Thirtyish spinster and women's rights activist Sarah Donovan moves to 1876 Denver to be a Kansas Pacific telegrapher and meets prim widower Daniel Petterman, an undertaker.
Though Fort Randall is an isolated outpost in 1876, Miriam Longstreet finds life there far more complicated than she expected when she reluctantly returns from boarding school. Harriet, her haughty mother, is an explosive laudanum addict, her free-spirited sister runs wild, and her father seems too occupied with his duties as commanding officer to notice. Miriam's independent streak rebels at Harriet's insistence that she abide by the narrow rules of army social structure. Seeking self-reliance, Miriam is confronted with difficult choices that could change her destiny. Determined to prove her maturity then join her friend Sarah in Denver, Miriam soon realizes Harriet's volatile behavior endangers her sister, and she sets her plans aside. She meets Private Jake Deakins. Drawn to Jake's raw masculinity, Miriam is unable to resist verbally sparring with him. Their attraction deepens into friendship despite the possibility their familiarity could be construed as misconduct. When eligible Lt. Robert Wood shows interest in Miriam, it seems the perfect alternative. Unaware that Robert's sole motivation is advancing his career, Miriam welcomes his courting. But Jake has introduced Miriam to a world unencumbered by artificial social rules. Rebelling, she befriends a laundress, explores class differences, convinces her father to allow a mixed-class party, campaigns for an all-post school, and confronts her parents. Her growing passion with Jake leads them to take risks that could ruin Jake's career. Meanwhile, Robert and Harriet plot to manipulate Miriam into marriage and Robert volunteers Jake for special duty in a life-threatening Indian fight. As Robert and Harriet become increasingly more maniacal, Miriam and Jake realize they are in love. Together, they face a raging blizzard, the possibility of Jake's court-martial, Harriet's growing abusiveness, and Robert's escalating deception and violence. The life-and-death choices they face could change everything.
Sacrificing dreams and risking family, five women follow their husbands to an isolated Minnesota settlement. Struggling to survive, they develop resilience but none are prepared for the challenges they face when starving bands of Santee Sioux (Dakota) take up arms against the whites during the 1862 Dakota Conflict. Laura Duley left Indiana as a newlywed. Promised a perfect life, she endured years on the hostile frontier and the loss of family only to be taken captive by the Dakota. Independent and protective, Lavina Eastlick was shot, beaten, and left for dead after witnessing the death of several of her children. In the hope that two still survived, she stumbled miles to reach safety. Christina Koch was a headstrong German immigrant determined to make a new life in America. Challenging her captors at every turn, she finally escaped to safety. Almena Hurd, unwavering in her commitment to family, was already dealing with a missing husband when she was sent alone onto the prairie with two small children. She survived by carrying one, then returning for the other, a quarter mile at a time. Julia Wright, the honest, practical wife of an unscrupulous trader, used her language skills and understanding of the Dakota to help the captives during their ordeal, becoming so valuable that her captor refused to release her to her rescuers, the Yankton Sioux Fool Soldier Band. Their braided stories reveal a common will that allowed them to hold on no matter what and to never let go"--
Loin de son image de pin-up, Pamela raconte son histoire, celle d’un esprit libre qui rentre à la maison et se redécouvre à chaque tournant. Avec une prose vivante entrecoupée de poèmes, Pamela se confie sur les moments les plus extraordinaires et aussi les plus éprouvants de son incroyable histoire. Pamela Anderson, la naïade de la série TV Alerte à Malibu, était omniprésente dans les années 1990. Originaire de Vancouver, au Canada, Pamela a vécu une enfance difficile, durant laquelle elle a développé son amour profond pour la nature, peuplant son monde des animaux blessés du coin. En surmontant sa timidité naturelle et grâce à une imagination débordante, Pamela s’est finalement propulsée dans une vie de rêve, des plages de Malibu à la scène du Playboy Mansion. Au fur et à mesure que sa célébrité grandissait, elle s’est retrouvée dans les pages des tabloïds, à l’apogée d’une époque où les tactiques des paparazzi s’apparentaient à une véritable traque. « J’ai tendance à voir des diamants dans les morceaux de charbon de l’or dans le nickel. Je suis une alchimiste à attirer ces personnages fantastiques qui me détruisent systématiquement. »
Cooney's large body of work for adolescents defies easy classification. She has written award-winning adventure, suspense, romance, family, mystery, and historical fiction, as well as action-driven horror stories and a time-travel trilogy. Her purpose in some books, most notably horror like The Perfume, is just to encourage reluctant readers to enjoy literature. However, in her most serious and artistic books, Cooney relies on a source that is likely to surprise her readers: biblical stories and parables. For example, readers can find the seed of the idea that eventually became Whatever Happened to Janie in the story of King Solomon's wisdom when he was asked to decide which of two women, both of whom claimed to be mother of an infant, should be recognized as the true mother. The parable of the Good Samaritan provides a backdrop in several of Cooney's most successful novels. Cooney's understated use of biblical stories, and the way her Christian faith subtly informs her fiction, are explored in the book. The organization of the text reflects Cooney's major fiction categories: the "Janie" mysteries, romances, catastrophe novels, horror and suspense novels, the time travel trilogy, and her historical fiction. Representative books are discussed in detail within each chapter. Although most of the text is devoted to critical analysis of her literary work, and of the intersection of fiction and faith in her novels, Cooney's biography is also presented within the frame of her life as a single mother of grown children. The influences of her talents as an organist who played regularly for her church, the lessons she has learned from her children when they were teenagers, and life experiences that have led her to consider issues of race and gender, are examples of issues that are discussed. For children's and YA libraries and students of children's literature.
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