A rich historical pastiche of 17th- and 18th-century philosophy, science, and religion."—G. Y. Craig, New Scientist "This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the early modern era. . . . [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects—Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."—Nina Gelbart, American Scientist
The mnemonic arts and the idea of a universal language that would capture the essence of all things were originally associated with cryptology, mysticism, and other occult practices. And it is commonly held that these enigmatic efforts were abandoned with the development of formal logic in the seventeenth century and the beginning of the modern era. In his distinguished book, Logic and the Art of Memory Italian philosopher and historian Paolo Rossi argues that this view is belied by an examination of the history of the idea of a universal language. Based on comprehensive analyses of original texts, Rossi traces the development of this idea from late medieval thinkers such as Ramon Lull through Bruno, Bacon, Descartes, and finally Leibniz in the seventeenth century. The search for a symbolic mode of communication that would be intelligible to everyone was not a mere vestige of magical thinking and occult sciences, but a fundamental component of Renaissance and Enlightenment thought. Seen from this perspective, modern science and combinatorial logic represent not a break from the past but rather its full maturity. Available for the first time in English, this book (originally titled Clavis Universalis) remains one of the most important contributions to the history of ideas ever written. In addition to his eagerly anticipated translation, Steven Clucas offers a substantial introduction that places this book in the context of other recent works on this fascinating subject. A rich history and valuable sourcebook, Logic and the Art of Memory documents an essential chapter in the development of human reason.
Originally published in 1968. This volume discusses Francis Bacon’s thought and work in the context of the European cultural environment that influenced Bacon’s philosophy and was in turn influenced by it. It examines the influence of magical and alchemical traditions on Bacon and his opposition to these traditions, as well as illustrating the naturalist, materialist and ethico-political patterns in Bacon’s allegorical interpretations of fables.
A brilliant translation of this classic account of the art of memory and the logic of linkage and combination, the two traditions deriving from the Classical world and the late medieval period, and becoming intertwined in the 16th Century. From this intertwining emerged a new tradition, a grandiose project for an 'alphabet of the world' or 'Clavis Universalis'. Translated with an Introduction by Stephen Clucas.
Dedicato a chi vuole prendersi cura dei capelli. La salute del capello e della cute è molto importante. Il nostro metodo aiuta a migliorare la salute della cute e del capello.
This history of the birth of modern science shatters the illusion that science is 'dry' and divorced from culture by exploring the powerful clashes between traditions and value systems that gave rise to it. The author shows how many of the characteristics that distinguish science today emerged in the midst of the wars and plagues of the seventeenth century and defines what was new about this form of knowledge.
What would learning be without "thought?" Only a mere mnemonic exercise. Therefore - necesse est (it is necessary) - to think or at least have the courage to want to do so. In fact, thinking costs effort, thinking is complicated... difficult and often tiring. "Thinking about certain problems is so difficult that the mere thought of thinking about those problems can give you a headache".
This exhaustive text covers all aspects of diagnosis and endovascular treatment of neurological and neurosurgical diseases of the pediatric central nervous system starting from their in utero expression. It also includes the vascular malformations of each district and their endovascular treatment. Besides the "normal" imaging techniques the advanced techniques (spectroscopy, diffusion, perfusion, and functional imaging) are covered in detail. Several topics that are often only superficially dealt with in other books are herewith covered in outstanding detail. The volume is richly illustrated with high-quality neuroradiological images, with pathological correlation where applicable. The rich analytic index makes it an easily usable tool in the everyday clinical practice. The book serves both as a reference for specialists (neuroradiologists, radiologists, neurosurgeons, neurologists, pediatricians) and as a teaching text for residents and fellows-in-training.
This exhaustive text covers all aspects of diagnosis and endovascular treatment of neurological and neurosurgical diseases of the pediatric central nervous system starting from their in utero expression. It also includes the vascular malformations of each district and their endovascular treatment. Besides the "normal" imaging techniques the advanced techniques (spectroscopy, diffusion, perfusion, and functional imaging) are covered in detail. Several topics that are often only superficially dealt with in other books are herewith covered in outstanding detail. The volume is richly illustrated with high-quality neuroradiological images, with pathological correlation where applicable. The rich analytic index makes it an easily usable tool in the everyday clinical practice. The book serves both as a reference for specialists (neuroradiologists, radiologists, neurosurgeons, neurologists, pediatricians) and as a teaching text for residents and fellows-in-training.
This book, written by internationally recognized experts in the field, provides a comprehensive coverage of the diagnosis and treatment of portal hypertension. Detailed consideration is given to the newest diagnostic techniques, such as color Doppler and magnetic resonance that are able to offer both morphological and functional information. Medical, endoscopic, surgical, and radiological treatments are discussed in terms of indications, techniques, complications and long-term results, thereby providing the reader with an overview of the therapeutic alternatives and a sound basis for their selection. This volume will serve as an invaluable source of up-to-date information for all with an interest in the subject. TOC:Pathophysiology; Clinical Course in Liver Cirrhosis; Historical Review of Initial Experience in the Imaging and Pathophysiological Evaluation; Angiography and Radiological Anatomy; Vascular Anatomy; Doppler Ultrasound; Color Doppler; CT; Value of Multi-Detector Array CT in the Assessment of Portal Hypertension; Magnetic Resonance; MR Quantification of Portal Venous Flow; Portal Pressure Measurement; Medical Therapy; Endoscopic Treatment; Surgical Therapy: Port- and Meso-Caval Shunts; Distal Spleno Renal Shunt; Transmesenteric Method of Intrahepatic Portosystemic Shunt Placement: tm TIPS; TIPS: Historical Background and Techniques; TIPS: Complications; Transjugular Intrahepatic Shunt Stenosis and Thrombosis: Shunt Biology and Stent-Grafts; TIPS: Portal Thrombosis; TIPS in Egyptian Hepatic Schistosomiasis; Histological Findings in Transjugular Intrahepatic Portosystemic Shunts Stenosis; TIPS Follow-up: Color Doppler; plus 5 further chapters, Subject Index and List of Contributors.
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D’Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp’s ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D’Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature—yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease.
This book is a collection of more than 100 problems selected from the examination questions for a graduate course in theoretical physics. Every problem is discussed and solved in detail. A wide range of subjects is covered, from potential scattering to atomic, nuclear and high energy physics. Special emphasis is devoted to relativistic quantum mechanics and its application to elementary processes: S-matrix theory, the role of discrete symmetries, the use of Feynman diagrams and elementary perturbative quantum field theory.The course attaches great importance to recitation sessions, where thorough problem solving becomes a true test of mastery of theoretical background.The authors are experts in their fields. A Di Giacomo taught “theoretical physics” for about 20 years. G Paffuti and P Rossi held recitations for several years. More recently, Haris Panagopoulos followed suit. He assisted the authors in preparing this English version translated from the Italian.For physicists and especially for graduate and advanced undergraduate students in theoretical physics, this book is a positive guide in the intricacies of problem-solving. A further feature that adds practical value to this book is that most problems correspond to realistic physical processes and their numerical results are compared to experimental values whenever possible.
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