The tall ship Sofia sank off New Zealand’s North Island in February 1982, stranding its crew on disabled life rafts for five days. They struggled to survive as any realistic hope of rescue dwindled. Just a few years earlier, Pamela Sisman Bitterman was a naïve swabbie looking for adventure, signing on with a sailing co-operative taking this sixty-year-old, 123-foot, three-masted gaff-topsail schooner around the globe. The aged Baltic trader had been rescued from a wooden boat graveyard in Sweden and reincarnated as a floating commune in the 1960s. By the time Sofia went down, Bitterman had become an able seaman, promoted first to bos’un and then acting first mate, immersing herself in this life of a tall ship sailor, world traveler, and survivor.
The tall ship Sofia sank off New Zealand’s North Island in February 1982, stranding its crew on disabled life rafts for five days. They struggled to survive as any realistic hope of rescue dwindled. Just a few years earlier, Pamela Sisman Bitterman was a naïve swabbie looking for adventure, signing on with a sailing co-operative taking this sixty-year-old, 123-foot, three-masted gaff-topsail schooner around the globe. The aged Baltic trader had been rescued from a wooden boat graveyard in Sweden and reincarnated as a floating commune in the 1960s. By the time Sofia went down, Bitterman had become an able seaman, promoted first to bos’un and then acting first mate, immersing herself in this life of a tall ship sailor, world traveler, and survivor.
Muzungu, the Swahili word for white folk, translated literally means "confused person wandering about." During the author's months working and traveling through Kenya, this description fits her to a tee. Her audacious Kenyan adventure makes for a bucket load of anecdotes and impressions born of heart and hands-on experience-enough to knock your socks off. The devil in Africa is in the details, and Muzungu is there in the trenches - raw, down and dirty, unapologetic. The author witnesses religious elders morphing into villains, political leaders exposed as criminals, tribal chiefs engaging in forbidden rituals, disease obliterating a generation, dedicated missionaries at the ends of their ropes, and a country in violent revolt. Her husband is railroaded and sentenced to prison. Her co-worker, the author's stalwart bellwether for hard fact and unlikely personal guide into the shadowy underbelly of the country, ultimately commits suicide. She is present for a bizarre meeting between doctors and activists from President Bush's AIDS Relief Project. With these topics being ever-present on today's world stage, this is one story that is dying to get out there. The author's white skin and declaration that she is a writer become her free pass through each successive door and ticket to all events, bar none: in the hospital wards, surgery rooms, orphan clinics, homes, schools, villages, churches, government offices, during tribal ceremonies and throughout the commission of heinous crimes. The reader will meet an African mission's peculiar band of residents up close and personal, their unsparing good, bad and ugly. The author herself is not immune to this intense scrutiny. Quite the opposite, in fact. No pious filter softens this writer's lens. A living newsreel of realities informs the narrative. Candid conversations and interviews are recorded verbatim and in their entirety. The real "AIDS in Africa" will be disclosed. Western definition does not apply. In fact, the reader may come to realize that few concepts familiar to them can be applied in Kenya. The term "lost in translation" emerges as a gross understatement. Fellow volunteers who find themselves trapped in the foxholes during a horrific national political revolution witness and report from the front lines.Secret tribal rituals are described in graphic detail. Long-established cultural traditions are examined. Western religion's influence is dissected. Foreign intervention is challenged. History is revisited. Kenya is deconstructed. The reader is invited into a tiny school where the students create a children's picture book for the author in the hope that she can get it published for them in America. Vignettes from the Orphan Feeding Program and the Mobile Medical Clinic will break hearts. Tribal chiefs, church bishops, heads of Non-Governmental Organizations, leaders of Faith-Based Operations, representatives of all manner of self-righteous American and European groups desperate to leave their idealistic fingerprints on the continent, hold forth. Those with their fingers truly on the pulse of the people furiously demand to be heard as well. However, it is the locals themselves who provide the most unwaveringly transparent view of the Kenyans and their condition. Muzungu is complete with color photographs that will touch anyone who has ever had a financial, spiritual, anthropological, sociological or humanitarian interest in Africa, or those who are simply adventurers at heart. Unlike other books on the subject of Africa, this one is specific to the author's own uniquely personal experience with Kenya - too fantastic to be believed. Almost.
No one knows the story of Kenya better than the children who live it. I had the opportunity to travel to this country and become immersed with the families there. The result is a1500-word nonfiction picture book titled, "When This Is Over, I Will Go To School, And I Will Learn To Read" A Story of Hope and Friendship for One Young Kenyan Orphan. This true story of one little boy is told in his own words. While there are many books about Africa on the market, none are told from a child's point of view like this one. The children from the village created the book's illustrations. I asked these students to draw what represented family, love, happiness, sadness, fear and hope for them. I have powerful photographs of the children, the school, the village and the countryside, the hospital, the mobile clinic and orphan program. It is this truth that is certain to nudge the hearts and minds of parents, teachers and children everywhere.
Take six romantic adventures back in time to the Middle Ages along with five authors including Tracie Peterson, who tell the stories of couples challenged by the injustices of their times. Some couples are pulled apart by wars and feuds, while others have their futures determined by their oppressors. Can a faith be found to keep hope alive and give joy in all circumstances?
After a freak farm accident, twelve-year-old Emaline, dealing with her disability and the abandonment of her father, finds salvation in Angus--a patient from the local mental hospital who has been hired to work in their fields. Reprint.
Acquire a better understanding of disease evolution and treatment response with Neuroradiology Spectrum and Evolution of Disease. The unique format includes carefully chosen clinical images that depict the pathologic evolution of disease from initial presentation across the continuum of progression. Colorful graphics plot characteristic changes, helping you visualize how normal and abnormal variations alter over time. Extensive illustrations and concise descriptions distill complex concepts, making this first-of-its-kind resource an excellent tool for imaging interpretation and clinical problem solving. - Presents neurologic disease from a novel imaging perspective, emphasizing evolutionary development and pointing out patterns to recognize. - Provides a state-of-the-art understanding of image interpretation based on early, middle, and late imaging characteristics; typical and atypical variants; and pre-treatment, post-treatment, progression, and regression characteristics. - Guides you through the progression of disease with chronological indicators, additional clinical images and descriptions, and annotations that highlight atypical findings – for an easy-to-digest, visually memorable presentation. - Helps you correctly interpret specific imaging characteristics you have never seen, even when the disease process is one you are familiar with.
Many know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. When the news broke that Maier had recently died and had no surviving relatives, Maier shot to stardom almost overnight. Bannos contrasts Maier's life has been created, mostly by the men who have profited from her work. Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it.
Health Care Fraud: Enforcement and Compliance focuses on fraud and abuse issues involving health care providers as well as application of the laws governing fraud and abuse to manufacturers of drugs and medical devices and other non-providers such as medical researchers.
No one knows the story of Kenya better than the children who live it.I had the opportunity to travel to this country and become immersed with the families there. The result is a 1500-word nonfiction children's picture book containing over 70 unique and original color images, titled, "When This Is Over, I Will Go To School, And I Will Learn To Read: A Story of Hope and Friendship for One Young Kenyan Orphan."This true story of one little boy is told in his own words. It has already been awarded the First Prize from both Character Building Counts, and Sharp Writ Book Awards.While there are many books about Africa on the market, none are told from a child's point of view like this one.The children from the village created the book's illustrations. I asked these students to draw what represented family, love, happiness, sadness, fear and hope for them. I have also included powerful photographs of the children, the school, the village and the countryside, the hospital, the mobile clinic and orphan program.It is this truth that is certain to nudge the hearts and minds of parents, teachers and children everywhere.I have promised all proceeds from the sale of this book to the children of the tiny village school where the illustrations were created. They trust me. And they wait.
From the hardships of frontier life to the glitter and opulence of plantation balls, from the earliest settlers on St. Catherine's Creek through the Civil War and the Great Flood of 1885, here is a vibrant story of joy and sorrow, hope, faith, and courage that are the very heart and soul of Natchez.
Four-level English language-learning program. Provides middle and high school newcomers with the skills and strategies to improve proficiency in reading, writing, and grammar.
This thematically arranged anthology offers a wide-ranging and diverse collection of nonfiction readings -- to introduce readers to an exciting array of social issues relevant to their lives. It then Provides "Suggestions for Writing" that include both analytical and creative exercises. Includes 86 readings about eleven socially relevant themes: Growing Up and Growing Older, Education, Mass Culture, Gender, Race and Ethnicity, Money, Work, and Social Class, Science and Technology, Nature/The Environment, War, Protest and Change, Art and the Artist. Offers detailed Study and Discussion Questions that take readers through each reading from start to finish -- asking them to notice formal as well as thematic features. For those simply seeking a collection of non-fiction readings or for those looking to improve their writing and those involved in writing workshops.
Set in Indiana in the 1870s, this sensuous love story revolves around a schoolteacher with five adopted children and the Scottish/Shawnee trapper whom she shelters from the snow. Each moment Daniel spends with Elizabeth lessens the chance that he'll ever be able to wander free again.
No one knows the story of Kenya better than the children who live it. I had the opportunity to travel to this country and become immersed with the families there. The result is a1500-word nonfiction picture book titled, "When This Is Over, I Will Go To School, And I Will Learn To Read" A Story of Hope and Friendship for One Young Kenyan Orphan. This true story of one little boy is told in his own words. While there are many books about Africa on the market, none are told from a child's point of view like this one. The children from the village created the book's illustrations. I asked these students to draw what represented family, love, happiness, sadness, fear and hope for them. I have powerful photographs of the children, the school, the village and the countryside, the hospital, the mobile clinic and orphan program. It is this truth that is certain to nudge the hearts and minds of parents, teachers and children everywhere.
Muzungu, the Swahili word for white folk, translated literally means "confused person wandering about." During the author's months working and traveling through Kenya, this description fits her to a tee. Her audacious Kenyan adventure makes for a bucket load of anecdotes and impressions born of heart and hands-on experience-enough to knock your socks off. The devil in Africa is in the details, and Muzungu is there in the trenches - raw, down and dirty, unapologetic. The author witnesses religious elders morphing into villains, political leaders exposed as criminals, tribal chiefs engaging in forbidden rituals, disease obliterating a generation, dedicated missionaries at the ends of their ropes, and a country in violent revolt. Her husband is railroaded and sentenced to prison. Her co-worker, the author's stalwart bellwether for hard fact and unlikely personal guide into the shadowy underbelly of the country, ultimately commits suicide. She is present for a bizarre meeting between doctors and activists from President Bush's AIDS Relief Project. With these topics being ever-present on today's world stage, this is one story that is dying to get out there. The author's white skin and declaration that she is a writer become her free pass through each successive door and ticket to all events, bar none: in the hospital wards, surgery rooms, orphan clinics, homes, schools, villages, churches, government offices, during tribal ceremonies and throughout the commission of heinous crimes. The reader will meet an African mission's peculiar band of residents up close and personal, their unsparing good, bad and ugly. The author herself is not immune to this intense scrutiny. Quite the opposite, in fact. No pious filter softens this writer's lens. A living newsreel of realities informs the narrative. Candid conversations and interviews are recorded verbatim and in their entirety. The real "AIDS in Africa" will be disclosed. Western definition does not apply. In fact, the reader may come to realize that few concepts familiar to them can be applied in Kenya. The term "lost in translation" emerges as a gross understatement. Fellow volunteers who find themselves trapped in the foxholes during a horrific national political revolution witness and report from the front lines.Secret tribal rituals are described in graphic detail. Long-established cultural traditions are examined. Western religion's influence is dissected. Foreign intervention is challenged. History is revisited. Kenya is deconstructed. The reader is invited into a tiny school where the students create a children's picture book for the author in the hope that she can get it published for them in America. Vignettes from the Orphan Feeding Program and the Mobile Medical Clinic will break hearts. Tribal chiefs, church bishops, heads of Non-Governmental Organizations, leaders of Faith-Based Operations, representatives of all manner of self-righteous American and European groups desperate to leave their idealistic fingerprints on the continent, hold forth. Those with their fingers truly on the pulse of the people furiously demand to be heard as well. However, it is the locals themselves who provide the most unwaveringly transparent view of the Kenyans and their condition. Muzungu is complete with color photographs that will touch anyone who has ever had a financial, spiritual, anthropological, sociological or humanitarian interest in Africa, or those who are simply adventurers at heart. Unlike other books on the subject of Africa, this one is specific to the author's own uniquely personal experience with Kenya - too fantastic to be believed. Almost.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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