Take six romantic adventures back in time to the Middle Ages along with five authors including Tracie Peterson, who tell the stories of couples challenged by the injustices of their times. Some couples are pulled apart by wars and feuds, while others have their futures determined by their oppressors. Can a faith be found to keep hope alive and give joy in all circumstances?
Edith Wharton’s The House of Mirth (1905) is a sharp and satirical, but also sensitive and tragic analysis of a young, single woman trying to find her place in a materialistic and unforgiving society. The House of Mirth offers a fascinating insight into the culture of the time and, as suggested by the success of recent film adaptations, it is also an enduring tale of love, ambition and social pressures still relevant today. Including a selection of illustrations from the original magazine publication, which offers a unique insight to what the contemporary reader would have seen, this volume also provides: an accessible introduction to the text and contexts of The House of Mirth a critical history, surveying the many interpretations of the text from publication to the present a selection of new critical essays on the The House of Mirth, by Edie Thornton, Katherine Joslin, Janet Beer, Elizabeth Nolan, Kathy Fedorko and Pamela Knights, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The House of Mirth and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Wharton’s text.
Edith Wharton’s The House of Mirth (1905) is a sharp and satirical, but also sensitive and tragic analysis of a young, single woman trying to find her place in a materialistic and unforgiving society. The House of Mirth offers a fascinating insight into the culture of the time and, as suggested by the success of recent film adaptations, it is also an enduring tale of love, ambition and social pressures still relevant today. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The House of Mirth and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Wharton’s text.
Loin de son image de pin-up, Pamela raconte son histoire, celle d’un esprit libre qui rentre à la maison et se redécouvre à chaque tournant. Avec une prose vivante entrecoupée de poèmes, Pamela se confie sur les moments les plus extraordinaires et aussi les plus éprouvants de son incroyable histoire. Pamela Anderson, la naïade de la série TV Alerte à Malibu, était omniprésente dans les années 1990. Originaire de Vancouver, au Canada, Pamela a vécu une enfance difficile, durant laquelle elle a développé son amour profond pour la nature, peuplant son monde des animaux blessés du coin. En surmontant sa timidité naturelle et grâce à une imagination débordante, Pamela s’est finalement propulsée dans une vie de rêve, des plages de Malibu à la scène du Playboy Mansion. Au fur et à mesure que sa célébrité grandissait, elle s’est retrouvée dans les pages des tabloïds, à l’apogée d’une époque où les tactiques des paparazzi s’apparentaient à une véritable traque. « J’ai tendance à voir des diamants dans les morceaux de charbon de l’or dans le nickel. Je suis une alchimiste à attirer ces personnages fantastiques qui me détruisent systématiquement. »
Take six romantic adventures back in time to the Middle Ages along with five authors including Tracie Peterson, who tell the stories of couples challenged by the injustices of their times. Some couples are pulled apart by wars and feuds, while others have their futures determined by their oppressors. Can a faith be found to keep hope alive and give joy in all circumstances?
The glamour associated with knights in shining armour, colourful tournaments and heroic deeds appeal strongly to the modern imagination. However, few pieces of military dress and equipment have survived to provide direct insight into the way that war was waged in the Middle Ages. For a comprehensive view of the nature of medieval warfare we rely on written documentation and the information preserved in paintings, sculptures, carvings, and other pictorial sources. The most numerous by far of these are the miniatures and drawings found in manuscript books, partly because books tend to survive better that other artefacts and partly because many individual volumes contain multiple representations. Pamela Porter presents and describes a variety of evocative manuscript illuminations in an effort to reveal them as a source of information about military dress, equipment, and practices.
One of history’s greatest women, celebrated by her contemporaries, descendants, and biographers, now comes to life in this mesmerizing new novel by bestselling author Pamela Kaufman. In 1137, fifteen-year-old Eleanor became Duchess of Aquitaine, a wealthy and powerful province in the south of France. Rich and influential in her own right, her tumultuous marriages thrust Eleanor into the political and cultural spotlight, where she would remain for more than half a century. Still in her teens, young Eleanor of Aquitaine married Louis VII of France, a sickly religious fanatic so obsessed with fears of adultery that he kept his beautiful wife under lock and key, even forcing her to go on a long and dangerous crusade with him. But Eleanor was delighted by the freedom of the crusader’s life. Her handsome Aquitanian knights, her deeds on horseback, and her scandalous attire were the talk of Europe; it soon became clear that Louis’s young wife was more than he could handle. A lifelong rebel, Eleanor would defy her husband and the Church, and eventually strong-arm the Pope into annulling her unhappy marriage. Once free of Louis, Eleanor thought to marry Baron Rancon, her childhood love, but found herself forced into another political marriage, this time with a younger and more dangerous husband—Henry II of England, a ruthless soldier known throughout Europe as “the red star of malice.” In Henry Eleanor found a man whose iron will and political cunning matched her own, but the marriage was a bitter and brutal one, which escalated into open warfare when Eleanor backed their sons in an armed rebellion against Henry. Vowing revenge, he imprisoned her for fifteen years, hoping she would die in obscurity. But Eleanor would not go quietly. In prison, she wrote her memoir; this is Eleanor’s book.
looks behind the scenes at some of the most shocking and horrific things going on here inAmericastarting with the daytime assassination of President John F. Kennedy and the implications it serves up to the citizens of a free country.The author, Pamela Ray, along with James Files, former CIA/Mob hit man, the infamous grassy knoll shooter explore the truths behind some basic questions still lingering decades after the JFK assassination: Why was President Kennedy killed? Who benefited? Who had the power to cover it up? And more specifically Did Lee Harvey Oswald spend time with James Files the week beforeNovember 22, 1963?Why? Did Files and Oswald have the same CIA controller, David A. Phillips? Was there a military and CIA presence inDealeyPlazawhen the fatal shots were fired? What is the Military-Industrial-Complex and why were American citizens warned about it by President Eisenhower in his farewell address to the nation? Are some of the same players from 1963 involved in todays headlines? What does all this indicate? These questions and more will be looked at as Ray and Files discuss the events surrounding the fateful day inDallaswhen a whole new form of government took over.During the course ofInterview with History, the authors delve into other related shadowy underworld subjects where it is hard to tell where Organized Crime stops and the CIA (and otherU.S.government agencies) begin.
Medieval literature can be daunting. This critical guide is designed to help readers to relax in the company of diverting and entertaining voices from that 'other country' that is the past.Medieval Literature 1300-1500 offers close readings of Middle English texts placed within the culture with which they interact. Famous works, like The Canterbury Tales, are discussed alongside lesser-known poems, prose, and plays, in five thematically-organised chapters, accompanied by helpful critical apparatus. Reflecting the proliferation of user-friendly editions, many available on-line, this book extends the range of Middle English writing for which there is accessible up-to-date critical support, enabling the student, the general reader, the course designer, and the aspirant specialist, to read widely and with enjoyment in the medieval period.
Advertising and Cultural Politics in Global Times traces daringly transgressive convergences between cultural politics and global advertising media. It engages with a range of interpolations between cultural politics and advertising technologies including: the governmental rationality of neoliberal vistas, transgressive aesthetics and the cultural politics of representation, the political sign-economy of citizen branding, techno-political convergences between the social and political, and the marking of a new exciting geo-political terrain for cultural politics in global times. Tracing global advertising practices to the cultural politics commonly manifested in the postmodern political caesura of advertising, this book makes use of extensive case studies, whilst drawing on the work of Baudrillard, Giroux, Foucault, Castells and Latour to illustrate the manner in which advertising continues to revolutionize the political sphere. As such, it will be of interest to a range of readers across media studies, cultural studies and sociology.
Adsensory technology presupposes a neoliberal entrepreneurial self as an integral feature of its biopolitical financialisation of healthcare regimes. According to Michel Foucault, neoliberalism is indebted to the endeavour of its self-disciplined subjects, investing human capital in a self-regulated, entrepreneurial pursuit of responsible healthcare and well-being. Primarily informed by social network analytics and virtual ethnographic observations, this book identifies the biopolitical basis of adsensory technologies. It argues that a paradoxical feature of adsensory technologies dissimulating “that there is nothing” (Jean Baudrillard) is the proliferation of risk. This is because the dissimulation of nothing opens up the possibility that “everything can be a risk, in so far as the type of event it falls under can be treated according to the principles of insurance technology” (Francois Ewald). Adsensory wearable technologies are called upon as “a strategy of deterrence” (Jean Baudrillard) to indemnify capitalism’s production of signs which dissimulate their simulation. In a context in which much that was certain now feigns its own existence, the insurance professed by adsensory technologies provides for an unrealisable guarantee against indefinable unknowable risks. Based also on case studies of European Court of Justice personal finance insurance rulings, this book engages critically with the neoliberal construct of the entrepreneurial lifestyle insurance subject. Social network analytics are utilised here to map bio-technology onto neoliberal regimes of financialised well-being and healthcare provision. In so doing, the book situates adsensory technologies within the marketising healthcare management programmes that are currently aligning the neoliberal reengineering of health and well-being citizenship with the biopolitical healthcare financialisation of populations. Paradoxically, in their endeavour to actor network virtual well-being health communities, adsensory technologies proliferate the individuating marketised conditions of neoliberal self-regulating entrepreneurialism. This gives rise to aleatory materialist dialectics of financialised surveillance far exceeding the regulatory time and space modalities of Foucauldian panoptics and Mathiesen synoptics. Adsensory technologies are integral to a seismic transformation in the cultural economies of time presently eliding digital advertising and insurantial technologies. Axiomatic with the synchronic times of the adsensory technologies valorised by lifestyle insurance, much riskier asynchronic embodied times, transgressively dissimilating the limits of financialisation, are beginning to emerge.
The enchanting Alix of Wanthwaite returns in a suspenseful and richly textured adventure in which nothing less than the future of England is at stake. Alix is home at her beloved estate on the Scottish border when King Richard’s soldiers march into her castle and demand to take her to the Continent with them. King Richard has been captured while on Crusade, and Alix is among the nobles whose lives will be collateral for the king’s ransom. But when she’s delivered to Queen Eleanor of Aquitaine, Richard’s mother, she is dumbfounded to learn that the queen has other plans for her. King Richard needs an heir, Eleanor tells Alix. Repulsed by his queen, a homely religious fanatic, he has told his mother that the only woman he wants is the one he met on Crusade, when she was disguised as a boy. Richard wants Alix to be his mistress and the mother of the next Plantagenet king. Now a beguiling and irrepressible young woman, Alix faces more tribulations—and romance—on this trip to Europe, where affairs of the state and affairs of the heart are intricately intertwined.
The sixteen articles in this collection analyse the contribution made by overseas trade, and the wealth in coin which it created, to the development of the English economy and locate this in an European-wide setting. In time, they range from the late Anglo-Saxon period up to the advent of the Tudors. The papers include general surveys of the importance of coinage and credit in the rise and decline of a market economy, and of the way that credit functioned in a society that lacked reliable supplies of bullion and which was also subject to the scourges of warfare and devastating disease. They illustrate, too, how from the tenth century the English crown used its control and exploitation of the coinage as part of a sophisticated fiscal system which helped create the precocious power of the English state. The author further shows how the wool trade altered the geographical pattern of wealth and enriched peasants, landowners and merchants, while the competing interests involved in the trade also cause political conflicts in Parliament and in the government of London during the period when London was establishing itself as the political capital and the financial centre of the kingdom.
Illustrations drawn from medieval manuscripts provide insight into courtly love, the stylised and idealistic relationship between a chivalrous knight and his lady.
The first novel in the Alix of Wanthwaite series, by bestselling author Pamela Kaufman. Eleven-year-old Alix is the daughter of the baron of Wanthwaite, whose lands along the Scottish border are among the best in England. But when her family is killed and her lands seized, Alix is forced to flee from the only home she’s ever known. Her one hope of restoring her inheritance is to plead her case to King Richard the Lion Heart, who is far away in France, preparing to go on his Crusade. Alix resolves to follow him. She cuts her hair, dresses as a boy, and takes the road south to London. Disguised as a beautiful young boy, Alix is more than befriended by the handsome and mysterious King Richard, even becoming his favorite page. Their relationship sets tongues wagging and places Alix in considerable danger as the battle for Jerusalem unfolds. “Richly rewarding, superbly written... The richness of the characters, the historical details, and the story as a whole make this novel a memorable reading experience.”—Chicago Sun-Times
For decades, Pamela Kaufman has entertained a loyal readership with the mesmerizing and often hilarious adventures of Alix of Wanthwaite, madcap medieval beauty. In Shield of Three Lions, the unflappable Alix braved the crusades dressed as a man to spar with the king of England over her birthright. Banners of Gold saw her taken hostage, drawn into a web of international politics, and entangled in the heartstrings of three different men. Now, The Prince of Poison finds Alix homeward bound at last, with a half-royal child in tow and an angry monarch on her trail. Set amidst the pomp and savagery of twelfth-century Europe, the Alix of Wanthwaite trilogy renders a glorious mishmash of ruffians, peasants, troubadours, murderers, pretenders, barons, princesses, and popes in charming and disarming detail. Alix’s bawdy, free-wheeling narration wickedly lampoons historical notables like Richard the Lion Heart and Eleanor of Aquitaine, spinning the historical novel in a fresh direction. This guide is designed to enhance your group’s discussion of Alix’s escapades in The Prince of Poison.
One of history’s greatest women, celebrated by her contemporaries, descendants, and biographers, now comes to life in this mesmerizing new novel by bestselling author Pamela Kaufman. In 1137, fifteen-year-old Eleanor became Duchess of Aquitaine, a wealthy and powerful province in the south of France. Rich and influential in her own right, her tumultuous marriages thrust Eleanor into the political and cultural spotlight, where she would remain for more than half a century. Still in her teens, young Eleanor of Aquitaine married Louis VII of France, a sickly religious fanatic so obsessed with fears of adultery that he kept his beautiful wife under lock and key, even forcing her to go on a long and dangerous crusade with him. But Eleanor was delighted by the freedom of the crusader’s life. Her handsome Aquitanian knights, her deeds on horseback, and her scandalous attire were the talk of Europe; it soon became clear that Louis’s young wife was more than he could handle. A lifelong rebel, Eleanor would defy her husband and the Church, and eventually strong-arm the Pope into annulling her unhappy marriage. Once free of Louis, Eleanor thought to marry Baron Rancon, her childhood love, but found herself forced into another political marriage, this time with a younger and more dangerous husband—Henry II of England, a ruthless soldier known throughout Europe as “the red star of malice.” In Henry Eleanor found a man whose iron will and political cunning matched her own, but the marriage was a bitter and brutal one, which escalated into open warfare when Eleanor backed their sons in an armed rebellion against Henry. Vowing revenge, he imprisoned her for fifteen years, hoping she would die in obscurity. But Eleanor would not go quietly. In prison, she wrote her memoir; this is Eleanor’s book.
This beautifully illustrated volume, published in conjunction with a landmark exhibition at The Fan Museum, Greenwich, gathers together a marvellous group of over 40 fans and fan leaves dating from the reign of Louis XIV.In this fascinating book, daily life and times at the court of the 'Sun King', including well-known figures such as Madames de Montespan and Maintenon, as well as other royal and court figures, visiting dignitaries and national events, are discussed in considerable detail. Many scenes are set in the grounds of Versailles and these are identified by the author, whose impeccable research provides the gossip 'straight from the horse's mouth'. All this is presented in the vehicle of the folding fan, which rose to prominence under Louis XIV. He inspired subject matter for painted fan leaves, and moreover imposed strict etiquette at court involving the use (and non-use) of fans.
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