Pamila Gupta takes a unique approach to examining decolonization processes across Lusophone India and Southern Africa, focusing on Goa, Mozambique, Angola and South Africa, weaving together case studies using five interconnected themes. Gupta considers decolonization through the twined lenses of history and ethnography, accessed through written, oral, visual and eyewitness accounts of how people experienced the transfer of state power. She looks at the materiality of decolonization as a movement of peoples across vast oceanic spaces, demonstrating how it was a process of dispossession for both the Portuguese formerly in power and ordinary colonial citizens and subjects. She then discusses the production of race and class anxieties during decolonization, which took on a variety of forms but were often articulated through material objects. The book aims to move beyond linear histories of colonial independence by connecting its various regions using the theme of decolonization, offering a productive and new approach to writing post-national histories and ethnographies. Finally, Gupta demonstrates the value of using different source materials to access narratives of decolonization, analyzing the work of Mozambican photographer Ricardo Rangel, and including lyrical prose and ethnographical observations. Portuguese Decolonization in the Indian Ocean World provides a nuanced understanding of Lusophone decolonization, revealing the perspectives of people who experienced it. This book will be highly valuable for historians of the Indian Ocean world and decolonization, but also those interested in ethnography, diaspora studies and material culture.
This book is a study of the complex nature of colonial and missionary power in Portuguese India. Written as a historical ethnography, it explores the evolving shape of a series of Catholic festivals that took place throughout the duration of Portuguese colonial rule in Goa (1510–1961), and for which the centrepiece was the 'incorrupt' corpse of São Francisco Xavier (1506–52), a Spanish Basque Jesuit missionary-turned-saint. Using distinct genres of source materials produced over the long duree of Portuguese colonialism, the book documents the historical and visual transformation of Xavier’s corporeal ritualisation in death through six events staged at critical junctures between 1554 and 1961. Xavier’s very mutability as a religious, political and cultural symbol in Portuguese India will also suggest his continuing role as a symbol of Goa’s shared past (for both Catholics and Hindus) and in shaping Goa’s culturally distinct representation within the larger Indian nation-state.
This Element looks at the relationship between heritage and design by way of a case study approach. It offers up ten distinct portraits of a range of heritage makers located in Goa, a place that has been predicated on its difference, both historical and cultural, from the rest of India. A former Portuguese colonial enclave (1510–1961) surrounded by what was formerly British India (1776–1947), the author attempts to read Goa's heritage as a form of place-ness, a source of inspiration for further design work that taps into the Goa of the twenty-first century. The series of portraits are visual, literary, and sensorial, and take the reader on a heritage tour through a design landscape of villages, markets, photography festivals, tailors and clothing, books, architecture, painting, and decorative museums. They do so in order to explore heritage futures as increasingly dependent on innovation, design, and the role of the individual.
This volume grapples with contemporary conspicuous consumption in Africa, its history and how it relates to the project of African modernity. The essays delve into the pleasures, stresses and challenges of consuming in its religious, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices and relations.
This book is a study of the complex nature of colonial and missionary power in Portuguese India. Written as a historical ethnography, it explores the evolving shape of a series of Catholic festivals that took place throughout the duration of Portuguese colonial rule in Goa (1510–1961), and for which the centrepiece was the 'incorrupt' corpse of São Francisco Xavier (1506–52), a Spanish Basque Jesuit missionary-turned-saint. Using distinct genres of source materials produced over the long duree of Portuguese colonialism, the book documents the historical and visual transformation of Xavier’s corporeal ritualisation in death through six events staged at critical junctures between 1554 and 1961. Xavier’s very mutability as a religious, political and cultural symbol in Portuguese India will also suggest his continuing role as a symbol of Goa’s shared past (for both Catholics and Hindus) and in shaping Goa’s culturally distinct representation within the larger Indian nation-state.
Pamila Gupta takes a unique approach to examining decolonization processes across Lusophone India and Southern Africa, focusing on Goa, Mozambique, Angola and South Africa, weaving together case studies using five interconnected themes. Gupta considers decolonization through the twined lenses of history and ethnography, accessed through written, oral, visual and eyewitness accounts of how people experienced the transfer of state power. She looks at the materiality of decolonization as a movement of peoples across vast oceanic spaces, demonstrating how it was a process of dispossession for both the Portuguese formerly in power and ordinary colonial citizens and subjects. She then discusses the production of race and class anxieties during decolonization, which took on a variety of forms but were often articulated through material objects. The book aims to move beyond linear histories of colonial independence by connecting its various regions using the theme of decolonization, offering a productive and new approach to writing post-national histories and ethnographies. Finally, Gupta demonstrates the value of using different source materials to access narratives of decolonization, analyzing the work of Mozambican photographer Ricardo Rangel, and including lyrical prose and ethnographical observations. Portuguese Decolonization in the Indian Ocean World provides a nuanced understanding of Lusophone decolonization, revealing the perspectives of people who experienced it. This book will be highly valuable for historians of the Indian Ocean world and decolonization, but also those interested in ethnography, diaspora studies and material culture.
This Element looks at the relationship between heritage and design by way of a case study approach. It offers up ten distinct portraits of a range of heritage makers located in Goa, a place that has been predicated on its difference, both historical and cultural, from the rest of India. A former Portuguese colonial enclave (1510–1961) surrounded by what was formerly British India (1776–1947), the author attempts to read Goa's heritage as a form of place-ness, a source of inspiration for further design work that taps into the Goa of the twenty-first century. The series of portraits are visual, literary, and sensorial, and take the reader on a heritage tour through a design landscape of villages, markets, photography festivals, tailors and clothing, books, architecture, painting, and decorative museums. They do so in order to explore heritage futures as increasingly dependent on innovation, design, and the role of the individual.
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