In a nameless Greek village, the lives of its citizens--the priest, the whore, the doctor, the seamstress, the mayor--and even its animals--a centaur, a parrot that recites Homer, a horse called History--are entwined. As their lives intersect, their hidden crimes, their little infamies, are revealed, in a place full of passion, cruelty, and deep reserves of black humor.
From the heart-in-mouth opening scene to its melancholy ending, We are Made of Earth is a skilled blend of seductive linguistic simplicity and luminous moral depth. In Karnezis' confident hands, a timely story of refugee arrival on a foreign shore—a prismatic exploration of the moral and emotional price those leaving their homeland must pay for peace and security—is transformed into a timeless narrative of connection and disorientation, longing and self-doubt. With Karnezis' trademark 'details catching like splinters in that part of the imagination that responds to pure storytelling' (TLS), We are Made of Earth opens when an overcrowded dinghy capsizes at sea. A doctor is among the refugees thrown overboard. In the panic, he saves one life and condemns another. The doctor and the boy he saves—the only witness to the crime—wash up on a tiny Greek island where they are offered shelter by the owner of a small travelling circus. Debt-ridden, the circus owner has just one asset: an Asian elephant, far from her natural habitat but lovingly tended by the owner's wife even as she mourns their young daughter. As the two refugees await an endlessly deferred ferry to continue their journey, the displaced elephant becomes both symbolic and substantial, and the unfortunate catalyst for precisely the kinds of misunderstandings and misinterpretations that regularly drown lives. At once timely and timeless, this powerful and absorbing novel by Panos Karnezis explores the price of peace and security through the intimate motivations and moral dilemmas of people bound together by fate and circumstance.
A spellbinding, major new novel from one of Britain's finest young writers. A taut, suspenseful tale of an unexpected arrival at a Spanish convent and the intrigue that ensues among the order. Those whom God wishes to destroy he first makes mad... The crumbling convent of Our Lady of Mercy stands alone in an uninhabited part of the Spanish sierra, hidden on a hill among dense pine forest. Its inhabitants are devoted to God, to solitude and silence; six women cut off from the world they've chosen to leave behind. This is all to change, on the day that Mother Superior Maria Ines discovers a suitcase punctured with air-holes at the entrance to the retreat. Soon she is to find the box and its contents are to have consequences beyond her imagining, and that even in her carefully protected sanctuary she is unable to keep the world, or her past, at bay. The Convent is storytelling at its very best: enthralling, highly readable and wonderfully atmospheric.
Knopf Canada is proud to welcome an internationally acclaimed, award-winning writer with his brilliant novel that tells the story of one of world’s richest and most infamous tycoons. As dawn breaks on a small island late in the summer of 1975, a tycoon wakes up to oversee the final preparations for his daughter’s birthday party. Finding out that she is pregnant by someone he does not approve of, he tries to persuade her to end the pregnancy: his private doctor – and oldest friend – is standing by to perform the procedure. Among the other guests is the tycoon’s ambitious biographer. The story intersperses the riveting events that unfold during the day of the party with the tycoon’s rise to wealth and fame, from childhood in Asia Minor to old age, via Buenos Aires, New York, London and Paris, and the attempts of his young biographer to bring his subject’s true personality to light. The Birthday Party is at once fascinating, revealing and hilarious – a gripping novel that comments upon the art of biography and the invention of a human life.
In a remote corner of a Latin American rainforest, Father Thomas, a Catholic priest, comes across a badly wounded soldier and takes him to his church in an Indian village. The Indians, whose traditional way of life is under threat from outsiders, are wary of this latest new arrival. Venustiano, the proud young head of the village, is determined to protect his people, but feels powerless against the forces around him u and can trust nobody, not even Father Thomas. But his immediate problem is the bloodthirsty jaguar prowling around the village: for Venustiano is the only Indian with a gun, and he means to use it.
From the heart-in-mouth opening scene to its melancholy ending, We are Made of Earth is a skilled blend of seductive linguistic simplicity and luminous moral depth. In Karnezis' confident hands, a timely story of refugee arrival on a foreign shore—a prismatic exploration of the moral and emotional price those leaving their homeland must pay for peace and security—is transformed into a timeless narrative of connection and disorientation, longing and self-doubt. With Karnezis' trademark 'details catching like splinters in that part of the imagination that responds to pure storytelling' (TLS), We are Made of Earth opens when an overcrowded dinghy capsizes at sea. A doctor is among the refugees thrown overboard. In the panic, he saves one life and condemns another. The doctor and the boy he saves—the only witness to the crime—wash up on a tiny Greek island where they are offered shelter by the owner of a small travelling circus. Debt-ridden, the circus owner has just one asset: an Asian elephant, far from her natural habitat but lovingly tended by the owner's wife even as she mourns their young daughter. As the two refugees await an endlessly deferred ferry to continue their journey, the displaced elephant becomes both symbolic and substantial, and the unfortunate catalyst for precisely the kinds of misunderstandings and misinterpretations that regularly drown lives. At once timely and timeless, this powerful and absorbing novel by Panos Karnezis explores the price of peace and security through the intimate motivations and moral dilemmas of people bound together by fate and circumstance.
An impressive addition to the works of a master storyteller."—The Independent The crumbling convent of Our Lady of Mercy stands alone in an uninhabited part of the Spanish sierra, hidden on a hill among dense forest. Its inhabitants are devoted to God, to solitude and silence—six women cut off from a world they've chosen to leave behind. This all changes on the day that Mother Superior Maria Ines discovers a suitcase punctured with air holes at the entrance to the retreat: a baby, abandoned to its fate. Is it a miracle? Soon she will find that the baby's arrival has consequences beyond her imagining, and that even in her carefully protected sanctuary she is unable to keep the world, or her past, at bay. In this beautifully told novel, "we witness justice and injustice, theological controversy, the politics of a tiny enclosed society, despair, cruelty, generosity, scandal, suspicion and suicide, all told with immense verve and skill" (London Sunday Times).
In a nameless Greek village, the lives of its citizens--the priest, the whore, the doctor, the seamstress, the mayor--and even its animals--a centaur, a parrot that recites Homer, a horse called History--are entwined. As their lives intersect, their hidden crimes, their little infamies, are revealed, in a place full of passion, cruelty, and deep reserves of black humor.
Knopf Canada is proud to welcome an internationally acclaimed, award-winning writer with his brilliant novel that tells the story of one of world’s richest and most infamous tycoons. As dawn breaks on a small island late in the summer of 1975, a tycoon wakes up to oversee the final preparations for his daughter’s birthday party. Finding out that she is pregnant by someone he does not approve of, he tries to persuade her to end the pregnancy: his private doctor – and oldest friend – is standing by to perform the procedure. Among the other guests is the tycoon’s ambitious biographer. The story intersperses the riveting events that unfold during the day of the party with the tycoon’s rise to wealth and fame, from childhood in Asia Minor to old age, via Buenos Aires, New York, London and Paris, and the attempts of his young biographer to bring his subject’s true personality to light. The Birthday Party is at once fascinating, revealing and hilarious – a gripping novel that comments upon the art of biography and the invention of a human life.
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