The authors study the (micro)hypoanalyticity and the Gevrey hypoellipticity of sums of squares of vector fields in terms of the Poisson-Treves stratification. The FBI transform is used. They prove hypoanalyticity for several classes of sums of squares and show that their method, though not general, includes almost every known hypoanalyticity result. Examples are discussed.
About two centuries after the communication by Sir Percival Pott that the "chimney sweeper disease" was a cancer and its suggestion that active compounds of soot were the causative agents, and about one century after the description of urinary bladder cancer in dye workers, an enormous number of substances have been synthesized and have probably come into contact with man. Research in cancer prevention is of primary importance, and may receive continuous support from new discoveries on cancer etiology and pathogenesis. If one accepts the multistage model of chemical carcinogenesis, one has also to accept that many events occur between the contact of carcino genic compounds and their specific targets and the development of a clinically recognizable neoplasm. Thus, animal studies become essential to elucidate the different steps by which chemical carcinogens induce neoplasia. The analysis of these steps and the comparative evaluation of experimental models is essential to an understanding of pathogenesis.
Now in paperback, a collection of the legendary filmmaker's short fiction and nonfiction from 1950 to 1966, in which we see the machinations of the creative mind in post-World War II Rome. In a portrait of the city at once poignant and intimate, we find artistic witness to the customs, dialect, squalor, and beauty of the ancient imperial capital that has succumbed to modern warfare, marginalization, and mass culture. The sketches portray the impoverished masses that Pasolini calls "the sub-proletariat," those who live under Third World conditions and for whom simple pleasures, such as a blue sweater in a storefront window, are completely out of reach. Pasolini's art develops throughout the works collected here, from his early lyricism to tragicomic outlines for screenplays, and finally to the maturation of his Neo-realism in eight chronicles on the shantytowns of Rome. The pieces in this collection were all published in Italian journals and newspapers, and then later edited by Walter Siti in the original Italian edition.
The papers in this volume cover a wide spectrum of algebraic geometry, from motives theory to numerical algebraic geometry and are mainly focused on higher dimensional varieties and Minimal Model Program and surfaces of general type.
The Lynx and the Telescope challenges the traditional interpretation of a programmatic convergence between the visions of Galileo and Cesi’s Academy, while offering a new interpretation of the dynamics that led to the condemnation of Galileo in 1633.
Making the European Union “stronger and more equitable”. That’s the aim of this document which Paolo Savona, the European Affairs Minister, has submitted to the European authorities on behalf of the Italian Government. It contains a series of proposals to complete the European institutional architecture and to correct the policies currently followed, by promoting an intra-European dialogue in the framework of a high level working group composed by the Representatives of the Commission and the Member States in order to offer more social well-being and growth opportunities which could combine with the requests for monetary and financial stability, whose satisfaction, contrarily to the first two objectives, is endowed with good tools. All this in line with the commitments made in the Treaties that followed one another from that of Maastricht onwards. One central point of this proposal is that the governance of the European economy and society can not be entrusted to mechanical rules typical of the private governance organization that is prevalently aimed at the efficient management of resources, but to political choices which start from the changing structural and conjunctural conditions of the individual Member States and the Union inspired by a “Politeia”, that is, the ways in which the common good is organized in order to embrace the social issues with particular regard to the needs of the weakest parts of the population.
The archaeological investigation and the architectural survey conducted at Villa Arianna at Stabiae between 2010 and 2019 form the core of this book. The author's motivation to start on a large-scale study began with the wall constructions, paintings, and mosaics that have gradually been uncovered over the years. His book offers an in-depth comprehension of the history, the decorations, and the construction dynamics of the building from its foundation as country villa to the eruption of Mount Vesuvius in 79 CE. For the first time it provides a synthesis of the archaeological evidence, the ancient texts and the journals of the Bourbon age excavations. The first part of the book is divided into four narrative chapters, which unearth essential environmental and historical-archaeological information. The second part consists of three chapters and the conclusion. They evaluate the results of the recent excavations and the evidence obtained from the study of the archaeological findings. The book offers a rare diachronic and synchronic biography of this unique villa. It offers students, scholars, and enthusiasts alike profound first-hand insights into Roman archaeology and one of its material manifestations, the Roman villa.
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D’Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp’s ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D’Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature—yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease.
We study the unconstrained (free) motion of an elastic solid B in a Navier-Stokes liquid L occupying the whole space outside B, under the assumption that a constant body force b is acting on B. More specifically, we are interested in the steady motion of the coupled system {B,L}, which means that there exists a frame with respect to which the relevant governing equations possess a time-independent solution. We prove the existence of such a frame, provided some smallness restrictions are imposed on the physical parameters, and the reference configuration of B satisfies suitable geometric properties.
IACP AWARD FINALIST • An epic, exquisitely photographed road trip through the Italian countryside, exploring the ancient traditions, master artisans, and over 80 storied recipes that built the iconic cuisine of Rome When former food writer Jarrett Wrisley and chef Paolo Vitaletti decided to open an Italian restaurant, they didn’t just take a trip to Rome. They spent years crisscrossing the surrounding countryside, eating, drinking, and traveling down whatever road they felt like taking. Only after they opened Appia, an authentic Roman trattoria in Bangkok of all places, did they realize that their epic journey had all the makings of a book. So they went back. And this time, they took a photographer. Roman cuisine doesn’t come from Rome, exactly, but from the roads to Rome—the trade routes that brought foods from all over Italy to the capital. In The Roads to Rome, Jarrett and Paolo weave their way between Roman kitchens and through the countryside of Lazio, Umbria, and Emilia-Romagna, meeting farmers and artisans and learning about the origins of the ingredients that gave rise to such iconic dishes as pasta Cacio e Pepe and Spaghetti all’Amatriciana. They go straight to source of the beloved dishes of the countryside, highlighting recipes for everything from Vignarola bursting with sautéed artichokes, fava beans, and spring peas with guanciale to Porchetta made with crisp-roasted pork belly and loin. Five years in the making, part-cookbook and part-travelogue, The Roads to Rome is an ode to the butchers, fishermen, and other artisans who feed the city, and how their history and culture come to the plate.
This innovative environmental history of the long-lived European chestnut tree and its woods offers valuable perspectives on the human transition from the Roman to the medieval world in Italy. Integrating evidence from botanical and literary sources, individual charters and case studies of specific communities, the book traces fluctuations in the size and location of Italian chestnut woods to expose how early medieval societies changed their land use between the fourth and eleventh centuries, and in the process changed themselves. As the chestnut tree gained popularity in late antiquity and became a valuable commodity by the end of the first millennium, this study brings to life the economic and cultural transition from a Roman Italy of cities, agricultural surpluses and markets to a medieval Italy of villages and subsistence farming.
This book presents a collection of coordinated scientific papers describing the work conducted and the results achieved within the LOGIDATA+ project, a research action funded by the Italian national research council CNR. Theaim of the LOGIDATA+ project is the definition of advanced database systems which significantly extend the functionalities of the current systems, with specific reference to the application areas for which relational systemsare not considered satisfactory. These new systems will allow the definitionof data with complex structures, the representation of semantic relationships between objects, and the use of powerful query and update languages. They will be based on a combination of techniques originatingfrom relational databases and logic programming, with contributions from object-oriented programming. The goal of the LOGIDATA+ project is the design, definition, and prototype implementation of a database management system with complex structures and a class hierarchy, to be accessed through a rule-based language. This book presents an integrated view of the project at the end of the first phase. The second phase will be mainly concerned with the implementation of prototypes.
Eleven conversations taken from as many issues of Fata Morgana. Eleven conversations which synthesize the project behind the journal which was born in spring 2006. At the time it was decided against having an editorial comment because of the conviction that if the journal was going to succeed it would speak for itself. However, the time has come to say a few words. A journal is first and foremost a collective gesture whose outline creates a field. The gesture made by Fata Morgana, which at the beginning was only an intuition and then it slowly developed, is the same one that makes cinema a place and an opportunity to think about contemporaneity. It is not simply about what happens around us; it is what emerges from within the events which gather around a concept: from the concept of Bíos (issue No. 0) to the concept of the Sacred (issue No. 10). In this perspective, cinema needs to be interpreted and understood as having its own un-specific specificity. It needs to be interpreted and understood in its principal form where it is capable of categorizing its un-specificity, in other words, its autonomous form where it can categorize its heteronomy. This means thinking about a concept starting from cinema, and thinking about cinema starting from the concept. Thus, cinema becomes a special place and an opportunity to think about the universality of the concept (as a marker of contemporaneity) and the concept becomes the perspective from which to conceive cinema. By avoiding the double edged sword of a sterile specificity or of a self serving un-specificity cinema becomes the quintessential way of thinking about modernity where autonomy of aesthetical form is affirmed in its heteronomy, and its individuation imposes itself as a dis-individuation.
A gripping tale of three crucial battles fought at the end of 1943 as Allied forces approached the Gustav Line in Italy. After repulsing the German counter-attack at Salerno in September 1943, the US Fifth Army and British Eighth Army advanced up the Italian Peninsula. By October, the Allied armies had reached the Volturno Line, forcing a critical decision in German strategy: a prolonged defence would be conducted in southern Italy, contesting the Allied advance using the complex terrain features. By mid-November, the two Allied armies were approaching the German defensive lines along the Garigliano and the Sangro rivers. Here, US 5th Army would attack through the Mignano gap towards San Pietro Infine, while British Eighth Army would seize Ortona on the Adriatic coast and Orsogna. A brutal struggle ensued, with the German defenders attempting to hold their positions. The fighting at Ortona in particular (labelled a 'mini Stalingrad') would be particularly grueling for the Canadian forces involved. This fascinating work focuses on several little-known battles fought in Italy following the German withdrawal from the Salerno bridgehead and from Taranto. Maps and diagrams present an easy to follow overview of the multiple operations of this complex campaign. The forces of the opposing sides (including American, German, Canadian, New Zealand and British troops), and the three decisive battles fought in late 1943, are brought vividly to life in period photos and superb battlescene artworks.
With the proclamation of the Armistice, the whole territory that included Friuli-Venezia Giulia, the Provinces of Ljubljana and Istria, considered of vital importance for the communication lines and for the supply of the German Army in Italy, was absorbed by the Reich, under the jurisdictional form of the so-called Zone of Operations of the Adriatic Coast (O.Z.A.K.). The government of the R.S.I. attempted to restore its authority in the O.Z.A.K. even in the military field, but German interference was always fierce. The reconstituted Legions of the M.V.S.N. were prevented to join the G.N.R. and the Germans imposed on these units the denomination of Territorial Defense Militia (Milizia Difesa Territoriale M.D.T.), formally part of the G.N.R., but autonomous in the reality. The M.D.T. was configured as a "Landschutz", that is a defense unit of the territory. In parallel, the Prefect Coceani and the Podestà Pagnini promoted the establishment of a self-defense unit, the Civic Guard, in Trieste, an example followed in other cities in the region.
From Rabelais's celebration of wine to Proust's madeleine and Virginia Woolf's boeuf en daube in To the Lighthouse, food has figured prominently in world literature. But perhaps nowhere has it played such a vital role as in the Italian novel. In a book flowing with descriptions of recipes, ingredients, fragrances, country gardens, kitchens, dinner etiquette, and even hunger, Gian-Paolo Biasin examines food images in the modern Italian novel so as to unravel their function and meaning. As a sign for cultural values and social and economic relationships, food becomes a key to appreciating the textual richness of works such as Lampedusa's The Leopard, Manzoni's The Betrothed, Primo Levi's Survival in Auschwitz, and Calvino's Under the Jaguar Sun. The importance of the culinary sign in fiction, argues Biasin, is that it embodies the oral relationship between food and language while creating a sense of materiality. Food contributes powerfully to the reality of a text by making a fictional setting seem credible and coherent: a Lombard peasant eats polenta in The Betrothed, whereas a Sicilian prince offers a monumental macaroni timbale at a dinner in The Leopard. Similarly, Biasin shows how food is used by writers to connote the psychological traits of a character, to construct a story by making the protagonists meet during a meal, and even to call attention to the fictionality of the story with a metanarrative description. Drawing from anthropology, psychoanalysis, sociology, science, and philosophy, the author gives special attention to the metaphoric and symbolic meanings of food. Throughout he blends material culture with observations on thematics and narrativity to enlighten the reader who enjoys the pleasures of the text as much as those of the palate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Portal hypertension has traditionally attracted great interest from physicians, surgeons, and radiologists owing to the accompanying high risk of gastrointestinal hemorrhage. Against this background the current volume, written by internationally recognized experts, sets out to provide a comprehensive coverage of the diagnosis and treatment of portal hypertension. An extensive description of the vascular anatomy of the portal system is given, and the pathophysiology and clinical characteristics of the disorder are reviewed. Both conventional and newer diagnostic techniques are then discussed and illustrated, particular attention being paid to techniques such as color Doppler and magnetic resonance that can simultaneously provide morphological and functional information. Medical, endoscopic, surgical, and radiological treatments are all considered, with special emphasis on the use of transjugular intrahepatic porto-systemic shunt (TIPS). Possible complications of treatment receive due attention, and avenues for future research are outlined. This volume will serve as an invaluable source of up-to-date information for all with an interest in the subject, and will provide a sound basis for therapeutic decision making.
This book presents a comprehensive analysis of the Italian experience of transitional justice examining how the crimes of Fascism and World War II have been dealt with from a comparative perspective. Applying an interdisciplinary and comparative methodology, the book offers a detailed reconstruction of the prosecution of the crimes of Fascism and the Italian Social Republic as well as crimes committed by Nazi soldiers against Italian civilians and those of the Italian army against foreign populations. It also explores the legal qualification and prosecution of the actions of the Resistance. Particular focus is given to the Togliatti Amnesty, the major turning point, through comparisons to the wider European post-WWII transitional scenario and other relevant transitional amnesties, allowing consideration of the intense debate on the legitimacy of amnesties under international law. The book evaluates the Italian experience and provides an ideal framework to assess the complexity of the interdependencies between time, historical memory and the use of criminal law. In a historical moment marked by the resurgence of racism, neo-fascism, falsifications of the past, as well as the desire to amend the faults of the past, the Italian unfinished experience of dealing with the Fascist era can help move the discussion forward. The book will be essential reading for students, researchers and academics in International Criminal Law, Transitional Justice, History, Memory Studies and Political Science.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.