The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.
One of the principle painters of the sixteenth century Venetian school, Paolo Veronese produced monumental works, portraying allegorical, biblical and historical subjects in splendid colour, set against the backdrop of Renaissance architecture. A master of colour, Veronese also excelled at illusionary compositions that extend the eye beyond the actual confines of the room. After an early period of Mannerism, he developed a naturalist style of painting, which was influenced by Titian and would go on to inspire the masters of the Baroque and later eras. His works are celebrated for their chromatic brilliance, sensibility of brushwork, aristocratic elegance and the sheer magnificence of spectacle. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Veronese’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Paolo Veronese – over 500 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Veronese’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Features two biographies, including Vasari’s original ‘Life’ Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Conversion of Mary Magdalene (1547) Enthroned Madonna and Child, Saint John the Baptist, Saint Louis of Toulouse and Donors (1548) Portrait of Iseppo da Porto and his son Adriano (1551) The Pala Giustinian (1551) Jupiter Hurling Thunderbolts and the Vices (1556) La Bella Nani (c. 1556) Ceiling of the Sala dell’Olimpo, Villa Barbaro (1560) The Wedding Feast at Cana (1563) The Family of Darius before Alexander (c. 1565) Portrait of Daniele Barbaro (1567) Feast at the House of Simon (1570) The Feast in the House of Levi (1573) Adoration of the Magi (1573) The Dream of Saint Helena (1578) Venus and Adonis (1580) Miracle of Saint Pantaleon (1587) The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Life of Paolino (1568) by Giorgio Vasari Veronese by François Crastre Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
One of Europe's most mythologized Marxist intellectuals of the 20th century, Pier Paolo Pasolini was not only a poet, filmmaker, novelist, and political martyr. He was also a keen critic of painting. An intermittently practicing artist in his own right, Pasolini studied under the distinguished art historian Roberto Longhi, whose lessons marked a life-long affinity for figurative painting and its centrality to a particular cinematic sensibility. Pasolini set out wilfully to "contaminate" art criticism with semiotics, dialectology, and film theory, penning catalogue essays and exhibition reviews alongside poems, autobiographical meditations, and public lectures on painting. His fiercely idiosyncratic blend of Communism and classicism, localism and civic universalism, iconophilia and aesthetic "heresy," animated and antagonized Cold War culture like few European contemporaries. This book offers numerous texts previously available only in Italian, each accompanied by an editorial note elucidating its place in the tumultuous context of post-war Italian culture. Prefaced by the renowned art historian T.J. Clark, a historical essay on Pasolini's radical aesthetics anchors the anthology. One hundred years after his birth, Heretical Aesthetics sheds light on one of the most consequential aspects of Pasolini's intellectual life, further illuminating a vast cinematic and poetic corpus along the way.
Wave Mechanics and Wave Loads on Marine Structures provides a new perspective on the calculation of wave forces on ocean structures, unifying the deterministic and probabilistic approaches to wave theory and combining the methods used in field and experimental measurement.Presenting his quasi-determinism (QD) theory and approach of using small-scale field experiments (SSFEs), author Paolo Boccotti simplifies the findings and techniques honed in his ground-breaking work to provide engineers and researchers with practical new methods of analysis. Including numerous worked examples and case studies, Wave Mechanics and Wave Loads on Marine Structures also discusses and provides useful FORTRAN programs, including a subroutine for calculating particle velocity and acceleration in wave groups, and programs for calculating wave loads on several kinds of structures. - Solves the conceptual separation of deterministic and stochastic approaches to wave theory seen in other resources through the application of quasi-determinism (QD) theory - Combines the distinct experimental activities of field measurements and wave tank experiment using small-scale field experiments (SSFEs) - Simplifies and applies the ground-breaking work and techniques of this leading expert in wave theory and marine construction
In a unitary way, this monograph deals with a wide range of subjects related to the mechanics of sea waves. The book highlights recent theoretical results on the dynamics of random wind-generated waves, on long-term wave statistics, and on beach planform evolution. A fresh approach is given to more traditional concepts. For example, new evidence from a recent series of small-scale field experiments is used to introduce some crucial topics like wave forces. Also, the book gives some worked examples for the design of offshore or coastal structures. An exciting subject dealt with in the book is the quasi-deterministic mechanics of three-dimensional wave groups in sea storms, and the loads exerted by these wave groups on offshore structures.The text is intended for researchers and graduate students in ocean engineering, but may also be understood by undergraduates. The more complex concepts are explained with examples or more extensive case studies.
How accurate is the picture of the human mind that has emerged from studies in neuroscience, psychology, and cognitive science? Anybody with an interest in how minds work - how we learn about the world and how we remember people and events - may feel dissatisfied with the answers contemporary science has to offer. Sensorimotor Life draws on current theoretical developments in the enactive approach to life and mind. It examines and expands the premises of the sciences of the human mind, while developing an alternative picture closer to people's daily experiences. Enactive ideas are applied and extended, providing a theoretically rich, naturalistic account of meaning and agency. The book includes a dynamical systems description of different types of sensorimotor regularities or sensorimotor contingencies; a dynamical interpretation of Piaget's theory of equilibration to ground the concept of sensorimotor mastery; and a theory of agency as organized networks of sensorimotor schemes, as well as its implicatons for embodied subjectivity. Written for students and researchers of cognitive science, the authors offer a fuller view of the mind, a view better attuned to the experiences of people who live, work, love, struggle, and age, thrown into a world of meaningful relations they help create. Additionally, the book is of interest to neuroscientists, psychiatrists, and philosophers of science.
Our knowledge of Manetho is uncertain, but we can affirm three things that are: his homeland, his priesthood in Heliopolis and his activity for the introduction of the cult of Serapis. The name Manetho can be explained as "The Truth of Thoth", and under the XIX Dynasty it is described as "First Priest of the Truth of Thoth". "Manetho" is from the Coptic "spouse" "herdsman" "horse", but the word does not seem to appear elsewhere as a proper name. Under the name of Manetho, Suida seems to distinguish two writers: Manetho di Mendes in Egypt, chief priest who wrote about the realization of Kyphi and Manetho di Diospoli or Sebennytus, works "A Treatise on Physical Doctrines" and "Apotelesmatica" (or Astrological Influences), in verses hexameters, and other astrological works. He describes himself as "High priest and scribe of the holy shrines of Egypt, born in Sebennytus and living in Heliopolis". To Manetho we owe the division into thirty dynasties of the history of ancient Egypt, this subdivision is partly confirmed also by other sources such as the Royal Canon.
This research guide is an annotated bibliography of primary and secondary sources and catalogue of Bartók’s compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bartók research. The third edition of this research guide provides an update in this field and represents the multidisciplinary research areas in the growing Bartók literature.
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D’Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp’s ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D’Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature—yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease.
For the Galvani Bicentenary Celebrations, the University of Bologna and its Academy of Sciences singled out subnuclear physics as the field of scientific research to be associated with this important event, as it would best illustrate, for the new generation of students, the challenge inherent in fundamental sciences. Subnuclear physics was born 50 years ago and has represented, ever since, the new frontiers of Galilean science. In his opening lecture delivered on the first day of the new academic year, Professor Antonino Zichichi analytically reviewed the basic conceptual developments and main discoveries achieved in subnuclear physics during the last 50 years. Given the importance of this field of fundamental research, Professor Zichichi was invited to expand the contents of his lecture into a book, and the outcome is this invaluable volume.
Rome's Galleria Borghese, home of the Borghese family, influential in the 17th and 19th centuries, now contains some of the greatest pieces of Western art. The home and museum features work by masters such as Raphael, Coanova, Bernini, and Caravaggio. This guidebook leads the reader room by room, describing each work of art along with its symbolism and cultural references. Also included are hundreds of color reproductions and commentary on each piece.
In his latest book Dr. Pieraccini makes a major contribution not only to the annals of the Franciscan Order but also to the history of Cyprus, a Greek-speaking island off the coast of Turkey that had long provided port facilities for trade with the East and that was an important staging post on the sea route for pilgrims to the Holy Land. After the waning of the Crusades at the end of the 13th century it became “the most important Christian outpost in the Mediterranean”. Even so, Catholics – whether Latins or Maronites – never made up more than 1% of the overall population of the island. In essence this is a tale of survival against the odds over the centuries, thanks to the stubborn resilience of the Franciscan friars and the Catholic faithful, especially the Maronites, in the face of great human and natural adversity. Among the perennial challenges the Order faced were those of a shortage of water, barren soil, “bad air” – malaria – a poor climate, and the hostility of the majority population of Greeks and Muslims.
About two centuries after the communication by Sir Percival Pott that the "chimney sweeper disease" was a cancer and its suggestion that active compounds of soot were the causative agents, and about one century after the description of urinary bladder cancer in dye workers, an enormous number of substances have been synthesized and have probably come into contact with man. Research in cancer prevention is of primary importance, and may receive continuous support from new discoveries on cancer etiology and pathogenesis. If one accepts the multistage model of chemical carcinogenesis, one has also to accept that many events occur between the contact of carcino genic compounds and their specific targets and the development of a clinically recognizable neoplasm. Thus, animal studies become essential to elucidate the different steps by which chemical carcinogens induce neoplasia. The analysis of these steps and the comparative evaluation of experimental models is essential to an understanding of pathogenesis.
The Renaissance philosopher Pietro Pomponazzi (1462-1525) is mostly known for denying the human mind’s immateriality (and immortality) in accordance with his radical understanding of Aristotelianism. Pomponazzis Erkenntnistheorie attempts to reconstruct his theory of cognition. The author, Paolo Rubini, focuses on Pomponazzi’s scattered views about the mind’s ontological status and cognitive capacities, puts them into the context of Aristotelian-Scholastic psychology, and interprets them by reference to Pomponazzi’s ‘naturalistic’ approach to the human soul. Particular interest is devoted to the role of representations in cognitive acts, the functional link between intellect and imagination, and the process of abstraction. The study is based on Pomponazzi’s published writings about immortality as well as on unpublished records of his lectures about Aristotle’s De anima.
Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison's and Lumière's first experiments to the dawn of 'talkies'; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.
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