delivered on the first day of the new academic year, Professor Antonino Zichichi analytically reviewed the basic conceptual developments and main discoveries achieved in subnuclear physics during the last 50 years. Given the importance of this field of fundamental research, Professor Zichichi was invited to expand the contents of his lecture into a book, and the outcome is this invaluable volume.
Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.
This open access book addresses a palpable, yet widely neglected, tension in legal discourse. In our everyday legal practices – whether taking place in a courtroom, classroom, law firm, or elsewhere – we routinely and unproblematically talk of the activities of creating and applying the law. However, when legal scholars have analysed this distinction in their theories (rather than simply assuming it), many have undermined it, if not dismissed it as untenable. The book considers the relevance of distinguishing between law-creation and law-application and how this transcends the boundaries of jurisprudential enquiry. It argues that such a distinction is also a crucial component of political theory. For if there is no possibility of applying a legal rule that was created by a different institution at a previous moment in time, then our current constitutional-democratic frameworks are effectively empty vessels that conceal a power relationship between public authorities and citizens that is very different from the one on which constitutional democracy is grounded. After problematising the most relevant objections in the literature, the book presents a comprehensive defence of the distinction between creation and application of law within the structure of constitutional democracy. It does so through an integrated jurisprudential methodology, which combines insights from different disciplines (including history, anthropology, political science, philosophy of language, and philosophy of action) while also casting new light on long-standing issues in public law, such as the role of legal discretion in the law-making process and the scope of the separation of powers doctrine. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
Drawing on a wide range of literature and adopting a macroeconomic approach, this book provides a comprehensive overview of the Italian economy during the Renaissance, focusing on the period between 1348, the year of the Black Death, and 1630. The Italian Renaissance played a crucial role in the formation of the modern world, with developments in culture, art, politics, philosophy, and science sitting alongside, and overlapping with, significant changes in production, forms of organization, trades, finance, agriculture, and population. Yet, it is usually argued that splendour in culture coexisted with economic depression and that the modernity of Renaissance culture coincided with an epoch of epidemics, famines, economic crisis, poverty, and destitution. This book examines both faces of the Italian economy during the Renaissance, showing that capital per worker was plentiful and productive capacity and incomes were relatively high. The endemic presence of the plague, curbing population growth, played an important role in this. It is also shown that the organization of production in industry and finance, consumerism, human capital, and mercantile rationality were the forerunners of modern-day capitalism. This book is an invaluable resource for scholars and students of the Renaissance and Italian economic history.
In The History of Italian Marxism, Paolo Favilli offers an articulated analysis of the different levels at which Marx's ideas - and 'Marxism' as a doctrinal 'system' - were received in Italy from the time of the First International up till the eve of the First World War. Rejecting any linear understanding of the relation between Marx's texts and the assumption of Marxism as the ideology of the burgeoning workers' movement, Favilli explores the growth of different forms of Marxist culture through the period of the Paris Commune, the late-nineteenth-century debate on 'revisionism', and the rise of revolutionary syndicalism. Asking in each case whether 'Marxism' meant a science, an ideology, a way of doing politics, a utopia, a myth or a religion, Favilli goes on to assess which of these 'Marxisms' died with, and which have survived, the 'crisis' at the end of the twentieth century. With a new preface to the English edition. First published in Italian as Storia del marxismo italiano: dalle origini alla grande guerra, FrancoAngeli s.r.l. Milan, 1996.
One of Europe's most mythologized Marxist intellectuals of the 20th century, Pier Paolo Pasolini was not only a poet, filmmaker, novelist, and political martyr. He was also a keen critic of painting. An intermittently practicing artist in his own right, Pasolini studied under the distinguished art historian Roberto Longhi, whose lessons marked a life-long affinity for figurative painting and its centrality to a particular cinematic sensibility. Pasolini set out wilfully to "contaminate" art criticism with semiotics, dialectology, and film theory, penning catalogue essays and exhibition reviews alongside poems, autobiographical meditations, and public lectures on painting. His fiercely idiosyncratic blend of Communism and classicism, localism and civic universalism, iconophilia and aesthetic "heresy," animated and antagonized Cold War culture like few European contemporaries. This book offers numerous texts previously available only in Italian, each accompanied by an editorial note elucidating its place in the tumultuous context of post-war Italian culture. Prefaced by the renowned art historian T.J. Clark, a historical essay on Pasolini's radical aesthetics anchors the anthology. One hundred years after his birth, Heretical Aesthetics sheds light on one of the most consequential aspects of Pasolini's intellectual life, further illuminating a vast cinematic and poetic corpus along the way.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.